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Best Famous Hog Poems

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Written by Gil Scott-Heron | Create an image from this poem

The revolution will not be televised

You will not be able to stay home, brother
 You will not be able to plug in, turn on and cop out
 You will not be able to lose yourself on skag
 And skip out for beer during commercials
 Because the revolution will not be televised

The revolution will not be televised
 The revolution will not be brought to you by Xerox
 In 4 parts without commercial interruptions
 The revolution will not show you pictures of Nixon
 Blowing a bugle and leading a charge by John Mitchell
 General Abrams and Spiro Agnew to eat hog maws
 Confiscated from a Harlem sanctuary
 The revolution will not be televised

 The revolution will not be brought to you by the
 Schaefer Award Theater and will not star Natalie Woods
 And Steve McQueen or Bullwinkle and Julia
 The revolution will not give your mouth sex appeal
 The revolution will not get rid of the nubs
 The revolution will not make you look five pounds thinner
 Because the revolution will not be televised, Brother

There will be no pictures of you and Willie May
 Pushing that shopping cart down the block on the dead run
 Or trying to slide that color TV into a stolen ambulance
 NBC will not be able predict the winner at 8:32
 Or report from 29 districts
 The revolution will not be televised

 There will be no pictures of pigs shooting down
 Brothers on the instant replay
 There will be no pictures of pigs shooting down
 Brothers on the instant replay

There will be no pictures of Whitney Young
 Being run out of Harlem on a rail with a brand new process
 There will be no slow motion or still life of Roy Wilkens
 Strolling through Watts in a red, black and green
 Liberation jumpsuit that he had been saving
 For just the proper occasion

 Green Acres, The Beverly Hillbillies and Hooter ville Junction
 Will no longer be so damned relevant
 And women will not care if Dick finally gets down with Jane
 On search for tomorrow because black people
 Will be in the street looking for a brighter day
 The revolution will not be televised

There will be no highlights on the eleven o'clock news
 And no pictures of hairy armed women liberationists
 And Jackie Onassis blowing her nose
 The theme song will not be written by Jim Webb
 Francis Scott Key, nor sung by Glen Campbell, Tom Jones
 Johnny Cash, Englebert Humperdink or the Rare Earth
 The revolution will not be televised

 The revolution will not be right back after a message
 About a white tornado, white lightning, or white people
 You will not have to worry about a dove in your bedroom
 The tiger in your tank or the giant in your toilet bowl
 The revolution will not go better with Coke
 The revolution will not fight the germs that may cause bad breath
 The revolution will put you in the driver's seat

The revolution will not be televised, will not be televised
 Will not be televised, will not be televised
 The revolution will be no re-run brothers
 The revolution will be live




Written by Christopher Smart | Create an image from this poem

The Pig

 In ev'ry age, and each profession, 
Men err the most by prepossession; 
But when the thing is clearly shown, 
And fairly stated, fully known, 
We soon applaud what we deride, 
And penitence succeeds to pride.
-- A certain Baron on a day Having a mind to show away, Invited all the wits and wags, Foot, Massey, Shuter, Yates, and Skeggs, And built a large commodious stage, For the Choice Spirits of the age; But above all, among the rest, There came a Genius who profess'd To have a curious trick in store, Which never was perform'd before.
Thro' all the town this soon got air, And the whole house was like a fair; But soon his entry as he made, Without a prompter, or parade, 'Twas all expectance, all suspense, And silence gagg'd the audience.
He hid his head behind his wig, With with such truth took off* a Pig, [imitated] All swore 'twas serious, and no joke, For doubtless underneath his cloak, He had conceal'd some grunting elf, Or was a real hog himself.
A search was made, no pig was found-- With thund'ring claps the seats resound, And pit and box and galleries roar, With--"O rare! bravo!" and "Encore!" Old Roger Grouse, a country clown, Who yet knew something of the town, Beheld the mimic and his whim, And on the morrow challeng'd him.
Declaring to each beau and bunter That he'd out-grunt th'egregious grunter.
The morrow came--the crowd was greater-- But prejudice and rank ill-nature Usurp'd the minds of men and wenches, Who came to hiss, and break the benches.
The mimic took his usual station, And squeak'd with general approbation.
"Again, encore! encore!" they cry-- 'Twas quite the thing--'twas very high; Old Grouse conceal'd, amidst the racket, A real Pig berneath his jacket-- Then forth he came--and with his nail He pinch'd the urchin by the tail.
The tortur'd Pig from out his throat, Produc'd the genuine nat'ral note.
All bellow'd out--"'Twas very sad! Sure never stuff was half so bad! That like a Pig!"--each cry'd in scoff, "Pshaw! Nonsense! Blockhead! Off! Off! Off!" The mimic was extoll'd, and Grouse Was hiss'd and catcall'd from the house.
-- "Soft ye, a word before I go," Quoth honest Hodge--and stooping low Produc'd the Pig, and thus aloud Bespoke the stupid, partial crowd: "Behold, and learn from this poor creature, How much you Critics know of Nature.
"
Written by Siegfried Sassoon | Create an image from this poem

