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Best Famous Good News Poems

Here is a collection of the all-time best famous Good News poems. This is a select list of the best famous Good News poetry. Reading, writing, and enjoying famous Good News poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of good news poems.

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Written by Margaret Atwood | Create an image from this poem

Sekhmet the Lion-headed Goddess of War

 He was the sort of man
who wouldn't hurt a fly.
Many flies are now alive
while he is not.
He was not my patron.
He preferred full granaries, I battle.
My roar meant slaughter.
Yet here we are together
in the same museum.
That's not what I see, though, the fitful
crowds of staring children
learning the lesson of multi-
cultural obliteration, sic transit
and so on.

I see the temple where I was born
or built, where I held power.
I see the desert beyond,
where the hot conical tombs, that look
from a distance, frankly, like dunces' hats,
hide my jokes: the dried-out flesh
and bones, the wooden boats
in which the dead sail endlessly
in no direction.

What did you expect from gods
with animal heads?
Though come to think of it
the ones made later, who were fully human
were not such good news either.
Favour me and give me riches,
destroy my enemies.
That seems to be the gist.
Oh yes: And save me from death.
In return we're given blood
and bread, flowers and prayer,
and lip service.

Maybe there's something in all of this
I missed. But if it's selfless
love you're looking for,
you've got the wrong goddess.

I just sit where I'm put, composed
of stone and wishful thinking:
that the deity who kills for pleasure
will also heal,
that in the midst of your nightmare,
the final one, a kind lion
will come with bandages in her mouth
and the soft body of a woman,
and lick you clean of fever,
and pick your soul up gently by the nape of the neck
and caress you into darkness and paradise.


Written by Sylvia Plath | Create an image from this poem

Face Lift

 You bring me good news from the clinic,
Whipping off your silk scarf, exhibiting the tight white
Mummy-cloths, smiling: I'm all right.
When I was nine, a lime-green anesthetist
Fed me banana-gas through a frog mask. The nauseous vault
Boomed with bad dreams and the Jovian voices of surgeons.
Then mother swam up, holding a tin basin.
O I was sick.

They've changed all that. Traveling
Nude as Cleopatra in my well-boiled hospital shift,
Fizzy with sedatives and unusually humorous,
I roll to an anteroom where a kind man
Fists my fingers for me. He makes me feel something precious
Is leaking from the finger-vents. At the count of two,
Darkness wipes me out like chalk on a blackboard. . .
I don't know a thing.

For five days I lie in secret,
Tapped like a cask, the years draining into my pillow.
Even my best friend thinks I'm in the country.
Skin doesn't have roots, it peels away easy as paper.
When I grin, the stitches tauten. I grow backward. I'm twenty,
Broody and in long skirts on my first husband's sofa, my fingers
Buried in the lambswool of the dead poodle;
I hadn't a cat yet.

Now she's done for, the dewlapped lady
I watched settle, line by line, in my mirror—
Old sock-face, sagged on a darning egg.
They've trapped her in some laboratory jar.
Let her die there, or wither incessantly for the next fifty years,
Nodding and rocking and fingering her thin hair.
Mother to myself, I wake swaddled in gauze,
Pink and smooth as a baby.
Written by Rudyard Kipling | Create an image from this poem

A Tree Song

 (A. D. 1200)
Of all the trees that grow so fair,
 Old England to adorn,
Greater are none beneath the Sun,
 Than Oak, and Ash, and Thorn.
Sing Oak, and Ash, and Thorn, good sirs,
 (All of a Midsummer morn!)
Surely we sing no little thing,
 In Oak, and Ash, and Thorn!


Oak of the Clay lived many a day,
 Or ever AEneas began.
Ash of the Loam was a lady at home,
 When Brut was an outlaw man.
Thorn of the Down saw New Troy Town
 (From which was London born);
Witness hereby the ancientry
 Of Oak, and Ash, and Thorn!


Yew that is old in churchyard-mould,
 He breedeth a mighty bow.
Alder for shoes do wise men choose,
 And beech for cups also.
But when ye have killed, and your bowl is spilled,
 And your shoes are clean outworn,
Back ye must speed for all that ye need,
 To Oak, and Ash, and Thorn!


Ellum she hateth mankind, and waiteth
 Till every gust be laid,
To drop a limb on the head of him
 That anyway trusts her shade:
But whether a lad be sober or sad,
 Or mellow with ale from the horn,
He will take no wrong when he lieth along
 'Neath Oak, and Ash, and Thorn!


