10 Best Famous Groups Poems

Here is a collection of the top 10 all-time best famous Groups poems. This is a select list of the best famous Groups poetry. Reading, writing, and enjoying famous Groups poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of groups poems.

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Written by Friedrich von Schiller | Create an image from this poem

Friendship

 Friend!--the Great Ruler, easily content,
Needs not the laws it has laborious been
The task of small professors to invent;
A single wheel impels the whole machine
Matter and spirit;--yea, that simple law,
Pervading nature, which our Newton saw.

This taught the spheres, slaves to one golden rein,
Their radiant labyrinths to weave around
Creation's mighty hearts: this made the chain,
Which into interwoven systems bound
All spirits streaming to the spiritual sun
As brooks that ever into ocean run!

Did not the same strong mainspring urge and guide
Our hearts to meet in love's eternal bond?
Linked to thine arm, O Raphael, by thy side
Might I aspire to reach to souls beyond
Our earth, and bid the bright ambition go
To that perfection which the angels know!

Happy, O happy--I have found thee--I
Have out of millions found thee, and embraced;
Thou, out of millions, mine!--Let earth and sky
Return to darkness, and the antique waste--
To chaos shocked, let warring atoms be,
Still shall each heart unto the other flee!

Do I not find within thy radiant eyes
Fairer reflections of all joys most fair?
In thee I marvel at myself--the dyes
Of lovely earth seem lovelier painted there,
And in the bright looks of the friend is given
A heavenlier mirror even of the heaven!

Sadness casts off its load, and gayly goes
From the intolerant storm to rest awhile,
In love's true heart, sure haven of repose;
Does not pain's veriest transports learn to smile
From that bright eloquence affection gave
To friendly looks?--there, finds not pain a grave?

In all creation did I stand alone,
Still to the rocks my dreams a soul should find,
Mine arms should wreathe themselves around the stone,
My griefs should feel a listener in the wind;
My joy--its echo in the caves should be!
Fool, if ye will--Fool, for sweet sympathy!

We are dead groups of matter when we hate;
But when we love we are as gods!--Unto
The gentle fetters yearning, through each state
And shade of being multiform, and through
All countless spirits (save of all the sire)--
Moves, breathes, and blends, the one divine desire.

Lo! arm in arm, through every upward grade,
From the rude mongrel to the starry Greek,
Who the fine link between the mortal made,
And heaven's last seraph--everywhere we seek
Union and bond--till in one sea sublime
Of love be merged all measure and all time!

Friendless ruled God His solitary sky;
He felt the want, and therefore souls were made,
The blessed mirrors of his bliss!--His eye
No equal in His loftiest works surveyed;
And from the source whence souls are quickened, He
Called His companion forth--ETERNITY!

Written by Walt Whitman | Create an image from this poem

To You

 WHOEVER you are, I fear you are walking the walks of dreams, 
I fear these supposed realities are to melt from under your feet and hands; 
Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume,
 crimes, dissipate away from you, 
Your true Soul and Body appear before me, 
They stand forth out of affairs—out of commerce, shops, law, science, work, forms,
 clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying.

Whoever you are, now I place my hand upon you, that you be my poem; 
I whisper with my lips close to your ear, 
I have loved many women and men, but I love none better than you. 

O I have been dilatory and dumb; 
I should have made my way straight to you long ago;
I should have blabb’d nothing but you, I should have chanted nothing but you. 

I will leave all, and come and make the hymns of you; 
None have understood you, but I understand you; 
None have done justice to you—you have not done justice to yourself; 
None but have found you imperfect—I only find no imperfection in you;
None but would subordinate you—I only am he who will never consent to subordinate
 you; 
I only am he who places over you no master, owner, better, God, beyond what waits
 intrinsically
 in yourself. 

Painters have painted their swarming groups, and the centre figure of all; 
From the head of the centre figure spreading a nimbus of gold-color’d light; 
But I paint myriads of heads, but paint no head without its nimbus of gold-color’d
 light;
From my hand, from the brain of every man and woman it streams, effulgently flowing
 forever. 

O I could sing such grandeurs and glories about you! 
You have not known what you are—you have slumber’d upon yourself all your life; 
Your eye-lids have been the same as closed most of the time; 
What you have done returns already in mockeries;
(Your thrift, knowledge, prayers, if they do not return in mockeries, what is their
 return?) 

