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Best Famous Hoped Poems

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Written by Samuel Taylor Coleridge | Create an image from this poem

Frost at Midnight

The Frost performs its secret ministry,
Unhelped by any wind.
The owlet's cry Came loud---and hark, again! loud as before.
The inmates of my cottage, all at rest, Have left me to that solitude, which suits Abstruser musings: save that at my side My cradled infant slumbers peacefully.
`Tis calm indeed! so calm, that it disturbs And vexes meditation with its strange And extreme silentness.
Sea, hill, and wood, This populous village! Sea, and hill, and wood, With all the numberless goings-on of life, Inaudible as dreams! the thin blue flame Lies on my low-burnt fire, and quivers not; Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought.
But O! how oft, How oft, at school, with most believing mind, Presageful, have I gazed upon the bars, To watch that fluttering stranger! and as oft With unclosed lids, already had I dreamt Of my sweet birth-place, and the old church-tower, Whose bells, the poor man's only music, rang >From morn to evening, all the hot Fair-day, So sweetly, that they stirred and haunted me With a wild pleasure, falling on mine ear Most like articulate sounds of things to come! So gazed I, till the soothing things, I dreamt, Lulled me to sleep, and sleep prolonged my dreams! And so I brooded all the following morn, Awed by the stern preceptor's face, mine eye Fixed with mock study on my swimming book: Save if the door half opened, and I snatched A hasty glance, and still my heart leaped up, For still I hoped to see the stranger's face, Townsman, or aunt, or sister more beloved, My play-mate when we both were clothed alike! Dear Babe, that sleepest cradled by my side, Whose gentle breathings, heard in this deep calm, Fill up the interspersed vacancies And momentary pauses of the thought! My babe so beautiful! it thrills my heart With tender gladness, thus to look at thee, And think that thou shall learn far other lore, And in far other scenes! For I was reared In the great city, pent 'mid cloisters dim, And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountain, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and all things in himself.
Great universal Teacher! he shall mould Thy spirit, and by giving make it ask.
Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Four Quartets 2: East Coker

