10 Best Famous Indolent Poems

Here is a collection of the top 10 all-time best famous Indolent poems. This is a select list of the best famous Indolent poetry. Reading, writing, and enjoying famous Indolent poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of indolent poems.

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The Albatross

by Charles Baudelaire
 Often, to amuse themselves, the crew of the ship
Would fell an albatross, the largest of sea birds,
Indolent companions of their trip
As they slide across the deep sea's bitters.

Scarcely had they dropped to the plank
Than these blue kings, maladroit and ashamed
Let their great white wings sink
Like an oar dragging under the water's plane.

The winged visitor, so awkward and weak!
So recently beautiful, now comic and ugly!
One sailor grinds a pipe into his beak,
Another, limping, mimics the infirm bird that once could fly.

The poet is like the prince of the clouds
Who haunts the storm and laughs at lightning.
He's exiled to the ground and its hooting crowds;
His giant wings prevent him from walking.

Casualty

by Seamus Heaney
 I

He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another rum
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.

Incomprehensible
To him, my other life.
Sometimes on the high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.

But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL. That Wednesday
Everyone held
His breath and trembled.

II

It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.

But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.

He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
'Now, you're supposed to be
An educated man,'
I hear him say. 'Puzzle me
The right answer to that one.'

III

I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse...
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
I was taken in his boat,
The screw purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond...

Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.

Melancholy

by Paul Verlaine
I am the Empire in the last of its decline, 
That sees the tall, fair-haired Barbarians pass,--the while 
Composing indolent acrostics, in a style 
Of gold, with languid sunshine dancing in each line.

The solitary soul is heart-sick with a vile 
Ennui. Down yon, they say, War's torches bloody shine. 
Alas, to be so faint of will, one must resign 
The chance of brave adventure in the splendid file,-

Of death, perchance! Alas, so lagging in desire! 
Ah, all is drunk! Bathyllus, has done laughing, pray? 
Ah, all is drunk,--all eaten! Nothing more to say!

Alone, a vapid verse one tosses in the fire; 
Alone, a somewhat thievish slave neglecting one; 
Alone, a vague disgust of all beneath the sun!

Hendecasyllabics

by Alfred Lord Tennyson
 O you chorus of indolent reviewers,
Irresponsible, indolent reviewers,
Look, I come to the test, a tiny poem
All composed in a metre of Catullus,
All in quantity, careful of my motion,
Like the skater on ice that hardly bears him,
Lest I fall unawares before the people,
Waking laughter in indolent reviewers.
Should I flounder awhile without a tumble
Thro' this metrification of Catullus,
They should speak to me not without a welcome,
All that chorus of indolent reviewers.
Hard, hard, hard it is, only not to tumble,
So fantastical is the dainty meter.
Wherefore slight me not wholly, nor believe me
Too presumptuous, indolent reviewers.
O blatant Magazines, regard me rather -
Since I blush to belaud myself a moment -
As some rare little rose, a piece of inmost
Horticultural art, or half-coquette-like
Maiden, not to be greeted unbenignly.

Camma

by Oscar Wilde
 (To Ellen Terry)

As one who poring on a Grecian urn
Scans the fair shapes some Attic hand hath made,
God with slim goddess, goodly man with maid,
And for their beauty's sake is loth to turn
And face the obvious day, must I not yearn
For many a secret moon of indolent bliss,
When in midmost shrine of Artemis
I see thee standing, antique-limbed, and stern?

And yet - methinks I'd rather see thee play
That serpent of old Nile, whose witchery
Made Emperors drunken, - come, great Egypt, shake
Our stage with all thy mimic pageants! Nay,
I am grown sick of unreal passions, make
The world thine Actium, me thine Anthony!

Morning Express

by Siegfried Sassoon
ALONG the wind-swept platform pinched and white 
The travellers stand in pools of wintry light 
Offering themselves to morn¡¯s long slanting arrows.
The train¡¯s due; porters trundle laden barrows.
The train steams in volleying resplendent clouds 5
Of sun-blown vapour. Hither and about 
Scared people hurry storming the doors in crowds.
The officials seem to waken with a shout 
Resolved to hoist and plunder; some to the vans
Leap; others rumble the milk in gleaming cans. 10
Boys indolent-eyed from baskets leaning back 
Question each face; a man with a hammer steals
Stooping from coach to coach; with clang and clack
Touches and tests and listens to the wheels.
Guard sounds a warning whistle points to the clock 15
With brandished flag and on his folded flock
Claps the last door: the monster grunts: ¡®Enough!¡¯
Tightening his load of links with pant and puff.
Under the arch then forth into blue day 
Glide the processional windows on their way 20
And glimpse the stately folk who sit at ease
To view the world like kings taking the seas
in prosperous weather: drifting banners tell
Their progress to the counties; with them goes
The clamour of their journeying; while those 25
Who sped them stand to wave a last farewell.

