Written by
William Butler Yeats |
Epilogue to "A Vision'
MIDNIGHT has come, and the great Christ Church Bell
And may a lesser bell sound through the room;
And it is All Souls' Night,
And two long glasses brimmed with muscatel
Bubble upon the table. A ghost may come;
For it is a ghost's right,
His element is so fine
Being sharpened by his death,
To drink from the wine-breath
While our gross palates drink from the whole wine.
I need some mind that, if the cannon sound
From every quarter of the world, can stay
Wound in mind's pondering
As mummies in the mummy-cloth are wound;
Because I have a marvellous thing to say,
A certain marvellous thing
None but the living mock,
Though not for sober ear;
It may be all that hear
Should laugh and weep an hour upon the clock.
Horton's the first I call. He loved strange thought
And knew that sweet extremity of pride
That's called platonic love,
And that to such a pitch of passion wrought
Nothing could bring him, when his lady died,
Anodyne for his love.
Words were but wasted breath;
One dear hope had he:
The inclemency
Of that or the next winter would be death.
Two thoughts were so mixed up I could not tell
Whether of her or God he thought the most,
But think that his mind's eye,
When upward turned, on one sole image fell;
And that a slight companionable ghost,
Wild with divinity,
Had so lit up the whole
Immense miraculous house
The Bible promised us,
It seemed a gold-fish swimming in a bowl.
On Florence Emery I call the next,
Who finding the first wrinkles on a face
Admired and beautiful,
And knowing that the future would be vexed
With 'minished beauty, multiplied commonplace,
preferred to teach a school
Away from neighbour or friend,
Among dark skins, and there
permit foul years to wear
Hidden from eyesight to the unnoticed end.
Before that end much had she ravelled out
From a discourse in figurative speech
By some learned Indian
On the soul's journey. How it is whirled about,
Wherever the orbit of the moon can reach,
Until it plunge into the sun;
And there, free and yet fast,
Being both Chance and Choice,
Forget its broken toys
And sink into its own delight at last.
And I call up MacGregor from the grave,
For in my first hard springtime we were friends.
Although of late estranged.
I thought him half a lunatic, half knave,
And told him so, but friendship never ends;
And what if mind seem changed,
And it seem changed with the mind,
When thoughts rise up unbid
On generous things that he did
And I grow half contented to be blind!
He had much industry at setting out,
Much boisterous courage, before loneliness
Had driven him crazed;
For meditations upon unknown thought
Make human intercourse grow less and less;
They are neither paid nor praised.
but he d object to the host,
The glass because my glass;
A ghost-lover he was
And may have grown more arrogant being a ghost.
But names are nothing. What matter who it be,
So that his elements have grown so fine
The fume of muscatel
Can give his sharpened palate ecstasy
No living man can drink from the whole wine.
I have mummy truths to tell
Whereat the living mock,
Though not for sober ear,
For maybe all that hear
Should laugh and weep an hour upon the clock.
Such thought -- such thought have I that hold it tight
Till meditation master all its parts,
Nothing can stay my glance
Until that glance run in the world's despite
To where the damned have howled away their hearts,
And where the blessed dance;
Such thought, that in it bound
I need no other thing,
Wound in mind's wandering
As mummies in the mummy-cloth are wound.
Oxford, Autumn 1920
|
Written by
William Shakespeare |
Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.
But thou, shrieking harbinger,
Foul pre-currer of the fiend,
Augur of the fever's end,
To this troop come thou not near.
From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king:
Keep the obsequy so strict.
Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.
And thou, treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
'Mongst our mourners shalt thou go.
Here the anthem doth commence:
Love and constancy is dead;
Phoenix and the turtle fled
In a mutual flame from hence.
So they lov'd, as love in twain
Had the essence but in one;
Two distincts, division none:
Number there in love was slain.
Hearts remote, yet not asunder;
Distance, and no space was seen
'Twixt the turtle and his queen;
But in them it were a wonder.
So between them love did shine,
That the turtle saw his right
Flaming in the phoenix' sight:
Either was the other's mine.
Property was thus appall'd,
That the self was not the same;
Single nature's double name
Neither two nor one was call'd.
