Written by
Sylvia Plath |
for Susan O'Neill Roe
What a thrill ----
My thumb instead of an onion.
The top quite gone
Except for a sort of hinge
Of skin,
A flap like a hat,
Dead white.
Then that red plush.
Little pilgrim,
The Indian's axed your scalp.
Your turkey wattle
Carpet rolls
Straight from the heart.
I step on it,
Clutching my bottle
Of pink fizz. A celebration, this is.
Out of a gap
A million soldiers run,
Redcoats, every one.
Whose side are they one?
O my
Homunculus, I am ill.
I have taken a pill to kill
The thin
Papery feeling.
Saboteur,
Kamikaze man ----
The stain on your
Gauze Ku Klux Klan
Babushka
Darkens and tarnishes and when
The balled
Pulp of your heart
Confronts its small
Mill of silence
How you jump ----
Trepanned veteran,
Dirty girl,
Thumb stump.
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Written by
Carl Sandburg |
POLAND, France, Judea ran in her veins,
Singing to Paris for bread, singing to Gotham in a fizz at the pop of a bottle’s cork.
“Won’t you come and play wiz me” she sang … and “I just can’t make my eyes behave.”
“Higgeldy-Piggeldy,” “Papa’s Wife,” “Follow Me” were plays.
Did she wash her feet in a tub of milk? Was a strand of pearls sneaked from her trunk? The newspapers asked.
Cigarettes, tulips, pacing horses, took her name.
Twenty years old … thirty … forty …
Forty-five and the doctors fathom nothing, the doctors quarrel, the doctors use silver tubes feeding twenty-four quarts of blood into the veins, the respects of a prize-fighter, a cab driver.
And a little mouth moans: It is easy to die when they are dying so many grand deaths in France.
A voice, a shape, gone.
A baby bundle from Warsaw … legs, torso, head … on a hotel bed at The Savoy.
The white chiselings of flesh that flung themselves in somersaults, straddles, for packed houses:
A memory, a stage and footlights out, an electric sign on Broadway dark.
She belonged to somebody, nobody.
No one man owned her, no ten nor a thousand.
She belonged to many thousand men, lovers of the white chiseling of arms and shoulders, the ivory of a laugh, the bells of song.
Railroad brakemen taking trains across Nebraska prairies, lumbermen jaunting in pine and tamarack of the Northwest, stock ranchers in the middle west, mayors of southern cities
Say to their pals and wives now: I see by the papers Anna Held is dead.
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Written by
Carl Sandburg |
MANY ways to spell good night.
Fireworks at a pier on the Fourth of July spell it with red wheels and yellow spokes.
They fizz in the air, touch the water and quit.
Rockets make a trajectory of gold-and-blue and then go out.
Railroad trains at night spell with a smokestack mushrooming a white pillar.
Steamboats turn a curve in the Mississippi crying in a baritone that crosses lowland cottonfields to a razorback hill.
It is easy to spell good night.
Many ways to spell good night.
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Written by
Rudyard Kipling |
They bear, in place of classic names,
Letters and numbers on their skin.
They play their grisly blindfold games
In little boxes made of tin.
Sometimes they stalk the Zeppelin,
Sometimes they learn where mines are laid,
Or where the Baltic ice is thin.
That is the custom of "The Trade."
Few prize-courts sit upon their claims.
They seldom tow their targets in.
They follow certain secret aims
Down under, Far from strife or din.
When they are ready to begin
No flag is flown, no fuss is made
More than the shearing of a pin.
That is the custom of "The Trade."
The Scout's quadruple funnel flames
A mark from Sweden to the Swin,
The Cruiser's thund'rous screw proclaims
Her comings out and goings in:
But only whiffs of paraffin
Or creamy rings that fizz and fade
Show where the one-eyed Death has been
That is the custom of "The Trade."
Their feats, their fortunes and their fames
Are hidden from their nearest kin;
No eager public backs or blames,
No journal prints the yarn they spin
(The Censor would not let it in! )
When they return from run or raid.
