Written by
Charles Bukowski |
ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .
if it doesn't come, coax it out with a
laxative. get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.
keep it coming like a miracle.
ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious . . . in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage . . .
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
vomit. hell, all our hearts are drowning in vomit,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.
and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D. Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free pussy-
they . . . FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!
poets.
and there's another
type. I've met them at their country
places (don't ask me what I was doing there because
I don't know).
they were born with money and
they don't have to dirty their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling pot.
this gives them time to understand
Life.
they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.
you are drinking green beer which you
brought with you
because you have found out through the years
that rich bastards are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars. but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything. which once might have been
true but is no longer quite
true.
and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.
he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.
he thinks that poverty is a weakness of the
soul.
he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.
he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out. she has been crying for some
reason.
you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime."
but he doesn't say when or
where. and then you find out that you are not even
IN HIS HOUSE.
you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.
he even has x-wives in some of his
houses.
his main concern is to keep his x-wives away from
you. he doesn't want to give up a
damn thing. and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.
and!: they
WRITE POETRY TOO. or
PAINT. or
****.
but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.
meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.
the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
dirty and
ignorant. dirty? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.
he or they or somebody was supposed to meet me at
the
train station.
of course, they weren't
there. "We'll be there to meet the great
Poet!"
well, I looked around and didn't see any
great poet. besides it was 7 a.m. and
40 degrees. those things
happen. the trouble was there were no
bars open. nothing open. not even a
jail.
he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way. he won't tell me whether I am crazy or
not-I don't have the
money.
he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.
my cheap green beer is killing
me. he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.
he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.
"I'll buy you barrels of beer," he had
said.
I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky. the town was ten miles away,
downhill. I peeled my poor dollars from my poor
roll. and the boy needed a tip, of
course.
the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley. certainly Creeley wouldn't have
had beerstains on his
shirt.
anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.
scared too. sure, I imagined him peering
through the window-
he didn't want to give up a damn thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the ass first and
my poor brain
later.
"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives."
I see him published in some of the magazines
now. not very good stuff.
a poem about me
too: the Polack.
the Polack whines too much. the Polack whines about his
country, other countries, all countries, the Polack
works overtime in a factory like a fool, among other
fools with "pre-drained spirits."
the Polack drinks seas of green beer
full of acid. the Polack has an ulcerated
hemorrhoid. the Polack picks on fags
"fragile fags." the Polack hates his
wife, hates his daughter. his daughter will become
an alcoholic, a prostitute. the Polack has an
"obese burned out wife." the Polack has a
spastic gut. the Polack has a
"rectal brain."
thank you, Doctor (and poet). any charge for
this? I know I still owe you for the
pill.
Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball. but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare. got an Indian friend who'd like to meet
you and yours. he swears he's got the biggest
pecker in the state of California.
and guess what?
he writes
POETRY
too!
|
Written by
Andrew Barton Paterson |
Oh the airman's game is a showman's game, for we all of us watch him go
With his roaring soaring aeroplane and his bombs for the blokes below,
Over the railways and over the dumps, over the Hun and the Turk,
You'll hear him mutter, "What ho, she bumps," when the Archies get to work.
But not of him is the song I sing, though he follow the eagle's flight,
And with shrapnel holes in his splintered wing comes home to his roost at night.
He may silver his wings on the shining stars, he may look from the throne on high,
He may follow the flight of the wheeling kite in the blue Egyptian sky,
But he's only a hero built to plan, turned out by the Army schools,
And I sing of the rankless, thankless man who hustles the Army mules.
Now where he comes from and where he lives is a mystery dark and dim,
And it's rarely indeed that the General gives a D.S.O. to him.
The stolid infantry digs its way like a mole in a ruined wall;
The cavalry lends a tone, they say, to what were else but a brawl;
The Brigadier of the Mounted Fut like a cavalry Colonel swanks
When he goeth abroad like a gilded nut to receive the General's thanks;
The Ordnance man is a son of a gun and his lists are a standing joke;
You order, "Choke arti Jerusalem one" for Jerusalem artichoke.
The Medicals shine with a number nine, and the men of the great R.E.,
Their Colonels are Methodist, married or mad, and some of them all the three;
In all these units the road to fame is taught by the Army schools,
But a man has got to be born to the game when he tackles the Army mules.
For if you go where the depots are as the dawn is breaking grey,
By the waning light of the morning star as the dust cloud clears away,
You'll see a vision among the dust like a man and a mule combined --
It's the kind of thing you must take on trust for its outlines aren't defined,
A thing that whirls like a spinning top and props like a three legged stool,
And you find its a long-legged Queensland boy convincing an Army mule.
And the rider sticks to the hybrid's hide like paper sticks to a wall,
For a "magnoon" Waler is next to ride with every chance of a fall,
It's a rough-house game and a thankless game, and it isn't a game for a fool,
For an army's fate and a nation's fame may turn on an Army mule.
And if you go to the front-line camp where the sleepless outposts lie,
At the dead of night you can hear the tramp of the mule train toiling by.
The rattle and clink of a leading-chain, the creak of the lurching load,
As the patient, plodding creatures strain at their task in the shell-torn road,
Through the dark and the dust you may watch them go till the dawn is grey in the sky,
And only the watchful pickets know when the "All-night Corps" goes by.
And far away as the silence falls when the last of the train has gone,
A weary voice through the darkness: "Get on there, men, get on!"
It isn't a hero, built to plan, turned out by the modern schools,
It's only the Army Service man a-driving his Army mules.
|
Written by
Thomas Hardy |
'TWAS a death-bed summons, and forth I went
By the way of the Western Wall, so drear
On that winter night, and sought a gate--
The home, by Fate,
Of one I had long held dear.
