Written by
William Carlos (WCW) Williams |
A middle-northern March, now as always—
gusts from the South broken against cold winds—
but from under, as if a slow hand lifted a tide,
it moves—not into April—into a second March,
the old skin of wind-clear scales dropping
upon the mold: this is the shadow projects the tree
upward causing the sun to shine in his sphere.
So we will put on our pink felt hat—new last year!
—newer this by virtue of brown eyes turning back
the seasons—and let us walk to the orchid-house,
see the flowers will take the prize tomorrow
at the Palace.
Stop here, these are our oleanders.
When they are in bloom—
You would waste words
It is clearer to me than if the pink
were on the branch.
It would be a searching in
a colored cloud to reveal that which now, huskless,
shows the very reason for their being.
And these the orange-trees, in blossom—no need
to tell with this weight of perfume in the air.
If it were not so dark in this shed one could better
see the white.
It is that very perfume
has drawn the darkness down among the leaves.
Do I speak clearly enough?
It is this darkness reveals that which darkness alone
loosens and sets spinning on waxen wings—
not the touch of a finger-tip, not the motion
of a sigh.
A too heavy sweetness proves
its own caretaker.
And here are the orchids!
Never having seen
such gaiety I will read these flowers for you:
This is an odd January, died—in Villon's time.
Snow, this is and this the stain of a violet
grew in that place the spring that foresaw its own doom.
And this, a certain July from Iceland:
a young woman of that place
breathed it toward the South.
It took root there.
The color ran true but the plant is small.
This falling spray of snow-flakes is
a handful of dead Februaries
prayed into flower by Rafael Arevalo Martinez
of Guatemala.
Here's that old friend who
went by my side so many years: this full, fragile
head of veined lavender.
Oh that April
that we first went with our stiff lusts
leaving the city behind, out to the green hill—
May, they said she was.
A hand for all of us:
this branch of blue butterflies tied to this stem.
June is a yellow cup I'll not name; August
the over-heavy one.
And here are—
russet and shiny, all but March.
And March?
Ah, March—
Flowers are a tiresome pastime.
One has a wish to shake them from their pots
root and stem, for the sun to gnaw.
Walk out again into the cold and saunter home
to the fire.
This day has blossomed long enough.
I have wiped out the red night and lit a blaze
instead which will at least warm our hands
and stir up the talk.
I think we have kept fair time.
Time is a green orchard.
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Written by
Henry Wadsworth Longfellow |
Welcome, my old friend,
Welcome to a foreign fireside,
While the sullen gales of autumn
Shake the windows.
The ungrateful world
Has, it seems, dealt harshly with thee,
Since, beneath the skies of Denmark,
First I met thee.
There are marks of age,
There are thumb-marks on thy margin,
Made by hands that clasped thee rudely,
At the alehouse.
Soiled and dull thou art;
Yellow are thy time-worn pages,
As the russet, rain-molested
Leaves of autumn.
Thou art stained with wine
Scattered from hilarious goblets,
As the leaves with the libations
Of Olympus.
Yet dost thou recall
Days departed, half-forgotten,
When in dreamy youth I wandered
By the Baltic,--
When I paused to hear
The old ballad of King Christian
Shouted from suburban taverns
In the twilight.
Thou recallest bards,
Who in solitary chambers,
And with hearts by passion wasted,
Wrote thy pages.
Thou recallest homes
Where thy songs of love and friendship
Made the gloomy Northern winter
Bright as summer.
Once some ancient Scald,
In his bleak, ancestral Iceland,
Chanted staves of these old ballads
To the Vikings.
Once in Elsinore,
At the court of old King Hamlet
Yorick and his boon companions
Sang these ditties.
Once Prince Frederick's Guard
Sang them in their smoky barracks;--
Suddenly the English cannon
Joined the chorus!
Peasants in the field,
Sailors on the roaring ocean,
Students, tradesmen, pale mechanics,
All have sung them.
Thou hast been their friend;
They, alas! have left thee friendless!
Yet at least by one warm fireside
Art thou welcome.
And, as swallows build
In these wide, old-fashioned chimneys,
So thy twittering songs shall nestle
In my bosom,--
Quiet, close, and warm,
Sheltered from all molestation,
And recalling by their voices
Youth and travel.
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Written by
Carl Sandburg |
(Bergen)SEVEN days all fog, all mist, and the turbines pounding through high seas.