 I

In my beginning is my end.
In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto.
In my beginning is my end.
Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised.
In a warm haze the sultry light Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament.
Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde.
Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn.
Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts.
Feet rising and falling.
Eating and drinking.
Dung and death.
Dawn points, and another day Prepares for heat and silence.
Out at sea the dawn wind Wrinkles and slides.
I am here Or there, or elsewhere.
In my beginning.
II What is the late November doing With the disturbance of the spring And creatures of the summer heat, And snowdrops writhing under feet And hollyhocks that aim too high Red into grey and tumble down Late roses filled with early snow? Thunder rolled by the rolling stars Simulates triumphal cars Deployed in constellated wars Scorpion fights against the Sun Until the Sun and Moon go down Comets weep and Leonids fly Hunt the heavens and the plains Whirled in a vortex that shall bring The world to that destructive fire Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory: A periphrastic study in a worn-out poetical fashion, Leaving one still with the intolerable wrestle With words and meanings.
The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to, Long hoped for calm, the autumnal serenity And the wisdom of age? Had they deceived us Or deceived themselves, the quiet-voiced elders, Bequeathing us merely a receipt for deceit? The serenity only a deliberate hebetude, The wisdom only the knowledge of dead secrets Useless in the darkness into which they peered Or from which they turned their eyes.
There is, it seems to us, At best, only a limited value In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies, For the pattern is new in every moment And every moment is a new and shocking Valuation of all we have been.
We are only undeceived Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way But all the way, in a dark wood, in a bramble, On the edge of a grimpen, where is no secure foothold, And menaced by monsters, fancy lights, Risking enchantment.
Do not let me hear Of the wisdom of old men, but rather of their folly, Their fear of fear and frenzy, their fear of possession, Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III O dark dark dark.
They all go into the dark, The vacant interstellar spaces, the vacant into the vacant, The captains, merchant bankers, eminent men of letters, The generous patrons of art, the statesmen and the rulers, Distinguished civil servants, chairmen of many committees, Industrial lords and petty contractors, all go into the dark, And dark the Sun and Moon, and the Almanach de Gotha And the Stock Exchange Gazette, the Directory of Directors, And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral, Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God.
As, in a theatre, The lights are extinguished, for the scene to be changed With a hollow rumble of wings, with a movement of darkness on darkness, And we know that the hills and the trees, the distant panorama And the bold imposing façade are all being rolled away— Or as, when an underground train, in the tube, stops too long between stations And the conversation rises and slowly fades into silence And you see behind every face the mental emptiness deepen Leaving only the growing terror of nothing to think about; Or when, under ether, the mind is conscious but conscious of nothing— I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love, For love would be love of the wrong thing; there is yet faith But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry, The laughter in the garden, echoed ecstasy Not lost, but requiring, pointing to the agony Of death and birth.
You say I am repeating Something I have said before.
I shall say it again.
Shall I say it again? In order to arrive there, To arrive where you are, to get from where you are not, You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know You must go by a way which is the way of ignorance.
In order to possess what you do not possess You must go by the way of dispossession.
In order to arrive at what you are not You must go through the way in which you are not.
And what you do not know is the only thing you know And what you own is what you do not own And where you are is where you are not.
IV The wounded surgeon plies the steel That questions the distempered part; Beneath the bleeding hands we feel The sharp compassion of the healer's art Resolving the enigma of the fever chart.
Our only health is the disease If we obey the dying nurse Whose constant care is not to please But to remind of our, and Adam's curse, And that, to be restored, our sickness must grow worse.
The whole earth is our hospital Endowed by the ruined millionaire, Wherein, if we do well, we shall Die of the absolute paternal care That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees, The fever sings in mental wires.
If to be warmed, then I must freeze And quake in frigid purgatorial fires Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink, The bloody flesh our only food: In spite of which we like to think That we are sound, substantial flesh and blood— Again, in spite of that, we call this Friday good.
V So here I am, in the middle way, having had twenty years— Twenty years largely wasted, the years of l'entre deux guerres Trying to use words, and every attempt Is a wholly new start, and a different kind of failure Because one has only learnt to get the better of words For the thing one no longer has to say, or the way in which One is no longer disposed to say it.
And so each venture Is a new beginning, a raid on the inarticulate With shabby equipment always deteriorating In the general mess of imprecision of feeling, Undisciplined squads of emotion.
And what there is to conquer By strength and submission, has already been discovered Once or twice, or several times, by men whom one cannot hope To emulate—but there is no competition— There is only the fight to recover what has been lost And found and lost again and again: and now, under conditions That seem unpropitious.
But perhaps neither gain nor loss.
For us, there is only the trying.
The rest is not our business.
Home is where one starts from.
As we grow older The world becomes stranger, the pattern more complicated Of dead and living.
Not the intense moment Isolated, with no before and after, But a lifetime burning in every moment And not the lifetime of one man only But of old stones that cannot be deciphered.
There is a time for the evening under starlight, A time for the evening under lamplight (The evening with the photograph album).
Love is most nearly itself When here and now cease to matter.
Old men ought to be explorers Here or there does not matter We must be still and still moving Into another intensity For a further union, a deeper communion Through the dark cold and the empty desolation, The wave cry, the wind cry, the vast waters Of the petrel and the porpoise.
In my end is my beginning.
Written by Raymond Carver | Create an image from this poem

This Morning

 This morning was something.
A little snow lay on the ground.
The sun floated in a clear blue sky.
The sea was blue, and blue-green, as far as the eye could see.
Scarcely a ripple.
Calm.
I dressed and went for a walk -- determined not to return until I took in what Nature had to offer.
I passed close to some old, bent-over trees.
Crossed a field strewn with rocks where snow had drifted.
Kept going until I reached the bluff.
Where I gazed at the sea, and the sky, and the gulls wheeling over the white beach far below.
All lovely.
All bathed in a pure cold light.
But, as usual, my thoughts began to wander.
I had to will myself to see what I was seeing and nothing else.
I had to tell myself this is what mattered, not the other.
(And I did see it, for a minute or two!) For a minute or two it crowded out the usual musings on what was right, and what was wrong -- duty, tender memories, thoughts of death, how I should treat with my former wife.
All the things I hoped would go away this morning.
The stuff I live with every day.
What I've trampled on in order to stay alive.
But for a minute or two I did forget myself and everything else.
I know I did.
For when I turned back i didn't know where I was.
Until some birds rose up from the gnarled trees.
And flew in the direction I needed to be going.
Written by Bertolt Brecht | Create an image from this poem

