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Best Famous Gauzy Poems

Here is a collection of the all-time best famous Gauzy poems. This is a select list of the best famous Gauzy poetry. Reading, writing, and enjoying famous Gauzy poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gauzy poems.

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Written by Allen Ginsberg | Create an image from this poem

Hospital Window

At gauzy dusk, thin haze like cigarette smoke 
ribbons past Chrysler Building's silver fins 
tapering delicately needletopped, Empire State's 
taller antenna filmed milky lit amid blocks 
black and white apartmenting veil'd sky over Manhattan, 
offices new built dark glassed in blueish heaven--The East 
50's & 60's covered with castles & watertowers, seven storied 
tar-topped house-banks over York Avenue, late may-green trees 
surrounding Rockefellers' blue domed medical arbor-- 
Geodesic science at the waters edge--Cars running up 
East River Drive, & parked at N.Y. Hospital's oval door 
where perfect tulips flower the health of a thousand sick souls 
trembling inside hospital rooms. Triboro bridge steel-spiked 
penthouse orange roofs, sunset tinges the river and in a few 
Bronx windows, some magnesium vapor brilliances're 
spotted five floors above E 59th St under grey painted bridge 
trestles. Way downstream along the river, as Monet saw Thames 
100 years ago, Con Edison smokestacks 14th street, 
& Brooklyn Bridge's skeined dim in modern mists-- 
Pipes sticking up to sky nine smokestacks huge visible-- 
U.N. Building hangs under an orange crane, & red lights on 
vertical avenues below the trees turn green at the nod 
of a skull with a mild nerve ache. Dim dharma, I return 
to this spectacle after weeks of poisoned lassitude, my thighs 
belly chest & arms covered with poxied welts, 
head pains fading back of the neck, right eyebrow cheek 
mouth paralyzed--from taking the wrong medicine, sweated 
too much in the forehead helpless, covered my rage from 
gorge to prostate with grinding jaw and tightening anus 
not released the weeping scream of horror at robot Mayaguez 
World self ton billions metal grief unloaded 
Pnom Penh to Nakon Thanom, Santiago & Tehran. 
Fresh warm breeze in the window, day's release 
>from pain, cars float downside the bridge trestle 
and uncounted building-wall windows multiplied a mile 
deep into ash-delicate sky beguile 
my empty mind. A seagull passes alone wings 
spread silent over roofs. 

- May 20, 1975 Mayaguez Crisis 


Written by Oscar Wilde | Create an image from this poem

Her Voice

 The wild bee reels from bough to bough
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love: it was here I trow
I made that vow,

Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun, -
It shall be, I said, for eternity
'Twixt you and me!
Dear friend, those times are over and done;
Love's web is spun.

Look upward where the poplar trees
Sway and sway in the summer air,
Here in the valley never a breeze
Scatters the thistledown, but there
Great winds blow fair
From the mighty murmuring mystical seas,
And the wave-lashed leas.

Look upward where the white gull screams,
What does it see that we do not see?
Is that a star? or the lamp that gleams
On some outward voyaging argosy, -
Ah! can it be
We have lived our lives in a land of dreams!
How sad it seems.

Sweet, there is nothing left to say
But this, that love is never lost,
Keen winter stabs the breasts of May
Whose crimson roses burst his frost,
Ships tempest-tossed
Will find a harbour in some bay,
And so we may.

And there is nothing left to do
But to kiss once again, and part,
Nay, there is nothing we should rue,
I have my beauty, - you your Art,
Nay, do not start,
One world was not enough for two
Like me and you.
Written by Anne Sexton | Create an image from this poem

The Division Of Parts

 1.
Mother, my Mary Gray,
once resident of Gloucester
and Essex County,
a photostat of your will
arrived in the mail today.
This is the division of money.
I am one third
of your daughters counting my bounty
or I am a queen alone
in the parlor still,
eating the bread and honey.
It is Good Friday.
Black birds pick at my window sill.
Your coat in my closet,
your bright stones on my hand,
the gaudy fur animals
I do not know how to use,
settle on me like a debt.
A week ago, while the hard March gales
beat on your house,
we sorted your things: obstacles
of letters, family silver,
eyeglasses and shoes.
Like some unseasoned Christmas, its scales
rigged and reset,
I bundled out gifts I did not choose.
Now the houts of The Cross
rewind. In Boston, the devout
work their cold knees
toward that sweet martyrdom
that Christ planned. My timely loss
is too customary to note; and yet
I planned to suffer
and I cannot. It does not please
my yankee bones to watch
where the dying is done
in its usly hours. Black birds peck
at my window glass
and Easter will take its ragged son.
The clutter of worship
that you taught me, Mary Gray,
is old. I imitate
a memory of belief
that I do not own. I trip
on your death and jesus, my stranger
floats up over
my Christian home, wearing his straight
thorn tree. I have cast my lot
and am one third thief
of you. Time, that rearranger
of estates, equips
me with your garments, but not with grief.