I was a plaything, a rat’s neck in the teeth of a scuffling mastiff.
Fog and fog and no stars, sun, moon.
Then an afternoon in fjords, low-lying lands scrawled in granite languages on a gray sky,
A night harbor, blue dusk mountain shoulders against a night sky,
And a circle of lights blinking: Ninety thousand people here.
Among the Wednesday night thousands in goloshes and coats slickered for rain,
I learned how hungry I was for streets and people.
I would rather be water than anything else.
I saw a drive of salt fog and mist in the North Atlantic and an iceberg dusky as a cloud in the gray of morning.
And I saw the dream pools of fjords in Norway … and the scarf of dancing water on the rocks and over the edges of mountain shelves.
Bury me in a mountain graveyard in Norway.
Three tongues of water sing around it with snow from the mountains.
Bury me in the North Atlantic.
A fog there from Iceland will be a murmur in gray over me and a long deep wind sob always.
Bury me in an Illinois cornfield.
The blizzards loosen their pipe organ voluntaries in winter stubble and the spring rains and the fall rains bring letters from the sea.
|
Written by
William Morris |
Lo from our loitering ship a new land at last to be seen;
Toothed rocks down the side of the firth on the east guard a weary wide lea,
And black slope the hillsides above, striped adown with their desolate green:
And a peak rises up on the west from the meeting of cloud and of sea,
Foursquare from base unto point like the building of Gods that have been,
The last of that waste of the mountains all cloud-wreathed and snow-flecked and grey,
And bright with the dawn that began just now at the ending of day.
Ah! what came we forth for to see that our hearts are so hot with desire?
Is it enough for our rest, the sight of this desolate strand,
And the mountain-waste voiceless as death but for winds that may sleep not nor tire?
Why do we long to wend forth through the length and breadth of a land,
Dreadful with grinding of ice, and record of scarce hidden fire,
But that there 'mid the grey grassy dales sore scarred by the ruining streams
Lives the tale of the Northland of old and the undying glory of dreams?
O land, as some cave by the sea where the treasures of old have been laid,
The sword it may be of a king whose name was the turning of fight;
Or the staff of some wise of the world that many things made and unmade,
Or the ring of a woman maybe whose woe is grown wealth and delight.
No wheat and no wine grows above it, no orchard for blossom and shade;
The few ships that sail by its blackness but deem it the mouth of a grave;
Yet sure when the world shall awaken, this too shall be mighty to save.
Or rather, O land, if a marvel it seemeth that men ever sought
Thy wastes for a field and a garden fulfilled of all wonder and doubt,
And feasted amidst of the winter when the fight of the year had been fought,
Whose plunder all gathered together was little to babble about;
Cry aloud from thy wastes, O thou land, "Not for this nor for that was I wrought.
Amid waning of realms and of riches and death of things worshipped and sure,
I abide here the spouse of a God, and I made and I make and endure.
"
O Queen of the grief without knowledge, of the courage that may not avail,
Of the longing that may not attain, of the love that shall never forget,
More joy than the gladness of laughter thy voice hath amidst of its wail:
More hope than of pleasure fulfilled amidst of thy blindness is set;
More glorious than gaining of all thine unfaltering hand that shall fail:
For what is the mark on thy brow but the brand that thy Brynhild doth bear?
Love once, and loved and undone by a love that no ages outwear.
Ah! when thy Balder comes back, and bears from the heart of the Sun
Peace and the healing of pain, and the wisdom that waiteth no more;
And the lilies are laid on thy brow 'mid the crown of the deeds thou hast done;
And the roses spring up by thy feet that the rocks of the wilderness wore:
Ah! when thy Balder comes back and we gather the gains he hath won,
Shall we not linger a little to talk of thy sweetness of old,
Yea, turn back awhile to thy travail whence the Gods stood aloof to behold?
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Written by
Victor Hugo |
("Un jour, Kanut mourut.")
{Bk. X. i.}
King Canute died.{1} Encoffined he was laid.
Of Aarhuus came the Bishop prayers to say,
And sang a hymn upon his tomb, and held
That Canute was a saint—Canute the Great,
That from his memory breathed celestial perfume,
And that they saw him, they the priests, in glory,
Seated at God's right hand, a prophet crowned.
I.