To Those Born After

 To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles, I lay down to sleep among the murderers, I didn't care for much for love And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time, My speech betrayed me to the butchers.
I could do only little But without me those that ruled could not sleep so easily: That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small, Our goal lay in the far distance Clearly in our sights, If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II You who will come to the surface From the flood that's overwhelmed us and drowned us all Must think, when you speak of our weakness in times of darkness That you've not had to face: Days when we were used to changing countries More often than shoes, Through the war of the classes despairing That there was only injustice and no outrage.
Even so we realised Hatred of oppression still distorts the features, Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness, Could never be friendly ourselves.
And in the future when no longer Do human beings still treat themselves as animals, Look back on us with indulgence.
Written by Anne Bronte | Create an image from this poem

Last Lines

 Jan 7th

A dreadful darkness closes in
On my bewildered mind;
O let me suffer and not sin,
Be tortured yet resigned.
Through all this world of whelming mist Still let me look to Thee, And give me courage to resist The Tempter till he flee.
Weary I am -- O give me strength And leave me not to faint; Say Thou wilt comfort me at length And pity my complaint.
I've begged to serve Thee heart and soul, To sacrifice to Thee No niggard portion, but the whole Of my identity.
I hoped amid the brave and strong My portioned task might lie, To toil amid the labouring throng With purpose pure and high.
But Thou hast fixed another part, And Thou hast fixed it well; I said so with my breaking heart When first the anguish fell.
For Thou hast taken my delight And hope of life away, And bid me watch the painful night And wait the weary day.
The hope and the delight were Thine; I bless Thee for their loan; I gave Thee while I deemed them mine Too little thanks, I own.
Shall I with joy Thy blessings share And not endure their loss? Or hope the martyr's crown to wear And cast away the cross? These weary hours will not be lost, These days of passive misery, These nights of darkness anguish tost If I can fix my heart on Thee.
Weak and weary though I lie, Crushed with sorrow, worn with pain, Still I may lift to Heaven mine eyes And strive and labour not in vain, That inward strife against the sins That ever wait on suffering; To watch and strike where first begins Each ill that would corruption bring, That secret labour to sustain With humble patience every blow, To gather fortitude from pain And hope and holiness from woe.
Thus let me serve Thee from my heart Whatever be my written fate, Whether thus early to depart Or yet awhile to wait.
If Thou shouldst bring me back to life More humbled I should be; More wise, more strengthened for the strife, More apt to lean on Thee.
Should Death be standing at the gate Thus should I keep my vow; But, Lord, whate'er my future fate So let me serve Thee now.
Finished.
Jan.
28, 1849.


