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Best Famous Flutters Poems

Here is a collection of the all-time best famous Flutters poems. This is a select list of the best famous Flutters poetry. Reading, writing, and enjoying famous Flutters poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of flutters poems.

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Written by Samuel Taylor Coleridge | Create an image from this poem

Frost at Midnight

The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud---and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
`Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.

But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
>From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!

Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the interspersed vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shall learn far other lore,
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.

Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon. 


Written by Philip Larkin | Create an image from this poem

Like The Trains Beat

 Like the train's beat
Swift language flutters the lips
Of the Polish airgirl in the corner seat,
The swinging and narrowing sun
Lights her eyelashes, shapes
Her sharp vivacity of bone.
Hair, wild and controlled, runs back:
And gestures like these English oaks
Flash past the windows of her foreign talk.

The train runs on through wilderness
Of cities. Still the hammered miles
Diversify behind her face.
And all humanity of interest
Before her angled beauty falls,
As whorling notes are pressed
In a bird's throat, issuing meaningless
Through written skies; a voice
Watering a stony place.
Written by Henry Wadsworth Longfellow | Create an image from this poem

My Lost Youth

OFTEN I think of the beautiful town 
That is seated by the sea; 
Often in thought go up and down 
The pleasant streets of that dear old town, 
And my youth comes back to me. 5 
And a verse of a Lapland song 
Is haunting my memory still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

I can see the shadowy lines of its trees, 10 
And catch, in sudden gleams, 
The sheen of the far-surrounding seas, 
And islands that were the Hesperides 
Of all my boyish dreams. 
And the burden of that old song, 15 
It murmurs and whispers still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

I remember the black wharves and the slips, 
And the sea-tides tossing free; 20 
And Spanish sailors with bearded lips, 
And the beauty and mystery of the ships, 
And the magic of the sea. 
And the voice of that wayward song 
Is singing and saying still: 25 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

I remember the bulwarks by the shore, 
And the fort upon the hill; 
The sunrise gun, with its hollow roar, 30 
The drum-beat repeated o'er and o'er, 
And the bugle wild and shrill. 
And the music of that old song 
Throbs in my memory still: 
"A boy's will is the wind's will, 35 
And the thoughts of youth are long, long thoughts." 

I remember the sea-fight far away, 
How it thundered o'er the tide! 
And the dead captains, as they lay 
In their graves, o'erlooking the tranquil bay, 40 
Where they in battle died. 
And the sound of that mournful song 
Goes through me with a thrill: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 45 

I can see the breezy dome of groves, 
The shadows of Deering's Woods; 
And the friendships old and the early loves 
Come back with a Sabbath sound, as of doves 
In quiet neighborhoods. 50 
And the verse of that sweet old song, 
It flutters and murmurs still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

I remember the gleams and glooms that dart 55 
Across the school-boy's brain; 
The song and the silence in the heart, 
That in part are prophecies, and in part 
Are longings wild and vain. 
And the voice of that fitful song 60 
Sings on, and is never still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

There are things of which I may not speak; 
There are dreams that cannot die; 65 
There are thoughts that make the strong heart weak, 
And bring a pallor into the cheek, 
And a mist before the eye. 
And the words of that fatal song 
Come over me like a chill: 70 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 

Strange to me now are the forms I meet 
When I visit the dear old town; 
But the native air is pure and sweet, 75 
And the trees that o'ershadow each well-known street, 
As they balance up and down, 
Are singing the beautiful song, 
Are sighing and whispering still: 
"A boy's will is the wind's will, 80 
And the thoughts of youth are long, long thoughts." 

And Deering's Woods are fresh and fair, 
And with joy that is almost pain 
My heart goes back to wander there, 
And among the dreams of the days that were, 85 
I find my lost youth again. 
And the strange and beautiful song, 
The groves are repeating it still: 
"A boy's will is the wind's will, 
And the thoughts of youth are long, long thoughts." 90 
Written by Laura Riding Jackson | Create an image from this poem

The Simple Line

 The secrets of the mind convene splendidly,
Though the mind is meek.
To be aware inwardly
of brain and beauty
Is dark too recognizable.
Thought looking out on thought
Makes one an eye:
Which it shall be, both decide.
One is with the mind alone,
The other is with other thoughts gone
To be seen from afar and not known.

