Written by
Andrew Barton Paterson |
'Twas on the famous Empire run,
Whose sun does never set,
Whose grass and water, so they say,
Have never failed them yet --
They carry many million sheep,
Through seasons dry and wet.
They call the homestead Albion House,
And then, along with that,
There's Welshman's Gully, Scotchman's Hill,
And Paddymelon Flat:
And all these places are renowned
For making jumbacks fat.
And the out-paddocks -- holy frost!
There wouldn't be no sense
For me to try and tell you half --
They really are immense;
A man might ride for days and weeks
And never strike a fence.
But still for years they never had
Been known a sheep to lose;
Old Billy Gladstone managed it,
And you can bet your shoes
He'd scores of supers under him,
And droves of jackaroos.
Old Billy had an eagle eye,
And kept his wits about --
If any chaps got trespassing
He quickly cleared 'em out;
And coves that used to "work a cross",
They hated him, no doubt.
But still he managed it in style,
Until the times got dry,
And Billy gave the supers word
To see and mind their eye --
"If any paddocks gets a-fire
I'll know the reason why."
Now on this point old Bill was sure,
Because, for many a year,
Whenever times got dry at all,
As sure as you are here,
The Paddymelon Flat got burnt
Which Bill thought rather *****.
He sent his smartest supers there
To try and keep things right.
No use! The grass was always dry --
They'd go to sleep at night,
And when they woke they'd go and find
The whole concern alight.
One morning it was very hot --
The sun rose in a haze;
Old Bill was cutting down some trees
(One of his little ways);
A black boy came hot-foot to say
The Flat was in a blaze.
Old Bill he swears a fearful oath
And lets the tommy fall --
Says he: "'ll take this business up,
And fix it once for all;
If this goes on the cursed run
Will send us to the wall."
So he withdrew his trespass suits,
He'd one with Dutchy's boss --
In prosecutions criminal
He entered nolle pros.,
But these were neither here nor there --
They always meant a loss.
And off to Paddymelon Flat
He started double quick
Drayloads of men with lots of grog
Lest heat should make them sick,
And all the strangers came around
To see him do the trick.
And there the fire was flaming bright,
For miles and miles it spread,
And many a sheep and horse and cow
Were numbered with the dead --
The super came to meet Old Bill,
And this is what he said:
"No use, to try to beat it out,
'Twill dry you up like toast,
I've done as much as man can do,
Although I never boast;
I think you'd better chuck it up,
And let the jumbucks roast."
Then Bill said just two words: "You're sacked,"
And pitches off his coat,
And wrenches down a blue gum bough
And clears his manly throat,
And into it like threshing wheat
Right sturdily he smote.
And beat the blazing grass until
His shirt was dripping wet;
And all the people watched him there
To see what luck he'd get,
"Gosh! don't he make the cinders fly,"
And, Golly, don't he sweat!"
But though they worked like Trojans all,
The fire still went ahead
So far as you could see around,
The very skies were red,
Sometimes the flames would start afresh,
Just where they thought it dead.
His men, too, quarreled 'mongst themselves
And some coves gave it best
And some said, "Light a fire in front,
And burn from east to west" --
But Bill he still kept sloggin' in,
And never took no rest.
Then through the crowd a cornstalk kid
Come ridin' to the spot
Says he to Bill, "Now take a spell,
You're lookin' very 'ot,
And if you'll only listen, why,
I'll tell you what is what.
"These coves as set your grass on fire,
There ain't no mortal doubt,
I've seen 'em ridin' here and there,
And pokin' round about;
It ain't no use your workin' here,
Until you finds them out.
"See yonder, where you beat the fire --
It's blazin' up again,
And fires are starting right and left
On Tipperary Plain,
Beating them out is useless quite,
Unless Heaven sends the rain.
Then Bill, he turns upon the boy,
"Oh, hold your tongue, you pup!"
