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Best Famous Half Moon Poems

Here is a collection of the all-time best famous Half Moon poems. This is a select list of the best famous Half Moon poetry. Reading, writing, and enjoying famous Half Moon poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of half moon poems.

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Written by Delmira Agustini | Create an image from this poem

Al Claro De Luna (In The Light Of The Moon)

SpanishLa luna es pálida y triste, la luna es exangüe y yerta.La media luna figúraseme un suave perfil de muerta…Yo que prefiero a la insigne palidez encarecidaDe todas las perlas árabes, la rosa recién abierta,En un rincón del terruño con el color de la vida,Adoro esa luna pálida, adoro esa faz de muerta!Y en el altar de las noches, como una flor encendidaY ebria de extraños perfumes, mi alma la inciensa rendida.Yo sé de labios marchitos en la blasfemia y el vino,Que besan tras de la orgia sus huellas en el camino;Locos que mueren besando su imagen en lagos yertos…Porque ella es luz de inocencia, porque a esa luz misteriosaAlumbran las cosas blancas, se ponen blancas las cosas,Y hasta las almas más negras toman clarores inciertos!              EnglishThe moon is pallid and sad, the moon is bloodless and cold.I imagine the half-moon as a profile of the dead…And beyond the reknowned and praised pallorOf Arab pearls, I prefer the rose in recent bud.In a corner of this land with the colors of earth,I adore this pale moon, I adore this death mask!And at the altar of the night, like a flower inflamed,Inebriated by strange perfumes, my soul resigns.I know of lips withered with blasphemy and wine;After an orgy they kiss her trace in the lane.Insane ones who die kissing her image in lakes…Because she is light of innocence, because white thingsIlluminate her mysterious light, things taking on white,And even the blackest souls become uncertainly bright.



Written by Carl Sandburg | Create an image from this poem

Balloon Faces

 THE BALLOONS hang on wires in the Marigold Gardens.
They spot their yellow and gold, they juggle their blue and red, they float their faces on the face of the sky.
Balloon face eaters sit by hundreds reading the eat cards, asking, “What shall we eat?”—and the waiters, “Have you ordered?” they are sixty ballon faces sifting white over the tuxedoes.
Poets, lawyers, ad men, mason contractors, smartalecks discussing “educated jackasses,” here they put crabs into their balloon faces.
Here sit the heavy balloon face women lifting crimson lobsters into their crimson faces, lobsters out of Sargossa sea bottoms.
Here sits a man cross-examining a woman, “Where were you last night? What do you do with all your money? Who’s buying your shoes now, anyhow?”
So they sit eating whitefish, two balloon faces swept on God’s night wind.
And all the time the balloon spots on the wires, a little mile of festoons, they play their own silence play of film yellow and film gold, bubble blue and bubble red.
The wind crosses the town, the wind from the west side comes to the banks of marigolds boxed in the Marigold Gardens.
Night moths fly and fix their feet in the leaves and eat and are seen by the eaters.
The jazz outfit sweats and the drums and the saxophones reach for the ears of the eaters.
The chorus brought from Broadway works at the fun and the slouch of their shoulders, the kick of their ankles, reach for the eyes of the eaters.
These girls from Kokomo and Peoria, these hungry girls, since they are paid-for, let us look on and listen, let us get their number.

Why do I go again to the balloons on the wires, something for nothing, kin women of the half-moon, dream women?
And the half-moon swinging on the wind crossing the town—these two, the half-moon and the wind—this will be about all, this will be about all.

Eaters, go to it; your mazuma pays for it all; it’s a knockout, a classy knockout—and payday always comes.
The moths in the marigolds will do for me, the half-moon, the wishing wind and the little mile of balloon spots on wires—this will be about all, this will be about all.
Written by Elizabeth Barrett Browning | Create an image from this poem

Meeting at Night

        I.

The grey sea and the long black land;
And the yellow half-moon large and low;
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i' the slushy sand.

        II.

Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, thro' its joys and fears,
Than the two hearts beating each to each!
Written by Walt Whitman | Create an image from this poem

Out of the Cradle Endlessly Rocking

 1
OUT of the cradle endlessly rocking, 
Out of the mocking-bird’s throat, the musical shuttle, 
Out of the Ninth-month midnight, 
Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d
 alone, bare-headed, barefoot, 
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive, 
Out from the patches of briers and blackberries, 
From the memories of the bird that chanted to me, 
From your memories, sad brother—from the fitful risings and fallings I heard, 
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist, 
From the thousand responses of my heart, never to cease, 
From the myriad thence-arous’d words, 
From the word stronger and more delicious than any, 
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing, 
Borne hither—ere all eludes me, hurriedly, 
A man—yet by these tears a little boy again, 
Throwing myself on the sand, confronting the waves, 
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them, 
A reminiscence sing. 