The mockeries are not you; 
Underneath them, and within them, I see you lurk; 
I pursue you where none else has pursued you; 
Silence, the desk, the flippant expression, the night, the accustom’d routine, if
 these
 conceal you from others, or from yourself, they do not conceal you from me;
The shaved face, the unsteady eye, the impure complexion, if these balk others, they do
 not
 balk me, 
The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all
 these I
 part aside. 

There is no endowment in man or woman that is not tallied in you; 
There is no virtue, no beauty, in man or woman, but as good is in you; 
No pluck, no endurance in others, but as good is in you;
No pleasure waiting for others, but an equal pleasure waits for you. 

As for me, I give nothing to any one, except I give the like carefully to you; 
I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory
 of
 you. 

Whoever you are! claim your own at any hazard! 
These shows of the east and west are tame, compared to you;
These immense meadows—these interminable rivers—you are immense and interminable
 as
 they; 
These furies, elements, storms, motions of Nature, throes of apparent dissolution—you
 are
 he or she who is master or mistress over them, 
Master or mistress in your own right over Nature, elements, pain, passion, dissolution. 

The hopples fall from your ankles—you find an unfailing sufficiency; 
Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges
 itself;
Through birth, life, death, burial, the means are provided, nothing is scanted; 
Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Written by Walt Whitman | Create an image from this poem

Brother of All with Generous Hand

 1
BROTHER of all, with generous hand, 
Of thee, pondering on thee, as o’er thy tomb, I and my Soul, 
A thought to launch in memory of thee, 
A burial verse for thee. 

What may we chant, O thou within this tomb?
What tablets, pictures, hang for thee, O millionaire? 
—The life thou lived’st we know not, 
But that thou walk’dst thy years in barter, ’mid the haunts of brokers; 
Nor heroism thine, nor war, nor glory. 

Yet lingering, yearning, joining soul with thine,
If not thy past we chant, we chant the future, 
Select, adorn the future. 

2
Lo, Soul, the graves of heroes! 
The pride of lands—the gratitudes of men, 
The statues of the manifold famous dead, Old World and New,
The kings, inventors, generals, poets, (stretch wide thy vision, Soul,) 
The excellent rulers of the races, great discoverers, sailors, 
Marble and brass select from them, with pictures, scenes, 
(The histories of the lands, the races, bodied there, 
In what they’ve built for, graced and graved,
Monuments to their heroes.) 

3
Silent, my Soul, 
With drooping lids, as waiting, ponder’d, 
Turning from all the samples, all the monuments of heroes. 

While through the interior vistas,
Noiseless uprose, phantasmic (as, by night, Auroras of the North,) 
Lambent tableaux, prophetic, bodiless scenes, 
Spiritual projections. 

In one, among the city streets, a laborer’s home appear’d, 
After his day’s work done, cleanly, sweet-air’d, the gaslight burning,
The carpet swept, and a fire in the cheerful stove. 

In one, the sacred parturition scene, 
A happy, painless mother birth’d a perfect child. 

In one, at a bounteous morning meal, 
Sat peaceful parents, with contented sons.

In one, by twos and threes, young people, 
Hundreds concentering, walk’d the paths and streets and roads, 
Toward a tall-domed school. 

In one a trio, beautiful, 
Grandmother, loving daughter, loving daughter’s daughter, sat,
Chatting and sewing. 

In one, along a suite of noble rooms, 
’Mid plenteous books and journals, paintings on the walls, fine statuettes, 
Were groups of friendly journeymen, mechanics, young and old, 
Reading, conversing.

All, all the shows of laboring life, 
City and country, women’s, men’s and children’s, 
Their wants provided for, hued in the sun, and tinged for once with joy, 
Marriage, the street, the factory, farm, the house-room, lodging-room, 
Labor and toil, the bath, gymnasium, play-ground, library, college,
The student, boy or girl, led forward to be taught; 
The sick cared for, the shoeless shod—the orphan father’d and mother’d, 
The hungry fed, the houseless housed; 
(The intentions perfect and divine, 
The workings, details, haply human.)

4
O thou within this tomb, 
From thee, such scenes—thou stintless, lavish Giver, 
Tallying the gifts of Earth—large as the Earth, 
Thy name an Earth, with mountains, fields and rivers. 

