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Best Famous God Only Knows Poems

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Written by Robert William Service | Create an image from this poem

The Cremation Of Sam McGee

 There are strange things done in the midnight sun
 By the men who moil for gold;
The Arctic trails have their secret tales
 That would make your blood run cold;
The Northern Lights have seen ***** sights,
 But the queerest they ever did see
Was that night on the marge of Lake Lebarge
 I cremated Sam McGee.
Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam 'round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell; Though he'd often say in his homely way that he'd "sooner live in hell".
On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka's fold it stabbed like a driven nail.
If our eyes we'd close, then the lashes froze till sometimes we couldn't see; It wasn't much fun, but the only one to whimper was Sam McGee.
And that very night, as we lay packed tight in our robes beneath the snow, And the dogs were fed, and the stars o'erhead were dancing heel and toe, He turned to me, and "Cap," says he, "I'll cash in this trip, I guess; And if I do, I'm asking that you won't refuse my last request.
" Well, he seemed so low that I couldn't say no; then he says with a sort of moan: "It's the cursed cold, and it's got right hold till I'm chilled clean through to the bone.
Yet 'tain't being dead -- it's my awful dread of the icy grave that pains; So I want you to swear that, foul or fair, you'll cremate my last remains.
" A pal's last need is a thing to heed, so I swore I would not fail; And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee; And before nightfall a corpse was all that was left of Sam McGee.
There wasn't a breath in that land of death, and I hurried, horror-driven, With a corpse half hid that I couldn't get rid, because of a promise given; It was lashed to the sleigh, and it seemed to say: "You may tax your brawn and brains, But you promised true, and it's up to you to cremate those last remains.
" Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring, Howled out their woes to the homeless snows -- O God! how I loathed the thing.
And every day that quiet clay seemed to heavy and heavier grow; And on I went, though the dogs were spent and the grub was getting low; The trail was bad, and I felt half mad, but I swore I would not give in; And I'd often sing to the hateful thing, and it hearkened with a grin.
Till I came to the marge of Lake Lebarge, and a derelict there lay; It was jammed in the ice, but I saw in a trice it was called the "Alice May".
And I looked at it, and I thought a bit, and I looked at my frozen chum; Then "Here," said I, with a sudden cry, "is my cre-ma-tor-eum.
" Some planks I tore from the cabin floor, and I lit the boiler fire; Some coal I found that was lying around, and I heaped the fuel higher; The flames just soared, and the furnace roared -- such a blaze you seldom see; And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.
Then I made a hike, for I didn't like to hear him sizzle so; And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don't know why; And the greasy smoke in an inky cloak went streaking down the sky.
I do not know how long in the snow I wrestled with grisly fear; But the stars came out and they danced about ere again I ventured near; I was sick with dread, but I bravely said: "I'll just take a peep inside.
I guess he's cooked, and it's time I looked"; .
.
.
then the door I opened wide.
And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said: "Please close that door.
It's fine in here, but I greatly fear you'll let in the cold and storm -- Since I left Plumtree, down in Tennessee, it's the first time I've been warm.
" There are strange things done in the midnight sun By the men who moil for gold; The Arctic trails have their secret tales That would make your blood run cold; The Northern Lights have seen ***** sights, But the queerest they ever did see Was that night on the marge of Lake Lebarge I cremated Sam McGee.


Written by Barry Tebb | Create an image from this poem

THE SINGING SCHOOL

 The Poetry School, The Poetry Book Society, The Poetry Business:

