Written by
Les Murray |
To go home and wear shorts forever
in the enormous paddocks, in that warm climate,
adding a sweater when winter soaks the grass,
to camp out along the river bends
for good, wearing shorts, with a pocketknife,
a fishing line and matches,
or there where the hills are all down, below the plain,
to sit around in shorts at evening
on the plank verandah -
If the cardinal points of costume
are Robes, Tat, Rig and Scunge,
where are shorts in this compass?
They are never Robes
as other bareleg outfits have been:
the toga, the kilt, the lava-lava
the Mahatma's cotton dhoti;
archbishops and field marshals
at their ceremonies never wear shorts.
The very word
means underpants in North America.
Shorts can be Tat,
Land-Rovering bush-environmental tat,
socio-political ripped-and-metal-stapled tat,
solidarity-with-the-Third World tat tvam asi,
likewise track-and-field shorts worn to parties
and the further humid, modelling negligee
of the Kingdom of Flaunt,
that unchallenged aristocracy.
More plainly climatic, shorts
are farmers' rig, leathery with salt and bonemeal;
are sailors' and branch bankers' rig,
the crisp golfing style
of our youngest male National Costume.
Most loosely, they are Scunge,
ancient Bengal bloomers or moth-eaten hot pants
worn with a former shirt,
feet, beach sand, hair
and a paucity of signals.
Scunge, which is real negligee
housework in a swimsuit, pyjamas worn all day,
is holiday, is freedom from ambition.
Scunge makes you invisible
to the world and yourself.
The entropy of costume,
scunge can get you conquered by more vigorous cultures
and help you notice it less.
To be or to become
is a serious question posed by a work-shorts counter
with its pressed stack, bulk khaki and blue,
reading Yakka or King Gee, crisp with steely warehouse odour.
Satisfied ambition, defeat, true unconcern,
the wish and the knack of self-forgetfulness
all fall within the scunge ambit
wearing board shorts of similar;
it is a kind of weightlessness.
Unlike public nakedness, which in Westerners
is deeply circumstantial, relaxed as exam time,
artless and equal as the corsetry of a hussar regiment,
shorts and their plain like
are an angelic nudity,
spirituality with pockets!
A double updraft as you drop from branch to pool!
Ideal for getting served last
in shops of the temperate zone
they are also ideal for going home, into space,
into time, to farm the mind's Sabine acres
for product and subsistence.
Now that everyone who yearned to wear long pants
has essentially achieved them,
long pants, which have themselves been underwear
repeatedly, and underground more than once,
it is time perhaps to cherish the culture of shorts,
to moderate grim vigour
with the knobble of bare knees,
to cool bareknuckle feet in inland water,
slapping flies with a book on solar wind
or a patient bare hand, beneath the cadjiput trees,
to be walking meditatively
among green timber, through the grassy forest
towards a calm sea
and looking across to more of that great island
and the further tropics.
|
Written by
Edgar Bowers |
The angel of self-discipline, her guardian
Since she first knew and had to go away
From home that spring to have her child with strangers,
Sustained her, till the vanished boy next door
And her ordeal seemed fiction, and the true
Her mother’s firm insistence she was the mother
And the neighbors’ acquiescence. So she taught school,
Walking a mile each way to ride the street car—
First books of the Aeneid known by heart,
French, and the French Club Wednesday afternoon;
Then summer replacement typist in an office,
Her sister’s family moving in with them,
Depression years and she the only earner.
Saturday, football game and opera broadcasts,
Sunday, staying at home to wash her hair,
The Business Women’s Circle Monday night,
And, for a treat, birthdays and holidays,
Nelson Eddy and Jeanette McDonald.
The young blond sister long since gone to college,
Nephew and nieces gone, her mother dead,
Instead of Caesar, having to teach First Aid,
The students rowdy, she retired. The rent
For the empty rooms she gave to Thornwell Orphanage,
Unwed Mothers, Temperance, and Foster Parents
And never bought the car she meant to buy;
Too blind at last to do much more than sit
All day in the antique glider on the porch
Listening to cars pass up and down the street.
Each summer, on the grass behind the house—
Cape jasmine, with its scent of August nights
Humid and warm, the soft magnolia bloom
Marked lightly by a slow brown stain—she spread,
For airing, the same small intense collection,
Concert programs, worn trophies, years of yearbooks,
Letters from schoolgirl chums, bracelets of hair
And the same picture: black hair in a bun,
Puzzled eyes in an oval face as young
Or old as innocence, skirt to the ground,
And, seated on the high school steps, the class,
The ones to whom she would have said, “Seigneur,
Donnez-nous la force de supporter
La peine,” as an example easy to remember,
Formal imperative, object first person plural.
|
Written by
Mary Darby Robinson |
TERRIFIC FIEND! thou Monster fell,
Condemn'd in haunts profane to dwell,
Why quit thy solitary Home,
O'er wide Creation's paths to roam?