Nor by your streams alone, you rivers,
By you, your banks, Connecticut, 
By you, and all your teeming life, Old Thames, 
By you, Potomac, laving the ground Washington trod—by you Patapsco, 
You, Hudson—you, endless Mississippi—not by you alone, 
But to the high seas launch, my thought, his memory.

5
Lo, Soul, by this tomb’s lambency, 
The darkness of the arrogant standards of the world, 
With all its flaunting aims, ambitions, pleasures. 

(Old, commonplace, and rusty saws, 
The rich, the gay, the supercilious, smiled at long,
Now, piercing to the marrow in my bones, 
Fused with each drop my heart’s blood jets, 
Swim in ineffable meaning.) 

Lo, Soul, the sphere requireth, portioneth, 
To each his share, his measure,
The moderate to the moderate, the ample to the ample. 

Lo, Soul, see’st thou not, plain as the sun, 
The only real wealth of wealth in generosity, 
The only life of life in goodness?
Written by Gregory Corso | Create an image from this poem

Destiny

 1856 

Paris, from throats of iron, silver, brass, 
Joy-thundering cannon, blent with chiming bells, 
And martial strains, the full-voiced pæan swells. 
The air is starred with flags, the chanted mass 
Throngs all the churches, yet the broad streets swarm 
With glad-eyed groups who chatter, laugh, and pass, 
In holiday confusion, class with class. 
And over all the spring, the sun-floods warm! 
In the Imperial palace that March morn, 
The beautiful young mother lay and smiled; 
For by her side just breathed the Prince, her child, 
Heir to an empire, to the purple born, 
Crowned with the Titan's name that stirs the heart 
Like a blown clarion--one more Bonaparte. 


1879

Born to the purple, lying stark and dead, 
Transfixed with poisoned spears, beneath the sun 
Of brazen Africa! Thy grave is one, 
Fore-fated youth (on whom were visited 
Follies and sins not thine), whereat the world, 
Heartless howe'er it be, will pause to sing 
A dirge, to breathe a sigh, a wreath to fling 
Of rosemary and rue with bay-leaves curled. 
Enmeshed in toils ambitious, not thine own, 
Immortal, loved boy-Prince, thou tak'st thy stand 
With early doomed Don Carlos, hand in hand 
With mild-browed Arthur, Geoffrey's murdered son. 
Louis the Dauphin lifts his thorn-ringed head, 
And welcomes thee, his brother, 'mongst the dead.
Written by Walt Whitman | Create an image from this poem

A Broadway Pageant

 1
OVER the western sea, hither from Niphon come, 
Courteous, the swart-cheek’d two-sworded envoys, 
Leaning back in their open barouches, bare-headed, impassive, 
Ride to-day through Manhattan. 

Libertad!
I do not know whether others behold what I behold, 
In the procession, along with the nobles of Asia, the errand-bearers, 
Bringing up the rear, hovering above, around, or in the ranks marching; 
But I will sing you a song of what I behold, Libertad. 

2
When million-footed Manhattan, unpent, descends to her pavements;
When the thunder-cracking guns arouse me with the proud roar I love; 
When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes; 
When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a
 delicate thin haze; 
When, gorgeous, the countless straight stems, the forests at the wharves, thicken with
 colors;

When every ship, richly drest, carries her flag at the peak;
When pennants trail, and street-festoons hang from the windows; 
When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is
 densest;

When the façades of the houses are alive with people—when eyes gaze, riveted, tens of
 thousands
 at a time; 
When the guests from the islands advance—when the pageant moves forward, visible; 
When the summons is made—when the answer that waited thousands of years, answers;
I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with
 them.


3
Superb-faced Manhattan! 
Comrade Americanos!—to us, then, at last, the Orient comes. 

To us, my city, 
Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space
 between,
To-day our Antipodes comes. 

The Originatress comes, 
The nest of languages, the bequeather of poems, the race of eld, 
Florid with blood, pensive, rapt with musings, hot with passion, 
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes, 
The race of Brahma comes! 

4
See, my cantabile! these, and more, are flashing to us from the procession; 
As it moves, changing, a kaleidoscope divine it moves, changing, before us. 

For not the envoys, nor the tann’d Japanee from his island only;
Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the
 dead, 
The murky night morning of wonder and fable, inscrutable, 
The envelop’d mysteries, the old and unknown hive-bees, 
The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients, 
Vast desolated cities—the gliding Present—all of these, and more, are in the
 pageant-procession.