Reason, in itself confounded,
Saw division grow together;
To themselves yet either-neither,
Simple were so well compounded.
That it cried how true a twain
Seemeth this concordant one!
Love hath reason, reason none
If what parts can so remain.
Whereupon it made this threne
To the phoenix and the dove,
Co-supreme and stars of love;
As chorus to their tragic scene.
THRENOS.
Beauty, truth, and rarity.
Grace in all simplicity,
Here enclos'd in cinders lie.
Death is now the phoenix' nest;
And the turtle's loyal breast
To eternity doth rest,
Leaving no posterity:--
'Twas not their infirmity,
It was married chastity.
Truth may seem, but cannot be:
Beauty brag, but 'tis not she;
Truth and beauty buried be.
To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.
|
Written by
Bertolt Brecht |
To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II
You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:
Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.
Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.
And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.
|
Written by
William Cullen Bryant |
Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee. On thy dim and shadowy brow
They place an iron crown, and call thee king
Of terrors, and the spoiler of the world,
Deadly assassin, that strik'st down the fair,
The loved, the good--that breath'st upon the lights
Of virtue set along the vale of life,
And they go out in darkness. I am come,
Not with reproaches, not with cries and prayers,
Such as have stormed thy stern insensible ear
From the beginning. I am come to speak
Thy praises. True it is, that I have wept
Thy conquests, and may weep them yet again:
And thou from some I love wilt take a life
Dear to me as my own. Yet while the spell
Is on my spirit, and I talk with thee
In sight of all thy trophies, face to face,
Meet is it that my voice should utter forth
Thy nobler triumphs: I will teach the world
To thank thee.--Who are thine accusers?--Who?
The living!--they who never felt thy power,
And know thee not. The curses of the wretch
Whose crimes are ripe, his sufferings when thy hand
Is on him, and the hour he dreads is come,
Are writ among thy praises. But the good--
Does he whom thy kind hand dismissed to peace,
Upbraid the gentle violence that took off
His fetters, and unbarred his prison cell?
Raise then the Hymn to Death. Deliverer!
God hath anointed thee to free the oppressed
And crush the oppressor. When the armed chief,
The conqueror of nations, walks the world,
And it is changed beneath his feet, and all
Its kingdoms melt into one mighty realm--
Thou, while his head is loftiest, and his heart
Blasphemes, imagining his own right hand
Almighty, sett'st upon him thy stern grasp,
And the strong links of that tremendous chain
That bound mankind are crumbled; thou dost break
Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes
Gather within their ancient bounds again.
Else had the mighty of the olden time,
Nimrod, Sesostris, or the youth who feigned
His birth from Lybian Ammon, smote even now
The nations with a rod of iron, and driven
Their chariot o'er our necks. Thou dost avenge,
In thy good time, the wrongs of those who know
No other friend. Nor dost thou interpose
Only to lay the sufferer asleep,
Where he who made him wretched troubles not
His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge
Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible
And old idolatries; from the proud fanes
Each to his grave their priests go out, till none
Is left to teach their worship; then the fires
Of sacrifice are chilled, and the green moss
O'ercreeps their altars; the fallen images
Cumber the weedy courts, and for loud hymns,
Chanted by kneeling crowds, the chiding winds
Shriek in the solitary aisles. When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and round
Hedges his seat with power, and shines in wealth,--
Lifts up his atheist front to scoff at Heaven,
And celebrates his shame in open day,
Thou, in the pride of all his crimes, cutt'st off
The horrible example. Touched by thine,
The extortioner's hard hand foregoes the gold
Wrong from the o'er-worn poor. The perjurer,
Whose tongue was lithe, e'en now, and voluble
Against his neighbour's life, and he who laughed
And leaped for joy to see a spotless fame
Blasted before his own foul calumnies,
Are smit with deadly silence. He, who sold
His conscience to preserve a worthless life,
Even while he hugs himself on his escape,
Trembles, as, doubly terrible, at length,
Thy steps o'ertake him, and there is no time
For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long
Ere his last hour. And when the reveller,
Mad in the chase of pleasure, stretches on,
And strains each nerve, and clears the path of life
Like wind, thou point'st him to the dreadful goal,
And shak'st thy hour-glass in his reeling eye,
And check'st him in mid course. Thy skeleton hand
Shows to the faint of spirit the right path,
And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime
Thy ghastly countenance, and his slack hand
Drops the drawn knife. But, oh, most fearfully
Dost thou show forth Heaven's justice, when thy shafts
Drink up the ebbing spirit--then the hard
Of heart and violent of hand restores
The treasure to the friendless wretch he wronged.
