Written by
Jack Prelutsky |
I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
there are flavors in my freezer
you have never seen before,
twenty-eight divine creations
too delicious to resist,
why not do yourself a favor,
try the flavors on my list:
COCOA MOCHA MACARONI
TAPIOCA SMOKED BALONEY
CHECKERBERRY CHEDDAR CHEW
CHICKEN CHERRY HONEYDEW
TUTTI-FRUTTI STEWED TOMATO
TUNA TACO BAKED POTATO
LOBSTER LITCHI LIMA BEAN
MOZZARELLA MANGOSTEEN
ALMOND HAM MERINGUE SALAMI
YAM ANCHOVY PRUNE PASTRAMI
SASSAFRAS SOUVLAKI HASH
SUKIYAKI SUCCOTASH
BUTTER BRICKLE PEPPER PICKLE
POMEGRANATE PUMPERNICKEL
PEACH PIMENTO PIZZA PLUM
PEANUT PUMPKIN BUBBLEGUM
BROCCOLI BANANA BLUSTER
CHOCOLATE CHOP SUEY CLUSTER
AVOCADO BRUSSELS SPROUT
PERIWINKLE SAUERKRAUT
COTTON CANDY CARROT CUSTARD
CAULIFLOWER COLA MUSTARD
ONION DUMPLING DOUBLE DIP
TURNIP TRUFFLE TRIPLE FLIP
GARLIC GUMBO GRAVY GUAVA
LENTIL LEMON LIVER LAVA
ORANGE OLIVE BAGEL BEET
WATERMELON WAFFLE WHEAT
I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
taste a flavor from my freezer,
you will surely ask for more.
|
Written by
Tony Hoagland |
They have little tractors in their blood
and all day the tractors climb up and down
inside their arms and legs, their
collarbones and heads.
That is why they yell and scream and slam the barbells
down into their clanking slots,
making the metal ring like sledgehammers on iron,
like dungeon prisoners rattling their chains.
That is why they shriek their tires at the stopsign,
why they turn the base up on the stereo
until it shakes the traffic light, until it
dryhumps the eardrum of the crossing guard.
Testosterone is a drug,
and they say No, No, No until
they are overwhelmed and punch
their buddy in the face for joy,
or make a joke about gravy and bottomless holes
to a middle-aged waitress who is gently
setting down the plate in front of them.
If they are grotesque, if
what they say and do is often nothing more
than a kind of psychopathic fart,
it is only because of the tractors,
the tractors in their blood,
revving their engines, chewing up the turf
inside their arteries and veins
It is the testosterone tractor
constantly climbing the mudhill of the world
and dragging the young man behind it
by a chain around his leg.
In the stink and the noise, in the clouds
of filthy exhaust
is where they live. It is the tractors
that make them
what they are. While they make being a man
look like a disease.
|
Written by
Charles Bukowski |
I cut the middle fingernail of the middle
finger
right hand
real short
and I began rubbing along her ****
as she sat upright in bed
spreading lotion over her arms
face
and breasts
after bathing.
then she lit a cigarette:
"don't let this put you off,"
an smoked and continued to rub
the lotion on.
I continued to rub the ****.
"You want an apple?" I asked.
"sure, she said, "you got one?"
but I got to her-
she began to twist
then she rolled on her side,
she was getting wet and open
like a flower in the rain.
then she rolled on her stomach
and her most beautiful ass
looked up at me
and I reached under and got the
**** again.
she reached around and got my
cock, she rolled and twisted,
I mounted
my face falling into the mass
of red hair that overflowed
from her head
and my flattened cock entered
into the miracle.
later we joked about the lotion
and the cigarette and the apple.
then I went out and got some chicken
and shrimp and french fries and buns
and mashed potatoes and gravy and
cole slaw,and we ate.she told me
how good she felt and I told her
how good I felt and we
ate the chicken and the shrimp and the
french fries and the buns and the
mashed potatoes and the gravy and
the cole slaw too.
|
Written by
James Lee Jobe |
for C. G. Macdonald, 1956-2006
Charlie, sunrise is a three-legged mongrel dog,
going deaf, already blind in one eye,
answering to the unlikely name, 'Lucky.'