Geography, the world, is in it; 
The Great Sea, the brood of islands, Polynesia, the coast beyond; 
The coast you, henceforth, are facing—you Libertad! from your Western golden shores 
The countries there, with their populations—the millions en-masse, are curiously here; 
The swarming market places—the temples, with idols ranged along the sides, or at the
 end—bonze,
 brahmin, and lama;
The mandarin, farmer, merchant, mechanic, and fisherman; 
The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors, 
Confucius himself—the great poets and heroes—the warriors, the castes, all, 
Trooping up, crowding from all directions—from the Altay mountains, 
From Thibet—from the four winding and far-flowing rivers of China,
From the Southern peninsulas, and the demi-continental islands—from Malaysia; 
These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me, 
And I am seiz’d by them, and friendlily held by them, 
Till, as here, them all I chant, Libertad! for themselves and for you. 

5
For I too, raising my voice, join the ranks of this pageant;
I am the chanter—I chant aloud over the pageant; 
I chant the world on my Western Sea; 
I chant, copious, the islands beyond, thick as stars in the sky; 
I chant the new empire, grander than any before—As in a vision it comes to me; 
I chant America, the Mistress—I chant a greater supremacy;
I chant, projected, a thousand blooming cities yet, in time, on those groups of
 sea-islands; 
I chant my sail-ships and steam-ships threading the archipelagoes; 
I chant my stars and stripes fluttering in the wind; 
I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d;

Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must
 be,
Commencing from this day, surrounded by the world. 

6
And you, Libertad of the world! 
You shall sit in the middle, well-pois’d, thousands of years; 
As to-day, from one side, the nobles of Asia come to you; 
As to-morrow, from the other side, the Queen of England sends her eldest son to you.

7
The sign is reversing, the orb is enclosed, 
The ring is circled, the journey is done; 
The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the
 whole
 box. 

8
Young Libertad! 
With the venerable Asia, the all-mother,
Be considerate with her, now and ever, hot Libertad—for you are all; 
Bend your proud neck to the long-off mother, now sending messages over the archipelagoes
 to
 you; 
Bend your proud neck low for once, young Libertad. 

9
Were the children straying westward so long? so wide the tramping? 
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while unknown, for you, for
 reasons? 

They are justified—they are accomplish’d—they shall now be turn’d the other way also, to
 travel toward you thence; 
They shall now also march obediently eastward, for your sake, Libertad.

Written by Anne Sexton | Create an image from this poem

Some Foreign Letters

 I knew you forever and you were always old,
soft white lady of my heart. Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house. And I
see you as a young girl in a good world still,
writing three generations before mine. I try
to reach into your page and breathe it back...
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz. I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover. Tonight your letters reduce
history to a guess. The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors. When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago. I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body. You let the Count choose
your next climb. You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser. You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne. The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you. You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy. You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face. I cried
because I was seventeen. I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July. One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze. You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine. I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony. And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
Written by Robert Browning | Create an image from this poem

From ‘Paracelsus'

 I

TRUTH is within ourselves; it takes no rise 
From outward things, whate’er you may believe. 
There is an inmost centre in us all, 
Where truth abides in fullness; and around, 
Wall upon wall, the gross flesh hems it in, 
This perfect, clear perception—which is truth. 
A baffling and perverting carnal mesh 
Binds it, and makes all error: and, to KNOW, 
Rather consists in opening out a way 
Whence the imprisoned splendour may escape, 
Than in effecting entry for a light 
Supposed to be without. 

