Written by
William Shakespeare |
Sigh no more, ladies, sigh no more,
Men were deceivers ever;
One foot in sea, and one on shore,
To one thing constant never.
Then sigh not so,
But let them go,
And be you blith and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
Sing no more ditties, sing no mo
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leavy.
Then sigh not so,
But let them go,
And be you blith and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
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Written by
Charles Bukowski |
the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.
there's no chance
at all:
we are all trapped
by a singular
fate.
nobody ever finds
the one.
the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill
nothing else
fills.
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Written by
Robinson Jeffers |
When the sun shouts and people abound
One thinks there were the ages of stone and the age of
bronze
And the iron age; iron the unstable metal;
Steel made of iron, unstable as his mother; the tow-
ered-up cities
Will be stains of rust on mounds of plaster.
Roots will not pierce the heaps for a time, kind rains
will cure them,
Then nothing will remain of the iron age
And all these people but a thigh-bone or so, a poem
Stuck in the world's thought, splinters of glass
In the rubbish dumps, a concrete dam far off in the
mountain...
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Written by
Allen Ginsberg |
I hope my good old ******* holds out
60 years it's been mostly OK
Tho in Bolivia a fissure operation
survived the altiplano hospital--
a little blood, no polyps, occasionally
a small hemorrhoid
active, eager, receptive to phallus
coke bottle, candle, carrot
banana & fingers -
Now AIDS makes it shy, but still
eager to serve -
out with the dumps, in with the condom'd
orgasmic friend -
still rubbery muscular,
unashamed wide open for joy
But another 20 years who knows,
old folks got troubles everywhere -
necks, prostates, stomachs, joints--
Hope the old hole stays young
till death, relax
March 15, 1986, 1:00 PM
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Written by
Andrew Barton Paterson |
Oh the airman's game is a showman's game, for we all of us watch him go
With his roaring soaring aeroplane and his bombs for the blokes below,
Over the railways and over the dumps, over the Hun and the Turk,
You'll hear him mutter, "What ho, she bumps," when the Archies get to work.
But not of him is the song I sing, though he follow the eagle's flight,
And with shrapnel holes in his splintered wing comes home to his roost at night.
He may silver his wings on the shining stars, he may look from the throne on high,
He may follow the flight of the wheeling kite in the blue Egyptian sky,
But he's only a hero built to plan, turned out by the Army schools,
And I sing of the rankless, thankless man who hustles the Army mules.
Now where he comes from and where he lives is a mystery dark and dim,
And it's rarely indeed that the General gives a D.S.O. to him.
The stolid infantry digs its way like a mole in a ruined wall;
The cavalry lends a tone, they say, to what were else but a brawl;
The Brigadier of the Mounted Fut like a cavalry Colonel swanks
When he goeth abroad like a gilded nut to receive the General's thanks;
The Ordnance man is a son of a gun and his lists are a standing joke;
You order, "Choke arti Jerusalem one" for Jerusalem artichoke.
The Medicals shine with a number nine, and the men of the great R.E.,
Their Colonels are Methodist, married or mad, and some of them all the three;
In all these units the road to fame is taught by the Army schools,
But a man has got to be born to the game when he tackles the Army mules.
For if you go where the depots are as the dawn is breaking grey,
By the waning light of the morning star as the dust cloud clears away,
You'll see a vision among the dust like a man and a mule combined --
It's the kind of thing you must take on trust for its outlines aren't defined,
A thing that whirls like a spinning top and props like a three legged stool,
And you find its a long-legged Queensland boy convincing an Army mule.
And the rider sticks to the hybrid's hide like paper sticks to a wall,
For a "magnoon" Waler is next to ride with every chance of a fall,
It's a rough-house game and a thankless game, and it isn't a game for a fool,
For an army's fate and a nation's fame may turn on an Army mule.
And if you go to the front-line camp where the sleepless outposts lie,
At the dead of night you can hear the tramp of the mule train toiling by.
The rattle and clink of a leading-chain, the creak of the lurching load,
As the patient, plodding creatures strain at their task in the shell-torn road,
Through the dark and the dust you may watch them go till the dawn is grey in the sky,
And only the watchful pickets know when the "All-night Corps" goes by.
And far away as the silence falls when the last of the train has gone,
A weary voice through the darkness: "Get on there, men, get on!"
It isn't a hero, built to plan, turned out by the modern schools,
It's only the Army Service man a-driving his Army mules.
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Written by
Ellis Parker Butler |
To be a great musician you must be a man of moods,
You have to be, to understand sonatas and etudes.
To execute pianos and to fiddle with success,
With sympathy and feeling you must fairly effervesce;
It was so with Paganini, Remenzi and Cho-pang,
And so it was with Peterkin Von Gabriel O’Lang.
Monsieur O’Lang had sympathy to such a great degree.
No virtuoso ever lived was quite so great as he;
He was either very happy or very, very sad;
He was always feeling heavenly or oppositely bad;
In fact, so sympathetic that he either must enthuse
Or have the dumps; feel ecstacy or flounder in the blues.
So all agreed that Peterkin Von Gabriel O’Lang
Was the greatest violinist in the virtuoso gang.
The ladies bought his photographs and put them on the shelves
In the place of greatest honor, right beside those of themselves;
They gladly gave ten dollars for a stiff backed parquette chair.
And sat in mouth-wide happiness a-looking at his hair.
I say “a looking at his hair,” I mean just what I say,
For no one ever had a chance to hear P. O’Lang play;
So subtle was his sympathy, so highly strung was he,
His moods were barometric to the very last degree;
The slightest change of weather would react upon his brain,
And fill his soul with joyousness or murder it with pain.