2
Once, Paumanok, 
When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass
 was
 growing, 
Up this sea-shore, in some briers,
Two guests from Alabama—two together, 
And their nest, and four light-green eggs, spotted with brown, 
And every day the he-bird, to and fro, near at hand, 
And every day the she-bird, crouch’d on her nest, silent, with bright eyes, 
And every day I, a curious boy, never too close, never disturbing them,
Cautiously peering, absorbing, translating. 

3
Shine! shine! shine! 
Pour down your warmth, great Sun! 
While we bask—we two together. 

Two together!
Winds blow South, or winds blow North, 
Day come white, or night come black, 
Home, or rivers and mountains from home, 
Singing all time, minding no time, 
While we two keep together.

4
Till of a sudden, 
May-be kill’d, unknown to her mate, 
One forenoon the she-bird crouch’d not on the nest, 
Nor return’d that afternoon, nor the next, 
Nor ever appear’d again.

And thenceforward, all summer, in the sound of the sea, 
And at night, under the full of the moon, in calmer weather, 
Over the hoarse surging of the sea, 
Or flitting from brier to brier by day, 
I saw, I heard at intervals, the remaining one, the he-bird,
The solitary guest from Alabama. 

5
Blow! blow! blow! 
Blow up, sea-winds, along Paumanok’s shore! 
I wait and I wait, till you blow my mate to me. 

6
Yes, when the stars glisten’d,
All night long, on the prong of a moss-scallop’d stake, 
Down, almost amid the slapping waves, 
Sat the lone singer, wonderful, causing tears. 

He call’d on his mate; 
He pour’d forth the meanings which I, of all men, know.

Yes, my brother, I know; 
The rest might not—but I have treasur’d every note; 
For once, and more than once, dimly, down to the beach gliding, 
Silent, avoiding the moonbeams, blending myself with the shadows, 
Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts,
The white arms out in the breakers tirelessly tossing, 
I, with bare feet, a child, the wind wafting my hair, 
Listen’d long and long. 

Listen’d, to keep, to sing—now translating the notes, 
Following you, my brother.

7
Soothe! soothe! soothe! 
Close on its wave soothes the wave behind, 
And again another behind, embracing and lapping, every one close, 
But my love soothes not me, not me. 

Low hangs the moon—it rose late;
O it is lagging—O I think it is heavy with love, with love. 

O madly the sea pushes, pushes upon the land, 
With love—with love. 

O night! do I not see my love fluttering out there among the breakers? 
What is that little black thing I see there in the white?

Loud! loud! loud! 
Loud I call to you, my love! 

High and clear I shoot my voice over the waves; 
Surely you must know who is here, is here; 
You must know who I am, my love.

Low-hanging moon! 
What is that dusky spot in your brown yellow? 
O it is the shape, the shape of my mate! 
O moon, do not keep her from me any longer. 

Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again, if you only
 would;

For I am almost sure I see her dimly whichever way I look. 

O rising stars! 
Perhaps the one I want so much will rise, will rise with some of you. 

O throat! O trembling throat!
Sound clearer through the atmosphere! 
Pierce the woods, the earth; 
Somewhere listening to catch you, must be the one I want. 

Shake out, carols! 
Solitary here—the night’s carols!
Carols of lonesome love! Death’s carols! 
Carols under that lagging, yellow, waning moon! 
O, under that moon, where she droops almost down into the sea! 
O reckless, despairing carols. 

But soft! sink low;
Soft! let me just murmur; 
And do you wait a moment, you husky-noised sea; 
For somewhere I believe I heard my mate responding to me, 
So faint—I must be still, be still to listen; 
But not altogether still, for then she might not come immediately to me.

Hither, my love! 
Here I am! Here! 
With this just-sustain’d note I announce myself to you; 
This gentle call is for you, my love, for you. 

Do not be decoy’d elsewhere!
That is the whistle of the wind—it is not my voice; 
That is the fluttering, the fluttering of the spray; 
Those are the shadows of leaves. 

O darkness! O in vain! 
O I am very sick and sorrowful.