When openly these inmost sights
Flash and speak fully,
Each head at home shakes hopelessly
Of being never ready to see self
And sees a universe too soon.
The immense surmise swims round and round
And heads grow wise
With their own bigness beatified
In cosmos, and the idiot size
Of skulls spells Nature on the ground,
While ears listening the wrong way report
Echoes first and hear words before sounds
Because the mind, being quiet, seems late.
By ears words are copied into books,
By letters minds are taught self-ignorance.
From mouths spring forth vocabularies
To the assemblage of strange objects
Grown foreign to the faithful countryside
Of one king, poverty,
Of one line, humbleness.
Unavowed and false horizons claim pride
For spaces in the head
The native head sees outside.
The flood of wonder rushing from the eyes
Returns lesson by lesson.
The mind, shrunken of time,
Overflows too soon.
The complete vision is the same
As when the world-wideness began
Worlds to describe
The excessiveness of man.

But man's right portion rejects
The surplus in the whole.
This much, made secret first,
Now makes
The knowable, which was
Thought's previous flesh,
And gives instruction of substance to its intelligence
As far as flesh itself,
As bodies upon themselves to where
Understanding is the head
And the identity of breath and breathing are established
And the voice opening to cry: I know,
Closes around the entire declaration
With this evidence of immortality—
The total silence to say:
I am dead.

For death is all ugly, all lovely,
Forbids mysteries to make
Science of splendor, or any separate disclosing
Of beauty to the mind out of body's book
That page by page flutters a world in fragments,
Permits no scribbling in of more
Where spaces are,
Only to look.

Body as Body lies more than still.
The rest seems nothing and nothing is
If nothing need be.
But if need be,
Thought not divided anyway
Answers itself, thinking
All open and everything.
Dead is the mind that parted each head.
But now the secrets of the mind convene
Without pride, without pain
To any onlookers.
What they ordain alone
Cannot be known
The ordinary way of eyes and ears
But only prophesied
If an unnatural mind, refusing to divide,
Dies immediately
Of too plain beauty
Foreseen within too suddenly,
And lips break open of astonishment
Upon the living mouth and rehearse
Death, that seems a simple verse
And, of all ways to know,
Dead or alive, easiest.
Written by Sir Walter Scott | Create an image from this poem

Border Ballad

 March, march, Ettrick and Teviotdale, 
Why the deil dinna ye march forward in order! 
March, march, Eskdale and Liddesdale, 
All the Blue Bonnets are bound for the Border. 
Many a banner spread,
Flutters above your head, 
Many a crest that is famous in story. 
Mount and make ready then, 
Sons of the mountain glen, 
Fight for the Queen and our old Scottish glory. 

Come from the hills where your hirsels are grazing, 
Come from the glen of the buck and the roe; 
Come to the crag where the beacon is blazing, 
Come with the buckler, the lance, and the bow. 
Trumpets are sounding, 
War-steeds are bounding, 
Stand to your arms, then, and march in good order; 
England shall many a day 
Tell of the bloody fray, 
When the Blue Bonnets came over the Border.


Written by Robert William Service | Create an image from this poem

A Song For Kilts

 How grand the human race would be
 If every man would wear a kilt,
A flirt of Tartan finery,
 Instead of trousers, custom built!
Nay, do not think I speak to joke:
 (You know I'm not that kind of man),
I am convinced that all men folk.
 Should wear the costume of a Clan.

Imagine how it's braw and clean
 As in the wind it flutters free;
And so conducive to hygiene
 In its sublime simplicity.
No fool fly-buttons to adjust,--
 Wi' shanks and maybe buttocks bare;
Oh chiels, just take my word on trust,
 A bonny kilt's the only wear.

'Twill save a lot of siller too,
 (And here a canny Scotsman speaks),
For one good kilt will wear you through
 A half-a-dozen pairs of breeks.
And how it's healthy in the breeze!
 And how it swings with saucy tilt!
How lassies love athletic knees
 Below the waggle of a kilt!

True, I just wear one in my mind,
 Since sent to school by Celtic aunts,
When girls would flip it up behind,
 Until I begged for lowland pants.
But now none dare do that to me,
 And so I sing with lyric lilt,--
How happier the world would be
 If every male would wear a kilt!
Written by Amy Levy | Create an image from this poem

Captivity

 The lion remembers the forest,
The lion in chains;
To the bird that is captive a vision
Of woodland remains.

