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Best Famous Freighted Poems

Here is a collection of the all-time best famous Freighted poems. This is a select list of the best famous Freighted poetry. Reading, writing, and enjoying famous Freighted poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of freighted poems.

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Written by John Greenleaf Whittier | Create an image from this poem

Burning Drift-Wood

Before my drift-wood fire I sit, 
And see, with every waif I burn, 
Old dreams and fancies coloring it, 
And folly's unlaid ghosts return.
O ships of mine, whose swift keels cleft The enchanted sea on which they sailed, Are these poor fragments only left Of vain desires and hopes that failed? Did I not watch from them the light Of sunset on my towers in Spain, And see, far off, uploom in sight The Fortunate Isles I might not gain? Did sudden lift of fog reveal Arcadia's vales of song and spring, And did I pass, with grazing keel, The rocks whereon the sirens sing? Have I not drifted hard upon The unmapped regions lost to man, The cloud-pitched tents of Prester John, The palace domes of Kubla Khan? Did land winds blow from jasmine flowers, Where Youth the ageless Fountain fills? Did Love make sign from rose blown bowers, And gold from Eldorado's hills? Alas! the gallant ships, that sailed On blind Adventure's errand sent, Howe'er they laid their courses, failed To reach the haven of Content.
And of my ventures, those alone Which Love had freighted, safely sped, Seeking a good beyond my own, By clear-eyed Duty piloted.
O mariners, hoping still to meet The luck Arabian voyagers met, And find in Bagdad's moonlit street, Haroun al Raschid walking yet, Take with you, on your Sea of Dreams, The fair, fond fancies dear to youth.
I turn from all that only seems, And seek the sober grounds of truth.
What matter that it is not May, That birds have flown, and trees are bare, That darker grows the shortening day, And colder blows the wintry air! The wrecks of passion and desire, The castles I no more rebuild, May fitly feed my drift-wood fire, And warm the hands that age has chilled.
Whatever perished with my ships, I only know the best remains; A song of praise is on my lips For losses which are now my gains.
Heap high my hearth! No worth is lost; No wisdom with the folly dies.
Burn on, poor shreds, your holocaust Shall be my evening sacrifice! Far more than all I dared to dream, Unsought before my door I see; On wings of fire and steeds of steam The world's great wonders come to me, And holier signs, unmarked before, Of Love to seek and Power to save,— The righting of the wronged and poor, The man evolving from the slave; And life, no longer chance or fate, Safe in the gracious Fatherhood.
I fold o'er-wearied hands and wait, In full assurance of the good.
And well the waiting time must be, Though brief or long its granted days, If Faith and Hope and Charity Sit by my evening hearth-fire's blaze.
And with them, friends whom Heaven has spared, Whose love my heart has comforted, And, sharing all my joys, has shared My tender memories of the dead,— Dear souls who left us lonely here, Bound on their last, long voyage, to whom We, day by day, are drawing near, Where every bark has sailing room.
I know the solemn monotone Of waters calling unto me; I know from whence the airs have blown That whisper of the Eternal Sea.
As low my fires of drift-wood burn, I hear that sea's deep sounds increase, And, fair in sunset light, discern Its mirage-lifted Isles of Peace.


Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk’d maize.
2 For the lands, and for these passionate days, and for myself, Now I awhile return to thee, O soil of Autumn fields, Reclining on thy breast, giving myself to thee, Answering the pulses of thy sane and equable heart, Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! A verse to seek, to see, to narrate thee.
3 Ever upon this stage, Is acted God’s calm, annual drama, Gorgeous processions, songs of birds, Sunrise, that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The flowers, the grass, the lilliput, countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the winds’ free orchestra, The stretching, light-hung roof of clouds—the clear cerulean, and the bulging, silvery fringes, The high dilating stars, the placid, beckoning stars, The moving flocks and herds, the plains and emerald meadows, The shows of all the varied lands, and all the growths and products.
4 Fecund America! To-day, Thou art all over set in births and joys! Thou groan’st with riches! thy wealth clothes thee as with a swathing garment! Thou laughest loud with ache of great possessions! A myriad-twining life, like interlacing vines, binds all thy vast demesne! As some huge ship, freighted to water’s edge, thou ridest into port! As rain falls from the heaven, and vapors rise from earth, so have the precious values fallen upon thee, and risen out of thee! Thou envy of the globe! thou miracle! Thou, bathed, choked, swimming in plenty! Thou lucky Mistress of the tranquil barns! Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest East, and lookest West! Dispensatress, that by a word givest a thousand miles—that giv’st a million farms, and missest nothing! Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is hospitable.
) 5 When late I sang, sad was my voice; Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; In the midst of the armies, the Heroes, I stood, Or pass’d with slow step through the wounded and dying.
But now I sing not War, Nor the measur’d march of soldiers, nor the tents of camps, Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded; No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies? Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6 (Pass—pass, ye proud brigades! So handsome, dress’d in blue—with your tramping, sinewy legs; With your shoulders young and strong—with your knapsacks and your muskets; —How elate I stood and watch’d you, where, starting off, you march’d! Pass;—then rattle, drums, again! Scream, you steamers on the river, out of whistles loud and shrill, your salutes! For an army heaves in sight—O another gathering army! Swarming, trailing on the rear—O you dread, accruing army! O you regiments so piteous, with your mortal diarrhoea! with your fever! O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! Lo! your pallid army follow’d!) 7 But on these days of brightness, On the far-stretching beauteous landscape, the roads and lanes, the high-piled farm-wagons, and the fruits and barns, Shall the dead intrude? Ah, the dead to me mar not—they fit well in Nature; They fit very well in the landscape, under the trees and grass, And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed; Nor in winter or summer, my lost ones; But most, in the open air, as now, when my soul is rapt and at peace—like pleasing phantoms, Your dear memories, rising, glide silently by me.
8 I saw the day, the return of the Heroes; (Yet the Heroes never surpass’d, shall never return; Them, that day, I saw not.
) I saw the interminable Corps—I saw the processions of armies, I saw them approaching, defiling by, with divisions, Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans; Worn, swart, handsome, strong, of the stock of homestead and workshop, Harden’d of many a long campaign and sweaty march, Inured on many a hard-fought, bloody field.
9 A pause—the armies wait; A million flush’d, embattled conquerors wait; The world, too, waits—then, soft as breaking night, and sure as dawn, They melt—they disappear.
Exult, indeed, O lands! victorious lands! Not there your victory, on those red, shuddering fields; But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers! Resolve ye back again—give up, for good, your deadly arms; Other the arms, the fields henceforth for you, or South or North, or East or West, With saner wars—sweet wars—life-giving wars.
10 Loud, O my throat, and clear, O soul! The season of thanks, and the voice of full-yielding; The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me; I see the true arenas of my race—or first, or last, Man’s innocent and strong arenas.
I see the Heroes at other toils; I see, well-wielded in their hands, the better weapons.
11 I see where America, Mother of All, Well-pleased, with full-spanning eye, gazes forth, dwells long, And counts the varied gathering of the products.
Busy the far, the sunlit panorama; Prairie, orchard, and yellow grain of the North, Cotton and rice of the South, and Louisianian cane; Open, unseeded fallows, rich fields of clover and timothy, Kine and horses feeding, and droves of sheep and swine, And many a stately river flowing, and many a jocund brook, And healthy uplands with their herby-perfumed breezes, And the good green grass—that delicate miracle, the ever-recurring grass.
12 Toil on, Heroes! harvest the products! Not alone on those warlike fields, the Mother of All, With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well! The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest, Over the fields of the West, those crawling monsters, The human-divine inventions, the labor-saving implements: Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, The steam-power reaping-machines, and the horse-power machines, The engines, thrashers of grain, and cleaners of grain, well separating the straw—the nimble work of the patent pitch-fork; Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal, With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest; (Yet but for thee, O Powerful! not a scythe might swing, as now, in security; Not a maize-stalk dangle, as now, its silken tassels in peace.
) 13 Under Thee only they harvest—even but a wisp of hay, under thy great face, only; Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green sheath, Gather the hay to its myriad mows, in the odorous, tranquil barns, Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet potato of Georgia and the Carolinas, Clip the wool of California or Pennsylvania, Cut the flax in the Middle States, or hemp, or tobacco in the Borders, Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the vines, Or aught that ripens in all These States, or North or South, Under the beaming sun, and under Thee.
Written by Andrew Barton Paterson | Create an image from this poem