The Old Huntsman

 I’ve never ceased to curse the day I signed 
A seven years’ bargain for the Golden Fleece.
’Twas a bad deal all round; and dear enough It cost me, what with my daft management, And the mean folk as owed and never paid me, And backing losers; and the local bucks Egging me on with whiskys while I bragged The man I was when huntsman to the Squire.
I’d have been prosperous if I’d took a farm Of fifty acres, drove my gig and haggled At Monday markets; now I’ve squandered all My savings; nigh three hundred pound I got As testimonial when I’d grown too stiff And slow to press a beaten fox.
The Fleece! ’Twas the damned Fleece that wore my Emily out, The wife of thirty years who served me well; (Not like this beldam clattering in the kitchen, That never trims a lamp nor sweeps the floor, And brings me greasy soup in a foul crock.
) Blast the old harridan! What’s fetched her now, Leaving me in the dark, and short of fire? And where’s my pipe? ’Tis lucky I’ve a turn For thinking, and remembering all that’s past.
And now’s my hour, before I hobble to bed, To set the works a-wheezing, wind the clock That keeps the time of life with feeble tick Behind my bleared old face that stares and wonders.
.
.
.
.
It’s ***** how, in the dark, comes back to mind Some morning of September.
We’ve been digging In a steep sandy warren, riddled with holes, And I’ve just pulled the terrier out and left A sharp-nosed cub-face blinking there and snapping, Then in a moment seen him mobbed and torn To strips in the baying hurly of the pack.
I picture it so clear: the dusty sunshine On bracken, and the men with spades, that wipe Red faces: one tilts up a mug of ale.
And, having stopped to clean my gory hands, I whistle the jostling beauties out of the wood.
I’m but a daft old fool! I often wish The Squire were back again—ah! he was a man! They don’t breed men like him these days; he’d come For sure, and sit and talk and suck his briar Till the old wife brings up a dish of tea.
Ay, those were days, when I was serving Squire! I never knowed such sport as ’85, The winter afore the one that snowed us silly.
.
.
.
.
Once in a way the parson will drop in And read a bit o’ the Bible, if I’m bad, And pray the Lord to make my spirit whole In faith: he leaves some ’baccy on the shelf, And wonders I don’t keep a dog to cheer me Because he knows I’m mortal fond of dogs! I ask you, what’s a gent like that to me As wouldn’t know Elijah if I saw him, Nor have the wit to keep him on the talk? ’Tis kind of parson to be troubling still With such as me; but he’s a town-bred chap, Full of his college notions and Christmas hymns.
Religion beats me.
I’m amazed at folk Drinking the gospels in and never scratching Their heads for questions.
When I was a lad I learned a bit from mother, and never thought To educate myself for prayers and psalms.
But now I’m old and bald and serious-minded, With days to sit and ponder.
I’d no chance When young and gay to get the hang of all This Hell and Heaven: and when the clergy hoick And holloa from their pulpits, I’m asleep, However hard I listen; and when they pray It seems we’re all like children sucking sweets In school, and wondering whether master sees.
I used to dream of Hell when I was first Promoted to a huntsman’s job, and scent Was rotten, and all the foxes disappeared, And hounds were short of blood; and officers From barracks over-rode ’em all day long On weedy, whistling nags that knocked a hole In every fence; good sportsmen to a man And brigadiers by now, but dreadful hard On a young huntsman keen to show some sport.
Ay, Hell was thick with captains, and I rode The lumbering brute that’s beat in half a mile, And blunders into every blind old ditch.
Hell was the coldest scenting land I’ve known, And both my whips were always lost, and hounds Would never get their heads down; and a man On a great yawing chestnut trying to cast ’em While I was in a corner pounded by The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts, And civil-spoken keepers I couldn’t trust, And the main earth unstopp’d.
The fox I found Was always a three-legged ’un from a bag, Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture And bellowing at me when I rode their beans To cast for beaten fox, or galloped on With hounds to a lucky view.