And there, as I paused by her tenement,
And the trees shed on me their rime and hoar,
I thought of the man who had left her lone--
Him who made her his own
When I loved her, long before.
The rooms within had the piteous shine
The home-things wear which the housewife miss;
From the stairway floated the rise and fall
Of an infant's call,
Whose birth had brought her to this.
Her life was the price she would pay for that whine--
For a child by the man she did not love.
"But let that rest forever," I said,
And bent my tread
To the chamber up above.
She took my hand in her thin white own,
And smiled her thanks--though nigh too weak--
And made them a sign to leave us there;
Then faltered, ere
She could bring herself to speak.
"'Twas to see you before I go--he'll condone
Such a natural thing now my time's not much--
When Death is so near it hustles hence
All passioned sense
Between woman and man as such!
"My husband is absent. As heretofore
The City detains him. But, in truth,
He has not been kind.... I will speak no blame,
But--the child is lame;
O, I pray she may reach his ruth!
"Forgive past days--I can say no more--
Maybe if we'd wedded you'd now repine!...
But I treated you ill. I was punished. Farewell!
--Truth shall I tell?
Would the child were yours and mine!
"As a wife I was true. But, such my unease
That, could I insert a deed back in Time,
I'd make her yours, to secure your care;
And the scandal bear,
And the penalty for the crime!"
--When I had left, and the swinging trees
Rang above me, as lauding her candid say,
Another was I. Her words were enough:
Came smooth, came rough,
I felt I could live my day.
Next night she died; and her obsequies
In the Field of Tombs, by the Via renowned,
Had her husband's heed. His tendance spent,
I often went
And pondered by her mound.
All that year and the next year whiled,
And I still went thitherward in the gloam;
But the Town forgot her and her nook,
And her husband took
Another Love to his home.
And the rumor flew that the lame lone child
Whom she wished for its safety child of mine,
Was treated ill when offspring came
Of the new-made dame,
And marked a more vigorous line.
A smarter grief within me wrought
Than even at loss of her so dear;
Dead the being whose soul my soul suffused,
Her child ill-used,
I helpless to interfere!
One eve as I stood at my spot of thought
In the white-stoned Garth, brooding thus her wrong,
Her husband neared; and to shun his view
By her hallowed mew
I went from the tombs among
To the Cirque of the Gladiators which faced--
That haggard mark of Imperial Rome,
Whose Pagan echoes mock the chime
Of our Christian time:
It was void, and I inward clomb.
Scarce had night the sun's gold touch displaced
From the vast Rotund and the neighboring dead
When her husband followed; bowed; half-passed,
With lip upcast;
Then, halting, sullenly said:
"It is noised that you visit my first wife's tomb.
Now, I gave her an honored name to bear
While living, when dead. So I've claim to ask
By what right you task
My patience by vigiling there?
"There's decency even in death, I assume;
Preserve it, sir, and keep away;
For the mother of my first-born you
Show mind undue!
--Sir, I've nothing more to say."
A desperate stroke discerned I then--
God pardon--or pardon not--the lie;
She had sighed that she wished (lest the child should pine
Of slights) 'twere mine,
So I said: "But the father I.
"That you thought it yours is the way of men;
But I won her troth long ere your day:
You learnt how, in dying, she summoned me?
'Twas in fealty.
--Sir, I've nothing more to say,
"Save that, if you'll hand me my little maid,
I'll take her, and rear her, and spare you toil.
Think it more than a friendly act none can;
I'm a lonely man,
While you've a large pot to boil.
"If not, and you'll put it to ball or blade--
To-night, to-morrow night, anywhen--
I'll meet you here.... But think of it,
And in season fit
Let me hear from you again."
--Well, I went away, hoping; but nought I heard
Of my stroke for the child, till there greeted me
A little voice that one day came
To my window-frame
And babbled innocently:
"My father who's not my own, sends word
I'm to stay here, sir, where I belong!"
Next a writing came: "Since the child was the fruit
Of your passions brute,
Pray take her, to right a wrong."
And I did. And I gave the child my love,
And the child loved me, and estranged us none.
But compunctions loomed; for I'd harmed the dead
By what I'd said
For the good of the living one.
--Yet though, God wot, I am sinner enough,
And unworthy the woman who drew me so,
Perhaps this wrong for her darling's good
She forgives, or would,
If only she could know!
|
Written by
Charles Webb |
The Jumbo Jet has barely shuddered off
The ground, and I'm depressed. My scuba mask
And fins, my fly rod and beach hat
Crush each other in an overhead locker
Dark as the bedroom closet they're returning to.
Already the week's good times melt
Together like caramels in a hot car.
My vow to "Do this more often!" recedes
With the jade palms and sun-stroked beaches
I can barely see through my scratched window
As the pilot thanks us for "flying
United," and climbs through ectoplasmic
Clouds into the jet stream that circles
Earth's head like a tedious tune,
And like a kick in the rear, hustles us
Homeward through a sky which, though it looks
blue enough to house heaven, is colorless
As life without you, and just goes on and on.
|
Written by
Carl Sandburg |
I heard a woman's lips
Speaking to a companion
Say these words:
"A woman what hustles
Never keeps nothin'
For all her hustlin'.
Somebody always gets
What she goes on the street for.
If it ain't a pimp
It's a bull what gets it.
I been hustlin' now
Till I ain't much good any more.
I got nothin' to show for it.
Some man got it all,
Every night's hustlin' I ever did."
|