So much poetry about you’d think I’d want to shout, “Hurray, hurray,

Every day’s Poetry Day!” but I don’t and you don’t either-

You know its flim-flam on the ether, grants for Jack-the-lads

Of both sexes, poets who’ve never been seen in a little magazine

Then gone on to win the Oopla Prize and made baroque architecture

The subject of an O.
U.
lecture.
Seventy five pounds for a seminar on sensitivity in verse; A hundred and fifty for an infinitely worse whole weekend of ‘Steps towards a personal fiction in post-modern diction’; And the inevitable course anthology, eight pounds for eleven Nameless poets Pascale Petit and Mimi Kahlvati carefully selected From, well honestly! Who cares? God only knows how banal they’re Bound to be.
Budding Roddy Lumsdens, (Has anyone read a Roddy Lumsden Poem?) “Yeah! Yeah! Yeah!” his first collection short-listed here and there - The sheer hype’s enough to put me off for life.
I still write at bus-stops and avoid competitions like the plague.
I’m not lucky that way, I’ve still to win a single literary prize.
Is there one for every day of the year? And as for James Kirkup, My mentor of forty-odd years, his name evokes blank stares; but Look him up in ‘Who’s Who’, countless OUP collections, the best- ever Version of Val?ry’s ‘Cimeti?re Marin’, translations from eleven tongues Including Vietnamese.
Is there nothing Jamie can do to please? I help one poet to write and one to stay alive; Please God help poor poets thrive.
Written by Robert William Service | Create an image from this poem

The Song Of The Camp-Fire

 Heed me, feed me, I am hungry, I am red-tongued with desire;
Boughs of balsam, slabs of cedar, gummy fagots of the pine,
Heap them on me, let me hug them to my eager heart of fire,
Roaring, soaring up to heaven as a symbol and a sign.
Bring me knots of sunny maple, silver birch and tamarack; Leaping, sweeping, I will lap them with my ardent wings of flame; I will kindle them to glory, I will beat the darkness back; Streaming, gleaming, I will goad them to my glory and my fame.
Bring me gnarly limbs of live-oak, aid me in my frenzied fight; Strips of iron-wood, scaly blue-gum, writhing redly in my hold; With my lunge of lurid lances, with my whips that flail the night, They will burgeon into beauty, they will foliate in gold.
Let me star the dim sierras, stab with light the inland seas; Roaming wind and roaring darkness! seek no mercy at my hands; I will mock the marly heavens, lamp the purple prairies, I will flaunt my deathless banners down the far, unhouseled lands.
In the vast and vaulted pine-gloom where the pillared forests frown, By the sullen, bestial rivers running where God only knows, On the starlit coral beaches when the combers thunder down, In the death-spell of the barrens, in the shudder of the snows; In a blazing belt of triumph from the palm-leaf to the pine, As a symbol of defiance lo! the wilderness I span; And my beacons burn exultant as an everlasting sign Of unending domination, of the mastery of Man; I, the Life, the fierce Uplifter, I that weaned him from the mire; I, the angel and the devil, I, the tyrant and the slave; I, the Spirit of the Struggle; I, the mighty God of Fire; I, the Maker and Destroyer; I, the Giver and the Grave.
II Gather round me, boy and grey-beard, frontiersman of every kind.
Few are you, and far and lonely, yet an army forms behind: By your camp-fires shall they know you, ashes scattered to the wind.
Peer into my heart of solace, break your bannock at my blaze; Smoking, stretched in lazy shelter, build your castles as you gaze; Or, it may be, deep in dreaming, think of dim, unhappy days.
Let my warmth and glow caress you, for your trails are grim and hard; Let my arms of comfort press you, hunger-hewn and battle-scarred: O my lovers! how I bless you with your lives so madly marred! For you seek the silent spaces, and their secret lore you glean: For you win the savage races, and the brutish Wild you wean; And I gladden desert places, where camp-fire has never been.
From the Pole unto the Tropics is there trail ye have not dared? And because you hold death lightly, so by death shall you be spared, (As the sages of the ages in their pages have declared).
On the roaring Arkilinik in a leaky bark canoe; Up the cloud of Mount McKinley, where the avalanche leaps through; In the furnace of Death Valley, when the mirage glimmers blue.
Now a smudge of wiry willows on the weary Kuskoquim; Now a flare of gummy pine-knots where Vancouver's scaur is grim; Now a gleam of sunny ceiba, when the Cuban beaches dim.
Always, always God's Great Open: lo! I burn with keener light In the corridors of silence, in the vestibules of night; 'Mid the ferns and grasses gleaming, was there ever gem so bright? Not for weaklings, not for women, like my brother of the hearth; Ring your songs of wrath around me, I was made for manful mirth, In the lusty, gusty greatness, on the bald spots of the earth.
Men, my masters! men, my lovers! ye have fought and ye have bled; Gather round my ruddy embers, softly glowing is my bed; By my heart of solace dreaming, rest ye and be comforted! III I am dying, O my masters! by my fitful flame ye sleep; My purple plumes of glory droop forlorn.
Grey ashes choke and cloak me, and above the pines there creep The stealthy silver moccasins of morn.
There comes a countless army, it's the Legion of the Light; It tramps in gleaming triumph round the world; And before its jewelled lances all the shadows of the night Back in to abysmal darknesses are hurled.
Leap to life again, my lovers! ye must toil and never tire; The day of daring, doing, brightens clear, When the bed of spicy cedar and the jovial camp-fire Must only be a memory of cheer.
There is hope and golden promise in the vast portentous dawn; There is glamour in the glad, effluent sky: Go and leave me; I will dream of you and love you when you're gone; I have served you, O my masters! let me die.
A little heap of ashes, grey and sodden by the rain, Wind-scattered, blurred and blotted by the snow: Let that be all to tell of me, and glorious again, Ye things of greening gladness, leap and glow! A black scar in the sunshine by the palm-leaf or the pine, Blind to the night and dead to all desire; Yet oh, of life and uplift what a symbol and a sign! Yet oh, of power and conquest what a destiny is mine! A little heap of ashes -- Yea! a miracle divine, The foot-print of a god, all-radiant Fire.
Written by Robert William Service | Create an image from this poem

