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Best Famous Incredulous Poems

Here is a collection of the all-time best famous Incredulous poems. This is a select list of the best famous Incredulous poetry. Reading, writing, and enjoying famous Incredulous poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of incredulous poems.

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Written by Elizabeth Barrett Browning | Create an image from this poem

Grief

I TELL you hopeless grief is passionless; 
That only men incredulous of despair  
Half-taught in anguish through the midnight air 
Beat upward to God's throne in loud access 
Of shrieking and reproach. Full desertness 5 
In souls as countries lieth silent-bare 
Under the blanching vertical eye-glare 
Of the absolute Heavens. Deep-hearted man express 
Grief for thy Dead in silence like to death¡ª 
Most like a monumental statue set 10 
In everlasting watch and moveless woe 
Till itself crumble to the dust beneath. 
Touch it; the marble eyelids are not wet: 
If it could weep it could arise and go. 


Written by Robert Frost | Create an image from this poem

Brown's Descent

 Brown lived at such a lofty farm
 That everyone for miles could see
His lantern when he did his chores
 In winter after half-past three.

And many must have seen him make
 His wild descent from there one night,
’Cross lots, ’cross walls, ’cross everything,
 Describing rings of lantern light.

Between the house and barn the gale
 Got him by something he had on
And blew him out on the icy crust
 That cased the world, and he was gone!

Walls were all buried, trees were few:
 He saw no stay unless he stove
A hole in somewhere with his heel.
 But though repeatedly he strove

And stamped and said things to himself,
 And sometimes something seemed to yield,
He gained no foothold, but pursued
 His journey down from field to field.

Sometimes he came with arms outspread
 Like wings, revolving in the scene
Upon his longer axis, and
 With no small dignity of mien.

Faster or slower as he chanced,
 Sitting or standing as he chose,
According as he feared to risk
 His neck, or thought to spare his clothes,

He never let the lantern drop.
 And some exclaimed who saw afar
The figures he described with it,
 ”I wonder what those signals are

Brown makes at such an hour of night!
 He’s celebrating something strange.
I wonder if he’s sold his farm,
 Or been made Master of the Grange.”

He reeled, he lurched, he bobbed, he checked;
 He fell and made the lantern rattle
(But saved the light from going out.)
 So half-way down he fought the battle

Incredulous of his own bad luck.
 And then becoming reconciled
To everything, he gave it up
 And came down like a coasting child.

“Well—I—be—” that was all he said,
 As standing in the river road,
He looked back up the slippery slope
 (Two miles it was) to his abode.

Sometimes as an authority
 On motor-cars, I’m asked if I
Should say our stock was petered out,
 And this is my sincere reply:

Yankees are what they always were.
 Don’t think Brown ever gave up hope
Of getting home again because
 He couldn’t climb that slippery slope;

Or even thought of standing there
 Until the January thaw
Should take the polish off the crust.
 He bowed with grace to natural law,

And then went round it on his feet,
 After the manner of our stock;
Not much concerned for those to whom,
 At that particular time o’clock,

It must have looked as if the course
 He steered was really straight away
From that which he was headed for—
 Not much concerned for them, I say:

No more so than became a man—
 And politician at odd seasons.
I’ve kept Brown standing in the cold
 While I invested him with reasons;

But now he snapped his eyes three times;
 Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
 By road, a matter of several miles.
Written by Thomas Hardy | Create an image from this poem

Gods Funeral

 I 
I saw a slowly-stepping train --
Lined on the brows, scoop-eyed and bent and hoar --
Following in files across a twilit plain
A strange and mystic form the foremost bore.

II 
And by contagious throbs of thought
Or latent knowledge that within me lay
And had already stirred me, I was wrought
To consciousness of sorrow even as they.

III 
The fore-borne shape, to my blurred eyes,
At first seemed man-like, and anon to change
To an amorphous cloud of marvellous size,
At times endowed with wings of glorious range.

IV 
And this phantasmal variousness
Ever possessed it as they drew along:
Yet throughout all it symboled none the less
Potency vast and loving-kindness strong.

