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Written by Derek Walcott | Create an image from this poem

A Far Cry From Africa

 A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries: "Waste no compassion on these separate dead!" Statistics justify and scholars seize The salients of colonial policy.
What is that to the white child hacked in bed? To savages, expendable as Jews? Threshed out by beaters, the long rushes break In a white dust of ibises whose cries Have wheeled since civilizations dawn >From the parched river or beast-teeming plain.
The violence of beast on beast is read As natural law, but upright man Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars Dance to the tightened carcass of a drum, While he calls courage still that native dread Of the white peace contracted by the dead.
Again brutish necessity wipes its hands Upon the napkin of a dirty cause, again A waste of our compassion, as with Spain, The gorilla wrestles with the superman.
I who am poisoned with the blood of both, Where shall I turn, divided to the vein? I who have cursed The drunken officer of British rule, how choose Between this Africa and the English tongue I love? Betray them both, or give back what they give? How can I face such slaughter and be cool? How can I turn from Africa and live?


Written by Roger McGough | Create an image from this poem

The Lesson

 Chaos ruled OK in the classroom
as bravely the teacher walked in
the nooligans ignored him
hid voice was lost in the din

"The theme for today is violence
and homework will be set
I'm going to teach you a lesson
one that you'll never forget"

He picked on a boy who was shouting
and throttled him then and there
then garrotted the girl behind him
(the one with grotty hair)

Then sword in hand he hacked his way
between the chattering rows
"First come, first severed" he declared
"fingers, feet or toes"

He threw the sword at a latecomer
it struck with deadly aim
then pulling out a shotgun
he continued with his game

The first blast cleared the backrow
(where those who skive hang out)
they collapsed like rubber dinghies
when the plug's pulled out

"Please may I leave the room sir?"
a trembling vandal enquired
"Of course you may" said teacher
put the gun to his temple and fired

The Head popped a head round the doorway
to see why a din was being made
nodded understandingly
then tossed in a grenade

And when the ammo was well spent
with blood on every chair
Silence shuffled forward
with its hands up in the air

The teacher surveyed the carnage
the dying and the dead
He waggled a finger severely
"Now let that be a lesson" he said
Written by Robert Hayden | Create an image from this poem

Middle Passage

 I 

Jesús, Estrella, Esperanza, Mercy: 