Then from the writhing bosom thou dost pluck
The guilty secret; lips, for ages sealed,
Are faithless to the dreadful trust at length,
And give it up; the felon's latest breath
Absolves the innocent man who bears his crime;
The slanderer, horror smitten, and in tears,
Recalls the deadly obloquy he forged
To work his brother's ruin. Thou dost make
Thy penitent victim utter to the air
The dark conspiracy that strikes at life,
And aims to whelm the laws; ere yet the hour
Is come, and the dread sign of murder given.
Thus, from the first of time, hast thou been found
On virtue's side; the wicked, but for thee,
Had been too strong for the good; the great of earth
Had crushed the weak for ever. Schooled in guile
For ages, while each passing year had brought
Its baneful lesson, they had filled the world
With their abominations; while its tribes,
Trodden to earth, imbruted, and despoiled,
Had knelt to them in worship; sacrifice
Had smoked on many an altar, temple roofs
Had echoed with the blasphemous prayer and hymn:
But thou, the great reformer of the world,
Tak'st off the sons of violence and fraud
In their green pupilage, their lore half learned--
Ere guilt has quite o'errun the simple heart
God gave them at their birth, and blotted out
His image. Thou dost mark them, flushed with hope,
As on the threshold of their vast designs
Doubtful and loose they stand, and strik'st them down.
Alas, I little thought that the stern power
Whose fearful praise I sung, would try me thus
Before the strain was ended. It must cease--
For he is in his grave who taught my youth
The art of verse, and in the bud of life
Offered me to the muses. Oh, cut off
Untimely! when thy reason in its strength,
Ripened by years of toil and studious search
And watch of Nature's silent lessons, taught
Thy hand to practise best the lenient art
To which thou gavest thy laborious days.
And, last, thy life. And, therefore, when the earth
Received thee, tears were in unyielding eyes
And on hard cheeks, and they who deemed thy skill
Delayed their death-hour, shuddered and turned pale
When thou wert gone. This faltering verse, which thou
Shalt not, as wont, o'erlook, is all I have
To offer at thy grave--this--and the hope
To copy thy example, and to leave
A name of which the wretched shall not think
As of an enemy's, whom they forgive
As all forgive the dead. Rest, therefore, thou
Whose early guidance trained my infant steps--
Rest, in the bosom of God, till the brief sleep
Of death is over, and a happier life
Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt
Has wearied Heaven for vengeance--he who bears
False witness--he who takes the orphan's bread,
And robs the widow--he who spreads abroad
Polluted hands in mockery of prayer,
Are left to cumber earth. Shuddering I look
On what is written, yet I blot not out
The desultory numbers--let them stand.
The record of an idle revery.
|
Written by
William Butler Yeats |
I. Ancestral Houses
Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II. My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III. My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV. My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V. The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI. The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII. I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
|
Written by
Aleister Crowley |
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
Dylan Thomas |
Before I knocked and flesh let enter,
With liquid hands tapped on the womb,
I who was as shapeless as the water
That shaped the Jordan near my home
Was brother to Mnetha's daughter
And sister to the fathering worm.
I who was deaf to spring and summer,
Who knew not sun nor moon by name,
Felt thud beneath my flesh's armour,
As yet was in a molten form
The leaden stars, the rainy hammer
Swung by my father from his dome.
I knew the message of the winter,
The darted hail, the childish snow,
And the wind was my sister suitor;
Wind in me leaped, the hellborn dew;
My veins flowed with the Eastern weather;
Ungotten I knew night and day.
As yet ungotten, I did suffer;
The rack of dreams my lily bones
Did twist into a living cipher,
And flesh was snipped to cross the lines
Of gallow crosses on the liver
And brambles in the wringing brains.
