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Best Famous Henchman Poems

Here is a collection of the all-time best famous Henchman poems. This is a select list of the best famous Henchman poetry. Reading, writing, and enjoying famous Henchman poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of henchman poems.

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Written by Sidney Lanier | Create an image from this poem

The Revenge Of Hamish

 It was three slim does and a ten-tined buck in the bracken lay;
And all of a sudden the sinister smell of a man,
Awaft on a wind-shift, wavered and ran
Down the hill-side and sifted along through the bracken and passed that way.
Then Nan got a-tremble at nostril; she was the daintiest doe; In the print of her velvet flank on the velvet fern She reared, and rounded her ears in turn.
Then the buck leapt up, and his head as a king's to a crown did go Full high in the breeze, and he stood as if Death had the form of a deer; And the two slim does long lazily stretching arose, For their day-dream slowlier came to a close, Till they woke and were still, breath-bound with waiting and wonder and fear.
Then Alan the huntsman sprang over the hillock, the hounds shot by, The does and the ten-tined buck made a marvellous bound, The hounds swept after with never a sound, But Alan loud winded his horn in sign that the quarry was nigh.
For at dawn of that day proud Maclean of Lochbuy to the hunt had waxed wild, And he cursed at old Alan till Alan fared off with the hounds For to drive him the deer to the lower glen-grounds: "I will kill a red deer," quoth Maclean, "in the sight of the wife and the child.
" So gayly he paced with the wife and the child to his chosen stand; But he hurried tall Hamish the henchman ahead: "Go turn," -- Cried Maclean -- "if the deer seek to cross to the burn, Do thou turn them to me: nor fail, lest thy back be red as thy hand.
" Now hard-fortuned Hamish, half blown of his breath with the height of the hill, Was white in the face when the ten-tined buck and the does Drew leaping to burn-ward; huskily rose His shouts, and his nether lip twitched, and his legs were o'er-weak for his will.
So the deer darted lightly by Hamish and bounded away to the burn.
But Maclean never bating his watch tarried waiting below Still Hamish hung heavy with fear for to go All the space of an hour; then he went, and his face was greenish and stern, And his eye sat back in the socket, and shrunken the eyeballs shone, As withdrawn from a vision of deeds it were shame to see.
"Now, now, grim henchman, what is't with thee?" Brake Maclean, and his wrath rose red as a beacon the wind hath upblown.
"Three does and a ten-tined buck made out," spoke Hamish, full mild, "And I ran for to turn, but my breath it was blown, and they passed; I was weak, for ye called ere I broke me my fast.
" Cried Maclean: "Now a ten-tined buck in the sight of the wife and the child I had killed if the gluttonous kern had not wrought me a snail's own wrong!" Then he sounded, and down came kinsmen and clansmen all: "Ten blows, for ten tine, on his back let fall, And reckon no stroke if the blood follow not at the bite of thong!" So Hamish made bare, and took him his strokes; at the last he smiled.
"Now I'll to the burn," quoth Maclean, "for it still may be, If a slimmer-paunched henchman will hurry with me, I shall kill me the ten-tined buck for a gift to the wife and the child!" Then the clansmen departed, by this path and that; and over the hill Sped Maclean with an outward wrath for an inward shame; And that place of the lashing full quiet became; And the wife and the child stood sad; and bloody-backed Hamish sat still.