Oh, do not tell the Priest our plight,
 Or he would call it a sin;
But--we have been out in the woods all night,
 A-conjuring Summer in!
And we bring you news by word of mouth-
 Good news for cattle and corn--
Now is the Sun come up from the South,
 With Oak, and Ash, and Thorn!


Sing Oak, and Ash, and Thorn, good sirs
 (All of a Midsummer morn):
England shall bide ti11 Judgment Tide,
 By Oak, and Ash, and Thorn!
Written by Constantine P Cavafy | Create an image from this poem

Exiles

 It goes on being Alexandria still. Just walk a bit
along the straight road that ends at the Hippodrome
and you'll see palaces and monuments that will amaze you.
Whatever war-damage it's suffered,
however much smaller it's become,
it's still a wonderful city.
And then, what with excursions and books
and various kinds of study, time does go by.
In the evenings we meet on the sea front,
the five of us (all, naturally, under fictitious names)
and some of the few other Greeks
still left in the city.
Sometimes we discuss church affairs
(the people here seem to lean toward Rome)
and sometimes literature.
The other day we read some lines by Nonnos:
what imagery, what rhythm, what diction and harmony!
All enthusiasm, how we admired the Panopolitan.
So the days go by, and our stay here
isn't unpleasant because, naturally,
it's not going to last forever.
We've had good news: if something doesn't come
of what's now afoot in Smyrna,
then in April our friends are sure to move from Epiros,
so one way or another, our plans are definitely working out,
and we'll easily overthrow Basil.
And when we do, at last our turn will come.
Written by Gerard Manley Hopkins | Create an image from this poem

St. Winefreds Well

 ACT I. SC. I

Enter Teryth from riding, Winefred following.

T. WHAT is it, Gwen, my girl? why do you hover and haunt me? 

W. You came by Caerwys, sir? 
T. I came by Caerwys. 
W. There
Some messenger there might have met you from my uncle. 
T. Your uncle met the messenger—met me; and this the message:
Lord Beuno comes to-night. 
W. To-night, sir! 
T. Soon, now: therefore
Have all things ready in his room. 
W. There needs but little doing. 
T. Let what there needs be done. Stay! with him one companion,
His deacon, Dirvan Warm: twice over must the welcome be,
But both will share one cell.—This was good news, Gwenvrewi. 
W. Ah yes! 
T. Why, get thee gone then; tell thy mother I want her.

Exit Winefred.

No man has such a daughter. The fathers of the world
Call no such maiden ‘mine’. The deeper grows her dearness
And more and more times laces round and round my heart,
The more some monstrous hand gropes with clammy fingers there,
Tampering with those sweet bines, draws them out, strains them, strains them;
Meantime some tongue cries ‘What, Teryth! what, thou poor fond father!
How when this bloom, this honeysuckle, that rides the air so rich about thee,
Is all, all sheared away, thus!’ Then I sweat for fear.
Or else a funeral, and yet ’tis not a funeral,
Some pageant which takes tears and I must foot with feeling that
Alive or dead my girl is carried in it, endlessly
Goes marching thro’ my mind. What sense is this? It has none.
This is too much the father; nay the mother. Fanciful!
I here forbid my thoughts to fool themselves with fears.

Enter Gwenlo.
. . . . . . . . 

ACT II.—Scene, a wood ending in a steep bank over a dry dene, Winefred having been murdered within. Re-enter Caradoc with a bloody sword.