The Wood-Cutter

 The sky is like an envelope,
 One of those blue official things;
 And, sealing it, to mock our hope,
 The moon, a silver wafer, clings.
What shall we find when death gives leave To read--our sentence or reprieve? I'm holding it down on God's scrap-pile, up on the ***-end of earth; O'er me a menace of mountains, a river that grits at my feet; Face to face with my soul-self, weighing my life at its worth; Wondering what I was made for, here in my last retreat.
Last! Ah, yes, it's the finish.
Have ever you heard a man cry? (Sobs that rake him and rend him, right from the base of the chest.
) That's how I've cried, oh, so often; and now that my tears are dry, I sit in the desolate quiet and wait for the infinite Rest.
Rest! Well, it's restful around me; it's quiet clean to the core.
The mountains pose in their ermine, in golden the hills are clad; The big, blue, silt-freighted Yukon seethes by my cabin door, And I think it's only the river that keeps me from going mad.
By day it's a ruthless monster, a callous, insatiate thing, With oily bubble and eddy, with sudden swirling of breast; By night it's a writhing Titan, sullenly murmuring, Ever and ever goaded, and ever crying for rest.
It cries for its human tribute, but me it will never drown.
I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town, Where wood means wine and women, and, incidentally, hell.
Hell and the anguish thereafter.
Here as I sit alone I'd give the life I have left me to lighten some load of care: (The bitterest part of the bitter is being denied to atone; Lips that have mocked at Heaven lend themselves ill to prayer.
) Impotent as a beetle pierced on the needle of Fate; A wretch in a cosmic death-cell, peaks for my prison bars; 'Whelmed by a world stupendous, lonely and listless I wait, Drowned in a sea of silence, strewn with confetti of stars.
See! from far up the valley a rapier pierces the night, The white search-ray of a steamer.
Swiftly, serenely it nears; A proud, white, alien presence, a glittering galley of light, Confident-poised, triumphant, freighted with hopes and fears.
I look as one looks on a vision; I see it pulsating by; I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
Darkness is piled upon darkness.
God only knows how I feel.
Maybe you've seen me sometimes; maybe you've pitied me then-- The lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men, I shall be far from your pity, resting forevermore.
My life was a problem in ciphers, a weary and profitless sum.
Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me.
Oh, Death, with thy moistened thumb, Stoop like a petulant schoolboy, wipe me forever out!
Written by Victor Hugo | Create an image from this poem

TO ALBERT DÜRER

 ("Dans les vieilles forêts.") 
 