I’d lost my voice Although I shouted fit to burst my guts, And couldn’t blow my horn.
And when I woke, Emily snored, and barn-cocks started crowing, And morn was at the window; and I was glad To be alive because I heard the cry Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven! The cry of hounds was Heaven for me: I know Parson would call me crazed and wrong to say it, But where’s the use of life and being glad If God’s not in your gladness? I’ve no brains For book-learned studies; but I’ve heard men say There’s much in print that clergy have to wink at: Though many I’ve met were jolly chaps, and rode To hounds, and walked me puppies; and could pick Good legs and loins and necks and shoulders, ay, And feet—’twas necks and feet I looked at first.
Some hounds I’ve known were wise as half your saints, And better hunters.
That old dog of the Duke’s, Harlequin; what a dog he was to draw! And what a note he had, and what a nose When foxes ran down wind and scent was catchy! And that light lemon ***** of the Squire’s, old Dorcas— She were a marvellous hunter, were old Dorcas! Ay, oft I’ve thought, ‘If there were hounds in Heaven, With God as master, taking no subscription; And all His bless?d country farmed by tenants, And a straight-necked old fox in every gorse!’ But when I came to work it out, I found There’d be too many huntsmen wanting places, Though some I’ve known might get a job with Nick! .
.
.
.
I’ve come to think of God as something like The figure of a man the old Duke was When I was turning hounds to Nimrod King, Before his Grace was took so bad with gout And had to quit the saddle.
Tall and spare, Clean-shaved and grey, with shrewd, kind eyes, that twinkled, And easy walk; who, when he gave good words, Gave them whole-hearted; and would never blame Without just cause.
Lord God might be like that, Sitting alone in a great room of books Some evening after hunting.
Now I’m tired With hearkening to the tick-tack on the shelf; And pondering makes me doubtful.
Riding home On a moonless night of cloud that feels like frost Though stars are hidden (hold your feet up, horse!) And thinking what a task I had to draw A pack with all those lame ’uns, and the lot Wanting a rest from all this open weather; That’s what I’m doing now.
And likely, too, The frost’ll be a long ’un, and the night One sleep.
The parsons say we’ll wake to find A country blinding-white with dazzle of snow.
The naked stars make men feel lonely, wheeling And glinting on the puddles in the road.
And then you listen to the wind, and wonder If folk are quite such bucks as they appear When dressed by London tailors, looking down Their boots at covert side, and thinking big.
.
.
.
.
This world’s a funny place to live in.
Soon I’ll need to change my country; but I know ’Tis little enough I’ve understood my life, And a power of sights I’ve missed, and foreign marvels.
I used to feel it, riding on spring days In meadows pied with sun and chasing clouds, And half forget how I was there to catch The foxes; lose the angry, eager feeling A huntsman ought to have, that’s out for blood, And means his hounds to get it! Now I know It’s God that speaks to us when we’re bewitched, Smelling the hay in June and smiling quiet; Or when there’s been a spell of summer drought, Lying awake and listening to the rain.
.
.
.
.
I’d like to be the simpleton I was In the old days when I was whipping-in To a little harrier-pack in Worcestershire, And loved a dairymaid, but never knew it Until she’d wed another.
So I’ve loved My life; and when the good years are gone down, Discover what I’ve lost.
I never broke Out of my blundering self into the world, But let it all go past me, like a man Half asleep in a land that’s full of wars.
What a grand thing ’twould be if I could go Back to the kennels now and take my hounds For summer exercise; be riding out With forty couple when the quiet skies Are streaked with sunrise, and the silly birds Grown hoarse with singing; cobwebs on the furze Up on the hill, and all the country strange, With no one stirring; and the horses fresh, Sniffing the air I’ll never breathe again.
.
.
.
.
You’ve brought the lamp, then, Martha? I’ve no mind For newspaper to-night, nor bread and cheese.
Give me the candle, and I’ll get to bed.
Written by Carl Sandburg | Create an image from this poem