C. My heart, where have we been? What have we seen, my mind?
What stroke has Caradoc’s right arm dealt? what done? Head of a rebel
Struck off it has; written upon lovely limbs,
In bloody letters, lessons of earnest, of revenge;
Monuments of my earnest, records of my revenge,
On one that went against me wh?reas I had warned her—
Warned her! well she knew. I warned her of this work.
What work? what harm ’s done? There is no harm done, none yet;
Perhaps we struck no blow, Gwenvrewi lives perhaps;
To makebelieve my mood was—mock. O I might think so
But here, here is a workman from his day’s task sweats.
Wiped I am sure this was; it seems not well; for still,
Still the scarlet swings and dances on the blade.
So be it. Thou steel, thou butcher,
I c?n scour thee, fresh burnish thee, sheathe thee in thy dark lair; these drops
Never, never, never in their blue banks again.
The woeful, Cradock, O the woeful word! Then what,
What have we seen? Her head, sheared from her shoulders, fall,
And lapped in shining hair, roll to the bank’s edge; then
Down the beetling banks, like water in waterfalls,
It stooped and flashed and fell and ran like water away.
Her eyes, oh and her eyes!
In all her beauty, and sunlight to it is a pit, den, darkness,
Foam-falling is not fresh to it, rainbow by it not beaming,
In all her body, I say, no place was like her eyes,
No piece matched those eyes kept most part much cast down
But, being lifted, immortal, of immortal brightness.
Several times I saw them, thrice or four times turning;
Round and round they came and flashed towards heaven: O there,
There they did appeal. Therefore airy vengeances
Are afoot; heaven-vault fast purpling portends, and what first lightning
Any instant falls means me. And I do not repent;
I do not and I will not repent, not repent.
The blame bear who aroused me. What I have done violent
I have like a lion done, lionlike done,
Honouring an uncontrolled royal wrathful nature,
Mantling passion in a grandeur, crimson grandeur.
Now be my pride then perfect, all one piece. Henceforth
In a wide world of defiance Caradoc lives alone,
Loyal to his own soul, laying his own law down, no law nor
Lord now curb him for ever. O daring! O deep insight!
What is virtue? Valour; only the heart valiant.
And right? Only resolution; will, his will unwavering
Who, like me, knowing his nature to the heart home, nature’s business,
Despatches with no flinching. But will flesh, O can flesh
Second this fiery strain? Not always; O no no!
We cannot live this life out; sometimes we must weary
And in this darksome world what comfort can I find?
Down this darksome world c?mfort wh?re can I find
When ’ts light I quenched; its rose, time’s one rich rose, my hand,
By her bloom, fast by her fresh, her fleec?d bloom,
Hideous dashed down, leaving earth a winter withering
With no now, no Gwenvrewi. I must miss her most
That might have spared her were it but for passion-sake. Yes,
To hunger and not have, y?t hope ?n for, to storm and strive and
Be at every assault fresh foiled, worse flung, deeper disappointed,
The turmoil and the torment, it has, I swear, a sweetness,
Keeps a kind of joy in it, a zest, an edge, an ecstasy,
Next after sweet success. I am not left even this;
I all my being have hacked in half with her neck: one part,
Reason, selfdisposal, choice of better or worse way,
Is corpse now, cannot change; my other self, this soul,
Life’s quick, this k?nd, this k?en self-feeling,
With dreadful distillation of thoughts sour as blood,
Must all day long taste murder. What do n?w then? Do? Nay,
Deed-bound I am; one deed treads all down here cramps all doing. What do? Not yield,
Not hope, not pray; despair; ay, that: brazen despair out,
Brave all, and take what comes—as here this rabble is come,
Whose bloods I reck no more of, no more rank with hers
Than sewers with sacred oils. Mankind, that mobs, comes. Come! 

Enter a crowd, among them Teryth, Gwenlo, Beuno.
. . . . . . . .

After Winefred’s raising from the dead and the breaking out of the fountain.

BEUNO. O now while skies are blue, now while seas are salt,
While rushy rains shall fall or brooks shall fleet from fountains,
While sick men shall cast sighs, of sweet health all despairing,
While blind men’s eyes shall thirst after daylight, draughts of daylight,
Or deaf ears shall desire that lipmusic that ’s lost upon them,
While cripples are, while lepers, dancers in dismal limb-dance,
Fallers in dreadful frothpits, waterfearers wild,
Stone, palsy, cancer, cough, lung wasting, womb not bearing,
Rupture, running sores, what more? in brief; in burden,
As long as men are mortal and God merciful,
So long to this sweet spot, this leafy lean-over,
This Dry Dene, now no longer dry nor dumb, but moist and musical
With the uproll and the downcarol of day and night delivering
Water, which keeps thy name, (for not in r?ck wr?tten,
But in pale water, frail water, wild rash and reeling water,
That will not wear a print, that will not stain a pen,
Thy venerable record, virgin, is recorded).
Here to this holy well shall pilgrimages be,
And not from purple Wales only nor from elmy England,
But from beyond seas, Erin, France and Flanders, everywhere,
Pilgrims, still pilgrims, m?re p?lgrims, still more poor pilgrims.
. . . . . . . .
What sights shall be when some that swung, wretches, on crutches
Their crutches shall cast from them, on heels of air departing,
Or they go rich as roseleaves hence that loathsome c?me hither!
Not now to n?me even
Those dearer, more divine boons whose haven the heart is.
. . . . . . . .
As sure as what is most sure, sure as that spring primroses
Shall new-dapple next year, sure as to-morrow morning,
Amongst come-back-again things, th?ngs with a revival, things with a recovery,
Thy name…
. . . . . . . .