Written by Johann Wolfgang von Goethe | Create an image from this poem

THE BRIDE OF CORINTH

 [First published in Schiller's Horen, in connection 
with a
friendly contest in the art of ballad-writing between the two
great poets, to which many of their finest works are owing.
] ONCE a stranger youth to Corinth came, Who in Athens lived, but hoped that he From a certain townsman there might claim, As his father's friend, kind courtesy.
Son and daughter, they Had been wont to say Should thereafter bride and bridegroom be.
But can he that boon so highly prized, Save tis dearly bought, now hope to get? They are Christians and have been baptized, He and all of his are heathens yet.
For a newborn creed, Like some loathsome weed, Love and truth to root out oft will threat.
Father, daughter, all had gone to rest, And the mother only watches late; She receives with courtesy the guest, And conducts him to the room of state.
Wine and food are brought, Ere by him besought; Bidding him good night.
she leaves him straight.
But he feels no relish now, in truth, For the dainties so profusely spread; Meat and drink forgets the wearied youth, And, still dress'd, he lays him on the bed.
Scarce are closed his eyes, When a form in-hies Through the open door with silent tread.
By his glimmering lamp discerns he now How, in veil and garment white array'd, With a black and gold band round her brow, Glides into the room a bashful maid.
But she, at his sight, Lifts her hand so white, And appears as though full sore afraid.
"Am I," cries she, "such a stranger here, That the guest's approach they could not name? Ah, they keep me in my cloister drear, Well nigh feel I vanquish'd by my shame.
On thy soft couch now Slumber calmly thou! I'll return as swiftly as I came.
" "Stay, thou fairest maiden!" cries the boy, Starting from his couch with eager haste: "Here are Ceres', Bacchus' gifts of joy; Amor bringest thou, with beauty grac'd! Thou art pale with fear! Loved one let us here Prove the raptures the Immortals taste.
" "Draw not nigh, O Youth! afar remain! Rapture now can never smile on me; For the fatal step, alas! is ta'en, Through my mother's sick-bed phantasy.
Cured, she made this oath: 'Youth and nature both Shall henceforth to Heav'n devoted be.
' "From the house, so silent now, are driven All the gods who reign'd supreme of yore; One Invisible now rules in heaven, On the cross a Saviour they adore.
Victims slay they here, Neither lamb nor steer, But the altars reek with human gore.
" And he lists, and ev'ry word he weighs, While his eager soul drinks in each sound: "Can it be that now before my gaze Stands my loved one on this silent ground? Pledge to me thy troth! Through our father's oath: With Heav'ns blessing will our love be crown'd.
" "Kindly youth, I never can be thine! 'Tis my sister they intend for thee.
When I in the silent cloister pine, Ah, within her arms remember me! Thee alone I love, While love's pangs I prove; Soon the earth will veil my misery.
" "No! for by this glowing flame I swear, Hymen hath himself propitious shown: Let us to my fathers house repair, And thoult find that joy is not yet flown, Sweetest, here then stay, And without delay Hold we now our wedding feast alone!" Then exchange they tokens of their truth; She gives him a golden chain to wear, And a silver chalice would the youth Give her in return of beauty rare.
"That is not for me; Yet I beg of thee, One lock only give me of thy hair.
" Now the ghostly hour of midnight knell'd, And she seem'd right joyous at the sign; To her pallid lips the cup she held, But she drank of nought but blood-red wine.
