Written by
Sidney Lanier |
At midnight, death's and truth's unlocking time,
When far within the spirit's hearing rolls
The great soft rumble of the course of things --
A bulk of silence in a mask of sound, --
When darkness clears our vision that by day
Is sun-blind, and the soul's a ravening owl
For truth and flitteth here and there about
Low-lying woody tracts of time and oft
Is minded for to sit upon a bough,
Dry-dead and sharp, of some long-stricken tree
And muse in that gaunt place, -- 'twas then my heart,
Deep in the meditative dark, cried out:
"Ye companies of governor-spirits grave,
Bards, and old bringers-down of flaming news
From steep-wall'd heavens, holy malcontents,
Sweet seers, and stellar visionaries, all
That brood about the skies of poesy,
Full bright ye shine, insuperable stars;
Yet, if a man look hard upon you, none
With total lustre blazeth, no, not one
But hath some heinous freckle of the flesh
Upon his shining cheek, not one but winks
His ray, opaqued with intermittent mist
Of defect; yea, you masters all must ask
Some sweet forgiveness, which we leap to give,
We lovers of you, heavenly-glad to meet
Your largesse so with love, and interplight
Your geniuses with our mortalities.
Thus unto thee, O sweetest Shakespeare sole,
A hundred hurts a day I do forgive
('Tis little, but, enchantment! 'tis for thee):
Small curious quibble; Juliet's prurient pun
In the poor, pale face of Romeo's fancied death;
Cold rant of Richard; Henry's fustian roar
Which frights away that sleep he invocates;
Wronged Valentine's unnatural haste to yield;
Too-silly shifts of maids that mask as men
In faint disguises that could ne'er disguise --
Viola, Julia, Portia, Rosalind;
Fatigues most drear, and needless overtax
Of speech obscure that had as lief be plain;
Last I forgive (with more delight, because
'Tis more to do) the labored-lewd discourse
That e'en thy young invention's youngest heir
Besmirched the world with.
Father Homer, thee,
Thee also I forgive thy sandy wastes
Of prose and catalogue, thy drear harangues
That tease the patience of the centuries,
Thy sleazy scrap of story, -- but a rogue's
Rape of a light-o'-love, -- too soiled a patch
To broider with the gods.
Thee, Socrates,
Thou dear and very strong one, I forgive
Thy year-worn cloak, thine iron stringencies
That were but dandy upside-down, thy words
Of truth that, mildlier spoke, had mainlier wrought.
So, Buddha, beautiful! I pardon thee
That all the All thou hadst for needy man
Was Nothing, and thy Best of being was
But not to be.
Worn Dante, I forgive
The implacable hates that in thy horrid hells
Or burn or freeze thy fellows, never loosed
By death, nor time, nor love.
And I forgive
Thee, Milton, those thy comic-dreadful wars
Where, armed with gross and inconclusive steel,
Immortals smite immortals mortalwise
And fill all heaven with folly.
Also thee,
Brave Aeschylus, thee I forgive, for that
Thine eye, by bare bright justice basilisked,
Turned not, nor ever learned to look where Love
Stands shining.
So, unto thee, Lucretius mine
(For oh, what heart hath loved thee like to this
That's now complaining?), freely I forgive
Thy logic poor, thine error rich, thine earth
Whose graves eat souls and all.
Yea, all you hearts
Of beauty, and sweet righteous lovers large:
Aurelius fine, oft superfine; mild Saint
A Kempis, overmild; Epictetus,
Whiles low in thought, still with old slavery tinct;
Rapt Behmen, rapt too far; high Swedenborg,
O'ertoppling; Langley, that with but a touch
Of art hadst sung Piers Plowman to the top
Of English songs, whereof 'tis dearest, now,
And most adorable; Caedmon, in the morn
A-calling angels with the cow-herd's call
That late brought up the cattle; Emerson,
Most wise, that yet, in finding Wisdom, lost
Thy Self, sometimes; tense Keats, with angels' nerves
Where men's were better; Tennyson, largest voice
Since Milton, yet some register of wit
Wanting; -- all, all, I pardon, ere 'tis asked,
Your more or less, your little mole that marks
You brother and your kinship seals to man.
