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Best Famous Griffin Poems

Here is a collection of the all-time best famous Griffin poems. This is a select list of the best famous Griffin poetry. Reading, writing, and enjoying famous Griffin poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of griffin poems.

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Written by John Matthew | Create an image from this poem

The Bombay Train Song

 He hangs on dangling handholds
As the train sways and careens
Endless nondescript buildings unfold
Their secrets as the tired warrior returns.
The day is over the night falls Thickly through the barricaded windows The man’s sleepy head lolls On his shoulder in a dream disturbed.
The days are a hard white collar brawl The sleepless night stretches ahead There’s no space for a fly to crawl The morning paper is still unread.
You who sleep standing Don’t drool on his shirt It will cost him a lot of spending If you pour on him all your dirt.
Plastic bags, umbrellas, Tiffin The rack is full and the seats overflow What is that smell Peter Griffin? Is it the Sewri sewers overflowing? Beware of pickers of pockets Who surround and slash with knife Careful of your arm’s sockets Lest they dislocate and misery make life.
Welcome to Bombay’s bustling trains Hold on fast as if you are insane!


Written by William Topaz McGonagall | Create an image from this poem

The Queens Jubilee Celebrations

 'Twas in the year of 1897, and on the 22nd of June,
Her Majesty's Diamond Jubilee in London caused a great boom;
Because high and low came from afar to see,
The grand celebrations at Her Majesty's Diamond Jubilee.
People were there from almost every foreign land, Which made the scene really imposing and grand; Especially the Queen's carriage, drawn by eight coloured bays, And when the spectators saw it joyous shouts they did raise.
Oh! if was a most gorgeous sight to be seen, Numerous foreign magnatss were there for to see the queen; And to the vast multitude there of women and men, Her Majesty for two hours showed herself to them.
The head of the procession looked very grand - A party of the Horse Guards with their gold-belaced band; Which also headed the procession of the Colonial States, While slowly they rode on until opposite the Palace gates.
Then the sound of the National Anthem was heard quite clear, And the sound the hearts of the mighty crowd it did cheer; As they heard the loyal hymning on the morning air, The scene was most beautiful and surpassing fair.
On the house tops thousands of people were to be seen, All in eager expectation of seeing the queen; And all of them seemed to be happy and gay, Which enhanced the scene during the day.
And when Field Marshal Roberts in the procession passed by, The cheers from thousands of people arose very high; And to see him on his war horse was inspiring to see, Because he rode his charger most splendidly.
The Natal mounted troops were loudly cheered, they looked so grand, And also the London Irish Emerald Isle Band; Oh if was a most magnificent sight to see.
The Malta Militia and Artillery, And the Trinidad Artillery, and also bodies of infantry, And, as the crowd gazed thereon, it filled their hearts with glee.
Her Majesty looked well considering her years, And from the vast crowd burst forth joyous cheers; And Her Majesty bowed to the shouts of acclamation, And smiled upon the crowd with a loving look of admiration.
His Excellency Chan Yin Hun in his carriage wan a great attraction, And his Oriental garb seemed to give the people great satisfaction; While the two little Battenberg's carriage, as it drove along, Received from the people cheering loud and long.
And when the Dragoon Guards and the Huasars filed past at the walk, Then loudly in their praise the people did talk; And the cavalry took forty minutes to trot past, While the spectators in silent wonder stood aghast.
Her Majesty the Empress Frederick a great sensation made, She was one of the chief attractions in the whole cavalcade; And in her carriage was the Princess Louise, the Marchioness of Lorne, In a beautiful white dress, which did per person adorn.
The scene in Piccadilly caused a great sensation, The grand decorations there were the theme of admiration; And the people in St.
James Street were taken by surprise, Because the lovely decorations dazzled their eyes The 42nd Highlanders looked very fine, When they appeared and took up a position on the line; And the magnificent decorations in the Strand, As far east as the Griffin wets attractive and grand.
And the grandstand from Buckingham Palace to Temple Bar, Was crowded with eager eyes from afar, Looking on the floral decorations and flags unfurled, Which has been the grandest spectacle ever seen in the world.
The corner building of St.
James Street side was lovely to view, Ornamented with pink and white bunting and a screen of blue; And to the eye, the inscription thereon most beautiful seems: "Thou art alone the Queen of earthly Queens.
" The welcome given to Commander-in-Chief Lord Wolseley was very flattering, The people cheered him until the streets did ring; And the foreign princes were watched with rivetted admiration, And caused among the sight-seers great consternation, And private householders seemed to vie with each other, In the lavishness of their decorations, and considered it no bother; And never before in the memory of man, Has there been a national celebration so grand.
And in conclusion, I most earnestly do pray, May God protect Her Majesty for many a day; My blessing on her noble form and on her lofty head, And may she wear a crown of glory hereafter when dead.
Written by Michael Ondaatje | Create an image from this poem