But a cinder blew across the creek
While Bill stopped for a sup,
And fired the Albion paddocks, too --
It was a bitter cup;
Old Bill's heart was broke at last,
He had to chuck it up.
Moral
The run is England's Empire great,
The fire is the distress
That burns the stock they represent --
Prosperity you'll guess.
And the blue gum bough is the Home Rule Bill
That's making such a mess.
And Ireland green, of course I mean
By Paddymelon Flat;
All men can see the fire, of course,
Spreads on at such a bat,
But who are setting it alight,
I cannot tell you that.
But this I think all men will see,
And hold it very true --
"Don't quarrel with effects until
The cause is brought to view."
What is the cause? That cornstalk boy --
He seemed to think he knew.
|
Written by
Lewis Carroll |
The Bellman's Speech
The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face!
He had bought a large map representing the sea,
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.
"What's the good of Mercator's North Poles and Equators,
Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
"They are merely conventional signs!
"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank"
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!"
This was charming, no doubt: but they shortly found out
That the Captain they trusted so well
Had only one notion for crossing the ocean
And that was to tingle his bell.
He was thoughtful and grave--but the orders he gave
Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
What on earth was the helmsman to do?
Then the bowsprit got mixed with the rudder sometimes:
A thing, as the Bellman remarked,
That frequently happens in tropical climes,
When a vessel is, so to speak, "snarked".
But the principal failing occurred in the sailing,
And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
That the ship would not travel due West!
But the danger was past--they had landed at last,
With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view
Which consisted of chasms and crags.
The Bellman perceived that their spirits were low,
And repeated in musical tone
Some jokes he had kept for a season of woe--
But the crew would do nothing but groan.
He served out some grog with a liberal hand,
And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
As he stood and delivered his speech.
"Friends, Romans, and countrymen, lend me your ears!"
(They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
While he served out additional rations).
"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark!
"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now!
"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.
"Let us take them in order. The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o'-the-Wisp.
"Its habit of getting up late you'll agree
That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
And dines on the following day.
"The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun.
"The fourth is its fondness for bathing-machines,
Which it constantly carries about,
And believes that they add to the beauty of scenes--
A sentiment open to doubt.
"The fifth is ambition. It next will be right
To describe each particular batch:
Distinguishing those that have feathers, and bite,
From those that have whiskers, and scratch.
"For, although common Snarks do no manner of harm,
Yet I feel it my duty to say
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.
|
Written by
Elizabeth Bishop |
For John Malcolm Brinnin and Bill Read: Duxbury
It was cold and windy, scarcely the day
to take a walk on that long beach
Everything was withdrawn as far as possible,
indrawn: the tide far out, the ocean shrunken,
seabirds in ones or twos.
The rackety, icy, offshore wind
numbed our faces on one side;
disrupted the formation
of a lone flight of Canada geese;
and blew back the low, inaudible rollers
in upright, steely mist.
The sky was darker than the water
--it was the color of mutton-fat jade.
Along the wet sand, in rubber boots, we followed
a track of big dog-prints (so big
they were more like lion-prints). Then we came on
lengths and lengths, endless, of wet white string,
looping up to the tide-line, down to the water,
over and over. Finally, they did end:
a thick white snarl, man-size, awash,
rising on every wave, a sodden ghost,
falling back, sodden, giving up the ghost...
A kite string?--But no kite.
I wanted to get as far as my proto-dream-house,
my crypto-dream-house, that crooked box
set up on pilings, shingled green,
a sort of artichoke of a house, but greener
(boiled with bicarbonate of soda?),
protected from spring tides by a palisade
of--are they railroad ties?
(Many things about this place are dubious.)
I'd like to retire there and do nothing,
or nothing much, forever, in two bare rooms:
look through binoculars, read boring books,
old, long, long books, and write down useless notes,
talk to myself, and, foggy days,
watch the droplets slipping, heavy with light.
At night, a grog a l'américaine.