II

I knew, I felt, (perception unexpressed, 
Uncomprehended by our narrow thought, 
But somehow felt and known in every shift 
And change in the spirit,—nay, in every pore 
Of the body, even,)—what God is, what we are 
What life is—how God tastes an infinite joy 
In infinite ways—one everlasting bliss, 
From whom all being emanates, all power 
Proceeds; in whom is life for evermore, 
Yet whom existence in its lowest form 
Includes; where dwells enjoyment there is he: 
With still a flying point of bliss remote, 
A happiness in store afar, a sphere 
Of distant glory in full view; thus climbs 
Pleasure its heights for ever and for ever. 
The centre-fire heaves underneath the earth, 
And the earth changes like a human face; 
The molten ore bursts up among the rocks, 
Winds into the stone’s heart, outbranches bright 
In hidden mines, spots barren river-beds, 
Crumbles into fine sand where sunbeams bask— 
God joys therein! The wroth sea’s waves are edged 
With foam, white as the bitten lip of hate, 
When, in the solitary waste, strange groups 
Of young volcanos come up, cyclops-like, 
Staring together with their eyes on flame— 
God tastes a pleasure in their uncouth pride. 
Then all is still; earth is a wintry clod: 
But spring-wind, like a dancing psaltress, passes 
Over its breast to waken it, rare verdure 
Buds tenderly upon rough banks, between 
The withered tree-roots and the cracks of frost, 
Like a smile striving with a wrinkled face; 
The grass grows bright, the boughs are swoln with blooms 
Like chrysalids impatient for the air, 
The shining dorrs are busy, beetles run 
Along the furrows, ants make their ade; 
Above, birds fly in merry flocks, the lark 
Soars up and up, shivering for very joy; 
Afar the ocean sleeps; white fishing-gulls 
Flit where the strand is purple with its tribe 
Of nested limpets; savage creatures seek 
Their loves in wood and plain—and God renews 
His ancient rapture. Thus He dwells in all, 
From life’s minute beginnings, up at last 
To man—the consummation of this scheme 
Of being, the completion of this sphere 
Of life: whose attributes had here and there 
Been scattered o’er the visible world before, 
Asking to be combined, dim fragments meant 
To be united in some wondrous whole, 
Imperfect qualities throughout creation, 
Suggesting some one creature yet to make, 
Some point where all those scattered rays should meet 
Convergent in the faculties of man.
Written by Emma Lazarus | Create an image from this poem

Symphonic Studies (After Schumann)

 Prelude 

Blue storm-clouds in hot heavens of mid-July 
Hung heavy, brooding over land and sea: 
Our hearts, a-tremble, throbbed in harmony 
With the wild, restless tone of air and sky. 
Shall we not call im Prospero who held 
In his enchanted hands the fateful key 
Of that tempestuous hour's mystery, 
And with controlling wand our spirits spelled, 
With him to wander by a sun-bright shore, 
To hear fine, fairy voices, and to fly 
With disembodied Ariel once more 
Above earth's wrack and ruin? Far and nigh 
The laughter of the thunder echoed loud, 
And harmless lightnings leapt from cloud to cloud. 


I

Floating upon a swelling wave of sound, 
We seemed to overlook an endless sea: 
Poised 'twixt clear heavens and glittering surf were we. 
We drank the air in flight: we knew no bound 
To the audacious ventures of desire. 
Nigh us the sun was dropping, drowned in gold; 
Deep, deep below the burning billows rolled; 
And all the sea sang like a smitten lyre. 
Oh, the wild voices of those chanting waves! 
The human faces glimpsed beneath the tide! 
Familiar eyes gazed from profound sea-caves, 
And we, exalted, were as we had died. 
We knew the sea was Life, the harmonious cry 
The blended discords of humanity. 


II

Look deeper yet: mark 'midst the wave-blurred mass, 
In lines distinct, in colors clear defined, 
The typic groups and figures of mankind. 
Behold within the cool and liquid glass 
Bright child-folk sporting with smooth yellow shells, 
Astride of dolphins, leaping up to kiss 
Fair mother-faces. From the vast abyss 
How joyously their thought-free laughter wells! 
Some slumber in grim caverns unafraid, 
Lulled by the overwhelming water's sound, 
And some make mouths at dragons, undismayed. 
Oh dauntless innocence! The gulfs profound 
Reëcho strangely with their ringing glee, 
And with wise mermaids' plaintive melody. 


III

What do the sea-nymphs in that coral cave? 
With wondering eyes their supple forms they bend 
O'er something rarely beautiful. They lend 
Their lithe white arms, and through the golden wave 
They lift it tenderly. Oh blinding sight! 
A naked, radiant goddess, tranced in sleep, 
Full-limbed, voluptuous, 'neath the mantling sweep 
Of auburn locks that kiss her ankles white! 
Upward they bear her, chanting low and sweet: 
The clinging waters part before their way, 
Jewels of flame are dancing 'neath their feet. 
Up in the sunshine, on soft foam, they lay 
Their precious burden, and return forlorn. 
Oh, bliss! oh, anguish! Mortals, Love is born! 