Sails flashing to the wind like weapons, 
sharks following the moans the fever and the dying; 
horror the corposant and compass rose.
Middle Passage: voyage through death to life upon these shores.
"10 April 1800-- Blacks rebellious.
Crew uneasy.
Our linguist says their moaning is a prayer for death, our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter to the waiting sharks, sang as they went under.
" Desire, Adventure, Tartar, Ann: Standing to America, bringing home black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me Over Life's Tempestuous Sea We pray that Thou wilt grant, O Lord, safe passage to our vessels bringing heathen souls unto Thy chastening.
Jesus Saviour "8 bells.
I cannot sleep, for I am sick with fear, but writing eases fear a little since still my eyes can see these words take shape upon the page & so I write, as one would turn to exorcism.
4 days scudding, but now the sea is calm again.
Misfortune follows in our wake like sharks (our grinning tutelary gods).
Which one of us has killed an albatross? A plague among our blacks--Ophthalmia: blindness--& we have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes & there is blindness in the fo'c'sle & we must sail 3 weeks before we come to port.
" What port awaits us, Davy Jones' or home? I've heard of slavers drifting, drifting, playthings of wind and storm and chance, their crews gone blind, the jungle hatred crawling up on deck.
Thou Who Walked On Galilee "Deponent further sayeth The Bella J left the Guinea Coast with cargo of five hundred blacks and odd for the barracoons of Florida: "That there was hardly room 'tween-decks for half the sweltering cattle stowed spoon-fashion there; that some went mad of thirst and tore their flesh and sucked the blood: "That Crew and Captain lusted with the comeliest of the savage girls kept naked in the cabins; that there was one they called The Guinea Rose and they cast lots and fought to lie with her: "That when the Bo's'n piped all hands, the flames spreading from starboard already were beyond control, the ******* howling and their chains entangled with the flames: "That the burning blacks could not be reached, that the Crew abandoned ship, leaving their shrieking negresses behind, that the Captain perished drunken with the wenches: "Further Deponent sayeth not.
" Pilot Oh Pilot Me II Aye, lad, and I have seen those factories, Gambia, Rio Pongo, Calabar; have watched the artful mongos baiting traps of war wherein the victor and the vanquished Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity and greed turned wild black hides of Fellatah, Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him-- fetish face beneath French parasols of brass and orange velvet, impudent mouth whose cups were carven skulls of enemies: He'd honor us with drum and feast and conjo and palm-oil-glistening wenches deft in love, and for tin crowns that shone with paste, red calico and German-silver trinkets Would have the drums talk war and send his warriors to burn the sleeping villages and kill the sick and old and lead the young in coffles to our factories.
Twenty years a trader, twenty years, for there was wealth aplenty to be harvested from those black fields, and I'd be trading still but for the fevers melting down my bones.
III Shuttles in the rocking loom of history, the dark ships move, the dark ships move, their bright ironical names like jests of kindness on a murderer's mouth; plough through thrashing glister toward fata morgana's lucent melting shore, weave toward New World littorals that are mirage and myth and actual shore.
Voyage through death, voyage whose chartings are unlove.
A charnel stench, effluvium of living death spreads outward from the hold, where the living and the dead, the horribly dying, lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy rots with him, rats eat love's rotten gelid eyes.
But, oh, the living look at you with human eyes whose suffering accuses you, whose hatred reaches through the swill of dark to strike you like a leper's claw.
You cannot stare that hatred down or chain the fear that stalks the watches and breathes on you its fetid scorching breath; cannot kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers of wind and wave, The Amistad, señores, would have reached the port of Príncipe in two, three days at most; but for the storm we should have been prepared for what befell.
Swift as a puma's leap it came.
There was that interval of moonless calm filled only with the water's and the rigging's usual sounds, then sudden movement, blows and snarling cries and they had fallen on us with machete and marlinspike.
It was as though the very air, the night itself were striking us.
Exhausted by the rigors of the storm, we were no match for them.
Our men went down before the murderous Africans.
Our loyal Celestino ran from below with gun and lantern and I saw, before the cane- knife's wounding flash, Cinquez, that surly brute who calls himself a prince, directing, urging on the ghastly work.
He hacked the poor mulatto down, and then he turned on me.
The decks were slippery when daylight finally came.
It sickens me to think of what I saw, of how these apes threw overboard the butchered bodies of our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told: Cinquez was forced to spare the two of us you see to steer the ship to Africa, and we like phantoms doomed to rove the sea voyaged east by day and west by night, deceiving them, hoping for rescue, prisoners on our own vessel, till at length we drifted to the shores of this your land, America, where we were freed from our unspeakable misery.
Now we demand, good sirs, the extradition of Cinquez and his accomplices to La Havana.
And it distresses us to know there are so many here who seem inclined to justify the mutiny of these blacks.
We find it paradoxical indeed that you whose wealth, whose tree of liberty are rooted in the labor of your slaves should suffer the august John Quincey Adams to speak with so much passion of the right of chattel slaves to kill their lawful masters and with his Roman rhetoric weave a hero's garland for Cinquez.
I tell you that we are determined to return to Cuba with our slaves and there see justice done.
Cinquez-- or let us say 'the Prince'--Cinquez shall die.
" The deep immortal human wish, the timeless will: Cinquez its deathless primaveral image, life that transfigures many lives.
Voyage through death to life upon these shores.
Written by Carl Sandburg | Create an image from this poem