The sky, at gray-blue dawn, is a football field painted
by smiling artists. Each artist has 3 arms, 3 hands, 3 legs.
One leg drags behind, leaving a trail, leaving a mark.
The future resembles a cloudy dream
where the ghosts of all your life
try to tell you something, but what?
Noon is a plate of mashed potatoes and gravy.
Midnight is an ugly chipped plate
that you only use when you are alone.
Sunset is a wise cat who ignores you
even when you are offering food; her conception
of what life is, or isn't, far exceeds our own.
This moment is a desert at midnight,
the hunting moon is full, and owls
fly through a cloudless sky.
The past is a winding, green river valley
deep between pine covered ridges;
what can you make of that?
Night is a secret plant growing inky black against the sky.
When this plant's life is over, then day returns
like a drunken husband who stayed out until breakfast.
A smile is a quick glimpse at the pretty face of hope.
Hope's face is framed by the beautiful night sky.
Hope's face is framed by the gray-blue dawn.
This is your life, these seconds and years
are the music for your only dance. Charlie,
This is the eternity that you get to know.
|
Written by
Carl Sandburg |
RUM tiddy um,
tiddy um,
tiddy um tum tum.
My knees are loose-like, my feet want to sling their selves.
I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road?
When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little:
Say, why do I feel so gabby?
Why do I want to holler all over the place?. . .
Do you remember I held empty hands to you
and I said all is yours
the handfuls of nothing?. . .
I ask you for white blossoms.
I bring a concertina after sunset under the apple trees.
I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.”
The orchard here is near and home-like.
The oats in the valley run a mile.
Between are the green and marching potato vines.
The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse … me…”. . .
Old foundations of rotten wood.
An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
So a pickax digs a long tooth with a short memory.
Fire can not eat this rubbish till it has lain in the sun.. . .
The story lags.
The story has no connections.
The story is nothing but a lot of banjo plinka planka plunks.
The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes.. . .
In Burlington long ago
And later again in Ashtabula
I said to myself:
I wonder how far Ophelia went with Hamlet.
What else was there Shakespeare never told?
There must have been something.
If I go bugs I want to do it like Ophelia.
There was class to the way she went out of her head.. . .
Does a famous poet eat watermelon?
Excuse me, ask me something easy.
I have seen farmhands with their faces in fried catfish on a Monday morning.
And the Japanese, two-legged like us,
The Japanese bring slices of watermelon into pictures.
The black seeds make oval polka dots on the pink meat.
Why do I always think of niggers and buck-and-wing dancing whenever I see watermelon?
Summer mornings on the docks I walk among bushel peach baskets piled ten feet high.
Summer mornings I smell new wood and the river wind along with peaches.
I listen to the steamboat whistle hong-honging, hong-honging across the town.
And once I saw a teameo straddling a street with a hayrack load of melons.. . .
Niggers play banjos because they want to.
The explanation is easy.
It is the same as why people pay fifty cents for tickets to a policemen’s masquerade ball or a grocers-and-butchers’ picnic with a fat man’s foot race.
It is the same as why boys buy a nickel’s worth of peanuts and eat them and then buy another nickel’s worth.
Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved.
The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory.
It is the same as why boys go running lickety-split
away from a school-room geography lesson
in April when the crawfishes come out
and the young frogs are calling
and the pussywillows and the cat-tails
know something about geography themselves.. . .
I ask you for white blossoms.
I offer you memories and people.
I offer you a fire zigzag over the green and marching vines.
I bring a concertina after supper under the home-like apple trees.
I make up songs about things to look at:
potato blossoms in summer night mist filling the garden with white spots;
a cavalryman’s yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart.
Bring a concertina after sunset under the apple trees.