IV

Hark! from unfathomable deeps a dirge 
Swells sobbing through the melancholy air: 
Where love has entered, Death is also there. 
The wail outrings the chafed, tumultuous surge; 
Ocean and earth, the illimitable skies, 
Prolong one note, a mourning for the dead, 
The cry of souls not to be comforted. 
What piercing music! Funeral visions rise, 
And send the hot tears raining down our cheek. 
We see the silent grave upon the hill 
With its lone lilac-bush. O heart, be still! 
She will not rise, she will not stir nor speak. 
Surely, the unreturning dead are blest. 
Ring on, sweet dirge, and knell us to our rest! 


V

Upon the silver beach the undines dance 
With interlinking arms and flying hair; 
Like polished marble gleam their limbs left bare; 
Upon their virgin rites pale moonbeams glance. 
Softer the music! for their foam-bright feet 
Print not the moist floor where they trip their round: 
Affrighted they will scatter at a sound, 
Leap in their cool sea-chambers, nibly fleet, 
And we shall doubt that we have ever seen, 
While our sane eyes behold stray wreaths of mist, 
Shot with faint colors by the moon-rays kissed, 
Floating snow-soft, snow-white, where these had been. 
Already, look! the wave-washed sands are bare, 
And mocking laughter ripples through the air. 


VI

Divided 'twixt the dream-world and the real, 
We heard the waxing passion of the song 
Soar as to scale the heavens on pinions strong. 
Amidst the long-reverberant thunder-peal, 
Against the rain-blurred square of light, the head 
Of the pale poet at the lyric keys 
Stood boldly cut, absorbed in reveries, 
While over it keen-bladed lightnings played. 
"Rage on, wild storm!" the music seemed to sing: 
"Not all the thunders of thy wrath can move 
The soul that's dedicate to worshipping 
Eternal Beauty, everlasting Love." 
No more! the song was ended, and behold, 
A rainbow trembling on a sky of gold! 


Epilogue

Forth in the sunlit, rain-bathed air we stepped, 
Sweet with the dripping grass and flowering vine, 
And saw through irised clouds the pale sun shine. 
Back o'er the hills the rain-mist slowly crept 
Like a transparent curtain's silvery sheen; 
And fronting us the painted bow was arched, 
Whereunder the majestic cloud-shapes marched: 
In the wet, yellow light the dazzling green 
Of lawn and bush and tree seemed stained with blue. 
Our hearts o'erflowed with peace. With smiles we spake 
Of partings in the past, of courage new, 
Of high achievement, of the dreams that make 
A wonder and a glory of our days, 
And all life's music but a hymn of praise.
Written by Alfred Lord Tennyson | Create an image from this poem

The Princess (The Conclusion)

 So closed our tale, of which I give you all 
The random scheme as wildly as it rose: 
The words are mostly mine; for when we ceased 
There came a minute's pause, and Walter said, 
'I wish she had not yielded!' then to me, 
'What, if you drest it up poetically?' 
So prayed the men, the women: I gave assent: 
Yet how to bind the scattered scheme of seven 
Together in one sheaf? What style could suit? 
The men required that I should give throughout 
The sort of mock-heroic gigantesque, 
With which we bantered little Lilia first: 
The women--and perhaps they felt their power, 
For something in the ballads which they sang, 
Or in their silent influence as they sat, 
Had ever seemed to wrestle with burlesque, 
And drove us, last, to quite a solemn close-- 
They hated banter, wished for something real, 
A gallant fight, a noble princess--why 
Not make her true-heroic--true-sublime? 
Or all, they said, as earnest as the close? 
Which yet with such a framework scarce could be. 
Then rose a little feud betwixt the two, 
Betwixt the mockers and the realists: 
And I, betwixt them both, to please them both, 
And yet to give the story as it rose, 
I moved as in a strange diagonal, 
And maybe neither pleased myself nor them. 

But Lilia pleased me, for she took no part 
In our dispute: the sequel of the tale 
Had touched her; and she sat, she plucked the grass, 
She flung it from her, thinking: last, she fixt 
A showery glance upon her aunt, and said, 
'You--tell us what we are' who might have told, 
For she was crammed with theories out of books, 
But that there rose a shout: the gates were closed 
At sunset, and the crowd were swarming now, 
To take their leave, about the garden rails. 