My throat knew thirst before the structure
Of skin and vein around the well
Where words and water make a mixture
Unfailing till the blood runs foul;
My heart knew love, my belly hunger;
I smelt the maggot in my stool.
And time cast forth my mortal creature
To drift or drown upon the seas
Acquainted with the salt adventure
Of tides that never touch the shores.
I who was rich was made the richer
By sipping at the vine of days.
I, born of flesh and ghost, was neither
A ghost nor man, but mortal ghost.
And I was struck down by death's feather.
I was a mortal to the last
Long breath that carried to my father
The message of his dying christ.
You who bow down at cross and altar,
Remember me and pity Him
Who took my flesh and bone for armour
And doublecrossed my mother's womb.
|
Written by
Robert Hayden |
I
Jesús, Estrella, Esperanza, Mercy:
Sails flashing to the wind like weapons,
sharks following the moans the fever and the dying;
horror the corposant and compass rose.
Middle Passage:
voyage through death
to life upon these shores.
"10 April 1800--
Blacks rebellious. Crew uneasy. Our linguist says
their moaning is a prayer for death,
our and their own. Some try to starve themselves.
Lost three this morning leaped with crazy laughter
to the waiting sharks, sang as they went under."
Desire, Adventure, Tartar, Ann:
Standing to America, bringing home
black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones
New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me
Over Life's Tempestuous Sea
We pray that Thou wilt grant, O Lord,
safe passage to our vessels bringing
heathen souls unto Thy chastening.
Jesus Saviour
"8 bells. I cannot sleep, for I am sick
with fear, but writing eases fear a little
since still my eyes can see these words take shape
upon the page & so I write, as one
would turn to exorcism. 4 days scudding,
but now the sea is calm again. Misfortune
follows in our wake like sharks (our grinning
tutelary gods). Which one of us
has killed an albatross? A plague among
our blacks--Ophthalmia: blindness--& we
have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.'s eyes
& there is blindness in the fo'c'sle
& we must sail 3 weeks before we come
to port."
What port awaits us, Davy Jones' or home? I've
heard of slavers drifting, drifting, playthings of wind and storm and
chance, their crews gone blind, the jungle hatred crawling
up on deck.
Thou Who Walked On Galilee
"Deponent further sayeth The Bella J
left the Guinea Coast
with cargo of five hundred blacks and odd
for the barracoons of Florida:
"That there was hardly room 'tween-decks for half
the sweltering cattle stowed spoon-fashion there;
that some went mad of thirst and tore their flesh
and sucked the blood:
"That Crew and Captain lusted with the comeliest
of the savage girls kept naked in the cabins;
that there was one they called The Guinea Rose
and they cast lots and fought to lie with her:
"That when the Bo's'n piped all hands, the flames
spreading from starboard already were beyond
control, the ******* howling and their chains
entangled with the flames:
"That the burning blacks could not be reached,
that the Crew abandoned ship,
leaving their shrieking negresses behind,
that the Captain perished drunken with the wenches:
"Further Deponent sayeth not."
Pilot Oh Pilot Me
II
Aye, lad, and I have seen those factories,
Gambia, Rio Pongo, Calabar;
have watched the artful mongos baiting traps
of war wherein the victor and the vanquished
Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity
and greed turned wild black hides of Fellatah,
Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him--
fetish face beneath French parasols
of brass and orange velvet, impudent mouth
whose cups were carven skulls of enemies:
He'd honor us with drum and feast and conjo
and palm-oil-glistening wenches deft in love,
and for tin crowns that shone with paste,
red calico and German-silver trinkets
Would have the drums talk war and send
his warriors to burn the sleeping villages
and kill the sick and old and lead the young
in coffles to our factories.
Twenty years a trader, twenty years,
for there was wealth aplenty to be harvested
from those black fields, and I'd be trading still
but for the fevers melting down my bones.
III
Shuttles in the rocking loom of history,
the dark ships move, the dark ships move,
their bright ironical names
like jests of kindness on a murderer's mouth;
plough through thrashing glister toward
fata morgana's lucent melting shore,
weave toward New World littorals that are
mirage and myth and actual shore.