One strains with his strength at the fetter,
In impotent rage;
One flutters in flights of a moment,
And beats at the cage.

If the lion were loosed from the fetter,
To wander again;
He would seek the wide silence and shadow
Of his jungle in vain.

He would rage in his fury, destroying;
Let him rage, let him roam!
Shall he traverse the pitiless mountain,
Or swim through the foam?

If they opened the cage and the casement,
And the bird flew away;
He would come back at evening, heartbroken,
A captive for aye.

Would come if his kindred had spared him,
Free birds from afar--
There was wrought what is stronger than iron
In fetter and bar.

I cannot remember my country,
The land whence I came;
Whence they brought me and chained me and made me
Nor wild thing nor tame.

This only I know of my country,
This only repeat :--
It was free as the forest, and sweeter
Than woodland retreat.

When the chain shall at last be broken,
The window set wide;
And I step in the largeness and freedom
Of sunlight outside ;

Shall I wander in vain for my country?
Shall I seek and not find?
Shall I cry for the bars that encage me
The fetters that bind?
Written by Robert Browning | Create an image from this poem

The Englishman In Italy

 (PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes— 
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider's back,
As I told you last night,— 
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that's known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle— 
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving,
Your girls that are older,— 
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,— 
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they've brought you,— 
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence— 
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,— 
And end with the prickly-pear's red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
...Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,— 
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,— 
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the faggots, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary, ever a-dying,
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,— 
And lentisks as staunch
To the stone where they root and bear berries,— 
And... what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves— 
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady— 
So, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you— 
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them— 
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut— 
All is silent and grave— 
'Tis a sensual and timorous beauty— 
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses— 
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life's secret,
I hear and I know!

Ah, see! The sun breaks o'er Calvano— 
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot's own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least— 
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but's dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

..."Such trifles"—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If 'tis proper, Scirocco should vanish
In black from the skies!
Written by James Whitcomb Riley | Create an image from this poem

The Willow

 Who shall sing a simple ditty about the Willow, 
Dainty-fine and delicate as any bending spray 
That dandles high the dainty bird that flutters there to trill a 
Tremulously tender song of greeting to the May.

Bravest, too, of all the trees! -- none to match your daring,-- 
First of greens to greet the Spring and lead in leafy sheen;-- 
Aye, and you're the last -- almost into winter wearing 
Still the leaf of loyalty -- still the badge of green.

Ah, my lovely willow! --let the waters lilt your graces,-- 
They alone with limped kisses lave your leaves above, 
Flashing back your silvan beauty, and in shady places 
Peering up with glimmering pebbles, like the eyes of love.
Written by Sarojini Naidu | Create an image from this poem

A Rajput Love Song

 (Parvati at her lattice)
O Love! were you a basil-wreath to twine 
among my tresses,
A jewelled clasp of shining gold to bind around my sleeve,
O Love! were you the keora's soul that haunts 
my silken raiment,
A bright, vermilion tassel in the girdles that I weave;

O Love! were you the scented fan 
that lies upon my pillow,
A sandal lute, or silver lamp that burns before my shrine,
Why should I fear the jealous dawn 
that spreads with cruel laughter,
Sad veils of separation between your face and mine?

Haste, O wild-bee hours, to the gardens of the sun set!
Fly, wild-parrot day, to the orchards of the west!
Come, O tender night, with your sweet, 
consoling darkness,
And bring me my Beloved to the shelter of my breast!

(Amar Singh in the saddle)
O Love! were you the hooded hawk upon my hand 
that flutters,
Its collar-band of gleaming bells atinkle as I ride,
O Love! were you a turban-spray or 
floating heron-feather,
The radiant, swift, unconquered sword 
that swingeth at my side;

O Love! were you a shield against the 
arrows of my foemen,
An amulet of jade against the perils of the way,
How should the drum-beats of the dawn 
divide me from your bosom,
Or the union of the midnight be ended with the day?

Haste, O wild-deer hours, to the meadows of the sunset!
Fly, wild stallion day, to the pastures of the west!
Come, O tranquil night, with your soft, 
consenting darkness,
And bear me to the fragrance of my Beloved's breast!

Book: Radiant Verses: A Journey Through Inspiring Poetry