V 
Almost before I knew I bent
Towards the moving columns without a word;
They, growing in bulk and numbers as they went,
Struck out sick thoughts that could be overheard: --

VI 
'O man-projected Figure, of late
Imaged as we, thy knell who shall survive?
Whence came it we were tempted to create
One whom we can no longer keep alive?

VII 
'Framing him jealous, fierce, at first,
We gave him justice as the ages rolled,
Will to bless those by circumstance accurst,
And longsuffering, and mercies manifold.

VIII 
'And, tricked by our own early dream
And need of solace, we grew self-deceived,
Our making soon our maker did we deem,
And what we had imagined we believed,

IX 
'Till, in Time's stayless stealthy swing,
Uncompromising rude reality
Mangled the Monarch of our fashioning,
Who quavered, sank; and now has ceased to be.

X 
'So, toward our myth's oblivion,
Darkling, and languid-lipped, we creep and grope
Sadlier than those who wept in Babylon,
Whose Zion was a still abiding hope.

XI 
'How sweet it was in years far hied
To start the wheels of day with trustful prayer,
To lie down liegely at the eventide
And feel a blest assurance he was there!

XII 
'And who or what shall fill his place?
Whither will wanderers turn distracted eyes
For some fixed star to stimulate their pace
Towards the goal of their enterprise?'...

XIII 
Some in the background then I saw,
Sweet women, youths, men, all incredulous,
Who chimed as one: 'This is figure is of straw,
This requiem mockery! Still he lives to us!'

XIV 
I could not prop their faith: and yet
Many I had known: with all I sympathized;
And though struck speechless, I did not forget
That what was mourned for, I, too, once had prized.

XV 
Still, how to bear such loss I deemed
The insistent question for each animate mind,
And gazing, to my growing sight there seemed
A pale yet positive gleam low down behind,

XVI 
Whereof, to lift the general night,
A certain few who stood aloof had said,
'See you upon the horizon that small light --
Swelling somewhat?' Each mourner shook his head.

XVII 
And they composed a crowd of whom
Some were right good, and many nigh the best....
Thus dazed and puzzled 'twixt the gleam and gloom
Mechanically I followed with the rest.
Written by Henry Van Dyke | Create an image from this poem

New Years Eve

 I 

The other night I had a dream, most clear 
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer. 
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet. 


II 

The shadows flecked the elm-embowered street 
I knew so well, long, long ago;
And on the pillared porch where Marguerite 
Had sat with me, the moonlight lay like snow. 
But she, my comrade and my friend of youth, 
Most gaily wise,
Most innocently loved, --
She of the blue-grey eyes
That ever smiled and ever spoke the truth, --
From that familiar dwelling, where she moved 
Like mirth incarnate in the years before,
Had gone into the hidden house of Death.
I thought the garden wore
White mourning for her blessed innocence, 
And the syringa's breath
Came from the corner by the fence,
Where she had made her rustic seat,
With fragrance passionate, intense,
As if it breathed a sigh for Marguerite.
My heart was heavy with a sense
Of something good forever gone. I sought 
Vainly for some consoling thought,
Some comfortable word that I could say
To the sad father, whom I visited again
For the first time since she had gone away.
The bell rang shrill and lonely, -- then
The door was opened, and I sent my name
To him, -- but ah! 't was Marguerite who came! 

There in the dear old dusky room she stood 
Beneath the lamp, just as she used to stand,
In tender mocking mood.
"You did not ask for me," she said,
"And so I will not let you take my hand; 
"But I must hear what secret talk you planned 
"With father. Come, my friend, be good, 
"And tell me your affairs of state:
"Why you have stayed away and made me wait 
"So long. Sit down beside me here, --
"And, do you know, it seemed a year
"Since we have talked together, -- why so late?" 