Evening came,
And hushed the organ in the holy place,
And the priests, issuing from the temple doors,
Left the dead king in peace. Then he arose,
Opened his gloomy eyes, and grasped his sword,
And went forth loftily. The massy walls
Yielded before the phantom, like a mist.
There is a sea where Aarhuus, Altona,
And Elsinore's vast domes and shadowy towers
Glass in deep waters. Over this he went
Dark, and still Darkness listened for his foot
Inaudible, itself being but a dream.
Straight to Mount Savo went he, gnawed by time,
And thus, "O mountain buffeted of storms,
Give me of thy huge mantle of deep snow
To frame a winding-sheet." The mountain knew him,
Nor dared refuse, and with his sword Canute
Cut from his flank white snow, enough to make
The garment he desired, and then he cried,
"Old mountain! death is dumb, but tell me thou
The way to God." More deep each dread ravine
And hideous hollow yawned, and sadly thus
Answered that hoar associate of the clouds:
"Spectre, I know not, I am always here."
Canute departed, and with head erect,
All white and ghastly in his robe of snow,
Went forth into great silence and great night
By Iceland and Norway. After him
Gloom swallowed up the universe. He stood
A sovran kingdomless, a lonely ghost
Confronted with Immensity. He saw
The awful Infinite, at whose portal pale
Lightning sinks dying; Darkness, skeleton
Whose joints are nights, and utter Formlessness
Moving confusedly in the horrible dark
Inscrutable and blind. No star was there,
Yet something like a haggard gleam; no sound
But the dull tide of Darkness, and her dumb
And fearful shudder. "'Tis the tomb," he said,
"God is beyond!" Three steps he took, then cried:
'Twas deathly as the grave, and not a voice
Responded, nor came any breath to sway
The snowy mantle, with unsullied white
Emboldening the spectral wanderer.
Sudden he marked how, like a gloomy star,
A spot grew broad upon his livid robe;
Slowly it widened, raying darkness forth;
And Canute proved it with his spectral hands
It was a drop of blood.
R. GARNETT.
|
Written by
Henry Wadsworth Longfellow |
Short of stature, large of limb,
Burly face and russet beard,
All the women stared at him,
When in Iceland he appeared.
"Look!" they said,
With nodding head,
"There goes Thangbrand, Olaf's Priest.
"
All the prayers he knew by rote,
He could preach like Chrysostome,
From the Fathers he could quote,
He had even been at Rome.
A learned clerk,
A man of mark,
Was this Thangbrand, Olaf's Priest.
He was quarrelsome and loud,
And impatient of control,
Boisterous in the market crowd,
Boisterous at the wassail-bowl,
Everywhere
Would drink and swear,
Swaggering Thangbrand, Olaf's Priest.
In his house this malcontent
Could the King no longer bear,
So to Iceland he was sent
To convert the heathen there,
And away
One summer day
Sailed this Thangbrand, Olaf's Priest.
There in Iceland, o'er their books
Pored the people day and night,
But he did not like their looks,
Nor the songs they used to write.
All this rhyme
Is waste of time! "
Grumbled Thangbrand, Olaf's Priest.
To the alehouse, where he sat,
Came the Scalds and Saga men;
Is it to be wondered at,
That they quarrelled now and then,
When o'er his beer
Began to leer
Drunken Thangbrand, Olaf's Priest?
All the folk in Altafiord
Boasted of their island grand;
Saying in a single word,
"Iceland is the finest land
That the sun
Doth shine upon!"
Loud laughed Thangbrand, Olaf's Priest.
And he answered: "What's the use
Of this bragging up and down,
When three women and one goose
Make a market in your town! "
Every Scald
Satires scrawled
On poor Thangbrand, Olaf's Priest.
Something worse they did than that!
And what vexed him most of all
Was a figure in shovel hat,
Drawn in charcoal on the wall;
With words that go
Sprawling below,
"This is Thangbrand, Olaf's Priest.
"
Hardly knowing what he did,
Then he smote them might and main,
Thorvald Veile and Veterlid
Lay there in the alehouse slain.
"To-day we are gold,
To-morrow mould!"
Muttered Thangbrand, Olaf's Priest
Much in fear of axe and rope,
Back to Norway sailed he then.
"O, King Olaf! little hope
Is there of these Iceland men!"
Meekly said,
With bending head,
Pious Thangbrand, Olaf's Priest.
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