O brown halo in the sky, near the moon, drooping upon the sea! 
O troubled reflection in the sea! 
O throat! O throbbing heart! 
O all—and I singing uselessly, uselessly all the night. 

Yet I murmur, murmur on!
O murmurs—you yourselves make me continue to sing, I know not why. 

O past! O life! O songs of joy! 
In the air—in the woods—over fields; 
Loved! loved! loved! loved! loved! 
But my love no more, no more with me!
We two together no more. 

8
The aria sinking; 
All else continuing—the stars shining, 
The winds blowing—the notes of the bird continuous echoing, 
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok’s shore, gray and rustling; 
The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost
 touching; 
The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying, 
The love in the heart long pent, now loose, now at last tumultuously bursting, 
The aria’s meaning, the ears, the Soul, swiftly depositing,
The strange tears down the cheeks coursing, 
The colloquy there—the trio—each uttering, 
The undertone—the savage old mother, incessantly crying, 
To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing, 
To the outsetting bard of love.

9
Demon or bird! (said the boy’s soul,) 
Is it indeed toward your mate you sing? or is it mostly to me? 
For I, that was a child, my tongue’s use sleeping, 
Now I have heard you, 
Now in a moment I know what I am for—I awake,
And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than
 yours, 
A thousand warbling echoes have started to life within me, 
Never to die. 

O you singer, solitary, singing by yourself—projecting me; 
O solitary me, listening—nevermore shall I cease perpetuating you;
Never more shall I escape, never more the reverberations, 
Never more the cries of unsatisfied love be absent from me, 
Never again leave me to be the peaceful child I was before what there, in the night, 
By the sea, under the yellow and sagging moon, 
The messenger there arous’d—the fire, the sweet hell within,
The unknown want, the destiny of me. 

O give me the clew! (it lurks in the night here somewhere;) 
O if I am to have so much, let me have more! 
O a word! O what is my destination? (I fear it is henceforth chaos;) 
O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves
 around
 me!
O phantoms! you cover all the land and all the sea! 
O I cannot see in the dimness whether you smile or frown upon me; 
O vapor, a look, a word! O well-beloved! 
O you dear women’s and men’s phantoms! 

A word then, (for I will conquer it,)
The word final, superior to all, 
Subtle, sent up—what is it?—I listen; 
Are you whispering it, and have been all the time, you sea-waves? 
Is that it from your liquid rims and wet sands? 

10
Whereto answering, the sea,
Delaying not, hurrying not, 
Whisper’d me through the night, and very plainly before day-break, 
Lisp’d to me the low and delicious word DEATH; 
And again Death—ever Death, Death, Death, 
Hissing melodious, neither like the bird, nor like my arous’d child’s heart,
But edging near, as privately for me, rustling at my feet, 
Creeping thence steadily up to my ears, and laving me softly all over, 
Death, Death, Death, Death, Death. 

Which I do not forget, 
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok’s gray beach, 
With the thousand responsive songs, at random, 
My own songs, awaked from that hour; 
And with them the key, the word up from the waves, 
The word of the sweetest song, and all songs,
That strong and delicious word which, creeping to my feet, 
The sea whisper’d me.
Written by Henry Van Dyke | Create an image from this poem

Hudsons Last Voyage

 June 22, 1611 

THE SHALLOP ON HUDSON BAY 

One sail in sight upon the lonely sea
And only one, God knows! For never ship 
But mine broke through the icy gates that guard 
These waters, greater grown than any since
We left the shores of England. We were first, 
My men, to battle in between the bergs
And floes to these wide waves. This gulf is mine; 
I name it! and that flying sail is mine!
And there, hull-down below that flying sail,
The ship that staggers home is mine, mine, mine!
My ship Discoverie!
The sullen dogs
Of mutineers, the bitches' whelps that snatched
Their food and bit the hand that nourished them, 
Have stolen her. You ingrate Henry Greene, 
I picked you from the gutter of Houndsditch, 
And paid your debts, and kept you in my house, 
And brought you here to make a man of you! 
You Robert Juet, ancient, crafty man, 
Toothless and tremulous, how many times
Have I employed you as a master's mate
To give you bread? And you Abacuck Prickett, 
You sailor-clerk, you salted puritan, 
You knew the plot and silently agreed, 
Salving your conscience with a pious lie!
Yes, all of you -- hounds, rebels, thieves! Bring back
My ship!
Too late, -- I rave, -- they cannot hear 
My voice: and if they heard, a drunken laugh 
Would be their answer; for their minds have caught
The fatal firmness of the fool's resolve, 
That looks like courage but is only fear. 
They'll blunder on, and lose my ship, and drown, --
Or blunder home to England and be hanged. 
Their skeletons will rattle in the chains
Of some tall gibbet on the Channel cliffs, 
While passing mariners look up and say: 
"Those are the rotten bones of Hudson's men 
"Who left their captain in the frozen North!" 

