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Best Famous Humpy Poems

Here is a collection of the all-time best famous Humpy poems. This is a select list of the best famous Humpy poetry. Reading, writing, and enjoying famous Humpy poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of humpy poems.

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Written by Andrew Barton Paterson | Create an image from this poem

Saltbush Bill J.P

 Beyond the land where Leichhardt went, 
Beyond Sturt's Western track, 
The rolling tide of change has sent 
Some strange J.
P.
's out back.
And Saltbush Bill, grown old and grey, And worn for want of sleep, Received the news in camp one day Behind the travelling sheep That Edward Rex, confiding in His known integrity, By hand and seal on parchment skin Had made hiim a J.
P.
He read the news with eager face But found no word of pay.
"I'd like to see my sister's place And kids on Christmas Day.
"I'd like to see green grass again, And watch clear water run, Away from this unholy plain, And flies, and dust, and sun.
" At last one little clause he found That might some hope inspire, "A magistrate may charge a pound For inquest on a fire.
" A big blacks' camp was built close by, And Saltbush Bill, says he, "I think that camp might well supply A job for a J.
P.
" That night, by strange coincidence, A most disastrous fire Destroyed the country residence Of Jacky Jack, Esquire.
'Twas mostly leaves, and bark, and dirt; The party most concerned Appeared to think it wouldn't hurt If forty such were burned.
Quite otherwise thought Saltbush Bill, Who watched the leaping flame.
"The home is small," said he, "but still The principle's the same.
"Midst palaces though you should roam, Or follow pleasure's tracks, You'll find," he said, "no place like home -- At least like Jacky Jack's.
"Tell every man in camp, 'Come quick,' Tell every black Maria I give tobacco, half a stick -- Hold inquest long-a fire.
" Each juryman received a name Well suited to a Court.
"Long Jack" and "Stumpy Bill" became "John Long" and "William Short".
While such as "Tarpot", "Bullock Dray", And "Tommy Wait-a-While", Became, for ever and a day, "Scot", "Dickens", and "Carlyle".
And twelve good sable men and true Were soon engaged upon The conflagration that o'erthrew The home of John A.
John.
Their verdict, "Burnt by act of Fate", They scarcely had returned When, just behind the magistrate, Another humpy burned! The jury sat again and drew Another stick of plug.
Said Saltbush Bill, "It's up to you Put some one long-a Jug.
" "I'll camp the sheep," he said, "and sift The evidence about.
" For quite a week he couldn't shift, The way the fires broke out.
The jury thought the whole concern As good as any play.
They used to "take him oath" and earn Three sticks of plug a day.
At last the tribe lay down to sleep Homeless, beneath a tree; And onward with his travelling sheep Went Saltbush bill, J.
P.
His sheep delivered, safe and sound, His horse to town he turned, And drew some five-and-twenty pound For fees that he had earned.
And where Monaro's ranges hide Their little farms away -- His sister's children by his side -- He spent his Christmas Day.
The next J.
P.
that went out back Was shocked, or pained, or both, At hearing every pagan black Repeat the juror's oath.
No matter how he turned and fled They followed faster still; "You make it inkwich, boss," they said, "All same like Saltbush Bill.
" They even said they'd let him see The fires originate.
When he refused they said that he Was "No good magistrate".
And out beyond Sturt's western track, And Leichhardt's farthest tree, They wait till fate shall send them back Their Saltbush Bill, J.
P.