Pale Tyrant of the timid Heart,
Whose visionary spells can bind
The strongest passions of the mind,
Freezing Life's current with thy baneful Art.
Nature recoils when thou art near,
For round thy form all plagues are seen;
Thine is the frantic tone, the sullen mien,
The glance of petrifying fear,
The haggard Brow, the low'ring Eye,
The hollow Cheek, the smother'd Sigh,
When thy usurping fangs assail,
The sacred Bonds of Friendship fail.
Meek-bosom'd Pity sues in vain;
Imperious Sorrow spurns relief,
Feeds on the luxury of Grief,
Drinks the hot Tear, and hugs the galling Chain.
AH! plunge no more thy ruthless dart,
In the dark centre of the guilty Heart;
The POW'R SUPREME, with pitying eye,
Looks on the erring Child of Misery;
MERCY arrests the wing of Time;
To expiate the wretch's crime;
Insulted HEAV'N consign'd thy brand
To the first Murd'rer's crimson hand.
Swift o'er the earth the Monster flew,
And round th' ensanguin'd Poisons threw,
By CONSCIENCE goadeddriven by FEAR,
Till the meek Cherub HOPE subdued his fell career.
Thy Reign is past, when erst the brave
Imbib'd contagion o'er the midnight lamp,
Close pent in loathsome cells, where poisons damp
Hung round the confines of a Living Grave; *
Where no glimm'ring ray illum'd
The flinty walls, where pond'rous chains
Bound the wan Victim to the humid earth,
Where VALOUR, GENIUS, TASTE, and WORTH,
In pestilential caves entomb'd,
Sought thy cold arms, and smiling mock'd their pains.
THERE,each procrastinated hour
The woe-worn suff'rer gasping lay,
While by his side in proud array
Stalk'd the HUGE FIEND, DESPOTIC POW'R.
There REASON clos'd her radiant eye,
And fainting HOPE retir'd to die,
Truth shrunk appall'd,
In spells of icy Apathy enthrall'd;
Till FREEDOM spurn'd the ignominious chain,
And roused from Superstition's night,
Exulting Nature claim'd her right,
And call'd dire Vengeance from her dark domain.
Now take thy solitary flight
Amid the turbid gales of night,
Where Spectres starting from the tomb,
Glide along th' impervious gloom;
Or, stretch'd upon the sea-beat shore,
Let the wild winds, as they roar,
Rock Thee on thy Bed of Stone;
Or, in gelid caverns pent,
Listen to the sullen moan
Of subterranean winds;or glut thy sight
Where stupendous mountains rent
Hurl their vast fragments from their dizzy height.
At Thy approach the rifted Pine
Shall o'er the shatter'd Rock incline,
Whose trembling brow, with wild weeds drest,
Frowns on the tawny EAGLE's nest;
THERE enjoy the 'witching hour,
And freeze in Frenzy's dire conceit,
Or seek the Screech-owl's lone retreat,
On the bleak rampart of some nodding Tow'r.
In some forest long and drear,
Tempt the fierce BANDITTI's rage,
War with famish'd Tygers wage,
And mock the taunts of Fear.
When across the yawning deep,
The Demons of the Tempest sweep,
Or deaf'ning Thunders bursting cast
Their red bolts on the shivering mast,
While fix'd below the sea-boy stands,
As threat'ning Death his soul dismays,
He lifts his supplicating hands,
And shrieks, and groans, and weeps, and prays,
Till lost amid the floating fire
The agonizing crew expire;
THEN let thy transports rend the air,
For mad'ning Anguish feeds DESPAIR.
When o'er the couch of pale Disease
The MOTHER bends, with tearful eye,
And trembles, lest her quiv'ring sigh,
Should wake the darling of her breast,
Now, by the taper's feeble rays,
She steals a last, fond, eager gaze.
Ah, hapless Parent! gaze no more,
Thy CHERUB soars among the Blest,
Life's crimson Fount begins to freeze,
His transitory scene is o'er.
She startsshe ravesher burning brain,
Consumes, unconscious of its fires,
Dead to the Heart's convulsive Pain,
Bewilder'd Memory retires.