Written by G K Chesterton | Create an image from this poem

The Rolling English Road

 Before the Roman came to Rye or out to Severn strode,
The rolling English drunkard made the rolling English road.
A reeling road, a rolling road, that rambles round the shire,
And after him the parson ran, the sexton and the squire;
A merry road, a mazy road, and such as we did tread
The night we went to Birmingham by way of Beachy Head.

I knew no harm of Bonaparte and plenty of the Squire,
And for to fight the Frenchman I did not much desire;
But I did bash their baggonets because they came arrayed
To straighten out the crooked road an English drunkard made,
Where you and I went down the lane with ale-mugs in our hands,
The night we went to Glastonbury by way of Goodwin Sands.

His sins they were forgiven him; or why do flowers run
Behind him; and the hedges all strengthening in the sun?
The wild thing went from left to right and knew not which was which,
But the wild rose was above him when they found him in the ditch.
God pardon us, nor harden us; we did not see so clear
The night we went to Bannockburn by way of Brighton Pier.

My friends, we will not go again or ape an ancient rage,
Or stretch the folly of our youth to be the shame of age,
But walk with clearer eyes and ears this path that wandereth,
And see undrugged in evening light the decent inn of death;
For there is good news yet to hear and fine things to be seen,
Before we go to Paradise by way of Kensal Green.
Written by Rudyard Kipling | Create an image from this poem

Eddis Service

 Eddi, priest of St. Wilfrid
 In his chapel at Manhood End,
Ordered a midnight service
 For such as cared to attend.

But the Saxons were keeping Christmas,
 And the night was stormy as well.
Nobody came to service,
 Though Eddi rang the bell.

"'Wicked weather for walking,"
 Said Eddi of Manhood End.
"But I must go on with the service
 For such as care to attend."

The altar-lamps were lighted, --
 An old marsh-donkey came,
Bold as a guest invited,
 And stared at the guttering flame.

The storm beat on at the windows,
 The water splashed on the floor,
And a wet, yoke-weary bullock
 Pushed in through the open door.

"How do I know what is greatest,
 How do I know what is least?
That is My Father's business,"
 Said Eddi, Wilfrid's priest.

"But -- three are gathered together --
 Listen to me and attend.
I bring good news, my brethren!"
 Said Eddi of Manhood End.

And he told the Ox of a Manger
 And a Stall in Bethlehem,
And he spoke to the Ass of a Rider,
 That rode to Jerusalem.

They steamed and dripped in the chancel,
 They listened and never stirred,
While, just as though they were Bishops,
 Eddi preached them The World,

Till the gale blew off on the marshes
 And the windows showed the day,
And the Ox and the Ass together
 Wheeled and clattered away.

And when the Saxons mocked him,
 Said Eddi of Manhood End,
"I dare not shut His chapel
 On such as care to attend."
Written by Robert Browning | Create an image from this poem

How They Brought The Good News From Ghent To Aix

 I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
"Good speed!" cried the watch, as the gate-bolts undrew;
"Speed!" echoed the wall to us galloping through;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.

Not a word to each other; we kept the great pace
Neck by neck, stride by stride, never changing our place;
I turned in my saddle and made its girths tight,
Then shortened each stirrup, and set the pique right,
Rebuckled the cheek-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.

'Twas moonset at starting; but while we drew near
Lokeren, the cocks crew and twilight dawned clear;
At Boom, a great yellow star came out to see;
At Duffeld, 'twas morning as plain as could be;
And from Mecheln church-steeple we heard the half-chime,
So Joris broke silence with, "Yet there is time!"

At Aerschot, up leaped of a sudden the sun,
And against him the cattle stood black every one,
To stare through the mist at us galloping past,
And I saw my stout galloper Roland at last,
With resolute shoulders, each butting away
The haze, as some bluff river headland its spray:

And his low head and crest, just one sharp ear bent back
For my voice, and the other pricked out on his track;
And one eye's black intelligence,—ever that glance
O'er its white edge at me, his own master, askance!
And the thick heavy spume-flakes which aye and anon
His fierce lips shook upwards in galloping on.

By Hasselt, Dirck groaned; and cried Joris, "Stay spur!
Your Roos galloped bravely, the fault's not in her,
We'll remember at Aix"—for one heard the quick wheeze
Of her chest, saw the stretched neck and staggering knees,
And sunk tail, and horrible heave of the flank,
As down on her haunches she shuddered and sank.