I'd blaze it with a kitchen match
and lovely diaphanous blue flame
would waver, doubled in the window.
There must be a stove; there is a chimney,
askew, but braced with wires,
and electricity, possibly
--at least, at the back another wire
limply leashes the whole affair
to something off behind the dunes.
A light to read by--perfect! But--impossible.
And that day the wind was much too cold
even to get that far,
and of course the house was boarded up.
On the way back our faces froze on the other side.
The sun came out for just a minute.
For just a minute, set in their bezels of sand,
the drab, damp, scattered stones
were multi-colored,
and all those high enough threw out long shadows,
individual shadows, then pulled them in again.
They could have been teasing the lion sun,
except that now he was behind them
--a sun who'd walked the beach the last low tide,
making those big, majestic paw-prints,
who perhaps had batted a kite out of the sky to play with.
|
Written by
Andrew Barton Paterson |
It was while we held our races --
Hurdles, sprints and steplechases --
Up in Dandaloo,
That a crowd of Sydney stealers,
Jockeys, pugilists and spielers
Brought some horses, real heelers,
Came and put us through.
Beat our nags and won our money,
Made the game by np means funny,
Made us rather blue;
When the racing was concluded,
Of our hard-earned coin denuded
Dandaloonies sat and brooded
There in Dandaloo.
* * * * *
Night came down on Johnson's shanty
Where the grog was no way scanty,
And a tumult grew
Till some wild, excited person
Galloped down the township cursing,
"Sydney push have mobbed Macpherson,
Roll up, Dandaloo!"
Great St Denis! what commotion!
Like the rush of stormy ocean
Fiery horsemen flew.
Dust and smoke and din and rattle,
Down the street they spurred their cattle
To the war-cry of the battle,
"Wade in, Dandaloo!"
So the boys might have their fight out,
Johnson blew the bar-room light out,
Then, in haste, withdrew.
And in darkness and in doubting
Raged the conflict and the shouting,
"Give the Sydney push a clouting,
Go it, Dandaloo!"
Jack Macpherson seized a bucket,
Every head he saw he struck it --
Struck in earnest, too;
And a man from Lower Wattle,
Whom a shearer tried to throttle,
Hit out freely with a bottle
There in Dandaloo.
Skin and hair were flying thickly,
When a light was fetched, and quickly
Brought a fact to view --
On the scene of the diversion
Every single, solid person
Come along to help Macpherson --
All were Dandaloo!
When the list of slain was tabled --
Some were drunk and some disabled --
Still we found it true.
In the darkness and the smother
We'd been belting one another;
Jack Macpherson bashed his brother
There in Dandaloo.
So we drank, and all departed --
How the "mobbing" yarn was started
No one ever knew --
And the stockmen tell the story
Of that conflict fierce and gory,
How he fought for love and glory
Up in Dandaloo.
It's a proverb now, or near it --
At the races you can hear it,
At the dog-fights, too!
Every shrieking, dancing drover
As the canines topple over
Yells applause to Grip or Rover,
"Give him 'Dandaloo'!"
And the teamster slowly toiling
Through the deep black country, soiling
Wheels and axles, too,
Lays the whip on Spot and Banker,
Rouses Tarboy with a flanker --
"Redman! Ginger! Heave there! Yank her
Wade in, Dandaloo!"
|
Written by
Rudyard Kipling |
When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
So-oldier OF the Queen!
Now all you recruities what's drafted to-day,
You shut up your rag-box an' 'ark to my lay,
An' I'll sing you a soldier as far as I may:
A soldier what's fit for a soldier.
Fit, fit, fit for a soldier . . .
First mind you steer clear o' the grog-sellers' huts,
For they sell you Fixed Bay'nets that rots out your guts --
Ay, drink that 'ud eat the live steel from your butts --
An' it's bad for the young British soldier.
Bad, bad, bad for the soldier . . .