See! See! she grasps her flowing hair,
From her fix'd eye the big drops roll,
Her proud Affliction mocks controul,
And riots in DESPAIR,
Such are thy haunts, malignant Pow'r,
There all thy murd'rous Poisons pour;
But come not near my calm retreat,
Where Peace and holy FRIENDSHIP meet;
Where SCIENCE sheds a gentle ray,
And guiltless Mirth beguiles the day,
Where Bliss congenial to the MUSE
Shall round my Heart her sweets diffuse,
Where, from each restless Passion free,
I give my noiseless hours, BLESS'D POETRY, TO THEE.
|
Written by
Margaret Atwood |
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worse suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshippers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretence
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slab of ham,
but I come from the province of the gods
where meanings are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look--my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
|
Written by
Billy Collins |
In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
Sitting is more his speed, if that is the word
for what he does, or does not do.
Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?
But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.
This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.
He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.
All morning long we work side by side,
me with my commentary
and he inside his generous pocket of silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.
After this, he asks,
can we go inside and play cards?
Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck.
and our boots stand dripping by the door.
Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.
|
Written by
Adrienne Rich |
A life hauls itself uphill
through hoar-mist steaming
the sun's tongue licking
leaf upon leaf into stricken liquid
When? When? cry the soothseekers
but time is a bloodshot eye
seeing its last of beauty its own
foreclosure
a bloodshot mind
finding itself unspeakable
What is the last thought?
Now I will let you know?
or, Now I know?
(porridge of skull-splinters, brain tissue
mouth and throat membrane, cranial fluid)
Shattered head on the breast
of a wooded hill
Laid down there endlessly so
tendrils soaked into matted compose
became a root
torqued over the faint springhead
groin whence illegible
matter leaches: worm-borings, spurts of silt
volumes of sporic changes
hair long blown into far follicles
blasted into a chosen place
Revenge on the head (genitals, breast, untouched)
revenge on the mouth
packed with its inarticulate confessions
revenge on the eyes
green-gray and restless
revenge on the big and searching lips
the tender tongue
revenge on the sensual, on the nose the
carrier of history
revenge on the life devoured
in another incineration
You can walk by such a place, the earth is
made of them
where the stretched tissue of a field or woods
is humid
with beloved matter
the soothseekers have withdrawn
you feel no ghost, only a sporic chorus
when that place utters its worn sigh
let us have peace
And the shattered head answers back
And I believed I was loved, I believed I loved
Who did this to us?
|
Written by
Johann Wolfgang von Goethe |
[The following explanation is necessary, in order
to make this ode in any way intelligible. The Poet is supposed to
leave his companions, who are proceeding on a hunting expedition
in winter, in order himself to pay a visit to a hypochondriacal
friend, and also to see the mining in the Hartz mountains. The ode
alternately describes, in a very fragmentary and peculiar manner,
the naturally happy disposition of the Poet himself and the unhappiness
of his friend; it pictures the wildness of the road and the dreariness
of the prospect, which is relieved at one spot by the distant sight
of a town, a very vague allusion to which is made in the third strophe;
it recalls the hunting party on which his companions have gone;
and after an address to Love, concludes by a contrast between the
unexplored recesses of the highest peak of the Hartz and the metalliferous
veins of its smaller brethren.]
LIKE the vulture
Who on heavy morning clouds
With gentle wing reposing
Looks for his prey,--
Hover, my song!
For a God hath
Unto each prescribed
His destined path,
Which the happy one
Runs o'er swiftly
To his glad goal:
He whose heart cruel
Fate hath contracted,
Struggles but vainly
Against all the barriers
The brazen thread raises,
But which the harsh shears
Must one day sever.
Through gloomy thickets
Presseth the wild deer on,
And with the sparrows
Long have the wealthy
Settled themselves in the marsh.
Easy 'tis following the chariot
That by Fortune is driven,
Like the baggage that moves
Over well-mended highways
After the train of a prince.
But who stands there apart?
In the thicket, lost is his path;
Behind him the bushes
Are closing together,
The grass springs up again,
The desert engulphs him.
Ah, who'll heal his afflictions,
To whom balsam was poison,
Who, from love's fullness,
Drank in misanthropy only?
First despised, and now a despiser,
He, in secret, wasteth
All that he is worth,
In a selfishness vain.
If there be, on thy psaltery,
Father of Love, but one tone
That to his ear may be pleasing,
Oh, then, quicken his heart!