Smoke and Steel

 SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel, They all go up in a line with a smokestack, Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign all smokes know each other.
Smoke of the fields in spring and leaves in autumn, Smoke of the finished steel, chilled and blue, By the oath of work they swear: “I know you.
” Hunted and hissed from the center Deep down long ago when God made us over, Deep down are the cinders we came from— You and I and our heads of smoke.
Some of the smokes God dropped on the job Cross on the sky and count our years And sing in the secrets of our numbers; Sing their dawns and sing their evenings, Sing an old log-fire song: You may put the damper up, You may put the damper down, The smoke goes up the chimney just the same.
Smoke of a city sunset skyline, Smoke of a country dusk horizon— They cross on the sky and count our years.
Smoke of a brick-red dust Winds on a spiral Out of the stacks For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill, This is the slang of coal and steel.
The day-gang hands it to the night-gang, The night-gang hands it back.
Stammer at the slang of this— Let us understand half of it.
In the rolling mills and sheet mills, In the harr and boom of the blast fires, The smoke changes its shadow And men change their shadow; A ******, a wop, a bohunk changes.
A bar of steel—it is only Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else, And left—smoke and the blood of a man And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again, And the bar of steel is a gun, a wheel, a nail, a shovel, A rudder under the sea, a steering-gear in the sky; And always dark in the heart and through it, Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys The smoke nights write their oaths: Smoke into steel and blood into steel; Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone in the blue; it is steel a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped: Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up— Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday; Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go: Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel: Their bones are knocked into coils and anvils And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.
” One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.
” One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.
” And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums, In the slow hydraulic drills, in gumbo or gravel, Under dynamo shafts in the webs of armature spiders, They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is: Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors— Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing, Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down; Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens; Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves; Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons; I saw then the fires flash one by one: good-by: then smoke, smoke; And in the screens the great sisters of night and cool stars, sitting women arranging their hair, Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring: “Since you know all and I know nothing, tell me what I dreamed last night.
” Pearl cobwebs in the windy rain, in only a flicker of wind, are caught and lost and never known again.
A pool of moonshine comes and waits, but never waits long: the wind picks up loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed on the pearl cobwebs, the pools of moonshine; sleeps slant-eyed a million years, sleeps with a coat of rust, a vest of moths, a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .
.
pearl cobwebs .
.
pools of moonshine.
Written by Edwin Muir | Create an image from this poem

Scotland 1941

 We were a tribe, a family, a people.
Wallace and Bruce guard now a painted field, And all may read the folio of our fable, Peruse the sword, the sceptre and the shield.
A simple sky roofed in that rustic day, The busy corn-fields and the haunted holms, The green road winding up the ferny brae.
But Knox and Melville clapped their preaching palms And bundled all the harvesters away, Hoodicrow Peden in the blighted corn Hacked with his rusty beak the starving haulms.
Out of that desolation we were born.
Courage beyond the point and obdurate pride Made us a nation, robbed us of a nation.
Defiance absolute and myriad-eyed That could not pluck the palm plucked our damnation.
We with such courage and the bitter wit To fell the ancient oak of loyalty, And strip the peopled hill and altar bare, And crush the poet with an iron text, How could we read our souls and learn to be? Here a dull drove of faces harsh and vexed, We watch our cities burning in their pit, To salve our souls grinding dull lucre out, We, fanatics of the frustrate and the half, Who once set Purgatory Hill in doubt.
Now smoke and dearth and money everywhere, Mean heirlooms of each fainter generation, And mummied housegods in their musty niches, Burns and Scott, sham bards of a sham nation, And spiritual defeat wrapped warm in riches, No pride but pride of pelf.
Long since the young Fought in great bloody battles to carve out This towering pulpit of the Golden Calf, Montrose, Mackail, Argyle, perverse and brave, Twisted the stream, unhooped the ancestral hill.
Never had Dee or Don or Yarrow or Till Huddled such thriftless honour in a grave.
Such wasted bravery idle as a song, Such hard-won ill might prove Time's verdict wrong, And melt to pity the annalist's iron tongue.


Written by Robert William Service | Create an image from this poem

Was It You?

 "Hullo, young Jones! with your tie so gay
And your pen behind your ear;
Will you mark my cheque in the usual way?
For I'm overdrawn, I fear.
" Then you look at me in a manner bland, As you turn your ledger's leaves, And you hand it back with a soft white hand, And the air of a man who grieves.
.
.
.
"Was it you, young Jones, was it you I saw (And I think I see you yet) With a live bomb gripped in your grimy paw And your face to the parapet? With your lips asnarl and your eyes gone mad With a fury that thrilled you through.
.
.
.
Oh, I look at you now and I think, my lad, Was it you, young Jones, was it you? "Hullo, young Smith, with your well-fed look And your coat of dapper fit, Will you recommend me a decent book With nothing of War in it?" Then you smile as you polish a finger-nail, And your eyes serenely roam, And you suavely hand me a thrilling tale By a man who stayed at home.
"Was it you, young Smith, was it you I saw In the battle's storm and stench, With a roar of rage and a wound red-raw Leap into the reeking trench? As you stood like a fiend on the firing-shelf And you stabbed and hacked and slew.
.
.
.
Oh, I look at you and I ask myself, Was it you, young Smith, was it you? "Hullo, old Brown, with your ruddy cheek And your tummy's rounded swell, Your garden's looking jolly chic And your kiddies awf'ly well.
Then you beam at me in your cheery way As you swing your water-can; And you mop your brow and you blithely say: `What about golf, old man?' "Was it you, old Brown, was it you I saw Like a bull-dog stick to your gun, A cursing devil of fang and claw When the rest were on the run? Your eyes aflame with the battle-hate.
.
.
.
As you sit in the family pew, And I see you rising to pass the plate, I ask: Old Brown, was it you? "Was it me and you? Was it you and me? (Is that grammar, or is it not?) Who groveled in filth and misery, Who gloried and groused and fought? Which is the wrong and which is the right? Which is the false and the true? The man of peace or the man of fight? Which is the ME and the YOU?"
Written by Robert Burns | Create an image from this poem