Unheard they work, unseen they win.
That is the custom of "The Trade."
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Written by
Rudyard Kipling |
A much-discerning Public hold
The Singer generally sings
And prints and sells his past for gold.
Whatever I may here disclaim,
The very clever folk I sing to
Will most indubitably cling to
Their pet delusion, just the same.
I had seen, as the dawn was breaking
And I staggered to my rest,
Tari Devi softly shaking
From the Cart Road to the crest.
I had seen the spurs of Jakko
Heave and quiver, swell and sink.
Was it Earthquake or tobacco,
Day of Doom, or Night of Drink?
In the full, fresh fragrant morning
I observed a camel crawl,
Laws of gravitation scorning,
On the ceiling and the wall;
Then I watched a fender walking,
And I heard grey leeches sing,
And a red-hot monkey talking
Did not seem the proper thing.
Then a Creature, skinned and crimson,
Ran about the floor and cried,
And they said that I had the "jims" on,
And they dosed me with bromide,
And they locked me in my bedroom --
Me and one wee Blood Red Mouse --
Though I said: "To give my head room
You had best unroof the house."
But my words were all unheeded,
Though I told the grave M.D.
That the treatment really needed
Was a dip in open sea
That was lapping just below me,
Smooth as silver, white as snow,
And it took three men to throw me
When I found I could not go.
Half the night I watched the Heavens
Fizz like '81 champagne --
Fly to sixes and to sevens,
Wheel and thunder back again;
And when all was peace and order
Save one planet nailed askew,
Much I wept because my warder
Would not let me sit it true.
After frenzied hours of wating,
When the Earth and Skies were dumb,
Pealed an awful voice dictating
An interminable sum,
Changing to a tangle story --
"What she said you said I said" --
Till the Moon arose in glory,
And I found her . . . in my head;
Then a Face came, blind and weeping,
And It couldn't wipe its eyes,
And It muttered I was keeping
Back the moonlight from the skies;
So I patted it for pity,
But it whistled shrill with wrath,
And a huge black Devil City
Poured its peoples on my path.
So I fled with steps uncertain
On a thousand-year long race,
But the bellying of the curtain
Kept me always in one place;
While the tumult rose and maddened
To the roar of Earth on fire,
Ere it ebbed and sank and saddened
To a whisper tense as wire.
In tolerable stillness
Rose one little, little star,
And it chuckled at my illness,
And it mocked me from afar;
And its breathren came and eyed me,
Called the Universe to aid,
Till I lay, with naught to hide me,
'Neath' the Scorn of All Things Made.
Dun and saffron, robed and splendid,
Broke the solemn, pitying Day,
And I knew my pains were ended,
And I turned and tried to pray;
But my speech was shattered wholly,
And I wept as children weep.
Till the dawn-wind, softly, slowly,
Brought to burning eyelids sleep.
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Written by
Ambrose Bierce |
How blest the land that counts among
Her sons so many good and wise,
To execute great feats of tongue
When troubles rise.
Behold them mounting every stump,
By speech our liberty to guard.
Observe their courage--see them jump,
And come down hard!
'Walk up, walk up!' each cries aloud,
'And learn from me what you must do
To turn aside the thunder cloud,
The earthquake too.
'Beware the wiles of yonder quack
Who stuffs the ears of all that pass.
I--I alone can show that black
Is white as grass.'
They shout through all the day and break
The silence of the night as well.
They'd make--I wish they'd go and make--
Of Heaven a Hell.
A advocates free silver, B
Free trade and C free banking laws.
Free board, clothes, lodging would from me
Win wamr applause.
Lo, D lifts up his voice: 'You see
The single tax on land would fall
On all alike.' More evenly
No tax at all.
'With paper money,' bellows E,
'We'll all be rich as lords.' No doubt--
And richest of the lot will be
The chap without.