2.
This winter when
cancer began its ugliness
I grieved with you each day
for three months
and found you in your private nook
of the medicinal palace
for New England Women
and never once
forgot how long it took.
I read to you
from The New Yorker, ate suppers
you wouldn't eat, fussed
with your flowers,
joked with your nurses, as if I
were the balm among lepers,
as if I could undo
a life in hours
if I never said goodbye.
But you turned old,
all your fifty-eight years sliding
like masks from your skull;
and at the end
I packed your nightgowns in suitcases,
paid the nurses, came riding
home as if I'd been told
I could pretend
people live in places.

3.
Since then I have pretended ease,
loved with the trickeries of need, but not enough
to shed my daughterhood
or sweeten him as a man.
I drink the five o' clock martinis
and poke at this dry page like a rough
goat. Fool! I fumble my lost childhood
for a mother and lounge in sad stuff
with love to catch and catch as catch can.
And Christ still waits. I have tried
to exorcise the memory of each event
and remain still, a mixed child,
heavy with cloths of you.
Sweet witch, you are my worried guide.
Such dangerous angels walk through Lent.
Their walls creak Anne! Convert! Convert!
My desk moves. Its cavr murmurs Boo
and I am taken and beguiled.
Or wrong. For all the way I've come
I'll have to go again. Instead, I must convert
to love as reasonable
as Latin, as sold as earthenware:
an equilibrium
I never knew. And Lent will keep its hurt
for someone else. Christ knows enough
staunch guys have hitched him in trouble.
thinking his sticks were badges to wear.

4.
Spring rusts on its skinny branch
and last summer's lawn
is soggy and brown.
Yesterday is just a number.
All of its winters avalanche
out of sight. What was, is gone.
Mother, last night I slept
in your Bonwit Teller nightgown.
Divided, you climbed into my head.
There in my jabbering dream
I heard my own angry cries
and I cursed you, Dame
keep out of my slumber.
My good Dame, you are dead.
And Mother, three stones
slipped from your glittering eyes.
Now it's Friday's noon
and I would still curse
you with my rhyming words
and bring you flapping back, old love,
old circus knitting, god-in-her-moon,
all fairest in my lang syne verse,
the gauzy bride among the children,
the fancy amid the absurd
and awkward, that horn for hounds
that skipper homeward, that museum
keeper of stiff starfish, that blaze
within the pilgrim woman,
a clown mender, a dove's
cheek among the stones,
my Lady of first words,
this is the division of ways.
And now, while Christ stays
fastened to his Crucifix
so that love may praise
his sacrifice
and not the grotesque metaphor,
you come, a brave ghost, to fix
in my mind without praise
or paradise
to make me your inheritor.
Written by Randall Jarrell | Create an image from this poem

Cinderella

 Her imaginary playmate was a grown-up 
In sea-coal satin. The flame-blue glances, 
The wings gauzy as the membrane that the ashes 
Draw over an old ember --as the mother 
In a jug of cider-- were a comfort to her. 
They sat by the fire and told each other stories. 

"What men want..." said the godmother softly-- 
How she went on it is hard for a man to say. 
Their eyes, on their Father, were monumental marble. 
Then they smiled like two old women, bussed each other, 
Said, "Gossip, gossip"; and, lapped in each other's looks, 
Mirror for Mirror, drank a cup of tea. 

Of cambric tea. But there is a reality 
Under the good silk of the good sisters' 
Good ball gowns. She knew... Hard-breasted, naked-eyed, 
She pushed her silk feet into glass, and rose within 
A gown of imaginary gauze. The shy prince drank 
A toast to her in champagne from her slipper 

And breathed, "Bewitching!" Breathed, "I am bewitched!" 
--She said to her godmother, "Men!" 
And, later, looking down to see her flesh 
Look back up from under lace, the ashy gauze 
And pulsing marble of a bridal veil, 
She wished it all a widow's coal-black weeds. 