The Scapegoat

 We have all of us read how the Israelites fled 
From Egypt with Pharaoh in eager pursuit of 'em, 
And Pharaoh's fierce troop were all put "in the soup" 
When the waters rolled softly o'er every galoot of 'em.
The Jews were so glad when old Pharaoh was "had" That they sounded their timbrels and capered like mad.
You see he was hated from Jordan to Cairo -- Whence comes the expression "to buck against faro".
For forty long years, 'midst perils and fears In deserts with never a famine to follow by, The Israelite horde went roaming abroad Like so many sundowners "out on the wallaby".
When Moses, who led 'em, and taught 'em, and fed 'em, Was dying, he murmured, "A rorty old hoss you are: I give you command of the whole of the band" -- And handed the Government over to Joshua.
But Moses told 'em before he died, "Wherever you are, whatever betide, Every year as the time draws near By lot or by rote choose you a goat, And let the high priest confess on the beast The sins of the people the worst and the least, Lay your sins on the goat! Sure the plan ought to suit yer.
Because all your sins are 'his troubles' in future.
Then lead him away to the wilderness black To die with the weight of your sins on his back: Of thirst let him perish alone and unshriven, For thus shall your sins be absolved and forgiven!" 'Tis needless to say, though it reeked of barbarity This scapegoat arrangement gained great popularity.
By this means a Jew, whate'er he might do, Though he burgled, or murdered, or cheated at loo, Or meat on Good Friday (a sin most terrific) ate, Could get his discharge, like a bankrupt's certificate; Just here let us note -- Did they choose their best goat? It's food for conjecture, to judge from the picture By Hunt in the Gallery close to our door, a Man well might suppose that the scapegoat they chose Was a long way from being their choicest Angora.
In fact I should think he was one of their weediest: 'Tis a rule that obtains, no matter who reigns, When making a sacrifice, offer the seediest; Which accounts for a theory known to my hearers Who live in the wild by the wattle beguiled, That a "stag" makes quite good enough mutton for shearers.
Be that as it may, as each year passed away, a scapegoat was led to the desert and freighted With sin (the poor brute must have been overweighted) And left there -- to die as his fancy dictated.
The day it has come, with trumpet and drum.
With pomp and solemnity fit for the tomb They lead the old billy-goat off to his doom: On every hand a reverend band, Prophets and preachers and elders stand And the oldest rabbi, with a tear in his eye, Delivers a sermon to all standing by.
(We haven't his name -- whether Cohen or Harris, he No doubt was the "poisonest" kind of Pharisee.
) The sermon was marked by a deal of humility And pointed the fact, with no end of ability.
That being a Gentile's no mark of gentility, And, according to Samuel, would certainly d--n you well.
Then, shedding his coat, he approaches the goat And, while a red fillet he carefully pins on him, Confesses the whole of the Israelites' sins on him.
With this eloquent burst he exhorts the accurst -- "Go forth in the desert and perish in woe, The sins of the people are whiter than snow!" Then signs to his pal "for to let the brute go".
(That "pal" as I've heard, is an elegant word, Derived from the Persian "Palaykhur" or "Pallaghur"), As the scapegoat strains and tugs at the reins The Rabbi yells rapidly, "Let her go, Gallagher!" The animal, freed from all restraint Lowered his head, made a kind of feint, And charged straight at that elderly saint.
So fierce his attack and so very severe, it Quite floored the Rabbi, who, ere he could fly, Was rammed on the -- no, not the back -- but just near it.
The scapegoat he snorted, and wildly cavorted, A light-hearted antelope "out on the ramp", Then stopped, looked around, got the "lay of the ground", And made a beeline back again to the camp.
The elderly priest, as he noticed the beast So gallantly making his way to the east, Says he, "From the tents may I never more roam again If that there old billy-goat ain't going home again.
He's hurrying, too! This never will do.
Can't somebody stop him? I'm all of a stew.