When the cholera comes -- as it will past a doubt --
Keep out of the wet and don't go on the shout,
For the sickness gets in as the liquor dies out,
An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier . . .
But the worst o' your foes is the sun over'ead:
You must wear your 'elmet for all that is said:
If 'e finds you uncovered 'e'll knock you down dead,
An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier . . .
If you're cast for fatigue by a sergeant unkind,
Don't grouse like a woman nor crack on nor blind;
Be handy and civil, and then you will find
That it's beer for the young British soldier.
Beer, beer, beer for the soldier . . .
Now, if you must marry, take care she is old --
A troop-sergeant's widow's the nicest I'm told,
For beauty won't help if your rations is cold,
Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier . . .
If the wife should go wrong with a comrade, be loath
To shoot when you catch 'em -- you'll swing, on my oath! --
Make 'im take 'er and keep 'er: that's Hell for them both,
An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier . . .
When first under fire an' you're wishful to duck,
Don't look nor take 'eed at the man that is struck,
Be thankful you're livin', and trust to your luck
And march to your front like a soldier.
Front, front, front like a soldier . . .
When 'arf of your bullets fly wide in the ditch,
Don't call your Martini a cross-eyed old *****;
She's human as you are -- you treat her as sich,
An' she'll fight for the young British soldier.
Fight, fight, fight for the soldier . . .
When shakin' their bustles like ladies so fine,
The guns o' the enemy wheel into line,
Shoot low at the limbers an' don't mind the shine,
For noise never startles the soldier.
Start-, start-, startles the soldier . . .
If your officer's dead and the sergeants look white,
Remember it's ruin to run from a fight:
So take open order, lie down, and sit tight,
And wait for supports like a soldier.
Wait, wait, wait like a soldier . . .
When you're wounded and left on Afghanistan's plains,
And the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains
An' go to your Gawd like a soldier.
Go, go, go like a soldier,
Go, go, go like a soldier,
Go, go, go like a soldier,
So-oldier of the Queen!
|
Written by
Andrew Barton Paterson |
This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".
The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.
"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.
There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."
Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;
In every show ring, on every course,
They always counted The Swagman best.
He was a wonder, a raking bay --
One of the grand old Snowdon strain --
One of the sort that could race and stay
With his mighty limbs and his length of rein.
Born and bred on the mountain side,
He could race through scrub like a kangaroo;
The girl herself on his back might ride,
And The Swagman would carry her safely through.
He would travel gaily from daylight's flush
Till after the stars hung out their lamps;
There was never his like in the open bush,
And never his match on the cattle-camps.
For faster horses might well be found
On racing tracks, or a plain's extent,
But few, if any, on broken ground
Could see the way that The Swagman went.
When this girl's father, old Jim Carew,
Was droving out on the Castlereagh
With Conroy's cattle, a wire came through
To say that his wife couldn't live the day.
And he was a hundred miles from home,
As flies the crow, with never a track
Through plains as pathless as ocean's foam;
He mounted straight on The Swagman's back.
He left the camp by the sundown light,
And the settlers out on the Marthaguy
Awoke and heard, in the dead of night,
A single horseman hurrying by.
He crossed the Bogan at Dandaloo,
And many a mile of the silent plain
That lonely rider behind him threw
Before they settled to sleep again.
He rode all noght, and he steered his course
By the shining stars with a bushman's skill,
And every time that he pressed his horse
The Swagman answered him gamely still.
He neared his home as the east was bright.
The doctor met him outside the town
"Carew! How far did you come last night?"
"A hundred miles since the sun went down."
And his wife got round, and an oath he passed,
So long as he or one of his breed
Could raise a coin, though it took their last,
The Swagman never should want a feed.
And Kate Carew, when her father died,
She kept the horse and she kept him well;
The pride of the district far and wide,
He lived in style at the bush hotel.
Such wasThe Swagman; and Ryan knew
Nothing about could pace the crack;
Little he'd care for the man in blue
If once he got on The Swagman's back.