O God of justice, why hast Thou ordained
Plans of the wise and actions of the brave
Dependent on the aid of fools and cowards?
Look, -- there she goes, -- her topsails in the sun 
Gleam from the ragged ocean edge, and drop 
Clean out of sight! So let the traitors go
Clean out of mind! We'll think of braver things! 
Come closer in the boat, my friends. John King, 
You take the tiller, keep her head nor'west.
You Philip Staffe, the only one who chose
Freely to share our little shallop's fate,
Rather than travel in the hell-bound ship, --
Too good an English seaman to desert
These crippled comrades, -- try to make them rest 
More easy on the thwarts. And John, my son, 
My little shipmate, come and lean your head 
Against your father's knee. Do you recall
That April morn in Ethelburga's church,
Five years ago, when side by side we kneeled
To take the sacrament with all our men,
Before the Hopewell left St. Catherine's docks 
On our first voyage? It was then I vowed
My sailor-soul and years to search the sea
Until we found the water-path that leads
From Europe into Asia.
I believe
That God has poured the ocean round His world, 
Not to divide, but to unite the lands.
And all the English captains that have dared 
In little ships to plough uncharted waves, --
Davis and Drake, Hawkins and Frobisher, 
Raleigh and Gilbert, -- all the other names, --
Are written in the chivalry of God
As men who served His purpose. I would claim 
A place among that knighthood of the sea;
And I have earned it, though my quest should fail!
For, mark me well, the honour of our life 
Derives from this: to have a certain aim 
Before us always, which our will must seek 
Amid the peril of uncertain ways.
Then, though we miss the goal, our search is crowned
With courage, and we find along our path
A rich reward of unexpected things.
Press towards the aim: take fortune as it fares! 

I know not why, but something in my heart 
Has always whispered, "Westward seek your goal!"
Three times they sent me east, but still I turned 
The bowsprit west, and felt among the floes 
Of ruttling ice along the Gröneland coast,
And down the rugged shore of Newfoundland, 
And past the rocky capes and wooded bays 
Where Gosnold sailed, -- like one who feels his way
With outstretched hand across a darkened room, --
I groped among the inlets and the isles,
To find the passage to the Land of Spice.
I have not found it yet, -- but I have found 
Things worth the finding!
Son, have you forgot 
Those mellow autumn days, two years ago, 
When first we sent our little ship Half-Moon, -- 
The flag of Holland floating at her peak, --
Across a sandy bar, and sounded in 
Among the channels, to a goodly bay 
Where all the navies of the world could ride? 
A fertile island that the redmen called 
Manhattan, lay above the bay: the land 
Around was bountiful and friendly fair. 
But never land was fair enough to hold 
The seaman from the calling of the sea. 
And so we bore to westward of the isle, 
Along a mighty inlet, where the tide
Was troubled by a downward-flowing flood 
That seemed to come from far away, -- perhaps 
From some mysterious gulf of Tartary? 

Inland we held our course; by palisades
Of naked rock where giants might have built 
Their fortress; and by rolling hills adorned 
With forests rich in timber for great ships; 
Through narrows where the mountains shut us in 
With frowning cliffs that seemed to bar the stream;
And then through open reaches where the banks 
Sloped to the water gently, with their fields 
Of corn and lentils smiling in the sun.
Ten days we voyaged through that placid land, 
Until we came to shoals, and sent a boat 
Upstream to find, -- what I already knew, --
We travelled on a river, not a strait. 

But what a river! God has never poured
A stream more royal through a land more rich. 
Even now I see it flowing in my dream, 
While coming ages people it with men 
Of manhood equal to the river's pride.
I see the wigwams of the redmen changed
To ample houses, and the tiny plots
Of maize and green tobacco broadened out
To prosperous farms, that spread o'er hill and dale
The many-coloured mantle of their crops;
I see the terraced vineyard on the slope
Where now the fox-grape loops its tangled vine; 
And cattle feeding where the red deer roam; 
And wild-bees gathered into busy hives, 
To store the silver comb with golden sweet; 
And all the promised land begins to flow 
With milk and honey. Stately manors rise 
Along the banks, and castles top the hills, 
And little villages grow populous with trade, 
Until the river runs as proudly as the Rhine, -- 
The thread that links a hundred towns and towers!
And looking deeper in my dream, I see
A mighty city covering the isle
They call Manhattan, equal in her state 
To all the older capitals of earth, --
The gateway city of a golden world, --
A city girt with masts, and crowned with spires, 
And swarming with a host of busy men, 
While to her open door across the bay 
The ships of all the nations flock like doves. 
My name will be remembered there, for men 
Will say, "This river and this isle were found 
By Henry Hudson, on his way to seek
The Northwest Passage into Farthest Inde." 