But look! red Hamish has risen; quick about and about turns he.
"There is none betwixt me and the crag-top!" he screams under breath.
Then, livid as Lazarus lately from death, He snatches the child from the mother, and clambers the crag toward the sea.
Now the mother drops breath; she is dumb, and her heart goes dead for a space, Till the motherhood, mistress of death, shrieks, shrieks through the glen, And that place of the lashing is live with men, And Maclean, and the gillie that told him, dash up in a desperate race.
Not a breath's time for asking; an eye-glance reveals all the tale untold.
They follow mad Hamish afar up the crag toward the sea, And the lady cries: "Clansmen, run for a fee! -- Yon castle and lands to the two first hands that shall hook him and hold Fast Hamish back from the brink!" -- and ever she flies up the steep, And the clansmen pant, and they sweat, and they jostle and strain.
But, mother, 'tis vain; but, father, 'tis vain; Stern Hamish stands bold on the brink, and dangles the child o'er the deep.
Now a faintness falls on the men that run, and they all stand still.
And the wife prays Hamish as if he were God, on her knees, Crying: "Hamish! O Hamish! but please, but please For to spare him!" and Hamish still dangles the child, with a wavering will.
On a sudden he turns; with a sea-hawk scream, and a gibe, and a song, Cries: "So; I will spare ye the child if, in sight of ye all, Ten blows on Maclean's bare back shall fall, And ye reckon no stroke if the blood follow not at the bite of the thong!" Then Maclean he set hardly his tooth to his lip that his tooth was red, Breathed short for a space, said: "Nay, but it never shall be! Let me hurl off the damnable hound in the sea!" But the wife: "Can Hamish go fish us the child from the sea, if dead? Say yea! -- Let them lash ME, Hamish?" -- "Nay!" -- "Husband, the lashing will heal; But, oh, who will heal me the bonny sweet bairn in his grave? Could ye cure me my heart with the death of a knave? Quick! Love! I will bare thee -- so -- kneel!" Then Maclean 'gan slowly to kneel With never a word, till presently downward he jerked to the earth.
Then the henchman -- he that smote Hamish -- would tremble and lag; "Strike, hard!" quoth Hamish, full stern, from the crag; Then he struck him, and "One!" sang Hamish, and danced with the child in his mirth.
And no man spake beside Hamish; he counted each stroke with a song.
When the last stroke fell, then he moved him a pace down the height, And he held forth the child in the heartaching sight Of the mother, and looked all pitiful grave, as repenting a wrong.
And there as the motherly arms stretched out with the thanksgiving prayer -- And there as the mother crept up with a fearful swift pace, Till her finger nigh felt of the bairnie's face -- In a flash fierce Hamish turned round and lifted the child in the air, And sprang with the child in his arms from the horrible height in the sea, Shrill screeching, "Revenge!" in the wind-rush; and pallid Maclean, Age-feeble with anger and impotent pain, Crawled up on the crag, and lay flat, and locked hold of dead roots of a tree -- And gazed hungrily o'er, and the blood from his back drip-dripped in the brine, And a sea-hawk flung down a skeleton fish as he flew, And the mother stared white on the waste of blue, And the wind drove a cloud to seaward, and the sun began to shine.