Bearhug

 Griffin calls to come and kiss him goodnight
I yell ok.
Finish something I'm doing, then something else, walk slowly round the corner to my son's room.
He is standing arms outstretched waiting for a bearhug.
Grinning.
Why do I give my emotion an animal's name, give it that dark squeeze of death? This is the hug which collects all his small bones and his warm neck against me.
The thin tough body under the pyjamas locks to me like a magnet of blood.
How long was he standing there like that, before I came?
Written by Alfred Lord Tennyson | Create an image from this poem

Audley Court

 ‘The Bull, the Fleece are cramm’d, and not a room
For love or money.
Let us picnic there At Audley Court.
’ I spoke, while Audley feast Humm’d like a hive all round the narrow quay, To Francis, with a basket on his arm, To Francis just alighted from the boat, And breathing of the sea.
‘With all my heart,’ Said Francis.
Then we shoulder’d thro’ the swarm, And rounded by the stillness of the beach To where the bay runs up its latest horn.
We left the dying ebb that faintly lipp’d The flat red granite; so by many a sweep Of meadow smooth from aftermath we reach’d The griffin-guarded gates, and pass’d thro’ all The pillar’d dusk of sounding sycamores, And cross’d the garden to the gardener’s lodge, With all its casements bedded, and its walls And chimneys muffled in the leafy vine.
There, on a slope of orchard, Francis laid A damask napkin wrought with horse and hound, Brought out a dusky loaf that smelt of home, And, half-cut-down, a pasty costly-made, Where quail and pigeon, lark and leveret lay, Like fossils of the rock, with golden yolks Imbedded and injellied; last, with these, A flask of cider from his father’s vats, Prime, which I knew; and so we sat and eat And talk’d old matters over; who was dead, Who married, who was like to be, and how The races went, and who would rent the hall: Then touch’d upon the game, how scarce it was This season; glancing thence, discuss’d the farm, The four-field system, and the price of grain; And struck upon the corn-laws, where we split, And came again together on the king With heated faces; till he laugh’d aloud; And, while the blackbird on the pippin hung To hear him, clapt his hand in mine and sang– ‘Oh! who would fight and march and countermarch, Be shot for sixpence in a battle-field, And shovell’d up into some bloody trench Where no one knows? but let me live my life.
‘Oh! who would cast and balance at a desk, Perch’d like a crow upon a three-legg’d stool, Till all his juice is dried, and all his joints Are full of chalk? but let me live my life.
‘Who’d serve the state? for if I carved my name Upon the cliffs that guard my native land, I might as well have traced it in the sands; The sea wastes all: but let me live my life.
‘Oh! who would love? I woo’d a woman once, But she was sharper than an eastern wind, And all my heart turn’d from her, as a thorn Turns from the sea; but let me live my life.
’ He sang his song, and I replied with mine: I found it in a volume, all of songs, Knock’d down to me, when old Sir Robert’s pride, His books–the more the pity, so I said– Came to the hammer here in March–and this– I set the words, and added names I knew.
‘Sleep, Ellen Aubrey, sleep, and dream of me: Sleep, Ellen, folded in thy sister’s arm, And sleeping, haply dream her arm is mine.
‘Sleep, Ellen, folded in Emilia’s arm; Emilia, fairer than all else but thou, For thou art fairer than all else that is.
‘Sleep, breathing health and peace upon her breast: Sleep, breathing love and trust against her lip: I go to-night: I come to-morrow morn.
‘I go, but I return: I would I were The pilot of the darkness and the dream.
Sleep, Ellen Aubrey, love, and dream of me.
’ So sang we each to either, Francis Hale, The farmer’s son, who lived across the bay, My friend; and I, that having wherewithal, And in the fallow leisure of my life A rolling stone of here and everywhere, Did what I would; but ere the night we rose And saunter’d home beneath a moon, that, just In crescent, dimly rain’d about the leaf Twilights of airy silver, till we reach’d The limit of the hills; and as we sank From rock to rock upon the glooming quay, The town was hush’d beneath us: lower down The bay was oily calm; the harbour-buoy, Sole star of phosphorescence in the calm, With one green sparkle ever and anon Dipt by itself, and we were glad at heart.
Written by Stanley Kunitz | Create an image from this poem