After all our confessions, so openly granted, He's taking our sins back to where they're not wanted.
We've come all this distance salvation to win agog, If he takes home our sins, it'll burst up the Synagogue!" He turned to an Acolyte who was making his bacca light, A fleet-footed youth who could run like a crack o' light.
"Run, Abraham, run! Hunt him over the plain, And drive back the brute to the desert again.
The Sphinx is a-watching, the Pyramids will frown on you, From those granite tops forty cent'ries look down on you -- Run, Abraham, run! I'll bet half-a-crown on you.
" So Abraham ran, like a man did he go for him, But the goat made it clear each time he drew near That he had what the racing men call "too much toe" for him.
The crowd with great eagerness studied the race -- "Great Scott! isn't Abraham forcing the pace -- And don't the goat spiel? It is hard to keep sight on him, The sins of the Israelites ride mighty light on him.
The scapegoat is leading a furlong or more, And Abraham's tiring -- I'll lay six to four! He rolls in his stride; he's done, there's no question!" But here the old Rabbi brought up a suggestion.
('Twas strange that in racing he showed so much cunning), "It's a hard race," said he, "and I think it would be A good thing for someone to take up the running.
" As soon said as done, they started to run -- The priests and the deacons, strong runners and weak 'uns All reckoned ere long to come up with the brute, And so the whole boiling set off in pursuit.
And then it came out, as the rabble and rout Streamed over the desert with many a shout -- The Rabbi so elderly, grave, and patrician, Had been in his youth a bold metallician, And offered, in gasps, as they merrily spieled, "Any price Abraham! Evens the field!" Alas! the whole clan, they raced and they ran, And Abraham proved him an "even time" man, But the goat -- now a speck they could scarce keep their eyes on -- Stretched out in his stride in a style most surprisin' And vanished ere long o'er the distant horizon.
Away in the camp the bill-sticker's tramp Is heard as he wanders with paste, brush, and notices, And paling and wall he plasters them all, "I wonder how's things gettin' on with the goat," he says, The pulls out his bills, "Use Solomon's Pills" "Great Stoning of Christians! To all devout Jews! you all Must each bring a stone -- Great sport will be shown; Enormous Attractions! And prices as usual! Roll up to the Hall!! Wives, children and all, For naught the most delicate feelings to hurt is meant!!" Here his eyes opened wide, for close by his side Was the scapegoat: And eating his latest advertisement! One shriek from him burst -- "You creature accurst!" And he ran from the spot like one fearing the worst.
His language was chaste, as he fled in his haste, But the goat stayed behind him -- and "scoffed up" the paste.
With downcast head, and sorrowful tread, The people came back from the desert in dread.
"The goat -- was he back there? Had anyone heard of him?" In very short order they got plenty word of him.
In fact as they wandered by street, lane and hall, "The trail of the serpent was over them all.
" A poor little child knocked out stiff in the gutter Proclaimed that the scapegoat was bred for a "butter".
The bill-sticker's pail told a sorrowful tale, The scapegoat had licked it as dry as a nail; He raced through their houses, and frightened their spouses, But his latest achievement most anger arouses, For while they were searching, and scratching their craniums, One little Ben Ourbed, who looked in the flow'r-bed, Discovered him eating the Rabbi's geraniums.
Moral The moral is patent to all the beholders -- Don't shift your own sins on to other folks' shoulders; Be kind to dumb creatures and never abuse them, Nor curse them nor kick them, nor spitefully use them: Take their lives if needs must -- when it comes to the worst, But don't let them perish of hunger or thirst.
Remember, no matter how far you may roam That dogs, goats, and chickens, it's simply the dickens, Their talent stupendous for "getting back home".
Your sins, without doubt, will aye find you out, And so will a scapegoat, he's bound to achieve it, But, die in the wilderness! Don't you believe it!
Written by Emma Lazarus | Create an image from this poem