Clear his cloud-enveloped eyes
Over the thousand fountains
Close by the thirsty one
In the desert.
Thou who createst much joy,
For each a measure o'erflowing,
Bless the sons of the chase
When on the track of the prey,
With a wild thirsting for blood,
Youthful and joyous
Avenging late the injustice
Which the peasant resisted
Vainly for years with his staff.
But the lonely one veil
Within thy gold clouds!
Surround with winter-green,
Until the roses bloom again,
The humid locks,
Oh Love, of thy minstrel!
With thy glimmering torch
Lightest thou him
Through the fords when 'tis night,
Over bottomless places
On desert-like plains;
With the thousand colours of morning
Gladd'nest his bosom;
With the fierce-biting storm
Bearest him proudly on high;
Winter torrents rush from the cliffs,--
Blend with his psalms;
An altar of grateful delight
He finds in the much-dreaded mountain's
Snow-begirded summit,
Which foreboding nations
Crown'd with spirit-dances.
Thou stand'st with breast inscrutable,
Mysteriously disclosed,
High o'er the wondering world,
And look'st from clouds
Upon its realms and its majesty,
Which thou from the veins of thy brethren
Near thee dost water.
1777.
|
Written by
Rafael Guillen |
I came with the rising sun and I've brought
nothing but two eyes, all I have,
simply two eyes, for the harvest
of grief that's hidden in this jungle
like the coffee shrubs. Fewer,
but they fling themselves upwards, untouchable,
are the trees that invidiously shut out
the light from this overwhelming indigence.
With my machete I go through the paths
of the cafetal.
Intricate paths
where the tamags lies in wait, sunk
in the luxuriant vegetation of the tropics,
the carnal luxury that gleams
in the eyes of the Creole overseer; sinuous
paths between junipers and avocados
where human thought, cowed
since before the white man, has never
found any other light than the well
of Quich; blind; drowning in itself.
Picking berries, the guanacos
hope only for a snort to free them
from the cafetal.
Through the humid shade beneath
the giant ceibas, Indian women
in all colors crawl like ants, one
behind the other, with the load balanced
on a waking sleep. They don't exist. They've never been born
and still they are dying daily, rubbed raw,
turned to wet earth with the plantation,
hunkered for days in the road to watch over the man
eternally blasted on booze, as good as dead
from one rain to the next, under the shrubs
of the cafetal.
The population has disappeared
into the coffee bean, and a tide of white lightning
seeps in to cover them. I stretch out a hand, pluck
the red berry, submit it to the test
of water, scrub it, wait for the fermentation
of the sweet pulp to release the bean.
How many centuries, now? How much misery
does it cost to become a man? How much mourning?
With a few strokes of the rake, the stripped bean
dries in the sun. It crackles, and I feel it
under my feet. Eternal drying shed
of the cafetal!
Backwash of consciousness,
soul sown with corn-mush and corn cobs,
blood stained with the black native dye.
Man below. Above, the volcanos.
Guatemala throws me to my knees
while every afternoon, with rain and thunder,
Tohil the Powerful lashes
this newly-arrived back. Lamentation
is the vegetal murmur, tender
of the cafetal.
Glossary:
Cafetal: a coffee plantation
tamag?s: a venomous serpent
guanaco: a pack animal, used insultingly to indicate the native laborers
ceiba: a tall tropical hardwood tree
|
Written by
Victor Hugo |
MOSES ON THE NILE.
("Mes soeurs, l'onde est plus fraiche.")
{TO THE FLORAL GAMES, Toulouse, Feb. 10, 1820.}
"Sisters! the wave is freshest in the ray
Of the young morning; the reapers are asleep;
The river bank is lonely: come away!
The early murmurs of old Memphis creep
Faint on my ear; and here unseen we stray,—
Deep in the covert of the grove withdrawn,
Save by the dewy eye-glance of the dawn.
"Within my father's palace, fair to see,
Shine all the Arts, but oh! this river side,
Pranked with gay flowers, is dearer far to me
Than gold and porphyry vases bright and wide;
How glad in heaven the song-bird carols free!
Sweeter these zephyrs float than all the showers
Of costly odors in our royal bowers.
"The sky is pure, the sparkling stream is clear:
Unloose your zones, my maidens! and fling down
To float awhile upon these bushes near
Your blue transparent robes: take off my crown,
And take away my jealous veil; for here
To-day we shall be joyous while we lave
Our limbs amid the murmur of the wave.
"Hasten; but through the fleecy mists of morn,
What do I see? Look ye along the stream!