39. Ballad on the American War

 WHEN Guilford good our pilot stood
 An’ did our hellim thraw, man,
Ae night, at tea, began a plea,
 Within America, man:
Then up they gat the maskin-pat,
 And in the sea did jaw, man;
An’ did nae less, in full congress,
 Than quite refuse our law, man.
Then thro’ the lakes Montgomery takes, I wat he was na slaw, man; Down Lowrie’s Burn he took a turn, And Carleton did ca’, man: But yet, whatreck, he, at Quebec, Montgomery-like did fa’, man, Wi’ sword in hand, before his band, Amang his en’mies a’, man.
Poor Tammy Gage within a cage Was kept at Boston-ha’, man; Till Willie Howe took o’er the knowe For Philadelphia, man; Wi’ sword an’ gun he thought a sin Guid Christian bluid to draw, man; But at New York, wi’ knife an’ fork, Sir-Loin he hacked sma’, man.
Burgoyne gaed up, like spur an’ whip, Till Fraser brave did fa’, man; Then lost his way, ae misty day, In Saratoga shaw, man.
Cornwallis fought as lang’s he dought, An’ did the Buckskins claw, man; But Clinton’s glaive frae rust to save, He hung it to the wa’, man.
Then Montague, an’ Guilford too, Began to fear, a fa’, man; And Sackville dour, wha stood the stour, The German chief to thraw, man: For Paddy Burke, like ony Turk, Nae mercy had at a’, man; An’ Charlie Fox threw by the box, An’ lows’d his tinkler jaw, man.
Then Rockingham took up the game, Till death did on him ca’, man; When Shelburne meek held up his cheek, Conform to gospel law, man: Saint Stephen’s boys, wi’ jarring noise, They did his measures thraw, man; For North an’ Fox united stocks, An’ bore him to the wa’, man.
Then clubs an’ hearts were Charlie’s cartes, He swept the stakes awa’, man, Till the diamond’s ace, of Indian race, Led him a sair faux pas, man: The Saxon lads, wi’ loud placads, On Chatham’s boy did ca’, man; An’ Scotland drew her pipe an’ blew, “Up, Willie, waur them a’, man!” Behind the throne then Granville’s gone, A secret word or twa, man; While slee Dundas arous’d the class Be-north the Roman wa’, man: An’ Chatham’s wraith, in heav’nly graith, (Inspired bardies saw, man), Wi’ kindling eyes, cry’d, “Willie, rise! Would I hae fear’d them a’, man?” But, word an’ blow, North, Fox, and Co.
Gowff’d Willie like a ba’, man; Till Suthron raise, an’ coost their claise Behind him in a raw, man: An’ Caledon threw by the drone, An’ did her whittle draw, man; An’ swoor fu’ rude, thro’ dirt an’ bluid, To mak it guid in law, man.
Written by Anne Sexton | Create an image from this poem