Yes! yes! I sought it then, I seek it still, --
My great adventure and my guiding star! 
For look ye, friends, our voyage is not done; 
We hold by hope as long as life endures! 
Somewhere among these floating fields of ice, 
Somewhere along this westward widening bay, 
Somewhere beneath this luminous northern night, 
The channel opens to the Orient, --
I know it, -- and some day a little ship
Will push her bowsprit in, and battle through! 
And why not ours, -- to-morrow, -- who can tell? 
The lucky chance awaits the fearless heart! 
These are the longest days of all the year; 
The world is round and God is everywhere, 
And while our shallop floats we still can steer. 
So point her up, John King, nor'west by north. 
We 'l1 keep the honour of a certain aim 
Amid the peril of uncertain ways,
And sail ahead, and leave the rest to God.


Written by Wallace Stevens | Create an image from this poem

Six Significant Landscapes

I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

III
I measure myself
Against a tall tree.
I find that I am much taller,
For I reach right up to the sun,
With my eye;
And I reach to the shore of the sea
With my ear.
Nevertheless, I dislike
The way ants crawl
In and out of my shadow.

IV
When my dream was near the moon,
The white folds of its gown
Filled with yellow light.
The soles of its feet
Grew red.
Its hair filled
With certain blue crystallizations
From stars,
Not far off.

V
Not all the knives of the lamp-posts,
Nor the chisels of the long streets,
Nor the mallets of the domes
And high towers,
Can carve
What one star can carve,
Shining through the grape-leaves.

VI
Rationalists, wearing square hats,
Think, in square rooms,
Looking at the floor,
Looking at the ceiling.
They confine themselves
To right-angled triangles.
If they tried rhomboids,
Cones, waving lines, ellipses --
As, for example, the ellipse of the half-moon --
Rationalists would wear sombreros.
Written by Edmund Blunden | Create an image from this poem

The Giant Puffball

    From what sad star I know not, but I found
    Myself new-born below the coppice rail,
    No bigger than the dewdrops and as round,
    In a soft sward, no cattle might assail.

    And so I gathered mightiness and grew
    With this one dream kindling in me, that I
    Should never cease from conquering light and dew
    Till my white splendour touched the trembling sky.

    A century of blue and stilly light
    Bowed down before me, the dew came again,
    The moon my sibyl worshipped through the night,
    The sun returned and long abode; but then

    Hoarse drooping darkness hung me with a shroud
    And switched at me with shrivelled leaves in scorn.
    Red morning stole beneath a grinning cloud,
    And suddenly clambering over dike and thorn

    A half-moon host of churls with flags and sticks
    Hallooed and hurtled up the partridge brood,
    And Death clapped hands from all the echoing thicks,
    And trampling envy spied me where I stood;

    Who haled me tired and quaking, hid me by,
    And came again after an age of cold,
    And hung me in the prison-house adry
    From the great crossbeam. Here defiled and old

    I perish through unnumbered hours, I swoon,
    Hacked with harsh knives to staunch a child's torn hand;
    And all my hopes must with my body soon
    Be but as crouching dust and wind-blown sand.

Written by Henry Van Dyke | Create an image from this poem

Sea-Gulls of Manhattan

 Children of the elemental mother, 
Born upon some lonely island shore 
Where the wrinkled ripples run and whisper,
Where the crested billows plunge and roar; 
Long-winged, tireless roamers and adventurers,
Fearless breasters of the wind and sea,
In the far-off solitary places
I have seen you floating wild and free! 

Here the high-built cities rise around you;
Here the cliffs that tower east and west, 
Honeycombed with human habitations,
Have no hiding for the sea-bird's nest: 
Here the river flows begrimed and troubled;
Here the hurrying, panting vessels fume, 
Restless, up and down the watery highway,
While a thousand chimneys vomit gloom. 