Voyage through death,
voyage whose chartings are unlove.
A charnel stench, effluvium of living death
spreads outward from the hold,
where the living and the dead, the horribly dying,
lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy
rots with him, rats eat love's rotten gelid eyes. But, oh, the
living look at you with human eyes whose suffering accuses you, whose
hatred reaches through the swill of dark to strike you like a leper's
claw. You cannot stare that hatred down or chain the fear that stalks
the watches and breathes on you its fetid scorching breath; cannot
kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers
of wind and wave, The Amistad, señores,
would have reached the port of Príncipe in two,
three days at most; but for the storm we should
have been prepared for what befell.
Swift as a puma's leap it came. There was
that interval of moonless calm filled only
with the water's and the rigging's usual sounds,
then sudden movement, blows and snarling cries
and they had fallen on us with machete
and marlinspike. It was as though the very
air, the night itself were striking us.
Exhausted by the rigors of the storm,
we were no match for them. Our men went down
before the murderous Africans. Our loyal
Celestino ran from below with gun
and lantern and I saw, before the cane-
knife's wounding flash, Cinquez,
that surly brute who calls himself a prince,
directing, urging on the ghastly work.
He hacked the poor mulatto down, and then
he turned on me. The decks were slippery
when daylight finally came. It sickens me
to think of what I saw, of how these apes
threw overboard the butchered bodies of
our men, true Christians all, like so much jetsam.
Enough, enough. The rest is quickly told:
Cinquez was forced to spare the two of us
you see to steer the ship to Africa,
and we like phantoms doomed to rove the sea
voyaged east by day and west by night,
deceiving them, hoping for rescue,
prisoners on our own vessel, till
at length we drifted to the shores of this
your land, America, where we were freed
from our unspeakable misery. Now we
demand, good sirs, the extradition of
Cinquez and his accomplices to La
Havana. And it distresses us to know
there are so many here who seem inclined
to justify the mutiny of these blacks.
We find it paradoxical indeed
that you whose wealth, whose tree of liberty
are rooted in the labor of your slaves
should suffer the august John Quincey Adams
to speak with so much passion of the right
of chattel slaves to kill their lawful masters
and with his Roman rhetoric weave a hero's
garland for Cinquez. I tell you that
we are determined to return to Cuba
with our slaves and there see justice done.
Cinquez--
or let us say 'the Prince'--Cinquez shall die."
The deep immortal human wish,
the timeless will:
Cinquez its deathless primaveral image,
life that transfigures many lives.
Voyage through death
to life upon these shores.
|
Written by
Maggie Estep |
I was a 20 year old unemployed receptionist with
dyed orange dreadlocks sprouting out of my skull. I needed a job, but first,
I needed a haircut.
So I head for this beauty salon on Avenue B.
I'm gonna get a hairdo.
I'm gonna look just like those hot Spanish haircut models, become brown
and bodacious, grow some 7 inch fingernails painted ***** red and rake
them down the chalkboard of the job market's soul.
So I go in the beauty salon.
This beautiful Puerto Rican girl in tight white spandex and a push-up bra
sits me down and starts chopping my hair:
"Girlfriend," she says, "what the hell you got growing outta
your head there, what is that, hair implants? Yuck, you want me to touch
that ****, whadya got in there, sandwiches?"
I just go: "I'm sorry."
She starts snipping my carefully cultivated Johnny Lydon post-Pistols hairdo.
My foul little dreadlocks are flying around all over the place but I'm
not looking in the mirror cause I just don't want to know.
"So what's your name anyway?" My stylist demands then.
"Uh, Maggie."
"Maggie? Well, that's an okay name, but my name is Suzy."
"Yeah, so?"
"Yeah so it ain't just Suzy S.U.Z.Y, I spell it S.U.Z.E.E, the extra
"e" is for extra Suzee."
I nod emphatically.
Suzee tells me when she's not busy chopping hair, she works as an exotic
dancer at night to support her boyfriend named Rocco. Suzee loves Rocco,
she loves him so much she's got her eyes closed as she describes him:
"6 foot 2, 193 pounds and, girlfriend, his arms so big and long they
wrap around me twice like I'm a little Suzee sandwich."