Written by Bliss Carman | Create an image from this poem

Behind the Arras

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore From door to door; So many treasures lure The curious mind.
What histories obscure They must immure! I hardly know which room I care for best; This fronting west, With the strange hills in view, Where the great sun goes,—where I may go too, When my lease is through,— Or this one for the morning and the east, Where a man may feast His eyes on looming sails, And be the first to catch their foreign hails Or spy their bales Then the pale summer twilights towards the pole! It thrills my soul With wonder and delight, When gold-green shadows walk the world at night, So still, so bright.
There at the window many a time of year, Strange faces peer, Solemn though not unkind, Their wits in search of something left behind Time out of mind; As if they once had lived here, and stole back To the window crack For a peep which seems to say, "Good fortune, brother, in your house of clay!" And then, "Good day!" I hear their footsteps on the gravel walk, Their scraps of talk, And hurrying after, reach Only the crazy sea-drone of the beach In endless speech.
And often when the autumn noons are still, By swale and hill I see their gipsy signs, Trespassing somewhere on my border lines; With what designs? I forth afoot; but when I reach the place, Hardly a trace, Save the soft purple haze Of smouldering camp-fires, any hint betrays Who went these ways.
Or tatters of pale aster blue, descried By the roadside, Reveal whither they fled; Or the swamp maples, here and there a shred Of Indian red.
But most of all, the marvellous tapestry Engrosses me, Where such strange things are rife, Fancies of beasts and flowers, and love and strife, Woven to the life; Degraded shapes and splendid seraph forms, And teeming swarms Of creatures gauzy dim That cloud the dusk, and painted fish that swim, At the weaver's whim; And wonderful birds that wheel and hang in the air; And beings with hair, And moving eyes in the face, And white bone teeth and hideous grins, who race From place to place; They build great temples to their John-a-nod, And fume and plod To deck themselves with gold, And paint themselves like chattels to be sold, Then turn to mould.
Sometimes they seem almost as real as I; I hear them sigh; I see them bow with grief, Or dance for joy like any aspen leaf; But that is brief.
They have mad wars and phantom marriages; Nor seem to guess There are dimensions still, Beyond thought's reach, though not beyond love's will, For soul to fill.
And some I call my friends, and make believe Their spirits grieve, Brood, and rejoice with mine; I talk to them in phrases quaint and fine Over the wine; I tell them all my secrets; touch their hands; One understands Perhaps.
How hard he tries To speak! And yet those glorious mild eyes, His best replies! I even have my cronies, one or two, My cherished few.
But ah, they do not stay! For the sun fades them and they pass away, As I grow gray.
Yet while they last how actual they seem! Their faces beam; I give them all their names, Bertram and Gilbert, Louis, Frank and James, Each with his aims; One thinks he is a poet, and writes verse His friends rehearse; Another is full of law; A third sees pictures which his hand can draw Without a flaw.
Strangest of all, they never rest.
Day long They shift and throng, Moved by invisible will, Like a great breath which puffs across my sill, And then is still; It shakes my lovely manikins on the wall; Squall after squall, Gust upon crowding gust, It sweeps them willy nilly like blown dust With glory or lust.
It is the world-ghost, the time-spirit, come None knows wherefrom, The viewless draughty tide And wash of being.
I hear it yaw and glide, And then subside, Along these ghostly corridors and halls Like faint footfalls; The hangings stir in the air; And when I start and challenge, "Who goes there?" It answers, "Where?" The wail and sob and moan of the sea's dirge, Its plangor and surge; The awful biting sough Of drifted snows along some arctic bluff, That veer and luff, And have the vacant boding human cry, As they go by;— Is it a banished soul Dredging the dark like a distracted mole Under a knoll? Like some invisible henchman old and gray, Day after day I hear it come and go, With stealthy swift unmeaning to and fro, Muttering low, Ceaseless and daft and terrible and blind, Like a lost mind.