Wilderness

 THERE is a wolf in me … fangs pointed for tearing gashes … a red tongue for raw meat … and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.
There is a fox in me … a silver-gray fox … I sniff and guess … I pick things out of the wind and air … I nose in the dark night and take sleepers and eat them and hide the feathers … I circle and loop and double-cross.
There is a hog in me … a snout and a belly … a machinery for eating and grunting … a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go.
There is a fish in me … I know I came from saltblue water-gates … I scurried with shoals of herring … I blew waterspouts with porpoises … before land was … before the water went down … before Noah … before the first chapter of Genesis.
There is a baboon in me … clambering-clawed … dog-faced … yawping a galoot’s hunger … hairy under the armpits … here are the hawk-eyed hankering men … here are the blond and blue-eyed women … here they hide curled asleep waiting … ready to snarl and kill … ready to sing and give milk … waiting—I keep the baboon because the wilderness says so.
There is an eagle in me and a mockingbird … and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want … and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness.
O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.
Written by Andrew Barton Paterson | Create an image from this poem

A Dream of the Melbourne Cup

 Bring me a quart of colonial beer 
And some doughy damper to make good cheer, 
I must make a heavy dinner; 
Heavily dine and heavily sup, 
Of indigestible things fill up, 
Next month they run the Melbourne Cup, 
And I have to dream the winner.
Stoke it in, boys! the half-cooked ham, The rich ragout and the charming cham.
, I've got to mix my liquor; Give me a gander's gaunt hind leg, Hard and tough as a wooden peg, And I'll keep it down with a hard-boiled egg, 'Twill make me dream the quicker.
Now that I'm full of fearful feed, Oh, but I'll dream of a winner indeed In my restless, troubled slumber; While the night-mares race through my heated brain And their devil-riders spur amain, The trip for the Cup will reward my pain, And I'll spot the winning number.
Thousands and thousands and thousands more, Like sands on the white Pacific shore, The crowding people cluster; For evermore is the story old, While races are bought and backers are sold, Drawn by the greed of the gain of gold, In their thousands still they muster.
* * * * * And the bookies' cries grow fierce and hot, "I'll lay the Cup! The double, if not!" "Five monkeys, Little John, sir!" "Here's fives bar one, I lay, I lay!" And so they shout through the livelong day, And stick to the game that is sure to pay, While fools put money on, sir! And now in my dream I seem to go And bet with a "book" that I seem to know -- A Hebrew money-lender; A million to five is the price I get -- Not bad! but before I book the bet The horse's name I clean forgret, Its number and even gender.
Now for the start, and here they come, And the hoof-strokes roar like a mighty drum Beat by a hand unsteady; They come like a rushing, roaring flood, Hurrah for the speed of the Chester blood; For Acme is making the pace so good They are some of 'em done already.
But round the track she begins to tire, And a mighty shout goes up "Crossfire!" The magpie jacket's leading; And Crossfire challenges fierce and bold, And the lead she'll have and the lead she'll hold, But at length gives way to the black and gold, Which right to the front is speeding.
Carry them on and keep it up -- A flying race is the Melbourne Cup, You must race and stay to win it; And old Commotion, Victoria's pride, Now takes the lead with his raking stride, And a mighty roar goes far and wide -- "There's only Commotion in it!" But one draws out from the beaten ruck And up on the rails by a piece of luck He comes in a style that's clever; "It's Trident! Trident! Hurrah for Hales!" "Go at 'em now while their courage fails;" "Trident! Trident! for New South Wales!" "The blue and white for ever!" Under the whip! with the ears flat back, Under the whip! though the sinews crack, No sign of the base white feather: Stick to it now for your breeding's sake, Stick to it now though your hearts should break, While the yells and roars make the grand-stand shake, They come down the straignt together.
Trident slowly forges ahead, The fierce whips cut and the spurs are red, The pace is undiminished Now for the Panics that never fail! But many a backer's face grows pale As old Commotion swings his tail And swerves -- and the Cup is finished.
* * * * * And now in my dream it all comes back: I bet my coin on the Sydney crack, A million I've won, no question! "Give me my money, you hook-nosed hog! Give me my money, bookmaking dog!" But he disappeared in a kind of fog, And I woke with "the indigestion".