For to taste the bread There before them spread, Nought he spoke could make the maid incline.
To the youth the goblet then she brought,-- He too quaff'd with eager joy the bowl.
Love to crown the silent feast he sought, Ah! full love-sick was the stripling's soul.
From his prayer she shrinks, Till at length he sinks On the bed and weeps without control.
And she comes, and lays her near the boy: "How I grieve to see thee sorrowing so! If thou think'st to clasp my form with joy, Thou must learn this secret sad to know; Yes! the maid, whom thou Call'st thy loved one now, Is as cold as ice, though white as snow.
" Then he clasps her madly in his arm, While love's youthful might pervades his frame: "Thou might'st hope, when with me, to grow warm, E'en if from the grave thy spirit came! Breath for breath, and kiss! Overflow of bliss! Dost not thou, like me, feel passion's flame?" Love still closer rivets now their lips, Tears they mingle with their rapture blest, From his mouth the flame she wildly sips, Each is with the other's thought possess'd.
His hot ardour's flood Warms her chilly blood, But no heart is beating in her breast.
In her care to see that nought went wrong, Now the mother happen'd to draw near; At the door long hearkens she, full long, Wond'ring at the sounds that greet her ear.
Tones of joy and sadness, And love's blissful madness, As of bride and bridegroom they appear, From the door she will not now remove 'Till she gains full certainty of this; And with anger hears she vows of love, Soft caressing words of mutual bliss.
"Hush! the cock's loud strain! But thoult come again, When the night returns!"--then kiss on kiss.
Then her wrath the mother cannot hold, But unfastens straight the lock with ease "In this house are girls become so bold, As to seek e'en strangers' lusts to please?" By her lamp's clear glow Looks she in,--and oh! Sight of horror!--'tis her child she sees.
Fain the youth would, in his first alarm, With the veil that o'er her had been spread, With the carpet, shield his love from harm; But she casts them from her, void of dread, And with spirit's strength, In its spectre length, Lifts her figure slowly from the bed.
"Mother! mother!"--Thus her wan lips say: "May not I one night of rapture share? From the warm couch am I chased away? Do I waken only to despair? It contents not thee To have driven me An untimely shroud of death to wear? "But from out my coffin's prison-bounds By a wond'rous fate I'm forced to rove, While the blessings and the chaunting sounds That your priests delight in, useless prove.
Water, salt, are vain Fervent youth to chain, Ah, e'en Earth can never cool down love! "When that infant vow of love was spoken, Venus' radiant temple smiled on both.
Mother! thou that promise since hast broken, Fetter'd by a strange, deceitful oath.
Gods, though, hearken ne'er, Should a mother swear To deny her daughter's plighted troth.
From my grave to wander I am forc'd, Still to seek The Good's long-sever'd link, Still to love the bridegroom I have lost, And the life-blood of his heart to drink; When his race is run, I must hasten on, And the young must 'neath my vengeance sink, "Beauteous youth! no longer mayst thou live; Here must shrivel up thy form so fair; Did not I to thee a token give, Taking in return this lock of hair? View it to thy sorrow! Grey thoult be to-morrow, Only to grow brown again when there.
"Mother, to this final prayer give ear! Let a funeral pile be straightway dress'd; Open then my cell so sad and drear, That the flames may give the lovers rest! When ascends the fire From the glowing pyre, To the gods of old we'll hasten, blest.
" 1797.
Written by Alice Walker | Create an image from this poem