Marriage Bells

 Music and silver chimes and sunlit air, 
Freighted with the scent of honeyed orange-flower; 
Glad, friendly festal faces everywhere.
She, rapt from all in this unearthly hour, With cloudlike, cast-back veil and faint-flushed cheek, In bridal beauty moves as in a trance Alone with him, and fears to breathe, to speak, Lest the rare, subtle spell dissolve perchance.
But he upon that floral head looks down, Noting the misty eyes, the grave sweet brow-- Doubts if her bliss be perfect as his own, And dedicates anew with inward vow His soul unto her service, to repay Richly the sacrifice she yields this day.
Written by Henry Wadsworth Longfellow | Create an image from this poem

TO A CHILD

 Dear child! how radiant on thy mother's knee,
With merry-making eyes and jocund smiles,
Thou gazest at the painted tiles,
Whose figures grace,
With many a grotesque form and face.
The ancient chimney of thy nursery! The lady with the gay macaw, The dancing girl, the grave bashaw With bearded lip and chin; And, leaning idly o'er his gate, Beneath the imperial fan of state, The Chinese mandarin.
With what a look of proud command Thou shakest in thy little hand The coral rattle with its silver bells, Making a merry tune! Thousands of years in Indian seas That coral grew, by slow degrees, Until some deadly and wild monsoon Dashed it on Coromandel's sand! Those silver bells Reposed of yore, As shapeless ore, Far down in the deep-sunken wells Of darksome mines, In some obscure and sunless place, Beneath huge Chimborazo's base, Or Potosi's o'erhanging pines And thus for thee, O little child, Through many a danger and escape, The tall ships passed the stormy cape; For thee in foreign lands remote, Beneath a burning, tropic clime, The Indian peasant, chasing the wild goat, Himself as swift and wild, In falling, clutched the frail arbute, The fibres of whose shallow root, Uplifted from the soil, betrayed The silver veins beneath it laid, The buried treasures of the miser, Time.
But, lo! thy door is left ajar! Thou hearest footsteps from afar! And, at the sound, Thou turnest round With quick and questioning eyes, Like one, who, in a foreign land, Beholds on every hand Some source of wonder and surprise! And, restlessly, impatiently, Thou strivest, strugglest, to be free, The four walls of thy nursery Are now like prison walls to thee.
No more thy mother's smiles, No more the painted tiles, Delight thee, nor the playthings on the floor, That won thy little, beating heart before; Thou strugglest for the open door.
Through these once solitary halls Thy pattering footstep falls.
The sound of thy merry voice Makes the old walls Jubilant, and they rejoice With the joy of thy young heart, O'er the light of whose gladness No shadows of sadness From the sombre background of memory start.
Once, ah, once, within these walls, One whom memory oft recalls, The Father of his Country, dwelt.
And yonder meadows broad and damp The fires of the besieging camp Encircled with a burning belt.
Up and down these echoing stairs, Heavy with the weight of cares, Sounded his majestic tread; Yes, within this very room Sat he in those hours of gloom, Weary both in heart and head.
But what are these grave thoughts to thee? Out, out! into the open air! Thy only dream is liberty, Thou carest little how or where.
I see thee eager at thy play, Now shouting to the apples on the tree, With cheeks as round and red as they; And now among the yellow stalks, Among the flowering shrubs and plants, As restless as the bee.
Along the garden walks, The tracks of thy small carriage-wheels I trace; And see at every turn how they efface Whole villages of sand-roofed tents, That rise like golden domes Above the cavernous and secret homes Of wandering and nomadic tribes of ants.
Ah, cruel little Tamerlane, Who, with thy dreadful reign, Dost persecute and overwhelm These hapless Troglodytes of thy realm! What! tired already! with those suppliant looks, And voice more beautiful than a poet's books, Or murmuring sound of water as it flows.
Thou comest back to parley with repose; This rustic seat in the old apple-tree, With its o'erhanging golden canopy Of leaves illuminate with autumnal hues, And shining with the argent light of dews, Shall for a season be our place of rest.
Beneath us, like an oriole's pendent nest, From which the laughing birds have taken wing, By thee abandoned, hangs thy vacant swing.
Dream-like the waters of the river gleam; A sailless vessel drops adown the stream, And like it, to a sea as wide and deep, Thou driftest gently down the tides of sleep.
O child! O new-born denizen Of life's great city! on thy head The glory of the morn is shed, Like a celestial benison! Here at the portal thou dost stand, And with thy little hand Thou openest the mysterious gate Into the future's undiscovered land.