So I and some went out to these: we climbed 
The slope to Vivian-place, and turning saw 
The happy valleys, half in light, and half 
Far-shadowing from the west, a land of peace; 
Gray halls alone among their massive groves; 
Trim hamlets; here and there a rustic tower 
Half-lost in belts of hop and breadths of wheat; 
The shimmering glimpses of a stream; the seas; 
A red sail, or a white; and far beyond, 
Imagined more than seen, the skirts of France. 

'Look there, a garden!' said my college friend, 
The Tory member's elder son, 'and there! 
God bless the narrow sea which keeps her off, 
And keeps our Britain, whole within herself, 
A nation yet, the rulers and the ruled-- 
Some sense of duty, something of a faith, 
Some reverence for the laws ourselves have made, 
Some patient force to change them when we will, 
Some civic manhood firm against the crowd-- 
But yonder, whiff! there comes a sudden heat, 
The gravest citizen seems to lose his head, 
The king is scared, the soldier will not fight, 
The little boys begin to shoot and stab, 
A kingdom topples over with a shriek 
Like an old woman, and down rolls the world 
In mock heroics stranger than our own; 
Revolts, republics, revolutions, most 
No graver than a schoolboys' barring out; 
Too comic for the serious things they are, 
Too solemn for the comic touches in them, 
Like our wild Princess with as wise a dream 
As some of theirs--God bless the narrow seas! 
I wish they were a whole Atlantic broad.' 

'Have patience,' I replied, 'ourselves are full 
Of social wrong; and maybe wildest dreams 
Are but the needful preludes of the truth: 
For me, the genial day, the happy crowd, 
The sport half-science, fill me with a faith. 
This fine old world of ours is but a child 
Yet in the go-cart. Patience! Give it time 
To learn its limbs: there is a hand that guides.' 

In such discourse we gained the garden rails, 
And there we saw Sir Walter where he stood, 
Before a tower of crimson holly-hoaks, 
Among six boys, head under head, and looked 
No little lily-handed Baronet he, 
A great broad-shouldered genial Englishman, 
A lord of fat prize-oxen and of sheep, 
A raiser of huge melons and of pine, 
A patron of some thirty charities, 
A pamphleteer on guano and on grain, 
A quarter-sessions chairman, abler none; 
Fair-haired and redder than a windy morn; 
Now shaking hands with him, now him, of those 
That stood the nearest--now addressed to speech-- 
Who spoke few words and pithy, such as closed 
Welcome, farewell, and welcome for the year 
To follow: a shout rose again, and made 
The long line of the approaching rookery swerve 
From the elms, and shook the branches of the deer 
From slope to slope through distant ferns, and rang 
Beyond the bourn of sunset; O, a shout 
More joyful than the city-roar that hails 
Premier or king! Why should not these great Sirs 
Give up their parks some dozen times a year 
To let the people breathe? So thrice they cried, 
I likewise, and in groups they streamed away. 

But we went back to the Abbey, and sat on, 
So much the gathering darkness charmed: we sat 
But spoke not, rapt in nameless reverie, 
Perchance upon the future man: the walls 
Blackened about us, bats wheeled, and owls whooped, 
And gradually the powers of the night, 
That range above the region of the wind, 
Deepening the courts of twilight broke them up 
Through all the silent spaces of the worlds, 
Beyond all thought into the Heaven of Heavens. 

Last little Lilia, rising quietly, 
Disrobed the glimmering statue of Sir Ralph 
From those rich silks, and home well-pleased we went.
Written by Christina Rossetti | Create an image from this poem

An Apple-Gathering

 I plucked pink blossoms from mine apple tree
And wore them all that evening in my hair:
Then in due season when I went to see
I found no apples there.
With dangling basket all along the grass
As I had come I went the selfsame track:
My neighbours mocked me while they saw me pass
So empty-handed back.

Lilian and Lilias smiled in trudging by,
Their heaped-up basket teazed me like a jeer;
Sweet-voiced they sang beneath the sunset sky,
Their mother's home was near.

Plump Gertrude passed me with her basket full,
A stronger hand than hers helped it along;
A voice talked with her thro' the shadows cool
More sweet to me than song.

Ah Willie, Willie, was my love less worth
Than apples with their green leaves piled above?
I counted rosiest apples on the earth
Of far less worth than love.

So once it was with me you stooped to talk
Laughing and listening in this very lane:
To think that by this way we used to walk
We shall not walk again!

I let my neighbours pass me, ones and twos
And groups; the latest said the night grew chill,
And hastened: but I loitered, while the dews
Fell fast I loitered still.
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