 {X., April 20, 1837.} 


 Through ancient forests—where like flowing tide 
 The rising sap shoots vigor far and wide, 
 Mounting the column of the alder dark 
 And silv'ring o'er the birch's shining bark— 
 Hast thou not often, Albert Dürer, strayed 
 Pond'ring, awe-stricken—through the half-lit glade, 
 Pallid and trembling—glancing not behind 
 From mystic fear that did thy senses bind, 
 Yet made thee hasten with unsteady pace? 
 Oh, Master grave! whose musings lone we trace 
 Throughout thy works we look on reverently. 
 Amidst the gloomy umbrage thy mind's eye 
 Saw clearly, 'mong the shadows soft yet deep, 
 The web-toed faun, and Pan the green-eyed peep, 
 Who deck'd with flowers the cave where thou might'st rest, 
 Leaf-laden dryads, too, in verdure drest. 
 A strange weird world such forest was to thee, 
 Where mingled truth and dreams in mystery; 
 There leaned old ruminating pines, and there 
 The giant elms, whose boughs deformed and bare 
 A hundred rough and crooked elbows made; 
 And in this sombre group the wind had swayed, 
 Nor life—nor death—but life in death seemed found. 
 The cresses drink—the water flows—and round 
 Upon the slopes the mountain rowans meet, 
 And 'neath the brushwood plant their gnarled feet, 
 Intwining slowly where the creepers twine. 
 There, too, the lakes as mirrors brightly shine, 
 And show the swan-necked flowers, each line by line. 
 Chimeras roused take stranger shapes for thee, 
 The glittering scales of mailèd throat we see, 
 And claws tight pressed on huge old knotted tree; 
 While from a cavern dim the bright eyes glare. 
 Oh, vegetation! Spirit! Do we dare 
 Question of matter, and of forces found 
 'Neath a rude skin-in living verdure bound. 
 Oh, Master—I, like thee, have wandered oft 
 Where mighty trees made arches high aloft, 
 But ever with a consciousness of strife, 
 A surging struggle of the inner life. 
 Ever the trembling of the grass I say, 
 And the boughs rocking as the breezes play, 
 Have stirred deep thoughts in a bewild'ring way. 
 Oh, God! alone Great Witness of all deeds, 
 Of thoughts and acts, and all our human needs, 
 God only knows how often in such scenes 
 Of savage beauty under leafy screens, 
 I've felt the mighty oaks had spirit dower— 
 Like me knew mirth and sorrow—sentient power, 
 And whisp'ring each to each in twilight dim, 
 Had hearts that beat—and owned a soul from Him! 
 
 MRS. NEWTON CROSLAND 


 






Written by Algernon Charles Swinburne | Create an image from this poem

The Higher Pantheism in a Nutshell

 One, who is not, we see; but one, whom we see not, is; 
Surely this is not that; but that is assuredly this.
What, and wherefore, and whence? for under is over and under; If thunder could be without lightning, lightning could be without thunder.
Doubt is faith in the main; but faith, on the whole, is doubt; We cannot believe by proof; but could we believe without? Why, and whither, and how? for barley and rye are not clover; Neither are straight lines curves; yet over is under and over.
Two and two may be four; but four and four are not eight; Fate and God may be twain; but God is the same as fate.
Ask a man what he thinks, and get from a man what he feels; God, once caught in the fact, shows you a fair pair of heels.
Body and spirit are twins; God only knows which is which; The soul squats down in the flesh, like a tinker drunk in a ditch.
More is the whole than a part; but half is more than the whole; Clearly, the soul is the body; but is not the body the soul? One and two are not one; but one and nothing is two; Truth can hardly be false, if falsehood cannot be true.
Once the mastodon was; pterodactyls were common as cocks; Then the mammoth was God; now is He a prize ox.
Parallels all things are; yet many of these are askew; You are certainly I; but certainly I am not you.
Springs the rock from the plain, shoots the stream from the rock; Cocks exist for the hen; but hens exist for the cock.
God, whom we see not, is; and God, who is not, we see; Fiddle, we know, is diddle, and diddle, we take it, is dee.
Written by Carl Sandburg | Create an image from this poem