Toil and tumult, confiict and confusion,
Clank and clamor of the vast machine 
Human hands have built for human bondage --
Yet amid it all you float serene;
Circling, soaring, sailing, swooping lightly
Down to glean your harvest from the wave; 
In your heritage of air and water,
You have kept the freedom Nature gave. 

Even so the wild-woods of Manhattan
Saw your wheeling flocks of white and grey; 
Even so you fluttered, followed, floated,
Round the Half-Moon creeping up the bay; 
Even so your voices creaked and chattered,
Laughing shrilly o'er the tidal rips,
While your black and beady eyes were glistening
Round the sullen British prison-ships. 

Children of the elemental mother,
Fearless floaters 'mid the double blue,
From the crowded boats that cross the ferries
Many a longing heart goes out to you. 
Though the cities climb and close around us,
Something tells us that our souls are free, 
While the sea-gulls fly above the harbor,
While the river flows to meet the sea!
Written by Carl Sandburg | Create an image from this poem

Half Moon in a High Wind

 MONEY is nothing now, even if I had it,
O mooney moon, yellow half moon,
Up over the green pines and gray elms,
Up in the new blue.

 Streel, streel,
White lacey mist sheets of cloud,
Streel in the blowing of the wind,
Streel over the blue-and-moon sky,
Yellow gold half moon. It is light
On the snow; it is dark on the snow,
Streel, O lacey thin sheets, up in the new blue.

Come down, stay there, move on.
I want you, I don’t, keep all.
There is no song to your singing.
I am hit deep, you drive far,
O mooney yellow half moon,
Steady, steady; or will you tip over?
Or will the wind and the streeling
Thin sheets only pass and move on
And leave you alone and lovely?
I want you, I don’t, come down,
 Stay there, move on.
Money is nothing now, even if I had it.
Written by D. H. Lawrence | Create an image from this poem

End of Another Home Holiday

I

When shall I see the half moon sink again
Behind the black sycamore at the end of the garden?
When will the scent of the dim, white phlox
Creep up the wall to me, and in at my open window?

Why is it, the long slow stroke of the midnight bell,
    (Will it never finish the twelve?)
Falls again and again on my heart with a heavy reproach?

The moon-mist is over the village, out of the mist speaks the bell,
And all the little roofs of the village bow low, pitiful, beseeching,
resigned:
    Oh, little home, what is it I have not done well?

Ah home, suddenly I love you,
As I hear the sharp clean trot of a pony down the road,
Succeeding sharp little sounds dropping into the silence,
Clear upon the long-drawn hoarseness of a train across the valley.

The light has gone out from under my mother's door.
        That she should love me so,
        She, so lonely, greying now,
        And I leaving her,
        Bent on my pursuits!

    Love is the great Asker,
    The sun and the rain do not ask the secret

    Of the time when the grain struggles down in the dark.
    The moon walks her lonely way without anguish,
    Because no loved one grieves over her departure.


II

Forever, ever by my shoulder pitiful Love will linger,
Crouching as little houses crouch under the mist when I turn.
Forever, out of the mist the church lifts up her reproachful finger,
Pointing my eyes in wretched defiance where love hides her face to
mourn.

    Oh but the rain creeps down to wet the grain
        That struggles alone in the dark,
    And asking nothing, cheerfully steals back again!
        The moon sets forth o' nights
        To walk the lonely, dusky heights
        Serenely, with steps unswerving;
        Pursued by no sigh of bereavement,
        No tears of love unnerving
        Her constant tread:
    While ever at my side,
        Frail and sad, with grey bowed head,
        The beggar-woman, the yearning-eyed
        Inexorable love goes lagging.

The wild young heifer, glancing distraught,
With a strange new knocking of life at her side
    Runs seeking a loneliness.
The little grain draws down the earth to hide.
Nay, even the slumberous egg, as it labours under the shell,
    Patiently to divide, and self-divide,
Asks to be hidden, and wishes nothing to tell.

But when I draw the scanty cloak of silence over my eyes,
Piteous Love comes peering under the hood.
Touches the clasp with trembling fingers, and tries
To put her ear to the painful sob of my blood,
While her tears soak through to my breast,
      Where they burn and cauterise.


III

  The moon lies back and reddens.
  In the valley, a corncrake calls
        Monotonously,
  With a piteous, unalterable plaint, that deadens
        My confident activity:
  With a hoarse, insistent request that falls
        Unweariedly, unweariedly,
        Asking something more of me,
            Yet more of me!

Book: Reflection on the Important Things