Written by Robert Lowell | Create an image from this poem

Memories of West Street and Lepke

Only teaching on Tuesdays, book-worming
in pajamas fresh from the washer each morning,
I hog a whole house on Boston's 
"hardly passionate Marlborough Street,"
where even the man
scavenging filth in the back alley trash cans,
has two children, a beach wagon, a helpmate,
and is "a young Republican.
" I have a nine months' daughter, young enough to be my granddaughter.
Like the sun she rises in her flame-flamingo infants' wear.
These are the tranquilized Fifties, and I am forty.
Ought I to regret my seedtime? I was a fire-breathing Catholic C.
O.
, and made my manic statement, telling off the state and president, and then sat waiting sentence in the bull pen beside a ***** boy with curlicues of marijuana in his hair.
Given a year, I walked on the roof of the West Street Jail, a short enclosure like my school soccer court, and saw the Hudson River once a day through sooty clothesline entanglements and bleaching khaki tenements.
Strolling, I yammered metaphysics with Abramowitz, a jaundice-yellow ("it's really tan") and fly-weight pacifist, so vegetarian, he wore rope shoes and preferred fallen fruit.
He tried to convert Bioff and Brown, the Hollywood pimps, to his diet.
Hairy, muscular, suburban, wearing chocolate double-breasted suits, they blew their tops and beat him black and blue.
I was so out of things, I'd never heard of the Jehovah's Witnesses.
"Are you a C.
O.
?" I asked a fellow jailbird.
"No," he answered, "I'm a J.
W.
" He taught me the "hospital tuck," and pointed out the T-shirted back of Murder Incorporated's Czar Lepke, there piling towels on a rack, or dawdling off to his little segregated cell full of things forbidden to the common man: a portable radio, a dresser, two toy American flags tied together with a ribbon of Easter palm.
Flabby, bald, lobotomized, he drifted in a sheepish calm, where no agonizing reappraisal jarred his concentration on the electric chair hanging like an oasis in his air of lost connections.
.
.
.
Written by Rudyard Kipling | Create an image from this poem

The Mother-Lodge

 There was Rundle, Station Master,
 An' Beazeley of the Rail,
An' 'Ackman, Commissariat,
 An' Donkin' o' the Jail;
An' Blake, Conductor-Sargent,
 Our Master twice was 'e,
With 'im that kept the Europe-shop,
 Old Framjee Eduljee.
Outside -- "Sergeant! Sir! Salute! Salaam!" Inside -- "Brother", an' it doesn't do no 'arm.
We met upon the Level an' we parted on the Square, An' I was Junior Deacon in my Mother-Lodge out there! We'd Bola Nath, Accountant, An' Saul the Aden Jew, An' Din Mohammed, draughtsman Of the Survey Office too; There was Babu Chuckerbutty, An' Amir Singh the Sikh, An' Castro from the fittin'-sheds, The Roman Catholick! We 'adn't good regalia, An' our Lodge was old an' bare, But we knew the Ancient Landmarks, An' we kep' 'em to a hair; An' lookin' on it backwards It often strikes me thus, There ain't such things as infidels, Excep', per'aps, it's us.
For monthly, after Labour, We'd all sit down and smoke (We dursn't give no banquits, Lest a Brother's caste were broke), An' man on man got talkin' Religion an' the rest, An' every man comparin' Of the God 'e knew the best.
So man on man got talkin', An' not a Brother stirred Till mornin' waked the parrots An' that dam' brain-fever-bird; We'd say 'twas 'ighly curious, An' we'd all ride 'ome to bed, With Mo'ammed, God, an' Shiva Changin' pickets in our 'ead.
Full oft on Guv'ment service This rovin' foot 'ath pressed, An' bore fraternal greetin's To the Lodges east an' west, Accordin' as commanded From Kohat to Singapore, But I wish that I might see them In my Mother-Lodge once more! I wish that I might see them, My Brethren black an' brown, With the trichies smellin' pleasant An' the hog-darn passin' down; [Cigar-lighter.
] An' the old khansamah snorin' [Butler.
] On the bottle-khana floor, [Pantry.
] Like a Master in good standing With my Mother-Lodge once more! Outside -- "Sergeant! Sir! Salute! Salaam!" Inside -- "Brother", an' it doesn't do no 'arm.
We met upon the Level an' we parted on the Square, An' I was Junior Deacon in my Mother-Lodge out there!
Written by Derek Walcott | Create an image from this poem