Written by Henry Lawson | Create an image from this poem

The City Bushman

 It was pleasant up the country, City Bushman, where you went, 
For you sought the greener patches and you travelled like a gent; 
And you curse the trams and buses and the turmoil and the push, 
Though you know the squalid city needn't keep you from the bush; 
But we lately heard you singing of the `plains where shade is not', 
And you mentioned it was dusty -- `all was dry and all was hot'.
True, the bush `hath moods and changes' -- and the bushman hath 'em, too, For he's not a poet's dummy -- he's a man, the same as you; But his back is growing rounder -- slaving for the absentee -- And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet Should have made a greater contrast to the faces in the street; And, in short, we think the bushman's being driven to the wall, And it's doubtful if his spirit will be `loyal thro' it all'.
Though the bush has been romantic and it's nice to sing about, There's a lot of patriotism that the land could do without -- Sort of BRITISH WORKMAN nonsense that shall perish in the scorn Of the drover who is driven and the shearer who is shorn, Of the struggling western farmers who have little time for rest, And are ruined on selections in the sheep-infested West; Droving songs are very pretty, but they merit little thanks From the people of a country in possession of the Banks.
And the `rise and fall of seasons' suits the rise and fall of rhyme, But we know that western seasons do not run on schedule time; For the drought will go on drying while there's anything to dry, Then it rains until you'd fancy it would bleach the sunny sky -- Then it pelters out of reason, for the downpour day and night Nearly sweeps the population to the Great Australian Bight.
It is up in Northern Queensland that the seasons do their best, But it's doubtful if you ever saw a season in the West; There are years without an autumn or a winter or a spring, There are broiling Junes, and summers when it rains like anything.
In the bush my ears were opened to the singing of the bird, But the `carol of the magpie' was a thing I never heard.
Once the beggar roused my slumbers in a shanty, it is true, But I only heard him asking, `Who the blanky blank are you?' And the bell-bird in the ranges -- but his `silver chime' is harsh When it's heard beside the solo of the curlew in the marsh.
Yes, I heard the shearers singing `William Riley', out of tune, Saw 'em fighting round a shanty on a Sunday afternoon, But the bushman isn't always `trapping brumbies in the night', Nor is he for ever riding when `the morn is fresh and bright', And he isn't always singing in the humpies on the run -- And the camp-fire's `cheery blazes' are a trifle overdone; We have grumbled with the bushmen round the fire on rainy days, When the smoke would blind a bullock and there wasn't any blaze, Save the blazes of our language, for we cursed the fire in turn Till the atmosphere was heated and the wood began to burn.
Then we had to wring our blueys which were rotting in the swags, And we saw the sugar leaking through the bottoms of the bags, And we couldn't raise a chorus, for the toothache and the cramp, While we spent the hours of darkness draining puddles round the camp.
Would you like to change with Clancy -- go a-droving? tell us true, For we rather think that Clancy would be glad to change with you, And be something in the city; but 'twould give your muse a shock To be losing time and money through the foot-rot in the flock, And you wouldn't mind the beauties underneath the starry dome If you had a wife and children and a lot of bills at home.
Did you ever guard the cattle when the night was inky-black, And it rained, and icy water trickled gently down your back Till your saddle-weary backbone fell a-aching to the roots And you almost felt the croaking of the bull-frog in your boots -- Sit and shiver in the saddle, curse the restless stock and cough Till a squatter's irate dummy cantered up to warn you off? Did you fight the drought and pleuro when the `seasons' were asleep, Felling sheoaks all the morning for a flock of starving sheep, Drinking mud instead of water -- climbing trees and lopping boughs For the broken-hearted bullocks and the dry and dusty cows? Do you think the bush was better in the `good old droving days', When the squatter ruled supremely as the king of western ways, When you got a slip of paper for the little you could earn, But were forced to take provisions from the station in return -- When you couldn't keep a chicken at your humpy on the run, For the squatter wouldn't let you -- and your work was never done; When you had to leave the missus in a lonely hut forlorn While you `rose up Willy Riley' -- in the days ere you were born? Ah! we read about the drovers and the shearers and the like Till we wonder why such happy and romantic fellows strike.
Don't you fancy that the poets ought to give the bush a rest Ere they raise a just rebellion in the over-written West? Where the simple-minded bushman gets a meal and bed and rum Just by riding round reporting phantom flocks that never come; Where the scalper -- never troubled by the `war-whoop of the push' -- Has a quiet little billet -- breeding rabbits in the bush; Where the idle shanty-keeper never fails to make a draw, And the dummy gets his tucker through provisions in the law; Where the labour-agitator -- when the shearers rise in might -- Makes his money sacrificing all his substance for The Right; Where the squatter makes his fortune, and `the seasons rise and fall', And the poor and honest bushman has to suffer for it all; Where the drovers and the shearers and the bushmen and the rest Never reach the Eldorado of the poets of the West.
And you think the bush is purer and that life is better there, But it doesn't seem to pay you like the `squalid street and square'.
Pray inform us, City Bushman, where you read, in prose or verse, Of the awful `city urchin who would greet you with a curse'.
There are golden hearts in gutters, though their owners lack the fat, And we'll back a teamster's offspring to outswear a city brat.
Do you think we're never jolly where the trams and buses rage? Did you hear the gods in chorus when `Ri-tooral' held the stage? Did you catch a ring of sorrow in the city urchin's voice When he yelled for Billy Elton, when he thumped the floor for Royce? Do the bushmen, down on pleasure, miss the everlasting stars When they drink and flirt and so on in the glow of private bars? You've a down on `trams and buses', or the `roar' of 'em, you said, And the `filthy, dirty attic', where you never toiled for bread.
(And about that self-same attic -- Lord! wherever have you been? For the struggling needlewoman mostly keeps her attic clean.
) But you'll find it very jolly with the cuff-and-collar push, And the city seems to suit you, while you rave about the bush.
.
.
.
.
.
You'll admit that Up-the Country, more especially in drought, Isn't quite the Eldorado that the poets rave about, Yet at times we long to gallop where the reckless bushman rides In the wake of startled brumbies that are flying for their hides; Long to feel the saddle tremble once again between our knees And to hear the stockwhips rattle just like rifles in the trees! Long to feel the bridle-leather tugging strongly in the hand And to feel once more a little like a native of the land.
And the ring of bitter feeling in the jingling of our rhymes Isn't suited to the country nor the spirit of the times.
Let us go together droving, and returning, if we live, Try to understand each other while we reckon up the div.
Written by Henry Lawson | Create an image from this poem