Snow White and the Seven Dwarfs

 No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say, Good Day Mama, and shut for the thrust of the unicorn.
She is unsoiled.
She is as white as a bonefish.
Once there was a lovely virgin called Snow White.
Say she was thirteen.
Her stepmother, a beauty in her own right, though eaten, of course, by age, would hear of no beauty surpassing her own.
Beauty is a simple passion, but, oh my friends, in the end you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred-- something like the weather forecast-- a mirror that proclaimed the one beauty of the land.
She would ask, Looking glass upon the wall, who is fairest of us all? And the mirror would reply, You are the fairest of us all.
Pride pumped in her like poison.
Suddenly one day the mirror replied, Queen, you are full fair, 'tis true, but Snow White is fairer than you.
Until that moment Snow White had been no more important than a dust mouse under the bed.
But now the queen saw brown spots on her hand and four whiskers over her lip so she condemned Snow White to be hacked to death.
Bring me her heart, she said to the hunter, and I will salt it and eat it.
The hunter, however, let his prisoner go and brought a boar's heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said, lapping her slim white fingers.
Snow White walked in the wildwood for weeks and weeks.
At each turn there were twenty doorways and at each stood a hungry wolf, his tongue lolling out like a worm.
The birds called out lewdly, talking like pink parrots, and the snakes hung down in loops, each a noose for her sweet white neck.
On the seventh week she came to the seventh mountain and there she found the dwarf house.
It was as droll as a honeymoon cottage and completely equipped with seven beds, seven chairs, seven forks and seven chamber pots.
Snow White ate seven chicken livers and lay down, at last, to sleep.
The dwarfs, those little hot dogs, walked three times around Snow White, the sleeping virgin.
They were wise and wattled like small czars.
Yes.
It's a good omen, they said, and will bring us luck.
They stood on tiptoes to watch Snow White wake up.
She told them about the mirror and the killer-queen and they asked her to stay and keep house.
Beware of your stepmother, they said.
Soon she will know you are here.
While we are away in the mines during the day, you must not open the door.
Looking glass upon the wall .
.
.
The mirror told and so the queen dressed herself in rags and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house and Snow White opened the door and bought a bit of lacing.
The queen fastened it tightly around her bodice, as tight as an Ace bandage, so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother, they said.
She will try once more.
Snow White, the dumb bunny, opened the door and she bit into a poison apple and fell down for the final time.
When the dwarfs returned they undid her bodice, they looked for a comb, but it did no good.
Though they washed her with wine and rubbed her with butter it was to no avail.
She lay as still as a gold piece.
The seven dwarfs could not bring themselves to bury her in the black ground so they made a glass coffin and set it upon the seventh mountain so that all who passed by could peek in upon her beauty.
A prince came one June day and would not budge.
He stayed so long his hair turned green and still he would not leave.
The dwarfs took pity upon him and gave him the glass Snow White-- its doll's eyes shut forever-- to keep in his far-off castle.
As the prince's men carried the coffin they stumbled and dropped it and the chunk of apple flew out of her throat and she woke up miraculously.
And thus Snow White became the prince's bride.
The wicked queen was invited to the wedding feast and when she arrived there were red-hot iron shoes, in the manner of red-hot roller skates, clamped upon her feet.
First your toes will smoke and then your heels will turn black and you will fry upward like a frog, she was told.
And so she danced until she was dead, a subterranean figure, her tongue flicking in and out like a gas jet.
Meanwhile Snow White held court, rolling her china-blue doll eyes open and shut and sometimes referring to her mirror as women do.
Written by Gerard Manley Hopkins | Create an image from this poem