The Dark and the Fair

 A roaring company that festive night;
The beast of dialectic dragged his chains,
Prowling from chair to chair is the smoking light,
While the snow hissed against the windowpanes.
Our politics, our science, and our faith Were whiskey on the tongue; I, being rent By the fierce divisions of our time, cried death And death again, and my own dying meant.
Out of her secret life, the griffin-land Where ivory empires build their stage she came, Putting in mine her small impulsive hand, Five-fingered gift, and the palm not tame.
The moment clanged: beauty and terror danced Tot he wild vibration of a sister-bell, Whose unremitting stroke discountenanced The marvel that the mirrors blazed to tell.
A darker image took this fairer form Who once, in the purgatory of my pride, When innocence betrayed me in a room Of mocking elders, swept handsome to my side, Until we rose together, arm in arm, And fled together back into the world.
What brought her now, in the semblance of the warm, Out of cold spaces, damned by colder blood? That furied woman did me grievous wrong, But does it matter much, given our years? We learn, as the thread plays out, that we belong Less to what flatters us than to what scars; So, freshly turning, as the turn condones, For her I killed the propitiatory bird, Kissing her down.
Peace to her bitter bones, Who taught me the serpent's word, but yet the word.


Written by Sylvia Plath | Create an image from this poem

The Other Two

 All summer we moved in a villa brimful of echos,
Cool as the pearled interior of a conch.
Bells, hooves, of the high-stipping black goats woke us.
Around our bed the baronial furniture Foundered through levels of light seagreen and strange.
Not one leaf wrinkled in the clearing air.
We dreamed how we were perfect, and we were.
Against bare, whitewashed walls, the furniture Anchored itself, griffin-legged and darkly grained.
Two of us in a place meant for ten more- Our footsteps multiplied in the shadowy chambers, Our voices fathomed a profounder sound: The walnut banquet table, the twelve chairs Mirrored the intricate gestures of two others.
Heavy as a statuary, shapes not ours Performed a dumbshow in the polished wood, That cabinet without windows or doors: He lifts an arm to bring her close, but she Shies from his touch: his is an iron mood.
Seeing her freeze, he turns his face away.
They poise and grieve as in some old tragedy.
Moon-blanched and implacable, he and she Would not be eased, released.
Our each example Of temderness dove through their purgatory Like a planet, a stone, swallowed in a great darkness, Leaving no sparky track, setting up no ripple.
Nightly we left them in their desert place.
Lights out, they dogged us, sleepless and envious: We dreamed their arguments, their stricken voices.
We might embrace, but those two never did, Come, so unlike us, to a stiff impasse, Burdened in such a way we seemed the lighter- Ourselves the haunters, and they, flesh and blood; As if, above love's ruinage, we were The heaven those two dreamed of, in despair.
Written by Vachel Lindsay | Create an image from this poem

Yet Gentle Will the Griffin Be

 (What Grandpa told the Children)


The moon? It is a griffin's egg,
Hatching to-morrow night.
And how the little boys will watch With shouting and delight To see him break the shell and stretch And creep across the sky.
The boys will laugh.
The little girls, I fear, may hide and cry.
Yet gentle will the griffin be, Most decorous and fat, And walk up to the milky way And lap it like a cat.

Book: Reflection on the Important Things