A sullen wife and a reluctant mother, 
She sat all day in silence by the fire. 
Better, later, to stare past her sons' sons, 
Her daughters' daughter, and tell stories to the fire. 
But best, dead, damned, to rock forever 
Beside Hell's fireside-- to see within the flames 

The Heaven to whosee gold-gauzed door there comes 
A little dark old woman, the God's Mother, 
And cries, "Come in, come in! My son's out now, 
Out now, will be back soon, may be back never, 
Who knows, eh? We know what they are--men, men! 
But come, come in till then! Come in till then!
Written by Oliver Wendell Holmes | Create an image from this poem

The Iron Gate

 WHERE is this patriarch you are kindly greeting?
Not unfamiliar to my ear his name,
Nor yet unknown to many a joyous meeting
In days long vanished,-- is he still the same,

Or changed by years, forgotten and forgetting,
Dull-eared, dim-sighted, slow of speech and thought,
Still o'er the sad, degenerate present fretting,
Where all goes wrong, and nothing as it ought?

Old age, the graybeard! Well, indeed, I know him,--
Shrunk, tottering, bent, of aches and ills the prey;
In sermon, story, fable, picture, poem,
Oft have I met him from my earliest day:

In my old Aesop, toiling with his bundle,--
His load of sticks,-- politely asking Death,
Who comes when called for,-- would he lug or trundle
His fagot for him?-- he was scant of breath.

And sad "Ecclesiastes, or the Preacher,"--
Has he not stamped tbe image on my soul,
In that last chapter, where the worn-out Teacher
Sighs o'er the loosened cord, the broken bowl?

Yes, long, indeed, I 've known him at a distance,
And now my lifted door-latch shows him here;
I take his shrivelled hand without resistance,
And find him smiling as his step draws near.

What though of gilded baubles he bereaves us,
Dear to the heart of youth, to manhood's prime;
Think of the calm he brings, the wealth he leaves us,
The hoarded spoils, the legacies of time!

Altars once flaming, still with incense fragrant,
Passion's uneasy nurslings rocked asleep,
Hope's anchor faster, wild desire less vagrant,
Life's flow less noisy, but the stream how deep!

Still as the silver cord gets worn and slender,
Its lightened task-work tugs with lessening strain,
Hands get more helpful, voices, grown more tender,
Soothe with their softened tones the slumberous brain.

Youth longs and manhood strives, but age remembers,
Sits by the raked-up ashes of the past, 
Spreads its thin hands above the whitening embers
That warm its creeping life-blood till the last.

Dear to its heart is every loving token 
That comes unbidden era its pulse grows cold,
Ere the last lingering ties of life are broken,
Its labors ended and its story told.

Ah, while around us rosy youth rejoices,
For us the sorrow-laden breezes sigh,
And through the chorus of its jocund voices
Throbs the sharp note of misery's hopeless cry.

As on the gauzy wings of fancy flying
From some far orb I track our watery sphere,
Home of the struggling, suffering, doubting, dying,
The silvered globule seems a glistening tear.

But Nature lends her mirror of illusion
To win from saddening scenes our age-dimmed eyes,
And misty day-dreams blend in sweet confusion
The wintry landscape and the summer skies.

So when the iron portal shuts behind us,
And life forgets us in its noise and whirl,
Visions that shunned the glaring noonday find us,
And glimmering starlight shows the gates of pearl.

I come not here your morning hour to sadden,
A limping pilgrim, leaning on his staff,--
I, who have never deemed it sin to gladden
This vale of sorrows with a wholesome laugh.

If word of mine another's gloom has brightened,
Through my dumb lips the heaven-sent message came;
If hand of mine another's task has lightened,
It felt the guidance that it dares not claim.

But, O my gentle sisters, O my brothers,
These thick-sown snow-flakes hint of toil's release;
These feebler pulses bid me leave to others
The tasks once welcome; evening asks for peace.

Time claims his tribute; silence now golden;
Let me not vex the too long suffering lyre;
Though to your love untiring still beholden,
The curfew tells me-- cover up the fire.