But Thee, but Thee, O sovereign Seer of time,
But Thee, O poets' Poet, Wisdom's Tongue,
But Thee, O man's best Man, O love's best Love,
O perfect life in perfect labor writ,
O all men's Comrade, Servant, King, or Priest, --
What `if' or `yet', what mole, what flaw, what lapse,
What least defect or shadow of defect,
What rumor, tattled by an enemy,
Of inference loose, what lack of grace
Even in torture's grasp, or sleep's, or death's, --
Oh, what amiss may I forgive in Thee,
Jesus, good Paragon, thou Crystal Christ?"
|
Written by
Rudyard Kipling |
Abdhur Rahman, the Durani Chief, of him is the story told.
His mercy fills the Khyber hills -- his grace is manifold;
He has taken toll of the North and the South -- his glory reacheth far,
And they tell the tale of his charity from Balkh to Kandahar.
Before the old Peshawur Gate, where Kurd and Kaffir meet,
The Governor of Kabul dealt the Justice of the Street,
And that was strait as running noose and swift as plunging knife,
Tho' he who held the longer purse might hold the longer life.
There was a hound of Hindustan had struck a Euzufzai,
Wherefore they spat upon his face and led him out to die.
It chanced the King went forth that hour when throat was bared to knife;
The Kaffir grovelled under-hoof and clamoured for his life.
Then said the King: "Have hope, O friend! Yea, Death disgraced is hard;
Much honour shall be thine"; and called the Captain of the Guard,
Yar Khan, a bastard of the Blood, so city-babble saith,
And he was honoured of the King -- the which is salt to Death;
And he was son of Daoud Shah, the Reiver of the Plains,
And blood of old Durani Lords ran fire in his veins;
And 'twas to tame an Afghan pride nor Hell nor Heaven could bind,
The King would make him butcher to a yelping cur of Hind.
"Strike!" said the King.
"King's blood art thou --
his death shall be his pride!"
Then louder, that the crowd might catch: "Fear not -- his arms are tied!"
Yar Khan drew clear the Khyber knife, and struck, and sheathed again.
"O man, thy will is done," quoth he; "a King this dog hath slain.
"
Abdhur Rahman, the Durani Chief, to the North and the South is sold.
The North and the South shall open their mouth to a Ghilzai flag unrolled,
When the big guns speak to the Khyber peak, and his dog-Heratis fly:
Ye have heard the song -- How long? How long? Wolves of the Abazai!
That night before the watch was set, when all the streets were clear,
The Governor of Kabul spoke: "My King, hast thou no fear?
Thou knowest -- thou hast heard," -- his speech died at his master's face.
And grimly said the Afghan King: "I rule the Afghan race.
My path is mine -- see thou to thine -- to-night upon thy bed
Think who there be in Kabul now that clamour for thy head.
"
That night when all the gates were shut to City and to throne,
Within a little garden-house the King lay down alone.
Before the sinking of the moon, which is the Night of Night,
Yar Khan came softly to the King to make his honour white.
The children of the town had mocked beneath his horse's hoofs,
The harlots of the town had hailed him "butcher!" from their roofs.
But as he groped against the wall, two hands upon him fell,
The King behind his shoulder spake: "Dead man, thou dost not well!
'Tis ill to jest with Kings by day and seek a boon by night;
And that thou bearest in thy hand is all too sharp to write.
But three days hence, if God be good, and if thy strength remain,
Thou shalt demand one boon of me and bless me in thy pain.
For I am merciful to all, and most of all to thee.
My butcher of the shambles, rest -- no knife hast thou for me!"
Abdhur Rahman, the Durani Chief, holds hard by the South and the North;
But the Ghilzai knows, ere the melting snows, when the swollen banks break forth,
When the red-coats crawl to the sungar wall, and his Usbeg lances fail:
Ye have heard the song -- How long? How long? Wolves of the Zuka Kheyl!
They stoned him in the rubbish-field when dawn was in the sky,
According to the written word, "See that he do not die.
"
They stoned him till the stones were piled above him on the plain,
And those the labouring limbs displaced they tumbled back again.