Amazed, incredulous, confused with joy
I hardly dared to show,
And stammering like a boy,
I took the place she showed me at her side; 
And then the talk flowed on with brimming tide 
Through the still night,
While she with influence light
Controlled it, as the moon the flood.
She knew where I had been, what I had done, 
What work was planned, and what begun;
My troubles, failures, fears she understood, 
And touched them with a heart so kind,
That every care was melted from my mind,
And every hope grew bright,
And life seemed moving on to happy ends. 
(Ah, what self-beggared fool was he 
That said a woman cannot be 
The very best of friends?)
Then there were memories of old times, 
Recalled with many a gentle jest;
And at the last she brought the book of rhymes 
We made together, trying to translate
The Songs of Heine (hers were always best). 
"Now come," she said, 
"To-night we will collaborate 
"Again; I'll put you to the test. 
"Here's one I never found the way to do, --
"The simplest are the hardest ones, you know, -- 
"I give this song to you." 
And then she read:
Mein kind, wir waren Kinder,
Zei Kinder, jung und froh. 

* * * * * * * * * * 

But all the while a silent question stirred 
Within me, though I dared not speak the word: 
"Is it herself, and is she truly here,
"And was I dreaming when I heard
"That she was dead last year?
"Or was it true, and is she but a shade
"Who brings a fleeting joy to eye and ear, 
"Cold though so kind, and will she gently fade 
"When her sweet ghostly part is played
"And the light-curtain falls at dawn of day?"

But while my heart was troubled by this fear 
So deeply that I could not speak it out,
Lest all my happiness should disappear,
I thought me of a cunning way
To hide the question and dissolve the doubt. 
"Will you not give me now your hand,
"Dear Marguerite," I asked, "to touch and hold, 
"That by this token I may understand
"You are the same true friend you were of old?" 
She answered with a smile so bright and calm 
It seemed as if I saw new stars arise
In the deep heaven of her eyes;
And smiling so, she laid her palm
In mine. Dear God, it was not cold
But warm with vital heat!
"You live!" I cried, "you live, dear Marguerite!" 
Then I awoke; but strangely comforted, 
Although I knew again that she was dead. 


III 

Yes, there's the dream! And was it sweet or sad?
Dear mistress of my waking and my sleep, 
Present reward of all my heart's desire, 
Watching with me beside the winter fire, 
Interpret now this vision that I had.
But while you read the meaning, let me keep 
The touch of you: for the Old Year with storm 
Is passing through the midnight, and doth shake 
The corners of the house, -- man oh! my heart would break
Unless both dreaming and awake
My hand could feel your hand was warm, warm, warm!
Written by Ted Hughes | Create an image from this poem

The Owl

 I saw my world again through your eyes
As I would see it again through your children's eyes.
Through your eyes it was foreign.
Plain hedge hawthorns were peculiar aliens,
A mystery of peculiar lore and doings.
Anything wild, on legs, in your eyes
Emerged at a point of exclamation
As if it had appeared to dinner guests
In the middle of the table. Common mallards
Were artefacts of some unearthliness,
Their wooings were a hypnagogic film
Unreeled by the river. Impossible
To comprehend the comfort of their feet
In the freezing water. You were a camera
Recording reflections you could not fathom.
I made my world perform its utmost for you.
You took it all in with an incredulous joy
Like a mother handed her new baby
By the midwife. Your frenzy made me giddy.
It woke up my dumb, ecstatic boyhood
Of fifteen years before. My masterpiece
Came that black night on the Grantchester road.
I sucked the throaty thin woe of a rabbit
Out of my wetted knuckle, by a copse
Where a tawny owl was enquiring.
Suddenly it swooped up, splaying its pinions
Into my face, taking me for a post.


Written by Edwin Arlington Robinson | Create an image from this poem

Sainte-Nitouche

 Though not for common praise of him, 
Nor yet for pride or charity, 
Still would I make to Vanderberg 
One tribute for his memory: 

One honest warrant of a friend
Who found with him that flesh was grass— 
Who neither blamed him in defect 
Nor marveled how it came to pass; 

Or why it ever was that he— 
That Vanderberg, of all good men,
Should lose himself to find himself, 
Straightway to lose himself again. 

For we had buried Sainte-Nitouche, 
And he had said to me that night: 
“Yes, we have laid her in the earth,
But what of that?” And he was right. 