St. Winefreds Well

 ACT I.
SC.
I Enter Teryth from riding, Winefred following.
T.
WHAT is it, Gwen, my girl? why do you hover and haunt me? W.
You came by Caerwys, sir? T.
I came by Caerwys.
W.
There Some messenger there might have met you from my uncle.
T.
Your uncle met the messenger—met me; and this the message: Lord Beuno comes to-night.
W.
To-night, sir! T.
Soon, now: therefore Have all things ready in his room.
W.
There needs but little doing.
T.
Let what there needs be done.
Stay! with him one companion, His deacon, Dirvan Warm: twice over must the welcome be, But both will share one cell.
—This was good news, Gwenvrewi.
W.
Ah yes! T.
Why, get thee gone then; tell thy mother I want her.
Exit Winefred.
No man has such a daughter.
The fathers of the world Call no such maiden ‘mine’.
The deeper grows her dearness And more and more times laces round and round my heart, The more some monstrous hand gropes with clammy fingers there, Tampering with those sweet bines, draws them out, strains them, strains them; Meantime some tongue cries ‘What, Teryth! what, thou poor fond father! How when this bloom, this honeysuckle, that rides the air so rich about thee, Is all, all sheared away, thus!’ Then I sweat for fear.
Or else a funeral, and yet ’tis not a funeral, Some pageant which takes tears and I must foot with feeling that Alive or dead my girl is carried in it, endlessly Goes marching thro’ my mind.
What sense is this? It has none.
This is too much the father; nay the mother.
Fanciful! I here forbid my thoughts to fool themselves with fears.
Enter Gwenlo.
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ACT II.
—Scene, a wood ending in a steep bank over a dry dene, Winefred having been murdered within.
Re-enter Caradoc with a bloody sword.
C.
My heart, where have we been? What have we seen, my mind? What stroke has Caradoc’s right arm dealt? what done? Head of a rebel Struck off it has; written upon lovely limbs, In bloody letters, lessons of earnest, of revenge; Monuments of my earnest, records of my revenge, On one that went against me wh?reas I had warned her— Warned her! well she knew.
I warned her of this work.
What work? what harm ’s done? There is no harm done, none yet; Perhaps we struck no blow, Gwenvrewi lives perhaps; To makebelieve my mood was—mock.
O I might think so But here, here is a workman from his day’s task sweats.
Wiped I am sure this was; it seems not well; for still, Still the scarlet swings and dances on the blade.
So be it.
Thou steel, thou butcher, I c?n scour thee, fresh burnish thee, sheathe thee in thy dark lair; these drops Never, never, never in their blue banks again.
The woeful, Cradock, O the woeful word! Then what, What have we seen? Her head, sheared from her shoulders, fall, And lapped in shining hair, roll to the bank’s edge; then Down the beetling banks, like water in waterfalls, It stooped and flashed and fell and ran like water away.
Her eyes, oh and her eyes! In all her beauty, and sunlight to it is a pit, den, darkness, Foam-falling is not fresh to it, rainbow by it not beaming, In all her body, I say, no place was like her eyes, No piece matched those eyes kept most part much cast down But, being lifted, immortal, of immortal brightness.
Several times I saw them, thrice or four times turning; Round and round they came and flashed towards heaven: O there, There they did appeal.
Therefore airy vengeances Are afoot; heaven-vault fast purpling portends, and what first lightning Any instant falls means me.
And I do not repent; I do not and I will not repent, not repent.
The blame bear who aroused me.
What I have done violent I have like a lion done, lionlike done, Honouring an uncontrolled royal wrathful nature, Mantling passion in a grandeur, crimson grandeur.
Now be my pride then perfect, all one piece.
Henceforth In a wide world of defiance Caradoc lives alone, Loyal to his own soul, laying his own law down, no law nor Lord now curb him for ever.
O daring! O deep insight! What is virtue? Valour; only the heart valiant.
And right? Only resolution; will, his will unwavering Who, like me, knowing his nature to the heart home, nature’s business, Despatches with no flinching.
But will flesh, O can flesh Second this fiery strain? Not always; O no no! We cannot live this life out; sometimes we must weary And in this darksome world what comfort can I find? Down this darksome world c?mfort wh?re can I find When ’ts light I quenched; its rose, time’s one rich rose, my hand, By her bloom, fast by her fresh, her fleec?d bloom, Hideous dashed down, leaving earth a winter withering With no now, no Gwenvrewi.
I must miss her most That might have spared her were it but for passion-sake.
Yes, To hunger and not have, y?t hope ?n for, to storm and strive and Be at every assault fresh foiled, worse flung, deeper disappointed, The turmoil and the torment, it has, I swear, a sweetness, Keeps a kind of joy in it, a zest, an edge, an ecstasy, Next after sweet success.
I am not left even this; I all my being have hacked in half with her neck: one part, Reason, selfdisposal, choice of better or worse way, Is corpse now, cannot change; my other self, this soul, Life’s quick, this k?nd, this k?en self-feeling, With dreadful distillation of thoughts sour as blood, Must all day long taste murder.
What do n?w then? Do? Nay, Deed-bound I am; one deed treads all down here cramps all doing.
What do? Not yield, Not hope, not pray; despair; ay, that: brazen despair out, Brave all, and take what comes—as here this rabble is come, Whose bloods I reck no more of, no more rank with hers Than sewers with sacred oils.
Mankind, that mobs, comes.
Come! Enter a crowd, among them Teryth, Gwenlo, Beuno.
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After Winefred’s raising from the dead and the breaking out of the fountain.
BEUNO.
O now while skies are blue, now while seas are salt, While rushy rains shall fall or brooks shall fleet from fountains, While sick men shall cast sighs, of sweet health all despairing, While blind men’s eyes shall thirst after daylight, draughts of daylight, Or deaf ears shall desire that lipmusic that ’s lost upon them, While cripples are, while lepers, dancers in dismal limb-dance, Fallers in dreadful frothpits, waterfearers wild, Stone, palsy, cancer, cough, lung wasting, womb not bearing, Rupture, running sores, what more? in brief; in burden, As long as men are mortal and God merciful, So long to this sweet spot, this leafy lean-over, This Dry Dene, now no longer dry nor dumb, but moist and musical With the uproll and the downcarol of day and night delivering Water, which keeps thy name, (for not in r?ck wr?tten, But in pale water, frail water, wild rash and reeling water, That will not wear a print, that will not stain a pen, Thy venerable record, virgin, is recorded).
Here to this holy well shall pilgrimages be, And not from purple Wales only nor from elmy England, But from beyond seas, Erin, France and Flanders, everywhere, Pilgrims, still pilgrims, m?re p?lgrims, still more poor pilgrims.
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What sights shall be when some that swung, wretches, on crutches Their crutches shall cast from them, on heels of air departing, Or they go rich as roseleaves hence that loathsome c?me hither! Not now to n?me even Those dearer, more divine boons whose haven the heart is.
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As sure as what is most sure, sure as that spring primroses Shall new-dapple next year, sure as to-morrow morning, Amongst come-back-again things, th?ngs with a revival, things with a recovery, Thy name… .
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Written by Donald Hall | Create an image from this poem