One watched beside the dreary mound that veiled the battered thing,
And him the King with laughter called the Herald of the King.
It was upon the second night, the night of Ramazan,
The watcher leaning earthward heard the message of Yar Khan.
From shattered breast through shrivelled lips broke forth the rattling breath,
"Creature of God, deliver me from agony of Death.
"
They sought the King among his girls, and risked their lives thereby:
"Protector of the Pitiful, give orders that he die!"
"Bid him endure until the day," a lagging answer came;
"The night is short, and he can pray and learn to bless my name.
"
Before the dawn three times he spoke, and on the day once more:
"Creature of God, deliver me, and bless the King therefor!"
They shot him at the morning prayer, to ease him of his pain,
And when he heard the matchlocks clink, he blessed the King again.
Which thing the singers made a song for all the world to sing,
So that the Outer Seas may know the mercy of the King.
Abdhur Rahman, the Durani Chief, of him is the story told,
He has opened his mouth to the North and the South, they have stuffed his mouth with gold.
Ye know the truth of his tender ruth -- and sweet his favours are:
Ye have heard the song -- How long? How long? from Balkh to Kandahar.
|
Written by
Walt Whitman |
OF Public Opinion;
Of a calm and cool fiat, sooner or later, (How impassive! How certain and final!)
Of the President with pale face, asking secretly to himself, What will the people say
at
last?
Of the frivolous Judge—Of the corrupt Congressman, Governor, Mayor—Of such as
these,
standing helpless and exposed;
Of the mumbling and screaming priest—(soon, soon deserted;)
Of the lessening, year by year, of venerableness, and of the dicta of officers, statutes,
pulpits, schools;
Of the rising forever taller and stronger and broader, of the intuitions of men and women,
and
of self-esteem, and of personality;
—Of the New World—Of the Democracies, resplendent, en-masse;
Of the conformity of politics, armies, navies, to them and to me,
Of the shining sun by them—Of the inherent light, greater than the rest,
Of the envelopment of all by them, and of the effusion of all from them.
|
Written by
Robert Southey |
Author Note: In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein
very distateful to the palate.
In this are spectres often seen, which
foreshew either the death of the Governor, or some prime officer
belonging to the place; and most commonly it appeareth in the shape of
an harper, sweetly singing and dallying and playing under the water.
It is reported of one Donica, that after she was dead, the Devil walked
in her body for the space of two years, so that none suspected but that
she was still alive; for she did both speak and eat, though very
sparingly; only she had a deep paleness on her countenance, which was
the only sign of death.
At length a Magician coming by where she was
then in the company of many other virgins, as soon as he beheld her he
said, "fair Maids, why keep you company with the dead Virgin whom you
suppose to be alive?" when taking away the magic charm which was tied
under her arm, the body fell down lifeless and without motion.
The following Ballad is founded on these stories.
They are to be found
in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas
Heywood, printed in folio by Adam Islip, 1635.
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High on a rock, whose castled shade
Darken'd the lake below,
In ancient strength majestic stood
The towers of Arlinkow.
The fisher in the lake below
Durst never cast his net,
Nor ever swallow in its waves
Her passing wings would wet.
The cattle from its ominous banks
In wild alarm would run,
Tho' parched with thirst and faint beneath
The summer's scorching sun.
For sometimes when no passing breeze
The long lank sedges waved,
All white with foam and heaving high
Its deafening billows raved;
And when the tempest from its base
The rooted pine would shake,
The powerless storm unruffling swept
Across the calm dead lake.
And ever then when Death drew near
The house of Arlinkow,
Its dark unfathom'd depths did send
Strange music from below.
The Lord of Arlinkow was old,
One only child had he,
Donica was the Maiden's name
As fair as fair might be.
A bloom as bright as opening morn
Flush'd o'er her clear white cheek,
The music of her voice was mild,
Her full dark eyes were meek.
Far was her beauty known, for none
So fair could Finland boast,
Her parents loved the Maiden much,
Young EBERHARD loved her most.
Together did they hope to tread
The pleasant path of life,
For now the day drew near to make
Donica Eberhard's wife.
The eve was fair and mild the air,
Along the lake they stray;
The eastern hill reflected bright
The fading tints of day.
