Written by
Adrienne Rich |
the quality of being complete; unbroken condition; entirety
~ Webster
A wild patience has taken me this far
as if I had to bring to shore
a boat with a spasmodic outboard motor
old sweaters, nets, spray-mottled books
tossed in the prow
some kind of sun burning my shoulder-blades.
Splashing the oarlocks. Burning through.
Your fore-arms can get scalded, licked with pain
in a sun blotted like unspoken anger
behind a casual mist.
The length of daylight
this far north, in this
forty-ninth year of my life
is critical.
The light is critical: of me, of this
long-dreamed, involuntary landing
on the arm of an inland sea.
The glitter of the shoal
depleting into shadow
I recognize: the stand of pines
violet-black really, green in the old postcard
but really I have nothing but myself
to go by; nothing
stands in the realm of pure necessity
except what my hands can hold.
Nothing but myself?....My selves.
After so long, this answer.
As if I had always known
I steer the boat in, simply.
The motor dying on the pebbles
cicadas taking up the hum
dropped in the silence.
Anger and tenderness: my selves.
And now I can believe they breathe in me
as angels, not polarities.
Anger and tenderness: the spider's genius
to spin and weave in the same action
from her own body, anywhere --
even from a broken web.
The cabin in the stand of pines
is still for sale. I know this. Know the print
of the last foot, the hand that slammed and locked the door,
then stopped to wreathe the rain-smashed clematis
back on the trellis
for no one's sake except its own.
I know the chart nailed to the wallboards
the icy kettle squatting on the burner.
The hands that hammered in those nails
emptied that kettle one last time
are these two hands
and they have caught the baby leaping
from between trembling legs
and they have worked the vacuum aspirator
and stroked the sweated temples
and steered the boat there through this hot
misblotted sunlight, critical light
imperceptibly scalding
the skin these hands will also salve.
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Written by
Yves Bonnefoy |
Passer-by, these are words. But instead of reading
I want you to listen: to this frail
Voice like that of letters eaten by grass.
Lend an ear, hear first of all the happy bee
Foraging in our almost rubbed-out names.
It flits between two sprays of leaves,
Carrying the sound of branches that are real
To those that filigree the still unseen.
Then know an even fainter sound, and let it be
The endless murmuring of all our shades.
Their whisper rises from beneath the stones
To fuse into a single heat with that blind
Light you are as yet, who can still gaze.
May your listening be good! Silence
Is a threshold where a twig breaks in your hand,
Imperceptibly, as you attempt to disengage
A name upon a stone:
And so our absent names untangle your alarms.
And for you who move away, pensively,
Here becomes there without ceasing to be.
|
Written by
Emily Dickinson |
As imperceptibly as Grief
The Summer lapsed away --
Too imperceptible at last
To seem like Perfidy --
A Quietness distilled
As Twilight long begun,
Or Nature spending with herself
Sequestered Afternoon --
The Dusk drew earlier in --
The Morning foreign shone --
A courteous, yet harrowing Grace,
As Guest, that would be gone --
And thus, without a Wing
Or service of a Keel
Our Summer made her light escape
Into the Beautiful.
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Written by
Constantine P Cavafy |
Without consideration, without pity, without shame
they have built great and high walls around me.
And now I sit here and despair.
I think of nothing else: this fate gnaws at my mind;
for I had many things to do outside.
Ah why did I not pay attention when they were building the walls.
But I never heard any noise or sound of builders.
Imperceptibly they shut me from the outside world.
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Written by
Arthur Symons |
Twitched strings, the clang of metal, beaten drums,
Dull, shrill, continuous, disquieting:
And now the stealthy dancer comes
Undulantly with cat-like steps that cling;
Smiling between her painted lids a smile,
Motionless, unintelligible, she twines
Her fingers into mazy lines,
The scarves across her fingers twine the while.
One, two, three, four glide forth, and, to and fro,
Delicately and imperceptibly,
Now swaying gently in a row,
Now interthreading slow and rhythmically,
Still, with fixed eyes, monotonously still,
Mysteriously, with smiles inanimate,
With lingering feet that undulate,
With sinuous fingers, spectral hands that thrill
In measure while the gnats of music whirr,
The little amber-coloured dancers move,
Like painted idols seen to stir
By the idolators in a magic grove.
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Written by
T Wignesan |
Full pummelling fisticuffs
Stitch over stitch
In and out
Imperceptibly kaleidoscopic
Swirling from ear to ear
Sporadic
Thrumming mystical notes
Notes of whisper
Whisper in the ear
Now a bothered swish of clawing
Cleaving slipping fingers
Immalleable rolling universal ball
Microcosmic needle into
Macrocosmic wool all
Silently thudding kneading pulling
Sealing a sin all opened unforgiven
Eternally whispering to a few
And never really heard
Pummelling sewing the invisible centre
Round and round the darkless sun
Only the end that began
Only a scratch and a bother
What bother to scratch
For scratching bothers
Bothers a scratch
Scratch and not to bother
Scratch Scratch Scratch
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