And now with grateful smile and accents cheerful,
And warmer heart than look or word can tell,
In simplest phrase-- these traitorous eyes are tearful--
Thanks, Brothers, Sisters,-- Children,-- and farewell!


Written by Robert William Service | Create an image from this poem

Insomnia

 Heigh ho! to sleep I vainly try;
Since twelve I haven't closed an eye,
And now it's three, and as I lie,
From Notre Dame to St. Denis
The bells of Paris chime to me;
"You're young," they say, "and strong and free."

I do not turn with sighs and groans
To ease my limbs, to rest my bones,
As if my bed were stuffed with stones,
No peevish murmur tips my tongue --
Ah no! for every sound upflung
Says: "Lad, you're free and strong and young."

And so beneath the sheet's caress
My body purrs with happiness;
Joy bubbles in my veins. . . . Ah yes,
My very blood that leaps along
Is chiming in a joyous song,
Because I'm young and free and strong.

Maybe it is the springtide. I am so happy I am afraid. 
The sense of living fills me with exultation. I want to sing, 
to dance; I am dithyrambic with delight.

I think the moon must be to blame:
It fills the room with fairy flame;
It paints the wall, it seems to pour
A dappled flood upon the floor.
I rise and through the window stare . . .
Ye gods! how marvelously fair!
From Montrouge to the Martyr's Hill,
A silver city rapt and still;
Dim, drowsy deeps of opal haze,
And spire and dome in diamond blaze;
The little lisping leaves of spring
Like sequins softly glimmering;
Each roof a plaque of argent sheen,
A gauzy gulf the space between;
Each chimney-top a thing of grace,
Where merry moonbeams prank and chase;
And all that sordid was and mean,
Just Beauty, deathless and serene.

O magic city of a dream!
From glory unto glory gleam;
And I will gaze and pity those
Who on their pillows drowse and doze . . .
And as I've nothing else to do,
Of tea I'll make a rousing brew,
And coax my pipes until they croon,
And chant a ditty to the moon.

There! my tea is black and strong. Inspiration comes with 
every sip. Now for the moon.

The moon peeped out behind the hill
As yellow as an apricot;
Then up and up it climbed until
Into the sky it fairly got;
The sky was vast and violet;
The poor moon seemed to faint in fright,
And pale it grew and paler yet,
Like fine old silver, rinsed and bright.
And yet it climbed so bravely on
Until it mounted heaven-high;
Then earthward it serenely shone,
A silver sovereign of the sky,
A bland sultana of the night,
Surveying realms of lily light.
Written by Percy Bysshe Shelley | Create an image from this poem

The Moon

I
AND, like a dying lady lean and pale,

Who totters forth, wrapp'd in a gauzy veil, 
Out of her chamber, led by the insane 
And feeble wanderings of her fading brain, 
The mood arose up in the murky east, 5 
A white and shapeless mass. 

II
Art thou pale for weariness

Of climbing heaven and gazing on the earth, 
Wandering companionless 
Among the stars that have a different birth, 10 
And ever changing, like a joyless eye 
That finds no object worth its constancy?  
Written by Percy Bysshe Shelley | Create an image from this poem

And like a Dying Lady Lean and Pale

 And like a dying lady, lean and pale, 
Who totters forth, wrapp'd in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky East,
A white and shapeless mass
Written by Bliss Carman | Create an image from this poem

Behind the Arras

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home. 
I love to roam. 
Day after day I loiter and explore 
From door to door; 
So many treasures lure 
The curious mind. What histories obscure 
They must immure! 

I hardly know which room I care for best; 
This fronting west, 
With the strange hills in view, 
Where the great sun goes,—where I may go too, 
When my lease is through,— 

Or this one for the morning and the east, 
Where a man may feast 
His eyes on looming sails, 
And be the first to catch their foreign hails 
Or spy their bales 

Then the pale summer twilights towards the pole! 
It thrills my soul 
With wonder and delight, 
When gold-green shadows walk the world at night, 
So still, so bright. 

There at the window many a time of year, 
Strange faces peer, 
Solemn though not unkind, 
Their wits in search of something left behind 
Time out of mind; 

As if they once had lived here, and stole back 
To the window crack 
For a peep which seems to say, 
"Good fortune, brother, in your house of clay!" 
And then, "Good day!" 