I see its valves expand, As at the touch of Fate! Into those realms of love and hate, Into that darkness blank and drear, By some prophetic feeling taught, I launch the bold, adventurous thought, Freighted with hope and fear; As upon subterranean streams, In caverns unexplored and dark, Men sometimes launch a fragile bark, Laden with flickering fire, And watch its swift-receding beams, Until at length they disappear, And in the distant dark expire.
By what astrology of fear or hope Dare I to cast thy horoscope! Like the new moon thy life appears; A little strip of silver light, And widening outward into night The shadowy disk of future years; And yet upon its outer rim, A luminous circle, faint and dim, And scarcely visible to us here, Rounds and completes the perfect sphere; A prophecy and intimation, A pale and feeble adumbration, Of the great world of light, that lies Behind all human destinies.
Ah! if thy fate, with anguish fraught, Should be to wet the dusty soil With the hot tears and sweat of toil,-- To struggle with imperious thought, Until the overburdened brain, Weary with labor, faint with pain, Like a jarred pendulum, retain Only its motion, not its power,-- Remember, in that perilous hour, When most afflicted and oppressed, From labor there shall come forth rest.
And if a more auspicious fate On thy advancing steps await Still let it ever be thy pride To linger by the laborer's side; With words of sympathy or song To cheer the dreary march along Of the great army of the poor, O'er desert sand, o'er dangerous moor.
Nor to thyself the task shall be Without reward; for thou shalt learn The wisdom early to discern True beauty in utility; As great Pythagoras of yore, Standing beside the blacksmith's door, And hearing the hammers, as they smote The anvils with a different note, Stole from the varying tones, that hung Vibrant on every iron tongue, The secret of the sounding wire.
And formed the seven-chorded lyre.
Enough! I will not play the Seer; I will no longer strive to ope The mystic volume, where appear The herald Hope, forerunning Fear, And Fear, the pursuivant of Hope.
Thy destiny remains untold; For, like Acestes' shaft of old, The swift thought kindles as it flies, And burns to ashes in the skies.


Written by Robert William Service | Create an image from this poem

The Ballad Of Pious Pete

 "The North has got him.
" --Yukonism.
I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could; I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold, With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit; In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls; But I killed the galoot when he started to shoot electricity into my walls.
God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals; And "Chuck it," says he, "don't persecute me with your cant and your saving of souls.
" I'll swear I was mild as I'd be with a child, but he called me the son of a ****; And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth; Then he was alone, and I was alone, and over us menaced the North.
Our cabins were near; I could see, I could hear; but between us there rippled the creek; And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away; The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose; The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream; So still I could hear quite loud in my ear the swish of the pinions of time; So bright I could see, as plain as could be, the wings of God's angels ashine.
As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak! I knew that full well like a devil in hell he was hatching out, early and late, A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still; But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame; I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.
Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue; If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark; If you'd seen them rebound with a horrible sound, and spitefully spitting a spark; If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls-- You'd have settled the brute that attempted to shoot electricity into your walls.
Oh, some they were blue, and they slithered right through; they were silent and squashy and round; And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.
And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed; So softly it crept with feelers that swept and quivered like fine copper wire; Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night; And deathlike I lay till the dawn of the day.
(Was ever so welcome the light?) I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about; His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget; Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet As I rested my gaze in a misty amaze on the scurvy-degenerate wreck, I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute, And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!" * * * * * They're taking me out with an escort about, and under a sergeant's care; I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls-- That I settled Sam Noot when he started to shoot electricity into my walls.
Written by Oscar Wilde | Create an image from this poem