And he had said: “We have a wife, 
We have a child, we have a church; 
’T would be a scurrilous way out 
If we should leave them in the lurch.

“That’s why I have you here with me 
To-night: you know a talk may take 
The place of bromide, cyanide, 
Et cetera. For heaven’s sake, 

“Why do you look at me like that?
What have I done to freeze you so? 
Dear man, you see where friendship means 
A few things yet that you don’t know; 

“And you see partly why it is 
That I am glad for what is gone:
For Sainte-Nitouche and for the world 
In me that followed. What lives on— 

“Well, here you have it: here at home— 
For even home will yet return. 
You know the truth is on my side,
And that will make the embers burn. 

“I see them brighten while I speak, 
I see them flash,—and they are mine! 
You do not know them, but I do: 
I know the way they used to shine.

“And I know more than I have told 
Of other life that is to be: 
I shall have earned it when it comes, 
And when it comes I shall be free. 

“Not as I was before she came,
But farther on for having been 
The servitor, the slave of her— 
The fool, you think. But there’s your sin— 

“Forgive me!—and your ignorance: 
Could you but have the vision here
That I have, you would understand 
As I do that all ways are clear 

“For those who dare to follow them 
With earnest eyes and honest feet. 
But Sainte-Nitouche has made the way
For me, and I shall find it sweet. 

“Sweet with a bitter sting left?—Yes, 
Bitter enough, God knows, at first; 
But there are more steep ways than one 
To make the best look like the worst;

“And here is mine—the dark and hard, 
For me to follow, trust, and hold: 
And worship, so that I may leave 
No broken story to be told. 

“Therefore I welcome what may come,
Glad for the days, the nights, the years.”— 
An upward flash of ember-flame 
Revealed the gladness in his tears. 

“You see them, but you know,” said he, 
“Too much to be incredulous:
You know the day that makes us wise, 
The moment that makes fools of us. 

“So I shall follow from now on 
The road that she has found for me: 
The dark and starry way that leads
Right upward, and eternally. 

“Stumble at first? I may do that; 
And I may grope, and hate the night; 
But there’s a guidance for the man 
Who stumbles upward for the light,

“And I shall have it all from her, 
The foam-born child of innocence. 
I feel you smiling while I speak, 
But that’s of little consequence; 

“For when we learn that we may find
The truth where others miss the mark, 
What is it worth for us to know 
That friends are smiling in the dark? 

“Could we but share the lonely pride 
Of knowing, all would then be well;
But knowledge often writes itself 
In flaming words we cannot spell. 

“And I, who have my work to do, 
Look forward; and I dare to see, 
Far stretching and all mountainous,
God’s pathway through the gloom for me.” 

I found so little to say then 
That I said nothing.—“Say good-night,” 
Said Vanderberg; “and when we meet 
To-morrow, tell me I was right.

“Forget the dozen other things 
That you have not the faith to say; 
For now I know as well as you 
That you are glad to go away.” 

I could have blessed the man for that,
And he could read me with a smile: 
“You doubt,” said he, “but if we live 
You’ll know me in a little while.” 

He lived; and all as he foretold, 
I knew him—better than he thought:
My fancy did not wholly dig 
The pit where I believed him caught. 

But yet he lived and laughed, and preached, 
And worked—as only players can: 
He scoured the shrine that once was home
And kept himself a clergyman. 

The clockwork of his cold routine 
Put friends far off that once were near; 
The five staccatos in his laugh 
Were too defensive and too clear;

The glacial sermons that he preached 
Were longer than they should have been; 
And, like the man who fashioned them, 
The best were too divinely thin. 

But still he lived, and moved, and had
The sort of being that was his, 
Till on a day the shrine of home 
For him was in the Mysteries:— 

“My friend, there’s one thing yet,” said he, 
“And one that I have never shared
With any man that I have met; 
But you—you know me.” And he stared 

For a slow moment at me then 
With conscious eyes that had the gleam, 
The shine, before the stroke:—“You know
The ways of us, the way we dream: 

“You know the glory we have won, 
You know the glamour we have lost; 
You see me now, you look at me,— 
And yes, you pity me, almost;

“But never mind the pity—no, 
Confess the faith you can’t conceal; 
And if you frown, be not like one 
Of those who frown before they feel. 