And when his soul was troubled he had not the heart to play.
But let his head droop sadly down in such a soulful way,
That every one that saw him declared it was worth twice
(And some there were said three times) the large admission price;
And all were quite unanimous and said it would be crude
For such a man to fiddle when he wasn’t in the mood.
But when his soul was filled with joy he tossed his flowing hair
And waved his violin-bow in great circles in the air;
Ecstaticly he flourished it, for so his spirit thrilled,
Thus only could he show the joy with which his heart was filled;
And so he waved it up and down and ’round and out and in,—
But he never, never, NEVER touched it to his violin!
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Written by
Rudyard Kipling |
It was an artless Bandar, and he danced upon a pine,
And much I wondered how he lived, and where the beast might dine,
And many, many other things, till, o'er my morning smoke,
I slept the sleep of idleness and dreamt that Bandar spoke.
He said: "O man of many clothes! Sad crawler on the Hills!
Observe, I know not Ranken's shop, nor Ranken's monthly bills;
I take no heed to trousers or the coats that you call dress;
Nor am I plagued with little cards for little drinks at Mess.
"I steal the bunnia's grain at morn, at noon and eventide,
(For he is fat and I am spare), I roam the mountain side,
I follow no man's carriage, and no, never in my life
Have I flirted at Peliti's with another Bandar's wife.
"O man of futile fopperies -- unnecessary wraps;
I own no ponies in the hills, I drive no tall-wheeled traps;
I buy me not twelve-button gloves, 'short-sixes' eke, or rings,
Nor do I waste at Hamilton's my wealth on 'pretty things.'
"I quarrel with my wife at home, we never fight abroad;
But Mrs. B. has grasped the fact I am her only lord.
I never heard of fever -- dumps nor debts depress my soul;
And I pity and despise you!" Here he pouched my breakfast-roll.
His hide was very mangy, and his face was very red,
And ever and anon he scratched with energy his head.
His manners were not always nice, but how my spirit cried
To be an artless Bandar loose upon the mountain side!
So I answered: "Gentle Bandar, and inscrutable Decree
Makes thee a gleesome fleasome Thou, and me a wretched Me.
Go! Depart in peace, my brother, to thy home amid the pine;
Yet forget not once a mortal wished to change his lot for thine."
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Written by
Rg Gregory |
i take my property with me says the snail
slow-moving (yes) but packed with sublime thought
the house upon its back some kind of grail
vulnerable to brute boot - and wisdom bought
by barely making it through life’s dull crawl
the pace of it denies technology’s demand
that speed be safety (that getting there is all)
the snail enjoys being aeon’s ampersand
the snail goes round and round and comes out where
it is the king of spirals as life whirls by
the turning earth and snail leave nothing spare
as step by step the future gives the lie
to rushing dreams and blood’s inflated wants
it’s the crawling turn of life that plays the trumps
the snail’s the joke - the spiral wraps the taunts
(the linear hurls) back round itself – and dumps
vainglory pride ambition overweened
into the snail’s path as fodder to be gnashed
(transmutable to slime) and once more greened
(in time’s course) for hope to be re-stashed
as cosmos and the throbbing crumb of dirt
share each other’s suits and blindly will
a raw transfiguration to assert
what wasn’t is - then this the only skill
as plodding snail and spiralling through space
unite in common pattern (daily blent)
to tie truth down to gastropodic pace
and who goes faster loses what is meant
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Written by
Carl Sandburg |
THE PEACE of great doors be for you.
Wait at the knobs, at the panel oblongs.
Wait for the great hinges.
The peace of great churches be for you,
Where the players of loft pipe organs
Practice old lovely fragments, alone.
The peace of great books be for you,
Stains of pressed clover leaves on pages,
Bleach of the light of years held in leather.
The peace of great prairies be for you.
Listen among windplayers in cornfields,
The wind learning over its oldest music
The peace of great seas be for you.
Wait on a hook of land, a rock footing
For you, wait in the salt wash.
The peace of great mountains be for you,
The sleep and the eyesight of eagles,
Sheet mist shadows and the long look across.
The peace of great hearts be for you,
Valves of the blood of the sun,
Pumps of the strongest wants we cry.
The peace of great silhouettes be for you,
Shadow dancers alive in your blood now,
Alive and crying, “Let us out, let us out.”
The peace of great changes be for you.
Whisper, Oh beginners in the hills.
Tumble, Oh cubs—to-morrow belongs to you.
The peace of great loves be for you.
Rain, soak these roots; wind, shatter the dry rot.
Bars of sunlight, grips of the earth, hug these.
The peace of great ghosts be for you,
Phantoms of night-gray eyes, ready to go
To the fog-star dumps, to the fire-white doors.
Yes, the peace of great phantoms be for you,
Phantom iron men, mothers of bronze,
Keepers of the lean clean breeds.
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Written by
Edmund Spenser |
SO oft as homeward I from her depart,
I goe lyke one that hauing lost the field:
is prisoner led away with heauy hart,
despoyld of warlike armes and knowen shield.
So doe I now my selfe a prisoner yeeld,
to sorrow and to solitary paine:
from presence of my dearest deare exylde,
longwhile alone in languor to remaine.
There let no thought of ioy or pleasure vaine,
dare to approch, that may my solace breed:
but sudden dumps and drery sad disdayne,
of all worlds gladnesse more my torment feed.
So I her absens will my penaunce make,
that of her presens I my meed may take.
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