And brightly o'er the water stream'd
The liquid radiance wide;
Donica's little dog ran on
And gambol'd at her side.
Youth, Health, and Love bloom'd on her cheek,
Her full dark eyes express
In many a glance to Eberhard
Her soul's meek tenderness.
Nor sound was heard, nor passing gale
Sigh'd thro' the long lank sedge,
The air was hushed, no little wave
Dimpled the water's edge.
Sudden the unfathom'd lake sent forth
Strange music from beneath,
And slowly o'er the waters sail'd
The solemn sounds of Death.
As the deep sounds of Death arose,
Donica's cheek grew pale,
And in the arms of Eberhard
The senseless Maiden fell.
Loudly the youth in terror shriek'd,
And loud he call'd for aid,
And with a wild and eager look
Gaz'd on the death-pale Maid.
But soon again did better thoughts
In Eberhard arise,
And he with trembling hope beheld
The Maiden raise her eyes.
And on his arm reclin'd she moved
With feeble pace and slow,
And soon with strength recover'd reach'd
Yet never to Donica's cheek
Return'd the lively hue,
Her cheeks were deathy, white, and wan,
Her lips a livid blue.
Her eyes so bright and black of yore
Were now more black and bright,
And beam'd strange lustre in her face
So deadly wan and white.
The dog that gambol'd by her side,
And lov'd with her to stray,
Now at his alter'd mistress howl'd
And fled in fear away.
Yet did the faithful Eberhard
Not love the Maid the less;
He gaz'd with sorrow, but he gaz'd
With deeper tenderness.
And when he found her health unharm'd
He would not brook delay,
But press'd the not unwilling Maid
To fix the bridal day.
And when at length it came, with joy
They hail'd the bridal day,
And onward to the house of God
They went their willing way.
And as they at the altar stood
And heard the sacred rite,
The hallowed tapers dimly stream'd
A pale sulphureous light.
And as the Youth with holy warmth
Her hand in his did hold,
Sudden he felt Donica's hand
Grow deadly damp and cold.
And loudly did he shriek, for lo!
A Spirit met his view,
And Eberhard in the angel form
His own Donica knew.
That instant from her earthly frame
Howling the Daemon fled,
And at the side of Eberhard
The livid form fell dead.
|
Written by
William Topaz McGonagall |
Composed, by Special Request, 18th June 1890
Then Pilate, the Roman Governor, took Jesus and scourged Him,
And the soldiers platted a crown of thorns, and thought it no sin
To put it on His head, while meekly Jesus stands;
They put on Him a purple robe, and smote Him with their hands.
Then Pilate went forth again, and said unto them,
Behold, I bring Him forth to you, but I cannot Him condemn,
And I would have you to remember I find no fault in Him,
And to treat Him too harshly 'twould be a sin.
But the rabble cried.
Hail, King of the Jews, and crucify Him;
But Pilate saith unto them, I find in Him no sin;
Then Jesus came forth, looking dejected and wan,
And Pilate saith unto them, Behold the Man.
Then the Jews cried out, By our laws He ought to die,
Because He made Himself the Son of God the Most High;
And when Pilate heard that saying the Jews had made,
He saw they were dissatisfied, and he was the more afraid.
And to release Jesus Pilate did really intend,
But the Jews cried angrily, Pilate, thou art not Caesar's friend,
Remember, if thou let this vile impostor go,
It only goes to prove thou art Caesar's foe.
When Pilate heard that he felt very irate,
Then he brought Josus forth, and sat down in the judgment-seat,
In a place that is called the Pavement,
While the Blessed Saviour stood calm and content.
The presence of His enemies did not Him appal,
When Pilate asked of Him, before them all,
Whence art Thou, dost say from on High?
But Jesus, the Lamb of God, made no reply.
Then saith Pilate unto Him, Speakest Thou not unto me,
Remember, I have the power to crucify Thee;
But Jesus answered, Thou hast no power at all against me,
Except from above it were given to thee.
Then Pilate to the Jews loudly cried,
Take Him away to be crucified;
Then the soldiers took Jesus and led Him away,
And He, bearing His Cross, without dismay.