I hear their footsteps on the gravel walk, 
Their scraps of talk, 
And hurrying after, reach 
Only the crazy sea-drone of the beach 
In endless speech. 

And often when the autumn noons are still, 
By swale and hill 
I see their gipsy signs, 
Trespassing somewhere on my border lines; 
With what designs? 

I forth afoot; but when I reach the place, 
Hardly a trace, 
Save the soft purple haze 
Of smouldering camp-fires, any hint betrays 
Who went these ways. 

Or tatters of pale aster blue, descried 
By the roadside, 
Reveal whither they fled; 
Or the swamp maples, here and there a shred 
Of Indian red. 

But most of all, the marvellous tapestry 
Engrosses me, 
Where such strange things are rife, 
Fancies of beasts and flowers, and love and strife, 
Woven to the life; 

Degraded shapes and splendid seraph forms, 
And teeming swarms 
Of creatures gauzy dim 
That cloud the dusk, and painted fish that swim, 
At the weaver's whim; 

And wonderful birds that wheel and hang in the air; 
And beings with hair, 
And moving eyes in the face, 
And white bone teeth and hideous grins, who race 
From place to place; 

They build great temples to their John-a-nod, 
And fume and plod 
To deck themselves with gold, 
And paint themselves like chattels to be sold, 
Then turn to mould. 

Sometimes they seem almost as real as I; 
I hear them sigh; 
I see them bow with grief, 
Or dance for joy like any aspen leaf; 
But that is brief. 

They have mad wars and phantom marriages; 
Nor seem to guess 
There are dimensions still, 
Beyond thought's reach, though not beyond love's will, 
For soul to fill. 

And some I call my friends, and make believe 
Their spirits grieve, 
Brood, and rejoice with mine; 
I talk to them in phrases quaint and fine 
Over the wine; 

I tell them all my secrets; touch their hands; 
One understands 
Perhaps. How hard he tries 
To speak! And yet those glorious mild eyes, 
His best replies! 

I even have my cronies, one or two, 
My cherished few. 
But ah, they do not stay! 
For the sun fades them and they pass away, 
As I grow gray. 


Yet while they last how actual they seem! 
Their faces beam; 
I give them all their names, 
Bertram and Gilbert, Louis, Frank and James, 
Each with his aims; 


One thinks he is a poet, and writes verse 
His friends rehearse; 
Another is full of law; 
A third sees pictures which his hand can draw 
Without a flaw. 


Strangest of all, they never rest. Day long 
They shift and throng, 
Moved by invisible will, 
Like a great breath which puffs across my sill, 
And then is still; 


It shakes my lovely manikins on the wall; 
Squall after squall, 
Gust upon crowding gust, 
It sweeps them willy nilly like blown dust 
With glory or lust. 


It is the world-ghost, the time-spirit, come 
None knows wherefrom, 
The viewless draughty tide 
And wash of being. I hear it yaw and glide, 
And then subside, 


Along these ghostly corridors and halls 
Like faint footfalls; 
The hangings stir in the air; 
And when I start and challenge, "Who goes there?" 
It answers, "Where?" 


The wail and sob and moan of the sea's dirge, 
Its plangor and surge; 
The awful biting sough 
Of drifted snows along some arctic bluff, 
That veer and luff, 


And have the vacant boding human cry, 
As they go by;— 
Is it a banished soul 
Dredging the dark like a distracted mole 
Under a knoll? 


Like some invisible henchman old and gray, 
Day after day 
I hear it come and go, 
With stealthy swift unmeaning to and fro, 
Muttering low, 


Ceaseless and daft and terrible and blind, 
Like a lost mind. 
I often chill with fear 
When I bethink me, What if it should peer 
At my shoulder here! 


Perchance he drives the merry-go-round whose track 
Is the zodiac; 
His name is No-man's-friend; 
And his gabbling parrot-talk has neither trend, 
Beginning, nor end. 


A prince of madness too, I'd cry, "A rat!" 
And lunge thereat,— 
Let out at one swift thrust 
The cunning arch-delusion of the dust 
I so mistrust, 


But that I fear I should disclose a face 
Wearing the trace 
Of my own human guise, 
Piteous, unharmful, loving, sad, and wise 
With the speaking eyes. 