I often chill with fear When I bethink me, What if it should peer At my shoulder here! Perchance he drives the merry-go-round whose track Is the zodiac; His name is No-man's-friend; And his gabbling parrot-talk has neither trend, Beginning, nor end.
A prince of madness too, I'd cry, "A rat!" And lunge thereat,— Let out at one swift thrust The cunning arch-delusion of the dust I so mistrust, But that I fear I should disclose a face Wearing the trace Of my own human guise, Piteous, unharmful, loving, sad, and wise With the speaking eyes.
I would the house were rid of his grim pranks, Moaning from banks Of pine trees in the moon, Startling the silence like a demoniac loon At dead of noon.
Or whispering his fool-talk to the leaves About my eaves.
And yet how can I know 'T is not a happy Ariel masking so In mocking woe? Then with a little broken laugh I say, Snatching away The curtain where he grinned (My feverish sight thought) like a sin unsinned, "Only the wind!" Yet often too he steals so softly by.
With half a sigh, I deem he must be mild, Fair as a woman, gentle as a child, And forest wild.
Passing the door where an old wind-harp swings, With its five strings, Contrived long years ago By my first predecessor bent to show His handcraft so, He lay his fingers on the aeolian wire, As a core of fire Is laid upon the blast To kindle and glow and fill the purple vast Of dark at last.
Weird wise, and low, piercing and keen and glad, Or dim and sad As a forgotten strain Born when the broken legions of the rain Swept through the plain— He plays, like some dread veiled mysteriarch, Lighting the dark, Bidding the spring grow warm, The gendering merge and loosing of spirit in form, Peace out of storm.
For music is the sacrament of love; He broods above The virgin silence, till She yields for rapture shuddering, yearning still To his sweet will.
I hear him sing, "Your harp is like a mesh, Woven of flesh And spread within the shoal Of life, where runs the tide-race of the soul In my control.
"Though my wild way may ruin what it bends, It makes amends To the frail downy clocks, Telling their seed a secret that unlocks The granite rocks.
"The womb of silence to the crave of sound Is heaven unfound, Till I, to soothe and slake Being's most utter and imperious ache, Bid rhythm awake.
"If with such agonies of bliss, my kin, I enter in Your prison house of sense, With what a joyous freed intelligence I shall go hence.
" I need no more to guess the weaver's name, Nor ask his aim, Who hung each hall and room With swarthy-tinged vermilion upon gloom; I know that loom.
Give me a little space and time enough, From ravelings rough I could revive, reweave, A fabric of beauty art might well believe Were past retrieve.
O men and women in that rich design, Sleep-soft, sun-fine, Dew-tenuous and free, A tone of the infinite wind-themes of the sea, Borne in to me, Reveals how you were woven to the might Of shadow and light.
You are the dream of One Who loves to haunt and yet appears to shun My door in the sun; As the white roving sea tern fleck and skim The morning's rim; Or the dark thrushes clear Their flutes of music leisurely and sheer, Then hush to hear.
I know him when the last red brands of day Smoulder away, And when the vernal showers Bring back the heart to all my valley flowers In the soft hours.
O hand of mine and brain of mine, be yours, While time endures, To acquiesce and learn! For what we best may dare and drudge and yearn, Let soul discern.
So, fellows, we shall reach the gusty gate, Early or late, And part without remorse, A cadence dying down unto its source In music's course; You to the perfect rhythms of flowers and birds, Colors and words, The heart-beats of the earth, To be remoulded always of one worth From birth to birth; I to the broken rhythm of thought and man, The sweep and span Of memory and hope About the orbit where they still must grope For wider scope, To be through thousand springs restored, renewed, With love imbrued, With increments of will Made strong, perceiving unattainment still From each new skill.
Always the flawless beauty, always the chord Of the Overword, Dominant, pleading, sure, No truth too small to save and make endure.
No good too poor! And since no mortal can at last disdain That sweet refrain, But lets go strife and care, Borne like a strain of bird notes on the air, The wind knows where; Some quiet April evening soft and strange, When comes the change No spirit can deplore, I shall be one with all I was before, In death once more.
Written by John Greenleaf Whittier | Create an image from this poem