And they led Him to a place called Golgotha,
But the Saviour met His fate without any awe,
And there crucified Him with two others, one on either side,
And Jesus in the midst, whilst the Jews did Him deride.
Then Pilate tried to pacify the Jews, they felt so morose,
And he wrote a title, and put it on the Cross;
And the title he wrote did the Jews amuse,
The writing was, Jesus of Nazareth the King of the Jews.
This title read many of the Jews without any pity;
And the place where Jesus was crucified was nigh to the city;
And the title was written in Hebrew, and Greek, and Latin,
And while reading the title the Jews did laugh and grin.
While on the Cross the sun refused to shine,
And there was total darkness for a long time;
The reason was God wanted to hide His wounds from view,
And He kept the blessed sun from breaking through.
And to quench His thirst they gave Him vinegar and hyssop,
While the blood from His wounded brow copiously did drop,
Then He drank of it willingly, and bowed His head,
And in a few minutes the dear Saviour was dead.
Then Joseph of Arimathea sadly did grieve,
And he asked if Pilate would give him leave
To take the body of Jesus away,
And Pilate told him to remove it without delay.
Then Joseph took the body of Jesus away,
And wound it in linen, which was the Jewish custom of that day,
And embalmed his body with spices sweet,
Then laid it in a new sepulchre, as Joseph thought meet.
But death could not hold Him in the grave,
Because He died poor sinners' souls to save;
And God His Father took Him to Heaven on high;
And those that believe in Jesus shall never die.
Oh! think of the precious Blood our Saviour did loss,
That flowed from His wounds while on the Cross,
Especially the wound in His side, made with a spear,
And if you are a believer, you will drop a silent tear.
And if you are not a believer, try and believe,
And don't let the devil any longer you deceive,
Because the precious Blood that Jesus shed will free you from all sin,
Therefore, believe in the Saviour, and Heaven you shall enter in!
|
Written by
Elizabeth Bishop |
On the fair green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
On the hills a million people,
A million sparrows, nest,
Like a confused migration
That's had to light and rest,
Building its nests, or houses,
Out of nothing at all, or air.
You'd think a breath would end them,
They perch so lightly there.
But they cling and spread like lichen,
And people come and come.
There's one hill called the Chicken,
And one called Catacomb;
There's the hill of Kerosene,
And the hill of Skeleton,
The hill of Astonishment,
And the hill of Babylon.
Micuçú was a burglar and killer,
An enemy of society.
He had escaped three times
From the worst penitentiary.
They don't know how many he murdered
(Though they say he never raped),
And he wounded two policemen
This last time he escaped.
They said, "He'll go to his auntie,
Who raised him like a son.
She has a little drink shop
On the hill of Babylon.
"
He did go straight to his auntie,
And he drank a final beer.
He told her, "The soldiers are coming,
And I've got to disappear.
"
"Ninety years they gave me.
Who wants to live that long?
I'll settle for ninety hours,
On the hill of Babylon.
"Don't tell anyone you saw me.
I'll run as long as I can.
You were good to me, and I love you,
But I'm a doomed man.
"
Going out, he met a mulata
Carrying water on her head.
"If you say you saw me, daughter,
You're as good as dead.
"
There are caves up there, and hideouts,
And an old fort, falling down.
They used to watch for Frenchmen
From the hill of Babylon.
Below him was the ocean.
It reached far up the sky,
Flat as a wall, and on it
Were freighters passing by,
Or climbing the wall, and climbing
Till each looked like a fly,
And then fell over and vanished;
And he knew he was going to die.
He could hear the goats baa-baa-ing.
He could hear the babies cry;
Fluttering kites strained upward;
And he knew he was going to die.
A buzzard flapped so near him
He could see its naked neck.
He waved his arms and shouted,
"Not yet, my son, not yet!"
An Army helicopter
Came nosing around and in.
He could see two men inside it,
but they never spotted him.
The soldiers were all over,
On all sides of the hill,
And right against the skyline
A row of them, small and still.
Children peeked out of windows,
And men in the drink shop swore,
And spat a little cachaça
At the light cracks in the floor.