WHO ?

Who has not been
invaded
by the Wasichu?

Not I, said the people.
Not I, said the trees.
Not I, said the waters.
Not I, said the rocks.
Not I, said the air.
Moon! We hoped you were safe.
Written by Robert Southey | Create an image from this poem

Mary - A Ballad

 Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England.
I have adopted the metre of Mr.
Lewis's Alonzo and Imogene--a poem deservedly popular.
I.
Who is she, the poor Maniac, whose wildly-fix'd eyes Seem a heart overcharged to express? She weeps not, yet often and deeply she sighs, She never complains, but her silence implies The composure of settled distress.
II.
No aid, no compassion the Maniac will seek, Cold and hunger awake not her care: Thro' her rags do the winds of the winter blow bleak On her poor withered bosom half bare, and her cheek Has the deathy pale hue of despair.
III.
Yet chearful and happy, nor distant the day, Poor Mary the Maniac has been; The Traveller remembers who journeyed this way No damsel so lovely, no damsel so gay As Mary the Maid of the Inn.
IV.
Her chearful address fill'd the guests with delight As she welcomed them in with a smile: Her heart was a stranger to childish affright, And Mary would walk by the Abbey at night When the wind whistled down the dark aisle.
V.
She loved, and young Richard had settled the day, And she hoped to be happy for life; But Richard was idle and worthless, and they Who knew him would pity poor Mary and say That she was too good for his wife.
VI.
'Twas in autumn, and stormy and dark was the night, And fast were the windows and door; Two guests sat enjoying the fire that burnt bright, And smoking in silence with tranquil delight They listen'd to hear the wind roar.
VII.
"Tis pleasant," cried one, "seated by the fire side "To hear the wind whistle without.
" "A fine night for the Abbey!" his comrade replied, "Methinks a man's courage would now be well tried "Who should wander the ruins about.
VIII.
"I myself, like a school-boy, should tremble to hear "The hoarse ivy shake over my head; "And could fancy I saw, half persuaded by fear, "Some ugly old Abbot's white spirit appear, "For this wind might awaken the dead!" IX.
"I'll wager a dinner," the other one cried, "That Mary would venture there now.
" "Then wager and lose!" with a sneer he replied, "I'll warrant she'd fancy a ghost by her side, "And faint if she saw a white cow.
" X.
"Will Mary this charge on her courage allow?" His companion exclaim'd with a smile; "I shall win, for I know she will venture there now, "And earn a new bonnet by bringing a bough "From the elder that grows in the aisle.
" XI.
With fearless good humour did Mary comply, And her way to the Abbey she bent; The night it was dark, and the wind it was high And as hollowly howling it swept thro' the sky She shiver'd with cold as she went.
XII.
O'er the path so well known still proceeded the Maid Where the Abbey rose dim on the sight, Thro' the gate-way she entered, she felt not afraid Yet the ruins were lonely and wild, and their shade Seem'd to deepen the gloom of the night.
XIII.
All around her was silent, save when the rude blast Howl'd dismally round the old pile; Over weed-cover'd fragments still fearless she past, And arrived in the innermost ruin at last Where the elder tree grew in the aisle.
XIV.
Well-pleas'd did she reach it, and quickly drew near And hastily gather'd the bough: When the sound of a voice seem'd to rise on her ear, She paus'd, and she listen'd, all eager to hear, Aud her heart panted fearfully now.
XV.
The wind blew, the hoarse ivy shook over her head, She listen'd,--nought else could she hear.
The wind ceas'd, her heart sunk in her bosom with dread For she heard in the ruins distinctly the tread Of footsteps approaching her near.
XVI.
Behind a wide column half breathless with fear She crept to conceal herself there: That instant the moon o'er a dark cloud shone clear, And she saw in the moon-light two ruffians appear And between them a corpse did they bear.
XVII.
Then Mary could feel her heart-blood curdle cold! Again the rough wind hurried by,-- It blew off the hat of the one, and behold Even close to the feet of poor Mary it roll'd,-- She felt, and expected to die.
XVIII.
"Curse the hat!" he exclaims.
"Nay come on and first hide "The dead body," his comrade replies.
She beheld them in safety pass on by her side, She seizes the hat, fear her courage supplied, And fast thro' the Abbey she flies.
XIX.
She ran with wild speed, she rush'd in at the door, She gazed horribly eager around, Then her limbs could support their faint burthen no more, And exhausted and breathless she sunk on the floor Unable to utter a sound.
XX.
Ere yet her pale lips could the story impart, For a moment the hat met her view;-- Her eyes from that object convulsively start, For--oh God what cold horror then thrill'd thro' her heart, When the name of her Richard she knew! XXI.
Where the old Abbey stands, on the common hard by His gibbet is now to be seen.
Not far from the road it engages the eye, The Traveller beholds it, and thinks with a sigh Of poor Mary the Maid of the Inn.
Written by Richard Wilbur | Create an image from this poem

Shame

 It is a cramped little state with no foreign policy,
Save to be thought inoffensive.
The grammar of the language Has never been fathomed, owing to the national habit Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city, Report that the railway-route from Schuldig passes Through country best described as unrelieved.
Sheep are the national product.
The faint inscription Over the city gates may perhaps be rendered, "I'm afraid you won't find much of interest here.
" Census-reports which give the population As zero are, of course, not to be trusted, Save as reflecting the natives' flustered insistence That they do not count, as well as their modest horror Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence Of churches or comfort-stations, have given observers An odd impression of ostentatious meanness, And it must be said of the citizens (muttering by In their ratty sheepskins, shying at cracks in the sidewalk) That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff Unsmiling carelessness of the border-guards And douaniers, who admit, whenever they can, Not merely the usual carloads of deodorant But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however, For the hoped-for invasion, at which time the happy people (Sniggering, ruddily naked, and shamelessly drunk) Will stun the foe by their overwhelming submission, Corrupt the generals, infiltrate the staff, Usurp the throne, proclaim themselves to be sun-gods, And bring about the collapse of the whole empire.
Written by W. E. B. Du Bois | Create an image from this poem

Ghana Calls

I was a little boy, at home with strangers.   
I liked my playmates, and knew well,   
Whence all their parents came; 
From England, Scotland, royal France   
From Germany and oft by chance 
The humble Emerald Isle. 