The Cambaroora Star

 So you're writing for a paper? Well, it's nothing very new 
To be writing yards of drivel for a tidy little screw; 
You are young and educated, and a clever chap you are, 
But you'll never run a paper like the CAMBAROORA STAR.
Though in point of education I am nothing but a dunce, I myself -- you mayn't believe it -- helped to run a paper once With a chap on Cambaroora, by the name of Charlie Brown, And I'll tell you all about it if you'll take the story down.
On a golden day in summer, when the sunrays were aslant, Brown arrived in Cambaroora with a little printing plant And his worldly goods and chattels -- rather damaged on the way -- And a weary-looking woman who was following the dray.
He had bought an empty humpy, and, instead of getting tight, Why, the diggers heard him working like a lunatic all night: And next day a sign of canvas, writ in characters of tar, Claimed the humpy as the office of the CAMBAROORA STAR.
Well, I cannot read, that's honest, but I had a digger friend Who would read the paper to me from the title to the end; And the STAR contained a leader running thieves and spielers down, With a slap against claim-jumping, and a poem made by Brown.
Once I showed it to a critic, and he said 'twas very fine, Though he wasn't long in finding glaring faults in every line; But it was a song of Freedom -- all the clever critic said Couldn't stop that song from ringing, ringing, ringing in my head.
So I went where Brown was working in his little hut hard by: `My old mate has been a-reading of your writings, Brown,' said I -- `I have studied on your leader, I agree with what you say, You have struck the bed-rock certain, and there ain't no get-away; Your paper's just the thumper for a young and growing land, And your principles is honest, Brown; I want to shake your hand, And if there's any lumping in connection with the STAR, Well, I'll find the time to do it, and I'll help you -- there you are!' Brown was every inch a digger (bronzed and bearded in the South), But there seemed a kind of weakness round the corners of his mouth When he took the hand I gave him; and he gripped it like a vice, While he tried his best to thank me, and he stuttered once or twice.
But there wasn't need for talking -- we'd the same old loves and hates, And we understood each other -- Charlie Brown and I were mates.
So we worked a little `paddock' on a place they called the `Bar', And we sank a shaft together, and at night we worked the STAR.
Charlie thought and did his writing when his work was done at night, And the missus used to `set' it near as quick as he could write.
Well, I didn't shirk my promise, and I helped the thing, I guess, For at night I worked the lever of the crazy printing-press; Brown himself would do the feeding, and the missus used to `fly' -- She is flying with the angels, if there's justice up on high, For she died on Cambaroora when the STAR began to go, And was buried like the diggers buried diggers long ago.
.
.
.
.
.
Lord, that press! It was a jumper -- we could seldom get it right, And were lucky if we averaged a hundred in the night.
Many nights we'd sit together in the windy hut and fold, And I helped the thing a little when I struck a patch of gold; And we battled for the diggers as the papers seldom do, Though when the diggers errored, why, we touched the diggers too.
Yet the paper took the fancy of that roaring mining town, And the diggers sent a nugget with their sympathy to Brown.
Oft I sat and smoked beside him in the listening hours of night, When the shadows from the corners seemed to gather round the light -- When his weary, aching fingers, closing stiffly round the pen, Wrote defiant truth in language that could touch the hearts of men -- Wrote until his eyelids shuddered -- wrote until the East was grey: Wrote the stern and awful lessons that were taught him in his day; And they knew that he was honest, and they read his smallest par, For I think the diggers' Bible was the CAMBAROORA STAR.