But the soldiers were nervous, even
with tommy guns in hand,
And one of them, in a panic,
Shot the officer in command.
He hit him in three places;
The other shots went wild.
The soldier had hysterics
And sobbed like a little child.
The dying man said, "Finish
The job we came here for.
"
he committed his soul to God
And his sons to the Governor.
They ran and got a priest,
And he died in hope of Heaven
--A man from Pernambuco,
The youngest of eleven.
They wanted to stop the search,
but the Army said, "No, go on,"
So the soldiers swarmed again
Up the hill of Babylon.
Rich people in apartments
Watched through binoculars
As long as the daylight lasted.
And all night, under the stars,
Micuçú hid in the grasses
Or sat in a little tree,
Listening for sounds, and staring
At the lighthouse out at sea.
And the lighthouse stared back at him,
til finally it was dawn.
He was soaked with dew, and hungry,
On the hill of Babylon.
The yellow sun was ugly,
Like a raw egg on a plate--
Slick from the sea.
He cursed it,
For he knew it sealed his fate.
He saw the long white beaches
And people going to swim,
With towels and beach umbrellas,
But the soldiers were after him.
Far, far below, the people
Were little colored spots,
And the heads of those in swimming
Were floating coconuts.
He heard the peanut vendor
Go peep-peep on his whistle,
And the man that sells umbrellas
Swinging his watchman's rattle.
Women with market baskets
Stood on the corners and talked,
Then went on their way to market,
Gazing up as they walked.
The rich with their binoculars
Were back again, and many
Were standing on the rooftops,
Among TV antennae.
It was early, eight or eight-thirty.
He saw a soldier climb,
Looking right at him.
He fired,
And missed for the last time.
He could hear the soldier panting,
Though he never got very near.
Micuçú dashed for shelter.
But he got it, behind the ear.
He heard the babies crying
Far, far away in his head,
And the mongrels barking and barking.
Then Micuçú was dead.
He had a Taurus revolver,
And just the clothes he had on,
With two contos in the pockets,
On the hill of Babylon.
The police and the populace
Heaved a sigh of relief,
But behind the counter his auntie
Wiped her eyes in grief.
"We have always been respected.
My shop is honest and clean.
I loved him, but from a baby
Micuçú was mean.
"We have always been respected.
His sister has a job.
Both of us gave him money.
Why did he have to rob?
"I raised him to be honest,
Even here, in Babylon slum.
"
The customers had another,
Looking serious and glum.
But one of them said to another,
When he got outside the door,
"He wasn't much of a burglar,
He got caught six times--or more.
"
This morning the little soldiers
are on Babylon hill again;
Their gun barrels and helmets
Shine in a gentle rain.
Micuçú is buried already.
They're after another two,
But they say they aren't as dangerous
As the poor Micuçú.
On the green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
There's the hill of Kerosene,
And the hill of the Skeleton,
The hill of Astonishment,
And the hill of Babylon.
|
Written by
James Wright |
And how can I, born in evil days
And fresh from failure, ask a kindness of Fate?
-- Written A.
D.
819
Po Chu-i, balding old politician,
What's the use?
I think of you,
Uneasily entering the gorges of the Yang-Tze,
When you were being towed up the rapids
Toward some political job or other
In the city of Chungshou.
You made it, I guess,
By dark.
But it is 1960, it is almost spring again,
And the tall rocks of Minneapolis
Build me my own black twilight
Of bamboo ropes and waters.
Where is Yuan Chen, the friend you loved?
Where is the sea, that once solved the whole loneliness
Of the Midwest?Where is Minneapolis? I can see nothing
But the great terrible oak tree darkening with winter.
Did you find the city of isolated men beyond mountains?
Or have you been holding the end of a frayed rope
For a thousand years?
|
Written by
Phillis Wheatley |
All-Conquering Death! by thy resistless pow'r,
Hope's tow'ring plumage falls to rise no more!
Of scenes terrestrial how the glories fly,
Forget their splendors, and submit to die!
Who ere escap'd thee, but the saint of old
Beyond the flood in sacred annals told,
And the great sage, whom fiery coursers drew
To heav'n's bright portals from Elisha's view;
Wond'ring he gaz'd at the refulgent car,
Then snatch'd the mantle floating on the air.