As many 'cures' as addle-wits
Who know not what the ailment is!
Meanwhile the patient foams and spits
Like a gin fizz.
Alas, poor Body Politic,
Your fate is all too clearly read:
To be not altogether quick,
Nor very dead.
You take your exercise in squirms,
Your rest in fainting fits between.
'Tis plain that your disorder's worms--
Worms fat and lean.
Worm Capital, Worm Labor dwell
Within your maw and muscle's scope.
Their quarrels make your life a Hell,
Your death a hope.
God send you find not such an end
To ills however sharp and huge!
God send you convalesce! God send
You vermifuge.
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Written by
Robert William Service |
Humping it here in the dug-out,
Sucking me black dudeen,
I'd like to say in a general way,
There's nothing like Nickyteen;
There's nothing like Nickyteen, me boys,
Be it pipes or snipes or cigars;
So be sure that a bloke
Has plenty to smoke,
If you wants him to fight your wars.
When I've eat my fill and my belt is snug,
I begin to think of my baccy plug.
I whittle a fill in my horny palm,
And the bowl of me old clay pipe I cram.
I trim the edges, I tamp it down,
I nurse a light with an anxious frown;
I begin to draw, and my cheeks tuck in,
And all my face is a blissful grin;
And up in a cloud the good smoke goes,
And the good pipe glimmers and fades and glows;
In its throat it chuckles a cheery song,
For I likes it hot and I likes it strong.
Oh, it's good is grub when you're feeling hollow,
But the best of a meal's the smoke to follow.
There was Micky and me on a night patrol,
Having to hide in a fizz-bang hole;
And sure I thought I was worse than dead
Wi' them crump-crumps hustlin' over me head.
Sure I thought 'twas the dirty spot,
Hammer and tongs till the air was hot.
And mind you, water up to your knees.
And cold! A monkey of brass would freeze.
And if we ventured our noses out
A "typewriter" clattered its pills about.
The Field of Glory! Well, I don't think!
I'd sooner be safe and snug in clink.
Then Micky, he goes and he cops one bad,
He always was having ill-luck, poor lad.
Says he: "Old chummy, I'm booked right through;
Death and me 'as a wrongday voo.
But . . . 'aven't you got a pinch of shag? --
I'd sell me perishin' soul for a ***."
And there he shivered and cussed his luck,
So I gave him me old black pipe to suck.
And he heaves a sigh, and he takes to it
Like a babby takes to his mammy's tit;
Like an infant takes to his mother's breast,
Poor little Micky! he went to rest.
But the dawn was near, though the night was black,
So I left him there and I started back.
And I laughed as the silly old bullets came,
For the bullet ain't made wot's got me name.
Yet some of 'em buzzed onhealthily near,
And one little blighter just chipped me ear.
But there! I got to the trench all right,
When sudden I jumped wi' a start o' fright,
And a word that doesn't look well in type:
I'd clean forgotten me old clay pipe.
So I had to do it all over again,
Crawling out on that filthy plain.
Through shells and bombs and bullets and all --
Only this time -- I do not crawl.
I run like a man wot's missing a train,
Or a tom-cat caught in a plump of rain.
I hear the spit of a quick-fire gun
Tickle my heels, but I run, I run.
Through crash and crackle, and flicker and flame,
(Oh, the packet ain't issued wot's got me name!)
I run like a man that's no ideer
Of hunting around for a sooveneer.
I run bang into a German chap,
And he stares like an owl, so I bash his map.
And just to show him that I'm his boss,
I gives him a kick on the parados.
And I marches him back with me all serene,
Wiv, tucked in me grup, me old dudeen.
Sitting here in the trenches
Me heart's a-splittin' with spleen,
For a parcel o' lead comes missing me head,
But it smashes me old dudeen.
God blast that red-headed sniper!
I'll give him somethin' to snipe;
Before the war's through
Just see how I do
That blighter that smashed me pipe.
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