But my brown skin and close-curled hair 
Was alien, and how it grew, none knew; 
Few tried to say, some dropped a wonderful word or stray; 
Some laughed and stared. 

And then it came: I dreamed.   
I placed together all I knew 
All hints and slurs together drew.   
I dreamed. 

I made one picture of what nothing seemed   
I shuddered in dumb terror 
In silence screamed, 
For now it seemed this I had dreamed; 

How up from Hell, a land had leaped 
A wretched land, all scorched and seamed   
Covered with ashes, chained with pain   
Streaming with blood, in horror lain   
Its very air a shriek of death 
And agony of hurt. 

Anon I woke, but in one corner of my soul   
I stayed asleep. 
Forget I could not, 
But never would I remember   
That hell-hoist ghost   
Of slavery and woe. 

I lived and grew, I worked and hoped 
I planned and wandered, gripped and coped   
With every doubt but one that slept   
Yet clamoured to awaken. 
I became old; old, worn and gray;   
Along my hard and weary way 
Rolled war and pestilence, war again;   
I looked on Poverty and foul Disease   
I walked with Death and yet I knew 
There stirred a doubt: Were all dreams true?   
And what in truth was Africa? 

One cloud-swept day a Seer appeared,   
All closed and veiled as me he hailed 
And bid me make three journeys to the world   
Seeking all through their lengthened links   
The endless Riddle of the Sphinx. 

I went to Moscow; Ignorance grown wise taught me Wisdom; 
I went to Peking: Poverty grown rich 
Showed me the wealth of Work 
I came to Accra. 

Here at last, I looked back on my Dream;   
I heard the Voice that loosed 
The Long-looked dungeons of my soul 
I sensed that Africa had come 
Not up from Hell, but from the sum of Heaven’s glory. 

I lifted up mine eyes to Ghana 
And swept the hills with high Hosanna; 
Above the sun my sight took flight   
Till from that pinnacle of light 
I saw dropped down this earth of crimson, green and gold 
Roaring with color, drums and song. 

Happy with dreams and deeds worth more than doing   
Around me velvet faces loomed   
Burnt by the kiss of everlasting suns 
Under great stars of midnight glory   
Trees danced, and foliage sang; 

The lilies hallelujah rang 
Where robed with rule on Golden Stool   
The gold-crowned Priests with duty done   
Pour high libations to the sun 
And danced to gods. 

Red blood flowed rare ’neath close-clung hair   
While subtle perfume filled the air   
And whirls and whirls of tiny curls   
Crowned heads. 

Yet Ghana shows its might and power   
Not in its color nor its flower   
But in its wondrous breadth of soul   
Its Joy of Life 
Its selfless role 
Of giving. 
School and clinic, home and hall   
Road and garden bloom and call   
Socialism blossoms bold 
On Communism centuries old. 

I lifted my last voice and cried   
I cried to heaven as I died: 
O turn me to the Golden Horde   
Summon all western nations   
Toward the Rising Sun. 

From reeking West whose day is done,   
Who stink and stagger in their dung   
Toward Africa, China, India’s strand   
Where Kenya and Himalaya stand   
And Nile and Yang-tze roll: 
Turn every yearning face of man. 

Come with us, dark America: 
The scum of Europe battened here   
And drowned a dream 
Made fetid swamp a refuge seem: 

Enslaved the Black and killed the Red   
And armed the Rich to loot the Dead;   
Worshipped the whores of Hollywood   
Where once the Virgin Mary stood 
And lynched the Christ. 

Awake, awake, O sleeping world   
Honor the sun; 

Worship the stars, those vaster suns   
Who rule the night 
Where black is bright 
And all unselfish work is right   
And Greed is Sin. 

And Africa leads on:   
Pan Africa!

Book: Shattered Sighs