But how to do it? A word let fall
Gave him the hint as the girl passed by;
Nothing but "Swagman -- stable wall;
Go to the stable and mind your eye."
He caught her meaning, and quickly turned
To the trooper: "Reckon you'll gain a stripe
By arresting me, and it's easily earned;
Let's go to the stable and get my pipe,
The Swagman has it." So off they went,
And as soon as ever they turned their backs
The girl slipped down, on some errand bent
Behind the stable and seized an axe.
The trooper stood at the stable door
While Ryan went in quite cool and slow,
And then (the trick had been played before)
The girl outside gave the wall a blow.
Three slabs fell out of the stable wall --
'Twas done 'fore ever the trooper knew --
And Ryan, as soon as he saw them fall,
Mounted The Swagman and rushed him through.
The trooper heard the hoof-beats ring
In the stable yard, and he jammed the gate,
But The Swagman rose with a mighty spring
At the fence, and the trooper fired too late
As they raced away, and his shots flew wide,
And Ryan no longer need care a rap,
For never a horse that was lapped in hide
Could catch The Swagman in Conroy's Gap.
And that's the story. You want to know
If Ryan came back to his Kate Carew;
Of course he should have, as stories go,
But the worst of it is this story's true:
And in real life it's a certain rule,
Whatever poets and authors say
Of high-toned robbers and all their school,
These horsethief fellows aren't built that way.
Come back! Don't hope it -- the slinking hound,
He sloped across to the Queensland side,
And sold The Swagman for fifty pound,
And stole the money, and more beside.
And took to drink, and by some good chance
Was killed -- thrown out of a stolen trap.
And that was the end of this small romance,
The end of the story of Conroy's Gap.
|
Written by
Robert William Service |
Day after day behold me plying
My pen within an office drear;
The dullest dog, till homeward hieing,
Then lo! I reign a king of cheer.
A throne have I of padded leather,
A little court of kiddies three,
A wife who smiles whate'er the weather,
A feast of muffins, jam and tea.
The table cleared, a romping battle,
A fairy tale, a "Children, bed,"
A kiss, a hug, a hush of prattle
(God save each little drowsy head!)
A cozy chat with wife a-sewing,
A silver lining clouds that low'r,
Then she too goes, and with her going,
I come again into my Hour.
I poke the fire, I snugly settle,
My pipe I prime with proper care;
The water's purring in the kettle,
Rum, lemon, sugar, all are there.
And now the honest grog is steaming,
And now the trusty briar's aglow:
Alas! in smoking, drinking, dreaming,
How sadly swift the moments go!
Oh, golden hour! 'twixt love and duty,
All others I to others give;
But you are mine to yield to Beauty,
To glean Romance, to greatly live.
For in my easy-chair reclining . . .
I feel the sting of ocean spray;
And yonder wondrously are shining
The Magic Isles of Far Away.
Beyond the comber's crashing thunder
Strange beaches flash into my ken;
On jetties heaped head-high with plunder
I dance and dice with sailor-men.
Strange stars swarm down to burn above me,
Strange shadows haunt, strange voices greet;
Strange women lure and laugh and love me,
And fling their bastards at my feet.
Oh, I would wish the wide world over,
In ports of passion and unrest,
To drink and drain, a tarry rover
With dragons tattooed on my chest,
With haunted eyes that hold red glories
Of foaming seas and crashing shores,
With lips that tell the strangest stories
Of sunken ships and gold moidores;
Till sick of storm and strife and slaughter,
Some ghostly night when hides the moon,
I slip into the milk-warm water
And softly swim the stale lagoon.
Then through some jungle python-haunted,
Or plumed morass, or woodland wild,
I win my way with heart undaunted,
And all the wonder of a child.
The pathless plains shall swoon around me,
The forests frown, the floods appall;
The mountains tiptoe to confound me,
The rivers roar to speed my fall.
