Written by
Tupac Shakur |
Father forgive us for living
Why are all my homies stuck in prison?
Barely breathing, believing that this world is a prison
It's like a ghetto we can never leave
A broken rose giving bloom through the cracks of the concrete
So many things for us to see
Things to be
Our history so full of tragedy and misery
To all the homies who never made it home
The dead peers I shed tattooed tears for when I'm alone
Picture us inside a ghetto heaven
A place to rest finding peace through this land of stress
In my chest I feel pain come in sudden storms
A life full of rain in this game watch for land thorns
Our unborn never got to grow, never got to see what's next
In this world filled with countless threats
I beg God to find a way for our ghetto kids to breath
Show a sign make us all believe
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Written by
Suheir Hammad |
poem supposed to be about
one minute and the lives of three women in it
writing it and up
the block a woman killed
by her husband
poem now about one minute
and the lives of four women
in it
haitian mother
she walks through
town carrying her son's
head—banging it against
her thigh calling out
creole come see, see what
they've done to my flesh
holds on to him grip tight
through hair wool
his head all that's
left of her
in tunisia
she folds pay up into stocking
washes his european semen
off her head
hands her heart to god
and this month's rent to mother
sings berber the gold
haired one favored me, rode
and ripped my flesh, i now
have food to eat
brooklyn lover
stumbles—streets ragged under sneakers
she carries her heart
banged up against
thighs crying ghetto
look, look what's been done with
my flesh, my trust, humanity,
somebody tell me
something good
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Written by
Emanuel Xavier |
It rained the day they buried Tito Puente
The eyes of drug dealers following me
as I walked through the streets
past shivering prostitutes
women of every sex
young boys full of piss
and lampposts like ghosts in the night
past Jimmy the hustler boy
with the really big dick
cracked out on the sidewalk
wrapped in a blanket donated by the trick
that also gave him genital herpes
and Fruit Loops for breakfast
past the hospital where Tio Cesar
got his intestines taken out
in exchange for a plastic bag
where he now shits and pisses
the 40’s he consumed for 50 years
past 3 of the thugs
who sexually assaulted those women
at Central Park
during the Puerto Rican Day parade
lost in their machismo,
marijuana and Mira mami’s
‘cause boricuas do it better
Tito’s rambunctious and unruly rhythms never touched them
never inspired them to rise above the ghetto
and, like La Bruja said, “Ghet Over It!”
his timbales never echoed
in the salsa of their souls
though they had probably danced
to his cha-cha-cha
they never listened to the message
between the beats
urging them to follow their hearts
On a train back to Brooklyn
feeling dispossessed and dreamless
I look up to read one of those
Poetry In Motion ads
sharing a car with somebody sleeping
realizing
that inspiration is everywhere these days
& though the Mambo King’s body
may be six-feet under
his laughter and legend will live forever
The next morning
I heard the crow crowing, “Oye Como Va”
his song was the sunlight in my universe
& I could feel Tito’s smile
shining down on me
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Written by
Henry Wadsworth Longfellow |
How strange it seems! These Hebrews in their graves,
Close by the street of this fair seaport town,
Silent beside the never-silent waves,
At rest in all this moving up and down!
The trees are white with dust, that o'er their sleep
Wave their broad curtains in the southwind's breath,
While underneath these leafy tents they keep
The long, mysterious Exodus of Death.
And these sepulchral stones, so old and brown,
That pave with level flags their burial-place,
Seem like the tablets of the Law, thrown down
And broken by Moses at the mountain's base.
The very names recorded here are strange,
Of foreign accent, and of different climes;
Alvares and Rivera interchange
With Abraham and Jacob of old times.
"Blessed be God! for he created Death!"
The mourner said, "and Death is rest and peace!"
Then added, in the certainty of faith,
"And giveth Life that nevermore shall cease.
"
Closed are the portals of their Synagogue,
No Psalms of David now the silence break,
No Rabbi reads the ancient Decalogue
In the grand dialect the Prophets spake.
Gone are the living, but the dead remain,
And not neglected; for a hand unseen,
Scattering its bounty, like a summer rain,
Still keeps their graves and their remembrance green.
How came they here? What burst of Christian hate,
What persecution, merciless and blind,
Drove o'er the sea -that desert desolate -
These Ishmaels and Hagars of mankind?
They lived in narrow streets and lanes obscure,
Ghetto and Judenstrass, in mirk and mire;
Taught in the school of patience to endure
The life of anguish and the death of fire.
All their lives long, with the unleavened bread
And bitter herbs of exile and its fears,
The wasting famine of the heart they fed,
And slaked its thirst with marah of their tears.
Anathema maranatha! was the cry
That rang from town to town, from street to street:
At every gate the accursed Mordecai
Was mocked and jeered, and spurned by Christian feet.
Pride and humiliation hand in hand
Walked with them through the world where'er they went;
Trampled and beaten were they as the sand,
And yet unshaken as the continent.
For in the background figures vague and vast
Of patriarchs and of prophets rose sublime,
And all the great traditions of the Past
They saw reflected in the coming time.
And thus forever with reverted look
The mystic volume of the world they read,
Spelling it backward, like a Hebrew book,
Till life became a Legend of the Dead.
But ah! what once has been shall be no more!
The groaning earth in travail and in pain
Brings forth its races, but does not restore,
And the dead nations never rise again.
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Written by
Czeslaw Milosz |
In Rome on the Campo di Fiori
Baskets of olives and lemons,
Cobbles spattered with wine
And the wreckage of flowers.
Vendors cover the trestles
With rose-pink fish;
Armfuls of dark grapes
Heaped on peach-down.
On this same square
They burned Giordano Bruno.
Henchmen kindled the pyre
Close-pressed by the mob.
Before the flames had died
The taverns were full again,
Baskets of olives and lemons
Again on the vendors' shoulders.
I thought of the Campo dei Fiori
In Warsaw by the sky-carousel
One clear spring evening
To the strains of a carnival tune.
The bright melody drowned
The salvos from the ghetto wall,
And couples were flying
High in the cloudless sky.
At times wind from the burning
Would driff dark kites along
And riders on the carousel
Caught petals in midair.
That same hot wind
Blew open the skirts of the girls
And the crowds were laughing
On that beautiful Warsaw Sunday.
Someone will read as moral
That the people of Rome or Warsaw
Haggle, laugh, make love
As they pass by martyrs' pyres.
Someone else will read
Of the passing of things human,
Of the oblivion
Born before the flames have died.
But that day I thought only
Of the loneliness of the dying,
Of how, when Giordano
Climbed to his burning
There were no words
In any human tongue
To be left for mankind,
Mankind who live on.
Already they were back at their wine
Or peddled their white starfish,
Baskets of olives and lemons
They had shouldered to the fair,
And he already distanced
As if centuries had passed
While they paused just a moment
For his flying in the fire.
Those dying here, the lonely
Forgotten by the world,
Our tongue becomes for them
The language of an ancient planet.
Until, when all is legend
And many years have passed,
On a great Campo dci Fiori
Rage will kindle at a poet's word.
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