Amor Intellectualis

 Oft have we trod the vales of Castaly
And heard sweet notes of sylvan music blown
From antique reeds to common folk unknown:
And often launched our bark upon that sea
Which the nine Muses hold in empery,
And ploughed free furrows through the wave and foam,
Nor spread reluctant sail for more safe home
Till we had freighted well our argosy.
Of which despoiled treasures these remain, Sordello's passion, and the honeyed line Of young Endymion, lordly Tamburlaine Driving his pampered jades, and more than these, The seven-fold vision of the Florentine, And grave-browed Milton's solemn harmonies.
Written by Walt Whitman | Create an image from this poem

Aboard at a Ship's Helm

 , at a ship’s helm, 
A young steersman, steering with care.
A bell through fog on a sea-coast dolefully ringing, An ocean-bell—O a warning bell, rock’d by the waves.
O you give good notice indeed, you bell by the sea-reefs ringing, Ringing, ringing, to warn the ship from its wreck-place.
For, as on the alert, O steersman, you mind the bell’s admonition, The bows turn,—the freighted ship, tacking, speeds away under her gray sails, The beautiful and noble ship, with all her precious wealth, speeds away gaily and safe.
But O the ship, the immortal ship! O ship aboard the ship! O ship of the body—ship of the soul—voyaging, voyaging, voyaging.
Written by Henry Wadsworth Longfellow | Create an image from this poem

It is not Always May

 No hay pajaros en los nidos de antano.
Spanish Proverb The sun is bright,--the air is clear, The darting swallows soar and sing.
And from the stately elms I hear The bluebird prophesying Spring.
So blue you winding river flows, It seems an outlet from the sky, Where waiting till the west-wind blows, The freighted clouds at anchor lie.
All things are new;--the buds, the leaves, That gild the elm-tree's nodding crest, And even the nest beneath the eaves;-- There are no birds in last year's nest! All things rejoice in youth and love, The fulness of their first delight! And learn from the soft heavens above The melting tenderness of night.
Maiden, that read'st this simple rhyme, Enjoy thy youth, it will not stay; Enjoy the fragrance of thy prime, For oh, it is not always May! Enjoy the Spring of Love and Youth, To some good angel leave the rest; For Time will teach thee soon the truth, There are no birds in last year's nest!
Written by Amy Levy | Create an image from this poem

Ballade of a Special Edition

 He comes; I hear him up the street--
Bird of ill omen, flapping wide
The pinion of a printed sheet,
His hoarse note scares the eventide.
Of slaughter, theft, and suicide He is the herald and the friend; Now he vociferates with pride-- A double murder in Mile End! A hanging to his soul is sweet; His gloating fancy's fain to bide Where human-freighted vessels meet, And misdirected trains collide.
With Shocking Accidents supplied, He tramps the town from end to end.
How often have we heard it cried-- A double murder in Mile End.
War loves he; victory or defeat, So there be loss on either side.
His tale of horrors incomplete, Imagination's aid is tried.
Since no distinguished man has died, And since the Fates, relenting, send No great catastrophe, he's spied This double murder in Mile End.
Fiend, get thee gone! no more repeat Those sounds which do mine ears offend.
It is apocryphal, you cheat, Your double murder in Mile End.

Book: Shattered Sighs