Wild dooms shall daunt, and dawns be gory,
And Death shall sit beside my knee;
Till after terror, torment, glory,
I win again the sea, the sea. . . .
Oh, anguish sweet! Oh, triumph splendid!
Oh, dreams adieu! my pipe is dead.
My glass is dry, my Hour is ended,
It's time indeed I stole to bed.
How peacefully the house is sleeping!
Ah! why should I strange fortunes plan?
To guard the dear ones in my keeping --
That's task enough for any man.
So through dim seas I'll ne'er go spoiling;
The red Tortugas never roam;
Please God! I'll keep the pot a-boiling,
And make at least a happy home.
My children's path shall gleam with roses,
Their grace abound, their joy increase.
And so my Hour divinely closes
With tender thoughts of praise and peace.
|
Written by
Robert William Service |
I'm sitting by the fire tonight,
The cat purrs on the rug;
The room's abrim with rosy light,
Suavely soft and snug;
And safe and warm from dark and storm
It's cosiness I hug.
Then petulant the window pane
Quakes in the tempest moan,
And cries: "Forlornly in the rain
There starkly streams a stone,
Where one so dear who shared your cheer
Now lies alone, alone.
Go forth! Go forth into the gale
And pass and hour in prayer;
This night of sorrow do not fail
The one you deemed so fair,
The girl below the bitter snow
Who died your child to bear."
So wails the wind, yet here I sit
Beside the ember's glow;
My grog is hot, my pipe is lit,
And loth am I to go
To her who died a ten-month bride,
Only a year ago.
To-day we weep: each morrow is
A littling of regret;
The saddest part of sorrow is
That we in time forget . . .
Christ! Let me go to graveyard woe,--
Yea, I will sorrow yet.
|
Written by
Edgar Lee Masters |
How did you feel, you libertarians,
Who spent your talents rallying noble reasons
Around the saloon, as if Liberty
Was not to be found anywhere except at the bar
Or at a table, guzzling?
How did you feel, Ben Pantier, and the rest of you,
Who almost stoned me for a tyrant,
Garbed as a moralist,
And as a wry-faced ascetic frowning upon Yorkshire pudding,
Roast beef and ale and good will and rosy cheer --
Things you never saw in a grog-shop in your life?
How did you feel after I was dead and gone,
And your goddess, Liberty, unmasked as a strumpet,
Selling out the streets of Spoon River
To the insolent giants
Who manned the saloons from afar?
Did it occur to you that personal liberty
Is liberty of the mind,
Rather than of the belly?
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Written by
Henry Lawson |
Oh, never let on to your own true love
That ever you drank a drop;
That ever you played in a two-up school
Or slept in a sly-grog shop;
That ever a bad girl nursed you round –
That ever you sank so low.
But she pulled you through, and it's only you
And your old mate Harry know.
"Billy the Link" they called you then,
And it makes me sad to think
Of the strenuous days when it took three cops
And a pimp to couple the Link.
"Mister Linkhurst" they call you now,
And your kitchen garden grows;
And no one knows in your family,
But your Uncle Harry knows.
Oh, never let on to your fair young bride
How a "straight" girl stabbed your heart
With a devilish wire to the Western side
Where we were a world apart.
With pick and shovel you fought it out
Where the red sirocco blows;
And no one knew in the gang save you –
But your old mate Harry knows.
Oh, never let on to your own good wife,
For a tender heart has she,
Of the girl that loved and the girl that lies
In the graveyard there by the sea!
'Twas not for his "manners" she loved the cad,
'Twas not for his verse or prose,
But the pity she felt for the country lad –
And your Uncle Harry knows.
The bad girl went where the bad girls go
And I see her dark eyes yet;
The good girl left me her broken heart,
But I trow that their souls have met.
The cry of the heart we send not forth
On every wind that blows;
You are hiding a sorrow from someone now –
But your Uncle Harry knows.
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