Wolf Knife

 In the mid August, in the second year
of my First Polar Expedition, the snow and ice of winter
almost upon us, Kantiuk and I
attempted to dash the sledge
along Crispin Bay, searching again for relics
of the Frankline Expedition.
Now a storm blew, and we turned back, and we struggled slowly in snow, lest we depart land and venture onto ice from which a sudden fog and thaw would abandon us to the Providence of the sea.
Near nightfall I thought I heard snarling behind us.
Kantiuk told me that two wolves, lean as the bones of a wrecked ship, had followed us the last hour, and snapped their teeth as if already feasting.
I carried the one cartridge only in my riffle, since, approaching the second winter, we rationed stores.
As it turned dark, we could push no further, and made camp in a corner of ice hummocks, and the wolves stopped also, growling just past the limits of vision, coming closer, until I could hear the click of their feet on ice.
Kantiuk laughed and remarked that the wolves appeared to be most hungry.
I raised my rifle, prepared to shoot the first that ventured close, hoping to frighten the other.
Kantiuk struck my rifle down and said again that the wolves were hungry, and laughed.
I feared that my old companion was mad, here in the storm, among ice-hummocks, stalked by wolves.
Now Kantiuk searched in his pack, and extracted two knives--turnoks, the Innuits called them-- which by great labor were sharpened, on both sides, to the sharpness like the edge of a barber's razor, and approached our dogs and plunged both knives into the body of our youngest dog who had limped all day.
I remember that I consider turning my rifle on Kantiuk as he approached, then passed me, carrying knives red with the gore of our dog-- who had yowled, moaned, and now lay expired, surrounded by curious cousins and uncles, possibly hungry--and he trusted the knives handle-down in the snow.
Immediately after he left the knives, the vague, gray shape of wolves turned solid, out of the darkness and the snow, and set ravenously to licking blood from the honed steel.
the double-edge of the knives so lacerated the tongues of the starved beasts that their own blood poured copiously forth to replenish the dog's blood, and they ate more furiously than before, while Knatiuk laughed, and held his sides laughing.
And I laughed also, perhaps in relief that Providence had delivered us yet again, or perhaps--under conditions of extremity-- far from Connecticut--finding there creatures acutely ridiculous, so avid to swallow their own blood.
First one, and then the other collapsed, dying, bloodless in the snow black with their own blood, and Kantiuk retrieved his turnoks, and hacked lean meat from the thigh of the larger wolf, which we ate grateful, blessing the Creator, for we were hungry.

Book: Shattered Sighs