Nay, timid maidens—we must not return!
Coursing along the current, it would seem
An ancient palm-tree to the deep sea borne,
That from the distant wilderness proceeds,
Downwards, to view our wondrous Pyramids.
"But stay! if I may surely trust mine eye,—
It is the bark of Hermes, or the shell
Of Iris, wafted gently to the sighs
Of the light breeze along the rippling swell;
But no: it is a skiff where sweetly lies
An infant slumbering, and his peaceful rest
Looks as if pillowed on his mother's breast.
"He sleeps—oh, see! his little floating bed
Swims on the mighty river's fickle flow,
A white dove's nest; and there at hazard led
By the faint winds, and wandering to and fro,
The cot comes down; beneath his quiet head
The gulfs are moving, and each threatening wave
Appears to rock the child upon a grave.
"He wakes—ah, maids of Memphis! haste, oh, haste!
He cries! alas!—What mother could confide
Her offspring to the wild and watery waste?
He stretches out his arms, the rippling tide
Murmurs around him, where all rudely placed,
He rests but with a few frail reeds beneath,
Between such helpless innocence and death.
"Oh! take him up! Perchance he is of those
Dark sons of Israel whom my sire proscribes;
Ah! cruel was the mandate that arose
Against most guiltless of the stranger tribes!
Poor child! my heart is yearning for his woes,
I would I were his mother; but I'll give
If not his birth, at least the claim to live."
Thus Iphis spoke; the royal hope and pride
Of a great monarch; while her damsels nigh,
Wandered along the Nile's meandering side;
And these diminished beauties, standing by
The trembling mother; watching with eyes wide
Their graceful mistress, admired her as stood,
More lovely than the genius of the flood!
The waters broken by her delicate feet
Receive the eager wader, as alone
By gentlest pity led, she strives to meet
The wakened babe; and, see, the prize is won!
She holds the weeping burden with a sweet
And virgin glow of pride upon her brow,
That knew no flush save modesty's till now.
Opening with cautious hands the reedy couch,
She brought the rescued infant slowly out
Beyond the humid sands; at her approach
Her curious maidens hurried round about
To kiss the new-born brow with gentlest touch;
Greeting the child with smiles, and bending nigh
Their faces o'er his large, astonished eye!
Haste thou who, from afar, in doubt and fear,
Dost watch, with straining eyes, the fated boy—
The loved of heaven! come like a stranger near,
And clasp young Moses with maternal joy;
Nor fear the speechless transport and the tear
Will e'er betray thy fond and hidden claim,
For Iphis knows not yet a mother's name!
With a glad heart, and a triumphal face,
The princess to the haughty Pharaoh led
The humble infant of a hated race,
Bathed with the bitter tears a parent shed;
While loudly pealing round the holy place
Of Heaven's white Throne, the voice of angel choirs
Intoned the theme of their undying lyres!
"No longer mourn thy pilgrimage below—
O Jacob! let thy tears no longer swell
The torrent of the Egyptian river: Lo!
Soon on the Jordan's banks thy tents shall dwell;
And Goshen shall behold thy people go
Despite the power of Egypt's law and brand,
From their sad thrall to Canaan's promised land.
"The King of Plagues, the Chosen of Sinai,
Is he that, o'er the rushing waters driven,
A vigorous hand hath rescued for the sky;
Ye whose proud hearts disown the ways of heaven!
Attend, be humble! for its power is nigh
Israel! a cradle shall redeem thy worth—
A Cradle yet shall save the widespread earth!"
Dublin University Magazine, 1839
|
Written by
Thomas Hardy |
Good Father!… ’Twas an eve in middle June,
And war was waged anew
By great Napoleon, who for years had strewn
Men’s bones all Europe through.
Three nights ere this, with columned corps he’d crossed
The Sambre at Charleroi,
To move on Brussels, where the English host
Dallied in Parc and Bois.
The yestertide we’d heard the gloomy gun
Growl through the long-sunned day
From Quatre-Bras and Ligny; till the dun
Twilight suppressed the fray;
Albeit therein—as lated tongues bespoke—
Brunswick’s high heart was drained,
And Prussia’s Line and Landwehr, though unbroke,
Stood cornered and constrained.
And at next noon-time Grouchy slowly passed
With thirty thousand men:
We hoped thenceforth no army, small or vast,
Would trouble us again.
My hut lay deeply in a vale recessed,
And never a soul seemed nigh
When, reassured at length, we went to rest—
My children, wife, and I.
But what was this that broke our humble ease?