The Saddhu Of Couva

 When sunset, a brass gong,
vibrate through Couva,
is then I see my soul, swiftly unsheathed,
like a white cattle bird growing more small
over the ocean of the evening canes,
and I sit quiet, waiting for it to return
like a hog-cattle blistered with mud,
because, for my spirit, India is too far.
And to that gong sometimes bald clouds in saffron robes assemble sacred to the evening, sacred even to Ramlochan, singing Indian hits from his jute hammock while evening strokes the flanks and silver horns of his maroon taxi, as the mosquitoes whine their evening mantras, my friend Anopheles, on the sitar, and the fireflies making every dusk Divali.
I knot my head with a cloud, my white mustache bristle like horns, my hands are brittle as the pages of Ramayana.
Once the sacred monkeys multiplied like branches in the ancient temples: I did not miss them, because these fields sang of Bengal, behind Ramlochan Repairs there was Uttar Pradesh; but time roars in my ears like a river, old age is a conflagration as fierce as the cane fires of crop time.
I will pass through these people like a cloud, they will see a white bird beating the evening sea of the canes behind Couva, and who will point it as my soul unsheathed? Naither the bridegroom in beads, nor the bride in her veils, their sacred language on the cinema hoardings.
I talked too damn much on the Couva Village Council.
I talked too softly, I was always drowned by the loudspeakers in front of the stores or the loudspeakers with the greatest pictures.
I am best suited to stalk like a white cattle bird on legs like sticks, with sticking to the Path between the canes on a district road at dusk.
Playing the Elder.
There are no more elders.
Is only old people.
My friends spit on the government.
I do not think is just the government.
Suppose all the gods too old, Suppose they dead and they burning them, supposing when some cane cutter start chopping up snakes with a cutlass he is severing the snake-armed god, and suppose some hunter has caught Hanuman in his mischief in a monkey cage.
Suppose all the gods were killed by electric light? Sunset, a bonfire, roars in my ears; embers of brown swallows dart and cry, like women distracted, around its cremation.
I ascend to my bed of sweet sandalwood.
Written by Robert Browning | Create an image from this poem

