Written by
Amy Clampitt |
The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands. She lived,
impervious to trends, behind a potted hedge of
rubber trees, with three cats, a canary—refuse
from whose cage kept sifting down and then
germinating, a yearning seedling choir, around
the saucers on the windowsill—and an inexorable
cohort of roaches she was too nearsighted to deal
with, though she knew they were there, and would
speak of them, ruefully, as of an affliction that
might once, long ago, have been prevented.
Unclassifiable castoffs, misfits, marginal cases:
when you're one yourself, or close to it, there's
a reassurance in proving you haven't quite gone
under by taking up with somebody odder than you are.
Or trying to. "They're my friends," she'd say of
her cats—Mollie, Mitzi and Caroline, their names were,
and she was forever taking one or another in a cab
to the vet—as though she had no others. The roommate
who'd become a nun, the one who was Jewish, the couple
she'd met on a foliage tour, one fall, were all people
she no longer saw. She worked for a law firm, said all
the judges were alcoholic, had never voted.
But would sometimes have me to dinner—breaded veal,
white wine, strawberry Bavarian—and sometimes, from
what she didn't know she was saying, I'd snatch a shred
or two of her threadbare history. Baltic cold. Being
sent home in a troika when her feet went numb. In
summer, carriage rides. A swarm of gypsy children
driven off with whips. An octogenarian father, bishop
of a dying schismatic sect. A very young mother
who didn't want her. A half-brother she met just once.
Cousins in Wisconsin, one of whom phoned her from a candy
store, out of the blue, while she was living in Chicago.
What had brought her there, or when, remained unclear.
As did much else. We'd met in church. I noticed first
a big, soaring soprano with a wobble in it, then
the thickly wreathed and braided crimp in the mouse-
gold coiffure. Old? Young? She was of no age.
Through rimless lenses she looked out of a child's,
or a doll's, globular blue. Wore Keds the year round,
tended otherwise to overdress. Owned a mandolin. Once
I got her to take it down from the mantel and plink out,
through a warm fuddle of sauterne, a lot of giddy Italian
airs from a songbook whose pages had started to crumble.
The canary fluffed and quivered, and the cats, amazed,
came out from under the couch and stared.
What could the offspring of the schismatic age and a
reluctant child bride expect from life? Not much.
Less and less. A dream she'd had kept coming back,
years after. She'd taken a job in Washington with
some right-wing lobby, and lived in one of those
bow-windowed mansions that turn into roominghouses,
and her room there had a full-length mirror: oval,
with a molding, is the way I picture it. In her dream
something woke her, she got up to look, and there
in the glass she'd had was covered over—she gave it
a wondering emphasis—with gray veils.
The West Village was changing. I was changing. The last
time I asked her to dinner, she didn't show. Hours—
or was it days?—later, she phoned to explain: she hadn't
been able to find my block; a patrolman had steered her home.
I spent my evenings canvassing for Gene McCarthy. Passing,
I'd see her shades drawn, no light behind the rubber trees.
She wasn't out, she didn't own a TV. She was in there,
getting gently blotto. What came next, I wasn't brave
enough to know. Only one day, passing, I saw
new shades, quick-chic matchstick bamboo, going up where
the waterstained old ones had been, and where the seedlings—
O gray veils, gray veils—had risen and gone down.
|
Written by
Robert William Service |
The little pink house is high on the hill
And my heart is not what it used to be;
It will kick up a fuss I know, but still
I must toil up that twisty trail to see
What that empty old house can mean to me.
For a Poet lived there for donkey's years,
A Poet of parts and founded fame.
He took to the bottle, it appears,
And hid up there to enjoy his shame . . .
Oh, no, I'll never betray his name.
Then gaily he drank himself to death,
But, oh, on the rarest of mellow wine;
An exquisite way to end one's breath -
Lachrimae Christi, I'd choose for mine,
To sip and souse in the sweet sunshine.
They say that poets are half divine;
I question if that is always true;
At least, our Poet was partly swine,
Drunk each day, with a drab or two,
Till Presto! he vanished from our view.
Maybe he was weary of woe and sin,
Or sick, and crawled like a dog to die;
Where the olives end and the pines begin,
He sought the peace of the sun and sky . . .
He would see no one, and I wonder why?
And so I must climb up, up some day
And try to picture my Poet there;
He sprawled on his rose-bowered porch, they say,
To smoke and fuddle and dream and stare
At the sapphire sea through the amber air.
He gave up the ghost with none to see;
In his bed, no doubt, though I'd fain surmise
It was yonder under the ilex tree,
Watching the sun in splendour rise,
With the glory of God-light in his eyes.
Well, he was a Lord of Radiant Rhyme;
His gift was godlike, one can't deny,
But he quit in the glory of his prime
As if he despised us - I wonder why?
As if he found, where yon mountains soar,
Far from men-folk and heaven-high,
Peace and Beauty forever more . . .
Peace and Beauty - Ah! so would I.
|