What noise, above the rain,
Above the dripping of the poplar trees
That smote along the pane?
—A call of mastery, bidding me arise,
Compelled me to the door,
At which a horseman stood in martial guise—
Splashed—sweating from every pore.
Had I seen Grouchy? Yes? Which track took he?
Could I lead thither on?—
Fulfilment would ensure gold pieces three,
Perchance more gifts anon.
“I bear the Emperor’s mandate,” then he said,
“Charging the Marshal straight
To strike between the double host ahead
Ere they co-operate,
“Engaging Bl?cher till the Emperor put
Lord Wellington to flight,
And next the Prussians. This to set afoot
Is my emprise to-night.”
I joined him in the mist; but, pausing, sought
To estimate his say,
Grouchy had made for Wavre; and yet, on thought,
I did not lead that way.
I mused: “If Grouchy thus instructed be,
The clash comes sheer hereon;
My farm is stript. While, as for pieces three,
Money the French have none.
“Grouchy unwarned, moreo’er, the English win,
And mine is left to me—
They buy, not borrow.”—Hence did I begin
To lead him treacherously.
By Joidoigne, near to east, as we ondrew,
Dawn pierced the humid air;
And eastward faced I with him, though I knew
Never marched Grouchy there.
Near Ottignies we passed, across the Dyle
(Lim’lette left far aside),
And thence direct toward Pervez and Noville
Through green grain, till he cried:
“I doubt thy conduct, man! no track is here
I doubt they gag?d word!”
Thereat he scowled on me, and pranced me near,
And pricked me with his sword.
“Nay, Captain, hold! We skirt, not trace the course
Of Grouchy,” said I then:
“As we go, yonder went he, with his force
Of thirty thousand men.”
—At length noon nighed, when west, from Saint-John’s-Mound,
A hoarse artillery boomed,
And from Saint-Lambert’s upland, chapel-crowned,
The Prussian squadrons loomed.
Then to the wayless wet gray ground he leapt;
“My mission fails!” he cried;
“Too late for Grouchy now to intercept,
For, peasant, you have lied!”
He turned to pistol me. I sprang, and drew
The sabre from his flank,
And ’twixt his nape and shoulder, ere he knew,
I struck, and dead he sank.
I hid him deep in nodding rye and oat—
His shroud green stalks and loam;
His requiem the corn-blade’s husky note—
And then I hastened home….
—Two armies writhe in coils of red and blue,
And brass and iron clang
From Goumont, past the front of Waterloo,
To Pap’lotte and Smohain.
The Guard Imperial wavered on the height;
The Emperor’s face grew glum;
“I sent,” he said, “to Grouchy yesternight,
And yet he does not come!”
’Twas then, Good Father, that the French espied,
Streaking the summer land,
The men of Bl?cher. But the Emperor cried,
“Grouchy is now at hand!”
And meanwhile Vand’leur, Vivian, Maitland, Kempt,
Met d’Erlon, Friant, Ney;
But Grouchy—mis-sent, blamed, yet blame-exempt—
Grouchy was far away.
Be even, slain or struck, Michel the strong,
Bold Travers, Dnop, Delord,
Smart Guyot, Reil-le, l’Heriter, Friant.
Scattered that champaign o’er.
Fallen likewise wronged Duhesme, and skilled Lobau
Did that red sunset see;
Colbert, Legros, Blancard!… And of the foe
Picton and Ponsonby;
With Gordon, Canning, Blackman, Ompteda,
L’Estrange, Delancey, Packe,
Grose, D’Oyly, Stables, Morice, Howard, Hay,
Von Schwerin, Watzdorf, Boek,
Smith, Phelips, Fuller, Lind, and Battersby,
And hosts of ranksmen round…
Memorials linger yet to speak to thee
Of those that bit the ground!
The Guards’ last column yielded; dykes of dead
Lay between vale and ridge,
As, thinned yet closing, faint yet fierce, they sped
In packs to Genappe Bridge.
Safe was my stock; my capple cow unslain;
Intact each cock and hen;
But Grouchy far at Wavre all day had lain,
And thirty thousand men.
O Saints, had I but lost my earing corn
And saved the cause once prized!
O Saints, why such false witness had I borne
When late I’d sympathized!…
So, now, being old, my children eye askance
My slowly dwindling store,
And crave my mite; till, worn with tarriance,
I care for life no more.
To Almighty God henceforth I stand confessed,
And Virgin-Saint Marie;
O Michael, John, and Holy Ones in rest,
Entreat the Lord for me!
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