Snow

 SNOW took us away from the smoke valleys into white mountains, we saw velvet blue cows eating a vermillion grass and they gave us a pink milk.
Snow changes our bones into fog streamers caught by the wind and spelled into many dances.
Six bits for a sniff of snow in the old days bought us bubbles beautiful to forget floating long arm women across sunny autumn hills.
Our bones cry and cry, no let-up, cry their telegrams: More, more—a yen is on, a long yen and God only knows when it will end.
In the old days six bits got us snow and stopped the yen—now the government says: No, no, when our bones cry their telegrams: More, more.
The blue cows are dying, no more pink milk, no more floating long arm women, the hills are empty—us for the smoke valleys—sneeze and shiver and croak, you dopes—the government says: No, no.
Written by Adela Florence Cory Nicolson | Create an image from this poem

Afridi Love

   Since, Oh, Beloved, you are not even faithful
     To me, who loved you so, for one short night,
   For one brief space of darkness, though my absence
     Did but endure until the dawning light;

   Since all your beauty—which was mine—you squandered
     On that which now lies dead across your door;
   See here this knife, made keen and bright to kill you.
     You shall not see the sun rise any more.

   Lie still!  Lie still!  In all the empty village
     Who is there left to hear or heed your cry?
   All are gone to labour in the valley,
     Who will return before your time to die?

   No use to struggle; when I found you sleeping,
     I took your hands and bound them to your side,
   And both these slender feet, too apt at straying,
     Down to the cot on which you lie are tied.

   Lie still, Beloved; that dead thing lying yonder,
     I hated and I killed, but love is sweet,
   And you are more than sweet to me, who love you,
     Who decked my eyes with dust from off your feet.

   Give me your lips; Ah, lovely and disloyal
     Give me yourself again; before you go
   Down through the darkness of the Great, Blind Portal,
     All of life's best and basest you must know.

   Erstwhile Beloved, you were so young and fragile
     I held you gently, as one holds a flower:
   But now, God knows, what use to still be tender
     To one whose life is done within an hour?

   I hurt?  What then?  Death will not hurt you, dearest,
     As you hurt me, for just a single night,
   You call me cruel, who laid my life in ruins
     To gain one little moment of delight.

   Look up, look out, across the open doorway
     The sunlight streams.  The distant hills are blue.
   Look at the pale, pink peach trees in our garden,
     Sweet fruit will come of them;—but not for you.

   The fair, far snow, upon those jagged mountains
     That gnaw against the hard blue Afghan sky
   Will soon descend, set free by summer sunshine.
     You will not see those torrents sweeping by.

   The world is not for you.  From this day forward,
     You must lie still alone; who would not lie
   Alone for one night only, though returning
     I was, when earliest dawn should break the sky.

   There lies my lute, and many strings are broken,
     Some one was playing it, and some one tore
   The silken tassels round my Hookah woven;
     Some one who plays, and smokes, and loves, no more!

   Some one who took last night his fill of pleasure,
     As I took mine at dawn!  The knife went home
   Straight through his heart!  God only knows my rapture
     Bathing my chill hands in the warm red foam.

   And so I pain you?  This is only loving,
     Wait till I kill you!  Ah, this soft, curled hair!
   Surely the fault was mine, to love and leave you
     Even a single night, you are so fair.

   Cold steel is very cooling to the fervour
     Of over passionate ones, Beloved, like you.
   Nay, turn your lips to mine.  Not quite unlovely
     They are as yet, as yet, though quite untrue.

   What will your brother say, to-night returning
     With laden camels homewards to the hills,
   Finding you dead, and me asleep beside you,
     Will he awake me first before he kills?

   For I shall sleep.  Here on the cot beside you
     When you, my Heart's Delight, are cold in death.
   When your young heart and restless lips are silent,
     Grown chilly, even beneath my burning breath.

   When I have slowly drawn my knife across you,
     Taking my pleasure as I see you swoon,
   I shall sleep sound, worn out by love's last fervour,
     And then, God grant your kinsmen kill me soon!

Book: Reflection on the Important Things