Little Ballads Of Timely Warning; III: On Laziness And Its Resultant Ills

by Ellis Parker Butler
 There was a man in New York City
(His name was George Adolphus Knight)
So soft of heart he wept with pity
To see our language and its plight.

He mourned to see it sorely goaded
With silent letters left and right;
These from his own name he unloaded
And wrote it Georg Adolfus Nit.

Six other men in that same city
Who longed to see a Spelling Heaven
Formed of themselves a strong committee
And asked Georg Nit to make it seven.

He joined the other six with pleasure,
Proud such important men to know,
Agreeing that their first great measure
Should be to shorten the word though.

But G. Adolfus Nit was lazy;
He dilly-dallied every day;
His life was dreamy, slow and hazy,
And indolent in every way.

On Monday morn at nine precisely
The six reformers (Nit not there)
Prepared to simplify though nicely,
And each was eager for his share.

Smith bit the h off short and ate it;
Griggs from the thoug chewed off the g;
Brown snapped off u to masticate it,
And tho alone was left for three.

Delancy’s teeth broke o off quickly;
From th Billings took his t,
And then the h, albeit prickly,
Was shortly swallowed by McGee.

This done, the six lay back in plenty,
Well fed, they picked their teeth and smiled,
And lazy Nit, about 10:20,
Strolled in, as careless as a child.

“Well, boys,” he said, “where’s the collation?
I’m hungry, let us eat some though.”
“All gone!” they said, and then Starvation,
(Who is not lazy) laid Nit low.

Nit trembled, gasped, and, as the phrase is,
Cashed in his checks, gave up his breath,
And turned his toes up to the daisies—
His laziness had caused his death!

 Warning

Spelling reformers should make haste.
If each reformer wants a taste.

Behind a Wall

by Amy Lowell
 I own a solace shut within my heart,
A garden full of many a quaint delight
And warm with drowsy, poppied sunshine; bright,
Flaming with lilies out of whose cups dart
Shining things
With powdered wings.
Here terrace sinks to terrace, arbors close
The ends of dreaming paths; a wanton wind
Jostles the half-ripe pears, and then, unkind,
Tumbles a-slumber in a pillar rose,
With content
Grown indolent.
By night my garden is o'erhung with gems
Fixed in an onyx setting. Fireflies
Flicker their lanterns in my dazzled eyes.
In serried rows I guess the straight, stiff stems
Of hollyhocks
Against the rocks.
So far and still it is that, listening,
I hear the flowers talking in the dawn;
And where a sunken basin cuts the lawn,
Cinctured with iris, pale and glistening,
The sudden swish
Of a waking fish.

Laziness

by Robert William Service
 Let laureates sing with rapturous swing
Of the wonder and glory of work;
Let pulpiteers preach and with passion impeach
The indolent wretches who shirk.
No doubt they are right: in the stress of the fight
It's the slackers who go to the wall;
So though it's my shame I perversely proclaim
It's fine to do nothing at all.

It's fine to recline on the flat of one's spine,
With never a thought in one's head:
It's lovely to le staring up at the sky
When others are earning their bread.
It's great to feel one with the soil and the sun,
Drowned deep in the grasses so tall;
Oh it's noble to sweat, pounds and dollars to get,
But - it's grand to do nothing at all.

So sing to the praise of the fellows who laze
Instead of lambasting the soil;
The vagabonds gay who lounge by the way,
Conscientious objectors to toil.
But lest you should think, by this spatter of ink,
The Muses still hold me in thrall,
I'll round out my rhyme, and (until the next time)
Work like hell - doing nothing at all.

Georgia Dusk

by Jean Toomer
 The sky, lazily disdaining to pursue
 The setting sun, too indolent to hold
 A lengthened tournament for flashing gold,
Passively darkens for night's barbecue, 

A feast of moon and men and barking hounds,
 An orgy for some genius of the South
 With blood-hot eyes and cane-lipped scented mouth,
Surprised in making folk-songs from soul sounds.

The sawmill blows its whistle, buzz-saws stop,
 And silence breaks the bud of knoll and hill,
 Soft settling pollen where plowed lands fulfill
Their early promise of a bumper crop.

Smoke from the pyramidal sawdust pile
 Curls up, blue ghosts of trees, tarrying low
 Where only chips and stumps are left to show
The solid proof of former domicile.

Meanwhile, the men, with vestiges of pomp,
 Race memories of king and caravan,
 High-priests, an ostrich, and a juju-man,
Go singing through the footpaths of the swamp.

Their voices rise . . the pine trees are guitars,
 Strumming, pine-needles fall like sheets of rain . .
 Their voices rise . . the chorus of the cane
Is caroling a vesper to the stars . .

O singers, resinous and soft your songs
 Above the sarcred whisper of the pines,
 Give virgin lips to cornfield concubines,
Bring dreams of Christ to dusky cane-lipped throngs.
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