Barclay Of Ury

 Up the streets of Aberdeen,
By the kirk and college green,
Rode the Laird of Ury;
Close behind him, close beside,
Foul of mouth and evil-eyed,
Pressed the mob in fury.
Flouted him the drunken churl, Jeered at him the serving-girl, Prompt to please her master; And the begging carlin, late Fed and clothed at Ury's gate, Cursed him as he passed her.
Yet, with calm and stately mien, Up the streets of Aberdeen Came he slowly riding; And, to all he saw and heard, Answering not with bitter word, Turning not for chiding.
Came a troop with broad swords swinging, Bits and bridles sharply ringing, Loose and free and forward; Quoth the foremost, 'Ride him down! Push him! prick him! through the town Drive the Quaker coward!' But from out the thickening crowd Cried a sudden voice and loud: 'Barclay! Ho! a Barclay! And the old man at his side Saw a comrade, battle tried, Scarred and sunburned darkly, Who with ready weapon bare, Fronting to the troopers there, Cried aloud: 'God save us, Call ye coward him who stood Ankle deep in Lutzen's blood, With the brave Gustavus?' 'Nay, I do not need thy sword, Comrade mine,' said Ury's lord.
'Put it up, I pray thee: Passive to His holy will, Trust I in my Master still, Even though He slay me.
'Pledges of thy love and faith, Proved on many a field of death, Not by me are needed.
' Marvelled much that henchman bold, That his laird, so stout of old, Now so meekly pleaded.
'Woe's the day!' he sadly said, With a slowly shaking head, And a look of pity; 'Ury's honest lord reviled, Mock of knave and sport of child, In his own good city! 'Speak the word, and, master mine, As we charged on Tilly's line, And his Walloon lancers, Smiting through their midst we'll teach Civil look and decent speech To these boyish prancers!' 'Marvel not, mine ancient friend, Like beginning, like the end,' Quoth the Laird of Ury; 'Is the sinful servant more Than his gracious Lord who bore Bonds and stripes in Jewry? 'Give me joy that in his name I can bear, with patient frame, All these vain ones offer; While for them He suffereth long, Shall I answer wrong with wrong, Scoffing with the scoffer? 'Happier I, with loss of all, Hunted, outlawed, held in thrall, With few friends to greet me, Than when reeve and squire were seen, Riding our from Aberdeen, With bared heads to meet me.
'When each goodwife, o'er and o'er, Blessed me as I passed her door; And the snooded daughter, Through her casement glancing down, Smiled on him who bore renown From red fields of slaughter.
'Hard to feel the stranger's scoff, Hard the old friend's falling off, Hard to learn forgiving; But the Lord His own rewards, And His love with theirs accords, Warm and fresh and living.
'Through this dark and stormy night Faith beholds a feeble light Up the blackness streaking; Knowing God's own time is best, In a patient hope I rest For the full day-breaking!' So the Laird of Ury said, Turning slow his horse's head Towards the Tolbooth prison, Where, through iron gates, he heard Poor disciples of thee Word Preach of Christ arisen! Not in vain, Confessor old, Unto us the tale is told Of thy day of trial; Every age on him who strays From its broad and beaten ways Pours its seven-fold vial.
Happy he whose inward ear Angel comfortings can hear, O'er the rabble's laughter; And while Hatred's fagots burn, Glimpses through the smoke discern Of the good hereafter.
Knowing this, that never yet Share of Truth was vainly set In the world's wide fallow; After hands shall sow the seed, After hands from hill and mead Reap the harvests yellow.
Thus, with somewhat of the Seer, Must the moral pioneer From the Future borrow; Clothe the waste with dreams of grain, And, on midnight's sky of rain, Paint the golden morrow!
Written by Robert William Service | Create an image from this poem

Duello

 A Frenchman and an Englishman
Resolved to fight a duel,
And hit upon a savage plan,
Because their hate was cruel.
They each would fire a single shot In room of darkness pitchy, And who was killed and who was not Would hang on fingers twitchy.
The room was bare and dark as death, And each ferocious fighter Could hear his fierce opponent's breath And clutched his pistol tighter.
The Gaston fired - the bullet hissed On its destructive mission .
.
.
"Thank God!" said John Bull.
"He has missed.
" The Frenchman cried: "Perdition!" Then silence followed like a spell, And as the Briton sought to Reply he wondered where the hell His Gallic foe had got to.
And then he thought: "I'll mercy show, Since Hades is a dire place To send a fellow to - and so I'll blase up through the fireplace.
" So up the chimney he let fly, Of grace a gallant henchman; When lo! a sudden cry, And down there crashed the Frenchman .
.
.
But if this yard in France you tell, Although its vein be skittish, I think it might be just as well To make your Frenchman - British.
Written by Omar Khayyam | Create an image from this poem

'Tis we who to wine's yoke our necks incline,

'Tis we who to wine's yoke our necks incline,
And risk our lives to gain the smiles of wine;
The henchman grasps the flagon by its throat
And squeezes out the lifeblood of the vine.



Book: Reflection on the Important Things