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Best Famous Gene Poems

Here is a collection of the all-time best famous Gene poems. This is a select list of the best famous Gene poetry. Reading, writing, and enjoying famous Gene poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gene poems.

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Written by Allen Ginsberg | Create an image from this poem

Death and Fame

 When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St.
Patrick's Cathedral, St.
Mark's Church, the largest synagogue in Manhattan First, there's family, brother, nephews, spry aged Edith stepmother 96, Aunt Honey from old Newark, Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister- in-law blonde Connie, five nephews, stepbrothers & sisters their grandchildren, companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan-- Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche, there Sakyong Mipham, Dalai Lama alert, chance visiting America, Satchitananda Swami Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche, Katagiri & Suzuki Roshi's phantoms Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau Roshis, Lama Tarchen -- Then, most important, lovers over half-century Dozens, a hundred, more, older fellows bald & rich young boys met naked recently in bed, crowds surprised to see each other, innumerable, intimate, exchanging memories "He taught me to meditate, now I'm an old veteran of the thousand day retreat --" "I played music on subway platforms, I'm straight but loved him he loved me" "I felt more love from him at 19 than ever from anyone" "We'd lie under covers gossip, read my poetry, hug & kiss belly to belly arms round each other" "I'd always get into his bed with underwear on & by morning my skivvies would be on the floor" "Japanese, always wanted take it up my bum with a master" "We'd talk all night about Kerouac & Cassady sit Buddhalike then sleep in his captain's bed.
" "He seemed to need so much affection, a shame not to make him happy" "I was lonely never in bed nude with anyone before, he was so gentle my stomach shuddered when he traced his finger along my abdomen nipple to hips-- " "All I did was lay back eyes closed, he'd bring me to come with mouth & fingers along my waist" "He gave great head" So there be gossip from loves of 1948, ghost of Neal Cassady commin- gling with flesh and youthful blood of 1997 and surprise -- "You too? But I thought you were straight!" "I am but Ginsberg an exception, for some reason he pleased me.
" "I forgot whether I was straight gay ***** or funny, was myself, tender and affectionate to be kissed on the top of my head, my forehead throat heart & solar plexus, mid-belly.
on my prick, tickled with his tongue my behind" "I loved the way he'd recite 'But at my back allways hear/ time's winged chariot hurrying near,' heads together, eye to eye, on a pillow --" Among lovers one handsome youth straggling the rear "I studied his poetry class, 17 year-old kid, ran some errands to his walk-up flat, seduced me didn't want to, made me come, went home, never saw him again never wanted to.
.
.
" "He couldn't get it up but loved me," "A clean old man.
" "He made sure I came first" This the crowd most surprised proud at ceremonial place of honor-- Then poets & musicians -- college boys' grunge bands -- age-old rock star Beatles, faithful guitar accompanists, gay classical con- ductors, unknown high Jazz music composers, funky trum- peters, bowed bass & french horn black geniuses, folksinger fiddlers with dobro tamborine harmonica mandolin auto- harp pennywhistles & kazoos Next, artist Italian romantic realists schooled in mystic 60's India, Late fauve Tuscan painter-poets, Classic draftsman Massa- chusets surreal jackanapes with continental wives, poverty sketchbook gesso oil watercolor masters from American provinces Then highschool teachers, lonely Irish librarians, delicate biblio- philes, sex liberation troops nay armies, ladies of either sex "I met him dozens of times he never remembered my name I loved him anyway, true artist" "Nervous breakdown after menopause, his poetry humor saved me from suicide hospitals" "Charmant, genius with modest manners, washed sink, dishes my studio guest a week in Budapest" Thousands of readers, "Howl changed my life in Libertyville Illinois" "I saw him read Montclair State Teachers College decided be a poet-- " "He turned me on, I started with garage rock sang my songs in Kansas City" "Kaddish made me weep for myself & father alive in Nevada City" "Father Death comforted me when my sister died Boston l982" "I read what he said in a newsmagazine, blew my mind, realized others like me out there" Deaf & Dumb bards with hand signing quick brilliant gestures Then Journalists, editors's secretaries, agents, portraitists & photo- graphy aficionados, rock critics, cultured laborors, cultural historians come to witness the historic funeral Super-fans, poetasters, aging Beatnicks & Deadheads, autograph- hunters, distinguished paparazzi, intelligent gawkers Everyone knew they were part of 'History" except the deceased who never knew exactly what was happening even when I was alive February 22, 1997