So, we were left galloping, Joris and I,
Past Looz and past Tongres, no cloud in the sky;
The broad sun above laughed a pitiless laugh,
'Neath our feet broke the brittle bright stubble like chaff;
Till over by Dalhem a dome-spire sprang white,
And "Gallop," gasped Joris, "for Aix is in sight!"

"How they'll greet us!"—and all in a moment his roan
Rolled neck and croup over, lay dead as a stone;
And there was my Roland to bear the whole weight
Of the news which alone could save Aix from her fate,
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-socket's rim.

Then I cast loose my buffcoat, each holster let fall,
Shook off both my jack-boots, let go belt and all,
Stood up in the stirrup, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer;
Clapped my hands, laughed and sang, any noise, bad or good,
Till at length into Aix Roland galloped and stood.

And all I remember is—friends flocking round
As I sat with his head 'twixt my knees on the ground;
And no voice but was praising this Roland of mine,
As I poured down his throat our last measure of wine,
Which (the burgesses voted by common consent)
Was no more than his due who brought good news from Ghent
Written by Andrew Barton Paterson | Create an image from this poem

Come-by-Chance

 As I pondered very weary o'er a volume long and dreary -- 
For the plot was void of interest; 'twas the Postal Guide, in fact -- 
There I learnt the true location, distance, size and population 
Of each township, town, and village in the radius of the Act. 
And I learnt that Puckawidgee stands beside the Murrumbidgee, 
And the Booleroi and Bumble get their letters twice a year, 
Also that the post inspector, when he visited Collector, 
Closed the office up instanter, and re-opened Dungalear. 

But my languid mood forsook me, when I found a name that took me; 
Quite by chance I came across it -- "Come-by-Chance" was what I read; 
No location was assigned it, not a thing to help one find it, 
Just an N which stood for northward, and the rest was all unsaid. 

I shall leave my home, and forthward wander stoutly to the northward 
Till I come by chance across it, and I'll straightway settle down; 
For there can't be any hurry, nor the slightest cause for worry 
Where the telegraph don't reach you nor the railways run to town. 

And one's letters and exchanges come by chance across the ranges, 
Where a wiry young Australian leads a packhorse once a week, 
And the good news grows by keeping, and you're spared the pain of weeping 
Over bad news when the mailman drops the letters in a creek. 

But I fear, and more's the pity, that there's really no such city, 
For there's not a man can find it of the shrewdest folk I know; 
"Come-by-Chance", be sure it never means a land of fierce endeavour -- 
It is just the careless country where the dreamers only go. 

* * * * * * * 

Though we work and toil and hustle in our life of haste and bustle, 
All that makes our life worth living comes unstriven for and free; 
Man may weary and importune, but the fickle goddess Fortune 
Deals him out his pain or pleasure, careless what his worth may be. 

All the happy times entrancing, days of sport and nights of dancing, 
Moonlit rides and stolen kisses, pouting lips and loving glance: 
When you think of these be certain you have looked behind the curtain, 
You have had the luck to linger just a while in "Come-by-Chance".
Written by David Wagoner | Create an image from this poem

Wallace Stevens On His Way To Work

 He would leave early and walk slowly
 As if balancing books
 On the way to school, already expecting
To be tardy once again and heavy
 With numbers, the unfashionably rounded
 Toes of his shoes invisible beyond
The slope of his corporation. He would pause
 At his favorite fundamentally sound
 Park bench, which had been the birthplace
Of paeans and ruminations on other mornings,
 And would turn his back to it, having gauged the distance
 Between his knees and the edge of the hardwood
Almost invariably unoccupied
 At this enlightened hour by the bums of nighttime
 (For whom the owlish eye of the moon
Had been closed by daylight), and would give himself wholly over
 Backwards and trustingly downwards
 And be well seated there. He would remove
From his sinister jacket pocket a postcard
 And touch it and retouch it with the point
 Of the fountain he produced at his fingertips
And fill it with his never-before-uttered
 Runes and obbligatos and pellucidly cryptic
 Duets from private pageants, from broken ends
Of fandangos with the amoeba chaos chaos
 Couchant and rampant. Then he would rise
 With an effort as heartfelt as a decision
To get out of bed on Sunday and carefully
 Relocate his center of gravity
 Above and beyond an imaginary axis
Between his feet and carry the good news
 Along the path and the sidewalk, well on his way
 To readjusting the business of the earth.

Book: Radiant Verses: A Journey Through Inspiring Poetry