Let romance stutter to the western stars, “Excuse … me…”
|
Written by
Anne Sexton |
You, Doctor Martin, walk
from breakfast to madness. Late August,
I speed through the antiseptic tunnel
where the moving dead still talk
of pushing their bones against the thrust
of cure. And I am queen of this summer hotel
or the laughing bee on a stalk
of death. We stand in broken
lines and wait while they unlock
the doors and count us at the frozen gates
of dinner. The shibboleth is spoken
and we move to gravy in our smock
of smiles. We chew in rows, our plates
scratch and whine like chalk
in school. There are no knives
for cutting your throat. I make
moccasins all morning. At first my hands
kept empty, unraveled for the lives
they used to work. Now I learn to take
them back, each angry finger that demands
I mend what another will break
tomorrow. Of course, I love you;
you lean above the plastic sky,
god of our block, prince of all the foxes.
The breaking crowns are new
that Jack wore.
Your third eye
moves among us and lights the separate boxes
where we sleep or cry.
What large children we are
here. All over I grow most tall
in the best ward. Your business is people,
you call at the madhouse, an oracular
eye in our nest. Out in the hall
the intercom pages you. You twist in the pull
of the foxy children who fall
like floods of life in frost.
And we are magic talking to itself,
noisy and alone. I am queen of all my sins
forgotten. Am I still lost?
Once I was beautiful. Now I am myself,
counting this row and that row of moccasins
waiting on the silent shelf.
|
Written by
Lewis Carroll |
ONE winter night, at half-past nine,
Cold, tired, and cross, and muddy,
I had come home, too late to dine,
And supper, with cigars and wine,
Was waiting in the study.
There was a strangeness in the room,
And Something white and wavy
Was standing near me in the gloom -
I took it for the carpet-broom
Left by that careless slavey.
But presently the Thing began
To shiver and to sneeze:
On which I said "Come, come, my man!
That's a most inconsiderate plan.
Less noise there, if you please!"
"I've caught a cold," the Thing replies,
"Out there upon the landing."
I turned to look in some surprise,
And there, before my very eyes,
A little Ghost was standing!
He trembled when he caught my eye,
And got behind a chair.
"How came you here," I said, "and why?
I never saw a thing so shy.
Come out! Don't shiver there!"
He said "I'd gladly tell you how,
And also tell you why;
But" (here he gave a little bow)
"You're in so bad a temper now,
You'd think it all a lie.
"And as to being in a fright,
Allow me to remark
That Ghosts have just as good a right
In every way, to fear the light,
As Men to fear the dark."
"No plea," said I, "can well excuse
Such cowardice in you:
For Ghosts can visit when they choose,
Whereas we Humans ca'n't refuse
To grant the interview."
He said "A flutter of alarm
Is not unnatural, is it?
I really feared you meant some harm:
But, now I see that you are calm,
Let me explain my visit.
"Houses are classed, I beg to state,
According to the number
Of Ghosts that they accommodate:
(The Tenant merely counts as WEIGHT,
With Coals and other lumber).
"This is a 'one-ghost' house, and you
When you arrived last summer,
May have remarked a Spectre who
Was doing all that Ghosts can do
To welcome the new-comer.
"In Villas this is always done -
However cheaply rented:
For, though of course there's less of fun
When there is only room for one,
Ghosts have to be contented.
"That Spectre left you on the Third -
Since then you've not been haunted:
For, as he never sent us word,
'Twas quite by accident we heard
That any one was wanted.
"A Spectre has first choice, by right,
In filling up a vacancy;
Then Phantom, Goblin, Elf, and Sprite -
If all these fail them, they invite
The nicest Ghoul that they can see.
"The Spectres said the place was low,
And that you kept bad wine:
So, as a Phantom had to go,
And I was first, of course, you know,
I couldn't well decline."
"No doubt," said I, "they settled who
Was fittest to be sent
Yet still to choose a brat like you,
To haunt a man of forty-two,
Was no great compliment!"
"I'm not so young, Sir," he replied,
"As you might think. The fact is,
In caverns by the water-side,
And other places that I've tried,
I've had a lot of practice:
"But I have never taken yet
A strict domestic part,
And in my flurry I forget
The Five Good Rules of Etiquette
We have to know by heart."