From Death these only could exemption boast,
And without dying gain'd th' immortal coast.
Not falling millions sate the tyrant's mind,
Nor can the victor's progress be confin'd.
But cease thy strife with Death, fond Nature, cease:
He leads the virtuous to the realms of peace;
His to conduct to the immortal plains,
Where heav'n's Supreme in bliss and glory reigns.
There sits, illustrious Sir, thy beauteous spouse;
A gem-blaz'd circle beaming on her brows.
Hail'd with acclaim among the heav'nly choirs,
Her soul new-kindling with seraphic fires,
To notes divine she tunes the vocal strings,
While heav'n's high concave with the music rings.
Virtue's rewards can mortal pencil paint?
No--all descriptive arts, and eloquence are faint;
Nor canst thou, Oliver, assent refuse
To heav'nly tidings from the Afric muse.
As soon may change thy laws, eternal fate,
As the saint miss the glories I relate;
Or her Benevolence forgotten lie,
Which wip'd the trick'ling tear from Misry's eye.
Three amiable Daughters who died when just arrived to Womens Estate.
Whene'er the adverse winds were known to blow,
When loss to loss * ensu'd, and woe to woe,
Calm and serene beneath her father's hand
She sat resign'd to the divine command.
No longer then, great Sir, her death deplore,
And let us hear the mournful sigh no more,
Restrain the sorrow streaming from thine eye,
Be all thy future moments crown'd with joy!
Nor let thy wishes be to earth confin'd,
But soaring high pursue th' unbodied mind.
Forgive the muse, forgive th' advent'rous lays,
That fain thy soul to heav'nly scenes would raise.
|
Written by
Andrew Barton Paterson |
'The man who brought the railway through -- our friend the engineer.
'
They cheer his pluck and enterprise and engineering skill!
'Twas my old husband found the pass behind that big red hill.
Before the engineer was born we'd settled with our stock
Behind that great big mountain chain, a line of range and rock --
A line that kept us starving there in weary weeks of drought,
With ne'er a track across the range to let the cattle out.
"'Twas then, with horses starved and weak and scarcely fit to crawl,
My husband went to find a way across the rocky wall.
He vanished in the wilderness -- God knows where he was gone --
He hunted till his food gave out, but still he battled on.
His horses strayed ('twas well they did), they made towards the grass,
And down behind that big red hill they found an easy pass.
"He followed up and blazed the trees, to show the safest track,
Then drew his belt another hole and turned and started back.
His horses died -- just one pulled through with nothing much to spare;
God bless the beast that brought him home, the old white Arab mare!
We drove the cattle through the hills, along the new-found way,
And this was our first camping-ground -- just where I live today.
"Then others came across the range and built the township here,
And then there came the railway line and this young engineer;
He drove about with tents and traps, a cook to cook his meals,
A bath to wash himself at night, a chain-man at his heels.
And that was all the pluck and skill for which he's cheered and praised,
For after all he took the track, the same my husband blazed!
"My poor old husband, dead and gone with never a feast nor cheer;
He's buried by the railway line! -- I wonder can he hear
When by the very track he marked, and close to where he's laid,
The cattle trains go roaring down the one-in-thirty grade.
I wonder does he hear them pass, and can he see the sight
When, whistling shrill, the fast express goes flaming by at night.
"I think 'twould comfort him to know there's someone left to care;
I'll take some things this very night and hold a banquet there --
The hard old fare we've often shared together, him and me,
Some damper and a bite of beef, a pannikin of tea:
We'll do without the bands and flags, the speeches and the fuss,
We know who ought to get the cheers -- and that's enough for us.
"What's that? They wish that I'd come down -- the oldest settler here!
Present me to the Governor and that young engineer!
Well, just you tell his Excellence, and put the thing polite,
I'm sorry, but I can't come down -- I'm dining out tonight!"
|
Written by
Lewis Carroll |
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.
This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.
All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.
Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.
Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.
Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.
Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.
'
Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.
Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.
Nor in this was he mistaken,
As the picture failed completely.
So in turn the other sisters.
Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.
'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.
Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.
Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.
But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
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