Heretics Tragedy The

 A MIDDLE-AGE INTERLUDE.
ROSA MUNDI; SEU, FULCITE ME FLORIBUS.
A CONCEIT OF MASTER GYSBRECHT, CANON-REGULAR OF SAID JODOCUS-BY-THE-BAR, YPRES CITY.
CANTUQUE, _Virgilius.
_ AND HATH OFTEN BEEN SUNG AT HOCK-TIDE AND FESTIVALES.
GAVISUS ERAM, _Jessides.
_ (It would seem to be a glimpse from the burning of Jacques du Bourg-Mulay, at Paris, A.
D.
1314; as distorted by the refraction from Flemish brain to brain, during the course of a couple of centuries.
) [Molay was Grand Master of the Templars when that order was suppressed in 1312.
] I.
PREADMONISHETH THE ABBOT DEODAET.
The Lord, we look to once for all, Is the Lord we should look at, all at once: He knows not to vary, saith Saint Paul, Nor the shadow of turning, for the nonce.
See him no other than as he is! Give both the infinitudes their due--- Infinite mercy, but, I wis, As infinite a justice too.
[_Organ: plagal-cadence.
_ As infinite a justice too.
II.
ONE SINGETH.
John, Master of the Temple of God, Falling to sin the Unknown Sin, What he bought of Emperor Aldabrod, He sold it to Sultan Saladin: Till, caught by Pope Clement, a-buzzing there, Hornet-prince of the mad wasps' hive, And clipt of his wings in Paris square, They bring him now to be burned alive.
[_And wanteth there grace of lute or clavicithern, ye shall say to confirm him who singeth---_ We bring John now to be burned alive.
III.
In the midst is a goodly gallows built; 'Twixt fork and fork, a stake is stuck; But first they set divers tumbrils a-tilt, Make a trench all round with the city muck; Inside they pile log upon log, good store; Faggots no few, blocks great and small, Reach a man's mid-thigh, no less, no more,--- For they mean he should roast in the sight of all.
CHORUS.
We mean he should roast in the sight of all.
IV.
Good sappy bavins that kindle forthwith; Billets that blaze substantial and slow; Pine-stump split deftly, dry as pith; Larch-heart that chars to a chalk-white glow: Then up they hoist me John in a chafe, Sling him fast like a hog to scorch, Spit in his face, then leap back safe, Sing ``Laudes'' and bid clap-to the torch.
CHORUS.
_Laus Deo_---who bids clap-to the torch.
V.
John of the Temple, whose fame so bragged, Is burning alive in Paris square! How can he curse, if his mouth is gagged? Or wriggle his neck, with a collar there? Or heave his chest, which a band goes round? Or threat with his fist, since his arms are spliced? Or kick with his feet, now his legs are bound? ---Thinks John, I will call upon Jesus Christ.
[_Here one crosseth himself_ VI.
Jesus Christ---John had bought and sold, Jesus Christ---John had eaten and drunk; To him, the Flesh meant silver and gold.
(_Salv reverenti.
_) Now it was, ``Saviour, bountiful lamb, ``I have roasted thee Turks, though men roast me! ``See thy servant, the plight wherein I am! ``Art thou a saviour? Save thou me!'' CHORUS.
'Tis John the mocker cries, ``Save thou me!'' VII.
Who maketh God's menace an idle word? ---Saith, it no more means what it proclaims, Than a damsel's threat to her wanton bird?--- For she too prattles of ugly names.
---Saith, he knoweth but one thing,---what he knows? That God is good and the rest is breath; Why else is the same styled Sharon's rose? Once a rose, ever a rose, he saith.
CHORUS.
O, John shall yet find a rose, he saith! VIII.
Alack, there be roses and roses, John! Some, honied of taste like your leman's tongue: Some, bitter; for why? (roast gaily on!) Their tree struck root in devil's-dung.
When Paul once reasoned of righteousness And of temperance and of judgment to come, Good Felix trembled, he could no less: John, snickering, crook'd his wicked thumb.
CHORUS.
What cometh to John of the wicked thumb? IX.
Ha ha, John plucketh now at his rose To rid himself of a sorrow at heart! Lo,---petal on petal, fierce rays unclose; Anther on anther, sharp spikes outstart; And with blood for dew, the bosom boils; And a gust of sulphur is all its smell; And lo, he is horribly in the toils Of a coal-black giant flower of hell! CHORUS.
What maketh heaven, That maketh hell.
X.
So, as John called now, through the fire amain.
On the Name, he had cursed with, all his life--- To the Person, he bought and sold again--- For the Face, with his daily buffets rife--- Feature by feature It took its place: And his voice, like a mad dog's choking bark, At the steady whole of the Judge's face--- Died.
Forth John's soul flared into the dark.
SUBJOINETH THE ABBOT DEODAET.
God help all poor souls lost in the dark! *1: Fagots.
Written by Russell Edson | Create an image from this poem

A Performance At Hog Theater

 There was once a hog theater where hogs performed 
as men, had men been hogs.
One hog said, I will be a hog in a field which has found a mouse which is being eaten by the same hog which is in the field and which has found the mouse, which I am performing as my contribution to the performer's art.
Oh let's just be hogs, cried an old hog.
And so the hogs streamed out of the theater crying, only hogs, only hogs .
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Book: Shattered Sighs