My sympathies were warming fast
Towards the little fellow:
He was so utterly aghast
At having found a Man at last,
And looked so scared and yellow.
"At least," I said, "I'm glad to find
A Ghost is not a DUMB thing!
But pray sit down: you'll feel inclined
(If, like myself, you have not dined)
To take a snack of something:
"Though, certainly, you don't appear
A thing to offer FOOD to!
And then I shall be glad to hear -
If you will say them loud and clear -
The Rules that you allude to."
"Thanks! You shall hear them by and by.
This IS a piece of luck!"
"What may I offer you?" said I.
"Well, since you ARE so kind, I'll try
A little bit of duck.
"ONE slice! And may I ask you for
Another drop of gravy?"
I sat and looked at him in awe,
For certainly I never saw
A thing so white and wavy.
And still he seemed to grow more white,
More vapoury, and wavier -
Seen in the dim and flickering light,
As he proceeded to recite
His "Maxims of Behaviour."
|
Written by
Barry Tebb |
Eggshell and Wedgwood Blue were just two
Of the range on the colour cards Dulux
Tailored to our taste in the fifties,
Brentford nylons, Formica table tops and
Fablon shelf-covering in original oak or
Spruce under neon tubes and Dayglo shades.
Wartime brown and green went out, along with
The Yorkist Range, the wire-mesh food safe
In the cellar, the scrubbed board bath lid
And marbled glass bowl over the light bulb
With its hidden hoard of dead flies and
Rusting three-tier chain.
We moved to the new estate, Airey semis
With their pebble-dash prefabricated slats,
Built-in kitchen units and made-to-measure gardens.
Every Saturday I went back to the streets,
Dinner at Auntie Nellie’s, Yorkies, mash and gravy,
Then the matinee at the Princess with Margaret,
The queen of my ten-year old heart.
Everybody was on the move, half the neighbours
To the new estates or death, newcomers with
Rough tongues from over the bridge slum clearance.
A drive-in Readymix cement works bruised the Hollows,
Ellerby Lane School closed, St. Hilda’s bulldozed.
The trams stopped for good after the Coronation Special
In purple and gold toured the city's tracks and
The red-white and blue on the cake at the street party
Crumbled to dust and the river-bank rats fed on it
Like Miss Haversham’s wedding feast all over again.
The cobbled hill past the Mansions led nowhere,
The buses ran empty, then the route closed.
I returned again and again in friends’ cars,
Now alone, on foot, again and again.
|
Written by
Anne Sexton |
Earth, earth,
riding your merry-go-round
toward extinction,
right to the roots,
thickening the oceans like gravy,
festering in your caves,
you are becoming a latrine.
Your trees are twisted chairs.
Your flowers moan at their mirrors,
and cry for a sun that doesn't wear a mask.
Your clouds wear white,
trying to become nuns
and say novenas to the sky.
The sky is yellow with its jaundice,
and its veins spill into the rivers
where the fish kneel down
to swallow hair and goat's eyes.
All in all, I'd say,
the world is strangling.
And I, in my bed each night,
listen to my twenty shoes
converse about it.
And the moon,
under its dark hood,
falls out of the sky each night,
with its hungry red mouth
to suck at my scars.
|
Written by
Charles Bukowski |
I pick up the skirt,
I pick up the sparkling beads
in black,
this thing that moved once
around flesh,
and I call God a liar,
I say anything that moved
like that
or knew
my name
could never die
in the common verity of dying,
and I pick
up her lovely
dress,
all her loveliness gone,
and I speak to all the gods,
Jewish gods, Christ-gods,
chips of blinking things,
idols, pills, bread,
fathoms, risks,
knowledgeable surrender,
rats in the gravy of 2 gone quite mad
without a chance,
hummingbird knowledge, hummingbird chance,
I lean upon this,
I lean on all of this
and I know:
her dress upon my arm:
but
they will not
give her back to me.
|