I would the house were rid of his grim pranks, 
Moaning from banks 
Of pine trees in the moon, 
Startling the silence like a demoniac loon 
At dead of noon. 


Or whispering his fool-talk to the leaves 
About my eaves. 
And yet how can I know 
'T is not a happy Ariel masking so 
In mocking woe? 


Then with a little broken laugh I say, 
Snatching away 
The curtain where he grinned 
(My feverish sight thought) like a sin unsinned, 
"Only the wind!" 


Yet often too he steals so softly by. 
With half a sigh, 
I deem he must be mild, 
Fair as a woman, gentle as a child, 
And forest wild. 


Passing the door where an old wind-harp swings, 
With its five strings, 
Contrived long years ago 
By my first predecessor bent to show 
His handcraft so, 


He lay his fingers on the aeolian wire, 
As a core of fire 
Is laid upon the blast 
To kindle and glow and fill the purple vast 
Of dark at last. 


Weird wise, and low, piercing and keen and glad, 
Or dim and sad 
As a forgotten strain 
Born when the broken legions of the rain 
Swept through the plain— 


He plays, like some dread veiled mysteriarch, 
Lighting the dark, 
Bidding the spring grow warm, 
The gendering merge and loosing of spirit in form, 
Peace out of storm. 


For music is the sacrament of love; 
He broods above 
The virgin silence, till 
She yields for rapture shuddering, yearning still 
To his sweet will. 


I hear him sing, "Your harp is like a mesh, 
Woven of flesh 
And spread within the shoal 
Of life, where runs the tide-race of the soul 
In my control. 


"Though my wild way may ruin what it bends, 
It makes amends 
To the frail downy clocks, 
Telling their seed a secret that unlocks 
The granite rocks. 


"The womb of silence to the crave of sound 
Is heaven unfound, 
Till I, to soothe and slake 
Being's most utter and imperious ache, 
Bid rhythm awake. 


"If with such agonies of bliss, my kin, 
I enter in 
Your prison house of sense, 
With what a joyous freed intelligence 
I shall go hence." 


I need no more to guess the weaver's name, 
Nor ask his aim, 
Who hung each hall and room 
With swarthy-tinged vermilion upon gloom; 
I know that loom. 


Give me a little space and time enough, 
From ravelings rough 
I could revive, reweave, 
A fabric of beauty art might well believe 
Were past retrieve. 


O men and women in that rich design, 
Sleep-soft, sun-fine, 
Dew-tenuous and free, 
A tone of the infinite wind-themes of the sea, 
Borne in to me, 


Reveals how you were woven to the might 
Of shadow and light. 
You are the dream of One 
Who loves to haunt and yet appears to shun 
My door in the sun; 


As the white roving sea tern fleck and skim 
The morning's rim; 
Or the dark thrushes clear 
Their flutes of music leisurely and sheer, 
Then hush to hear. 


I know him when the last red brands of day 
Smoulder away, 
And when the vernal showers 
Bring back the heart to all my valley flowers 
In the soft hours. 


O hand of mine and brain of mine, be yours, 
While time endures, 
To acquiesce and learn! 
For what we best may dare and drudge and yearn, 
Let soul discern. 


So, fellows, we shall reach the gusty gate, 
Early or late, 
And part without remorse, 
A cadence dying down unto its source 
In music's course; 


You to the perfect rhythms of flowers and birds, 
Colors and words, 
The heart-beats of the earth, 
To be remoulded always of one worth 
From birth to birth; 


I to the broken rhythm of thought and man, 
The sweep and span 
Of memory and hope 
About the orbit where they still must grope 
For wider scope, 


To be through thousand springs restored, renewed, 
With love imbrued, 
With increments of will 
Made strong, perceiving unattainment still 
From each new skill. 


Always the flawless beauty, always the chord 
Of the Overword, 
Dominant, pleading, sure, 
No truth too small to save and make endure. 
No good too poor! 