Written by Alec Derwent (A D) Hope | Create an image from this poem

Parabola

 Year after year the princess lies asleep 
Until the hundred years foretold are done, 
Easily drawing her enchanted breath.
Caught on the monstrous thorns around the keep, Bones of the youths who sought her, one by one Rot loose and rattle to the ground beneath.
But when the Destined Lover at last shall come, For whom alone Fortune reserves the prize The thorns give way; he mounts the cobwebbed stair Unerring he finds the tower, the door, the room, The bed where, waking at his kiss she lies Smiling in the loose fragrance of her hair.
That night, embracing on the bed of state, He ravishes her century of sleep And she repays the debt of that long dream; Future and Past compose their vast debate; His seed now sown, her harvest ripe to reap Enact a variation on the theme.
For in her womb another princess waits, A sleeping cell, a globule of bright dew.
Jostling their way up that mysterious stair, A horde of lovers bursts between the gates, All doomed but one, the destined suitor, who By luck first reaches her and takes her there.
A parable of all we are or do! The life of Nature is a formal dance In which each step is ruled by what has been And yet the pattern emerges always new The marriage of linked cause and random chance Gives birth perpetually to the unforeseen.
One parable for the body and the mind: With science and heredity to thank The heart is quite predictable as a pump, But, let love change its beat, the choice is blind.
'Now' is a cross-roads where all maps prove blank, And no one knows which way the cat will jump.
So here stand I, by birth a cross between Determined pattern and incredible chance, Each with an equal share in what I am.
Though I should read the code stored in the gene, Yet the blind lottery of circumstance Mocks all solutions to its cryptogram.
As in my flesh, so in my spirit stand I When does this hundred years draw to its close? The hedge of thorns before me gives no clue.
My predecessor's carcass, shrunk and dry, Stares at me through the spikes.
Oh well, here goes! I have this thing, and only this, to do.
Written by Ruth Stone | Create an image from this poem

Spring Beauties

The abandoned campus,
empty brick buildings and early June
when you came to visit me;
crossing the states midway,
the straggled belts of little roads;
hitchhiking with your portable typewriter.
The campus, an academy of trees, under which some hand, the wind's I guess, had scattered the pale light of thousands of spring beauties, petals stained with pink veins; secret, blooming for themselves.
We sat among them.
Your long fingers, thin body, and long bones of improbable genius; some scattered gene as Kafka must have had.
Your deep voice, this passing dust of miracles.
That simple that was myself, half conscious, as though each moment was a page where words appeared; the bent hammer of the type struck against the moving ribbon.
The light air, the restless leaves; the ripple of time warped by our longing.
There, as if we were painted by some unknown impressionist.
Written by Amy Clampitt | Create an image from this poem

A Hedge Of Rubber Trees

 The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands.
She lived, impervious to trends, behind a potted hedge of rubber trees, with three cats, a canary—refuse from whose cage kept sifting down and then germinating, a yearning seedling choir, around the saucers on the windowsill—and an inexorable cohort of roaches she was too nearsighted to deal with, though she knew they were there, and would speak of them, ruefully, as of an affliction that might once, long ago, have been prevented.
Unclassifiable castoffs, misfits, marginal cases: when you're one yourself, or close to it, there's a reassurance in proving you haven't quite gone under by taking up with somebody odder than you are.
Or trying to.
"They're my friends," she'd say of her cats—Mollie, Mitzi and Caroline, their names were, and she was forever taking one or another in a cab to the vet—as though she had no others.
The roommate who'd become a nun, the one who was Jewish, the couple she'd met on a foliage tour, one fall, were all people she no longer saw.
She worked for a law firm, said all the judges were alcoholic, had never voted.
But would sometimes have me to dinner—breaded veal, white wine, strawberry Bavarian—and sometimes, from what she didn't know she was saying, I'd snatch a shred or two of her threadbare history.
Baltic cold.
Being sent home in a troika when her feet went numb.
In summer, carriage rides.
A swarm of gypsy children driven off with whips.
An octogenarian father, bishop of a dying schismatic sect.
A very young mother who didn't want her.
A half-brother she met just once.
Cousins in Wisconsin, one of whom phoned her from a candy store, out of the blue, while she was living in Chicago.
What had brought her there, or when, remained unclear.
As did much else.
We'd met in church.
I noticed first a big, soaring soprano with a wobble in it, then the thickly wreathed and braided crimp in the mouse- gold coiffure.
Old? Young? She was of no age.
Through rimless lenses she looked out of a child's, or a doll's, globular blue.
Wore Keds the year round, tended otherwise to overdress.
Owned a mandolin.
Once I got her to take it down from the mantel and plink out, through a warm fuddle of sauterne, a lot of giddy Italian airs from a songbook whose pages had started to crumble.
The canary fluffed and quivered, and the cats, amazed, came out from under the couch and stared.
What could the offspring of the schismatic age and a reluctant child bride expect from life? Not much.
Less and less.
A dream she'd had kept coming back, years after.
She'd taken a job in Washington with some right-wing lobby, and lived in one of those bow-windowed mansions that turn into roominghouses, and her room there had a full-length mirror: oval, with a molding, is the way I picture it.
In her dream something woke her, she got up to look, and there in the glass she'd had was covered over—she gave it a wondering emphasis—with gray veils.
The West Village was changing.
I was changing.
The last time I asked her to dinner, she didn't show.
Hours— or was it days?—later, she phoned to explain: she hadn't been able to find my block; a patrolman had steered her home.
I spent my evenings canvassing for Gene McCarthy.
Passing, I'd see her shades drawn, no light behind the rubber trees.
She wasn't out, she didn't own a TV.
She was in there, getting gently blotto.
What came next, I wasn't brave enough to know.
Only one day, passing, I saw new shades, quick-chic matchstick bamboo, going up where the waterstained old ones had been, and where the seedlings— O gray veils, gray veils—had risen and gone down.

Book: Reflection on the Important Things