Diggers then had little mercy for the loafer and the scamp -- If there wasn't law and order, there was justice in the camp; And the manly independence that is found where diggers are Had a sentinel to guard it in the CAMBAROORA STAR.
There was strife about the Chinamen, who came in days of old Like a swarm of thieves and loafers when the diggers found the gold -- Like the sneaking fortune-hunters who are always found behind, And who only shepherd diggers till they track them to the `find'.
Charlie wrote a slinging leader, calling on his digger mates, And he said: `We think that Chinkies are as bad as syndicates.
What's the good of holding meetings where you only talk and swear? Get a move upon the Chinkies when you've got an hour to spare.
' It was nine o'clock next morning when the Chows began to swarm, But they weren't so long in going, for the diggers' blood was warm.
Then the diggers held a meeting, and they shouted: `Hip hoorar! Give three ringing cheers, my hearties, for the CAMBAROORA STAR.
' But the Cambaroora petered, and the diggers' sun went down, And another sort of people came and settled in the town; The reefing was conducted by a syndicate or two, And they changed the name to `Queensville', for their blood was very blue.
They wanted Brown to help them put the feathers in their nests, But his leaders went like thunder for their vested interests, And he fought for right and justice and he raved about the dawn Of the reign of Man and Reason till his ads.
were all withdrawn.
He was offered shares for nothing in the richest of the mines, And he could have made a fortune had he run on other lines; They abused him for his leaders, and they parodied his rhymes, And they told him that his paper was a mile behind the times.
`Let the times alone,' said Charlie, `they're all right, you needn't fret; For I started long before them, and they haven't caught me yet.
But,' says he to me, `they're coming, and they're not so very far -- Though I left the times behind me they are following the STAR.
`Let them do their worst,' said Charlie, `but I'll never drop the reins While a single scrap of paper or an ounce of ink remains: I've another truth to tell them, though they tread me in the dirt, And I'll print another issue if I print it on my shirt.
' So we fought the battle bravely, and we did our very best Just to make the final issue quite as lively as the rest.
And the swells in Cambaroora talked of feathers and of tar When they read the final issue of the CAMBAROORA STAR.
Gold is stronger than the tongue is -- gold is stronger than the pen: They'd have squirmed in Cambaroora had I found a nugget then; But in vain we scraped together every penny we could get, For they fixed us with their boycott, and the plant was seized for debt.
'Twas a storekeeper who did it, and he sealed the paper's doom, Though we gave him ads.
for nothing when the STAR began to boom: 'Twas a paltry bill for tucker, and the crawling, sneaking clown Sold the debt for twice its value to the men who hated Brown.
I was digging up the river, and I swam the flooded bend With a little cash and comfort for my literary friend.
Brown was sitting sad and lonely with his head bowed in despair, While a single tallow candle threw a flicker on his hair, And the gusty wind that whistled through the crannies of the door Stirred the scattered files of paper that were lying on the floor.
Charlie took my hand in silence -- and by-and-by he said: `Tom, old mate, we did our damnedest, but the brave old STAR is dead.
' .
.
.
.
.
Then he stood up on a sudden, with a face as pale as death, And he gripped my hand a moment, while he seemed to fight for breath: `Tom, old friend,' he said, `I'm going, and I'm ready to -- to start, For I know that there is something -- something crooked with my heart.
Tom, my first child died.
I loved her even better than the pen -- Tom -- and while the STAR was dying, why, I felt like I did THEN.
.
.
.
.
.
Listen! Like the distant thunder of the rollers on the bar -- Listen, Tom! I hear the -- diggers -- shouting: `Bully for the STAR!''
Written by Henry Lawson | Create an image from this poem