And since no mortal can at last disdain 
That sweet refrain, 
But lets go strife and care, 
Borne like a strain of bird notes on the air, 
The wind knows where; 


Some quiet April evening soft and strange, 
When comes the change 
No spirit can deplore, 
I shall be one with all I was before, 
In death once more.
Written by Alan Seeger | Create an image from this poem

An Ode to Antares

 At dusk, when lowlands where dark waters glide 
Robe in gray mist, and through the greening hills 
The hoot-owl calls his mate, and whippoorwills 
Clamor from every copse and orchard-side, 
I watched the red star rising in the East, 
And while his fellows of the flaming sign 
From prisoning daylight more and more released, 
Lift their pale lamps, and, climbing higher, higher, 
Out of their locks the waters of the Line 
Shaking in clouds of phosphorescent fire, 
Rose in the splendor of their curving flight, 
Their dolphin leap across the austral night, 
From windows southward opening on the sea 
What eyes, I wondered, might be watching, too, 
Orbed in some blossom-laden balcony. 
Where, from the garden to the rail above, 
As though a lover's greeting to his love 
Should borrow body and form and hue 
And tower in torrents of floral flame, 
The crimson bougainvillea grew, 
What starlit brow uplifted to the same 
Majestic regress of the summering sky, 
What ultimate thing -- hushed, holy, throned as high 
Above the currents that tarnish and profane 
As silver summits are whose pure repose 
No curious eyes disclose 
Nor any footfalls stain, 
But round their beauty on azure evenings 
Only the oreads go on gauzy wings, 
Only the oreads troop with dance and song 
And airy beings in rainbow mists who throng 
Out of those wonderful worlds that lie afar 
Betwixt the outmost cloud and the nearest star. 


Like the moon, sanguine in the orient night 
Shines the red flower in her beautiful hair. 
Her breasts are distant islands of delight 
Upon a sea where all is soft and fair. 
Those robes that make a silken sheath 
For each lithe attitude that flows beneath, 
Shrouding in scented folds sweet warmths and tumid flowers, 
Call them far clouds that half emerge 
Beyond a sunset ocean's utmost verge, 
Hiding in purple shade and downpour of soft showers 
Enchanted isles by mortal foot untrod, 
And there in humid dells resplendent orchids nod; 
There always from serene horizons blow 
Soul-easing gales and there all spice-trees grow 
That Phoenix robbed to line his fragrant nest 
Each hundred years in Araby the Blest. 


Star of the South that now through orient mist 
At nightfall off Tampico or Belize 
Greetest the sailor rising from those seas 
Where first in me, a fond romanticist, 
The tropic sunset's bloom on cloudy piles 
Cast out industrious cares with dreams of fabulous isles -- 
Thou lamp of the swart lover to his tryst, 
O'er planted acres at the jungle's rim 
Reeking with orange-flower and tuberose, 
Dear to his eyes thy ruddy splendor glows 
Among the palms where beauty waits for him; 
Bliss too thou bringst to our greening North, 
Red scintillant through cherry-blossom rifts, 
Herald of summer-heat, and all the gifts 
And all the joys a summer can bring forth ---- 


Be thou my star, for I have made my aim 
To follow loveliness till autumn-strown 
Sunder the sinews of this flower-like frame 
As rose-leaves sunder when the bud is blown. 
Ay, sooner spirit and sense disintegrate 
Than reconcilement to a common fate 
Strip the enchantment from a world so dressed 
In hues of high romance. I cannot rest 
While aught of beauty in any path untrod 
Swells into bloom and spreads sweet charms abroad 
Unworshipped of my love. I cannot see 
In Life's profusion and passionate brevity 
How hearts enamored of life can strain too much 
In one long tension to hear, to see, to touch. 
Now on each rustling night-wind from the South 
Far music calls; beyond the harbor mouth 
Each outbound argosy with sail unfurled 
May point the path through this fortuitous world 
That holds the heart from its desire. Away! 
Where tinted coast-towns gleam at close of day, 
Where squares are sweet with bells, or shores thick set 
With bloom and bower, with mosque and minaret. 
Blue peaks loom up beyond the coast-plains here, 
White roads wind up the dales and disappear, 
By silvery waters in the plains afar 
Glimmers the inland city like a star, 
With gilded gates and sunny spires ablaze 
And burnished domes half-seen through luminous haze, 
Lo, with what opportunity Earth teems! 
How like a fair its ample beauty seems! 
Fluttering with flags its proud pavilions rise: 
What bright bazaars, what marvelous merchandise, 
Down seething alleys what melodious din, 
What clamor importuning from every booth! 
At Earth's great market where Joy is trafficked in 
Buy while thy purse yet swells with golden Youth!

Book: Radiant Verses: A Journey Through Inspiring Poetry