“For there is truth, and half truth,—yes,
And there’s a quarter truth, no doubt; 
But mine was more than half.… You smile? 
You understand? You bear me out? 

“You always knew that I was right— 
You are my friend—and I have tried
Your faith—your love.”—The gleam grew small, 
The stroke was easy, and he died. 

I saw the dim look change itself 
To one that never will be dim; 
I saw the dead flesh to the grave,
But that was not the last of him. 

For what was his to live lives yet: 
Truth, quarter truth, death cannot reach; 
Nor is it always what we know 
That we are fittest here to teach.

The fight goes on when fields are still, 
The triumph clings when arms are down; 
The jewels of all coronets 
Are pebbles of the unseen crown; 

The specious weight of loud reproof
Sinks where a still conviction floats; 
And on God’s ocean after storm 
Time’s wreckage is half pilot-boats; 

And what wet faces wash to sight 
Thereafter feed the common moan:—
But Vanderberg no pilot had, 
Nor could have: he was all alone. 

Unchallenged by the larger light 
The starry quest was his to make; 
And of all ways that are for men,
The starry way was his to take. 

We grant him idle names enough 
To-day, but even while we frown 
The fight goes on, the triumph clings, 
And there is yet the unseen crown

But was it his? Did Vanderberg 
Find half truth to be passion’s thrall, 
Or as we met him day by day, 
Was love triumphant, after all? 

I do not know so much as that;
I only know that he died right: 
Saint Anthony nor Sainte-Nitouche 
Had ever smiled as he did—quite.
Written by Ted Hughes | Create an image from this poem

Bride and Groom Lie Hidden for Three Days

 She gives him his eyes, she found them
Among some rubble, among some beetles

He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment

She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her

He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous

Now she has brought his feet, she is connecting them
So that his whole body lights up

And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it

They keep taking each other to the sun, they find they can easily
To test each new thing at each new step

And now she smoothes over him the plates of his skull
So that the joints are invisible

And now he connects her throat, her breasts and the pit of her stomach
With a single wire

She gives him his teeth, tying the the roots to the centrepin of his body

He sets the little circlets on her fingertips

She stiches his body here and there with steely purple silk

He oils the delicate cogs of her mouth

She inlays with deep cut scrolls the nape of his neck

He sinks into place the inside of her thighs

So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
Written by Edwin Arlington Robinson | Create an image from this poem

Why He Was There

 Much as he left it when he went from us
Here was the room again where he had been
So long that something oh him should be seen,
Or felt—and so it was. Incredulous,
I turned about, loath to be greeted thus,
And there he was in his old chair, serene
As ever, and as laconic as lean
As when he lived, and as cadaverous.

Calm as he was of old when we were young,
He sat there gazing at the pallid flame
Before him. "And how far will this go on?"
I thought. He felt the failure of my tongue,
And smiled: "I was not here until you came;
And I shall not be here when you are gone."
Written by Emily Dickinson | Create an image from this poem

Her face was in a bed of hair

 Her face was in a bed of hair,
Like flowers in a plot --
Her hand was whiter than the sperm
That feeds the sacred light.
Her tongue more tender than the tune
That totters in the leaves --
Who hears may be incredulous,
Who witnesses, believes.
Written by Emily Dickinson | Create an image from this poem

Like eyes that looked on Wastes

 Like eyes that looked on Wastes --
Incredulous of Ought
But Blank -- and steady Wilderness --
Diversified by Night --

Just Infinites of Nought --
As far as it could see --
So looked the face I looked upon --
So looked itself -- on Me --

I offered it no Help --
Because the Cause was Mine --
The Misery a Compact
As hopeless -- as divine --

Neither -- would be absolved --
Neither would be a Queen
Without the Other -- Therefore --
We perish -- tho' We reign --

Book: Reflection on the Important Things