The Captain of the Push

 As the night was falling slowly down on city, town and bush, 
From a slum in Jones's Alley sloped the Captain of the Push; 
And he scowled towards the North, and he scowled towards the South, 
As he hooked his little finger in the corners of his mouth.
Then his whistle, loud and shrill, woke the echoes of the `Rocks', And a dozen ghouls came sloping round the corners of the blocks.
There was nought to rouse their anger; yet the oath that each one swore Seemed less fit for publication than the one that went before.
For they spoke the gutter language with the easy flow that comes Only to the men whose childhood knew the brothels and the slums.
Then they spat in turns, and halted; and the one that came behind, Spitting fiercely on the pavement, called on Heaven to strike him blind.
Let us first describe the captain, bottle-shouldered, pale and thin, For he was the beau-ideal of a Sydney larrikin; E'en his hat was most suggestive of the city where we live, With a gallows-tilt that no one, save a larrikin, can give; And the coat, a little shorter than the writer would desire, Showed a more or less uncertain portion of his strange attire.
That which tailors know as `trousers' -- known by him as `bloomin' bags' -- Hanging loosely from his person, swept, with tattered ends, the flags; And he had a pointed sternpost to the boots that peeped below (Which he laced up from the centre of the nail of his great toe), And he wore his shirt uncollar'd, and the tie correctly wrong; But I think his vest was shorter than should be in one so long.
And the captain crooked his finger at a stranger on the kerb, Whom he qualified politely with an adjective and verb, And he begged the Gory Bleeders that they wouldn't interrupt Till he gave an introduction -- it was painfully abrupt -- `Here's the bleedin' push, me covey -- here's a (something) from the bush! Strike me dead, he wants to join us!' said the captain of the push.
Said the stranger: `I am nothing but a bushy and a dunce; `But I read about the Bleeders in the WEEKLY GASBAG once; `Sitting lonely in the humpy when the wind began to "whoosh," `How I longed to share the dangers and the pleasures of the push! `Gosh! I hate the swells and good 'uns -- I could burn 'em in their beds; `I am with you, if you'll have me, and I'll break their blazing heads.
' `Now, look here,' exclaimed the captain to the stranger from the bush, `Now, look here -- suppose a feller was to split upon the push, `Would you lay for him and fetch him, even if the traps were round? `Would you lay him out and kick him to a jelly on the ground? `Would you jump upon the nameless -- kill, or cripple him, or both? `Speak? or else I'll SPEAK!' The stranger answered, `My kerlonial oath!' `Now, look here,' exclaimed the captain to the stranger from the bush, `Now, look here -- suppose the Bleeders let you come and join the push, `Would you smash a bleedin' bobby if you got the blank alone? `Would you break a swell or Chinkie -- split his garret with a stone? `Would you have a "moll" to keep yer -- like to swear off work for good?' `Yes, my oath!' replied the stranger.
`My kerlonial oath! I would!' `Now, look here,' exclaimed the captain to the stranger from the bush, `Now, look here -- before the Bleeders let yer come and join the push, `You must prove that you're a blazer -- you must prove that you have grit `Worthy of a Gory Bleeder -- you must show your form a bit -- `Take a rock and smash that winder!' and the stranger, nothing loth, Took the rock -- and smash! They only muttered, `My kerlonial oath!' So they swore him in, and found him sure of aim and light of heel, And his only fault, if any, lay in his excessive zeal; He was good at throwing metal, but we chronicle with pain That he jumped upon a victim, damaging the watch and chain, Ere the Bleeders had secured them; yet the captain of the push Swore a dozen oaths in favour of the stranger from the bush.
Late next morn the captain, rising, hoarse and thirsty from his lair, Called the newly-feather'd Bleeder, but the stranger wasn't there! Quickly going through the pockets of his `bloomin' bags,' he learned That the stranger had been through him for the stuff his `moll' had earned; And the language that he muttered I should scarcely like to tell.
(Stars! and notes of exclamation!! blank and dash will do as well).
In the night the captain's signal woke the echoes of the `Rocks,' Brought the Gory Bleeders sloping thro' the shadows of the blocks; And they swore the stranger's action was a blood-escaping shame, While they waited for the nameless, but the nameless never came.
And the Bleeders soon forgot him; but the captain of the push Still is `laying' round, in ballast, for the nameless `from the bush.
'

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