Little Suzee Sandwich is rapt, she blindly snips and clips at my poor punk
head. She snips and clips and snips and clips, she pauses, I look in the
mirror: "Holy ****, I'm bald."
"Holy ****, baby, you're bald." Suzee says, finally opening her
eyes and then gasping.
All I've got left is little post-nuke clumps of orange fuzz. And I'll never
get a receptionist job now.
But Suzy waves her manicured finger in my face: "Don't you worry,
baby, I'm gonna get you a job at the dancing club."
"What?"
"Baby, let me tell you, the boys are gonna like a bald go go dancer."
That said, she whips out some clippers, shaves my head smooth and insists
I'm gonna love getting naked for a living.
None of this sounds like my idea of a good time, but I'm broke and I'm
bald so I go home and get my best panties. Suzee lends me some 6 inch pumps,
paints my lips bright red, and gives me 7 shots of Jack Daniels to relax
me.
8pm that night I take the stage.
I'm bald,
I'm drunk,
and by god,
I'm naked.
HOLY **** I'M NAKED IN A ROOM FULL OF STRANGERS THIS IS NOT ONE OF THOSE
RECURRING NIGHTMARES WE ALL HAVE ABOUT BEING BUTT NAKED IN PUBLIC, I AM
NAKED, I DON'T KNOW THESE PEOPLE, THIS REALLY SUCKS.
A few guys feel sorry for me and risk getting their hands bitten off by
sticking dollars in my garter belt. My disheveled pubic hairs stand at
full attention, ready to poke the guys' eyes out if they get too close.
Then I notice this bald guy in the audience, I've got a new empathy for
bald people, I figure maybe it works both ways, maybe this guy will stick
10 bucks in my garter.
I saunter over.
I'm teetering around unrhythmically, I'm the surliest, unsexiest dancer
that ever go-go across this hemisphere. The bald guy looks down into his
beer, he'd much rather look at that than at my pubic mound which has now
formed into one vicious spike so it looks like I've got a unicorn in my
crotch.
I stand there weaving through the air.
The strobe light is illuminating my pubic unicorn. Madonna's song Borderline
is pumping through the club's speaker system for the 5th time tonight:
"BORDERLINE BORDERLINE BORDERLINE/LOVE ME TIL I JUST CAN'T SEE."
And suddenly, I start to wonder: What does that mean anyway?
"LOVE ME TIL I JUST CAN'T SEE"
What?
Screw me so much my eyes pop out, I go blind, end up walking down 2nd Avenue
crazy, horny, naked and blind? What?
There's a glitch in the tape and it starts to skip.
"Borderl...ooop.....Borderl....ooop...Borderlin.....ooop"
I stumble and twist my ankle. My g-string rides between my buttcheeks making
me twitch with pain. My head starts spinning, my knees wobble, I go down
on all fours and puke all over the bald guy's lap.
So there I am. Butt naked on all fours. But before I have time to regain
my composure, the strip club manager comes over, points his smarmy strip
club manager finger at me and goes:
"You're bald, you're drunk, you can't dance and you're fired."
I stand up.
"Oh yeah, well you stink like a sneaker, pal." I peel off one
of my pumps and throw it in the direction of his fat head then I get the
hell out of there.
A few days later I run into Suzee on Avenue A. Turns out she got fired
for getting me a job there in the first place. But she was completely undaunted,
she dragged me up to this wig store on 14th Street, bought me a mouse brown
shag wig, then got us both telemarketing jobs on Wall Street.
And I never went to a beauty salon again.
|
Written by
George William Russell |
My heart was heavy, for its trust had been
Abused, its kindness answered with foul wrong;
So, turning gloomily from my fellow-men,
One summer Sabbath day I strolled among
The green mounds of the village burial-place;
Where, pondering how all human love and hate
Find one sad level; and how, soon or late,
Wronged and wrongdoer, each with meekened face,
And cold hands folded over a still heart,
Pass the green threshold of our common grave,
Whither all footsteps tend, whence none depart,
Awed for myself, and pitying my race,
Our common sorrow, like a mighty wave,
Swept all my pride away, and trembling I forgave!
|