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Best Famous Fergus Poems

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Written by Galway Kinnell | Create an image from this poem

Fergus Falling

He climbed to the top
of one of those million white pines
set out across the emptying pastures
of the fifties - some program to enrich the rich
and rebuke the forefathers
who cleared it all at once with ox and axe - 
climbed to the top, probably to get out
of the shadow
not of those forefathers but of this father
and saw for the first time
down in its valley, Bruce Pond, giving off
its little steam in the afternoon,

pond where Clarence Akley came on Sunday mornings to cut
down
the cedars around the shore, I'd sometimes hear the slow
spondees
of his work, he's gone,
where Milton Norway came up behind me while I was 
fishing and
stood awhile before I knew he was there, he's the one who
put the
cedar shingles on the house, some have curled or split, a 
few have
blown off, he's gone,
where Gus Newland logged in the cold snap of '58, the only
man will-
ing to go into those woods that never got warmer than ten
below,
he's gone,
pond where two wards of the state wandered on Halloween, 
the Na-
tional Guard searched for them in November, in vain, the 
next fall a 
hunter found their skeletons huddled together, in vain, 
they're 
gone,
pond where an old fisherman in a rowboat sits, drowning
hooked
worms, when he goes he's replaced and is never gone,

and when Fergus
saw the pond for the first time
in the clear evening, saw its oldness down there
in its old place in the valley, he became heavier suddenly
in his bones
the way fledglings do just before they fly,
and the soft pine cracked . . .

I would not have heard his cry
if my electric saw had been working,
its carbide teeth speeding through the bland spruce of our 
time, or
burning
black arcs into some scavenged hemlock plank,
like dark circles under eyes
when the brain thinks too close to the skin,
but I was sawing by hand and I heard that cry
as though he were attacked; we ran out,
when we bent over him he said, "Galway, In¨¦s, I saw a 
pond!"
His face went gray, his eyes fluttered close a frightening
moment . . .

Yes - a pond
that lets off its mist
on clear afternoons of August, in that valley
to which many have come, for their reasons,
from which many have gone, a few for their reasons, most 
not,
where even now and old fisherman only the pinetops can see
sits in the dry gray wood of his rowboat, waiting for pickerel.


Written by Galway Kinnell | Create an image from this poem

After Making Love We Hear Footsteps

 For I can snore like a bullhorn 
or play loud music 
or sit up talking with any reasonably sober Irishman 
and Fergus will only sink deeper 
into his dreamless sleep, which goes by all in one flash, 
but let there be that heavy breathing 
or a stifled come-cry anywhere in the house 
and he will wrench himself awake 
and make for it on the run - as now, we lie together, 
after making love, quiet, touching along the length of our bodies, 
familiar touch of the long-married, 
and he appears - in his baseball pajamas, it happens, 
the neck opening so small 
he has to screw them on, which one day may make him wonder 
about the mental capacity of baseball players - 
and flops down between us and hugs us and snuggles himself to sleep, 
his face gleaming with satisfaction at being this very child. 

In the half darkness we look at each other 
and smile 
and touch arms across his little, startling muscled body - 
this one whom habit of memory propels to the ground of his making, 
sleeper only the mortal sounds can sing awake, 
this blessing love gives again into our arms.
Written by William Butler Yeats | Create an image from this poem

Fergus And The Druid

 Fergus. This whole day have I followed in the rocks,
And you have changed and flowed from shape to shape,
First as a raven on whose ancient wings
Scarcely a feather lingered, then you seemed
A weasel moving on from stone to stone,
And now at last you wear a human shape,
A thin grey man half lost in gathering night.

Druid. What would you, king of the proud Red Branch kings?

Fergus. This would I say, most wise of living souls:
Young subtle Conchubar sat close by me
When I gave judgment, and his words were wise,
And what to me was burden without end,
To him seemed easy, so I laid the crown
Upon his head to cast away my sorrow.

Druid. What would you, king of the proud Red Branch kings?

Fergus. A king and proud! and that is my despair.
I feast amid my people on the hill,
And pace the woods, and drive my chariot-wheels
In the white border of the murmuring sea;
And still I feel the crown upon my head

Druid. What would you, Fergus?

Fergus. Be no more a king
But learn the dreaming wisdom that is yours.

Druid. Look on my thin grey hair and hollow cheeks
And on these hands that may not lift the sword,
This body trembling like a wind-blown reed.
No woman's loved me, no man sought my help.

Fergus. A king is but a foolish labourer
Who wastes his blood to be another's dream.

Druid. Take, if you must, this little bag of dreams;
Unloose the cord, and they will wrap you round.

Fergus. I see my life go drifting like a river
From change to change; I have been many things -
A green drop in the surge, a gleam of light
Upon a sword, a fir-tree on a hill,
An old slave grinding at a heavy quern,
A king sitting upon a chair of gold -
And all these things were wonderful and great;
But now I have grown nothing, knowing all.
Ah! Druid, Druid, how great webs of sorrow
Lay hidden in the small slate-coloured thing!
Written by William Butler Yeats | Create an image from this poem

The Old Age Of Queen Maeve

 A certain poet in outlandish clothes
Gathered a crowd in some Byzantine lane,
Talked1 of his country and its people, sang
To some stringed instrument none there had seen,
A wall behind his back, over his head
A latticed window. His glance went up at time
As though one listened there, and his voice sank
Or let its meaning mix into the strings.

Maeve the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That's all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But Soft beauty and indolent desire.
She could have called over the rim of the world
Whatever woman's lover had hit her fancy,
And yet had been great-bodied and great-limbed,
Fashioned to be the mother of strong children;
And she'd had lucky eyes and high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
 O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?

When night was at its deepest, a wild goose
Cried from the porter's lodge, and with long clamour'
Shook the ale-horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her,
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep. But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed
 nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull and the Brown Bull.

She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished, Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he'd had a straight body,
And of that famous Fergus, Nessa's husband,
Who had been the lover of her middle life.

Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man's voice,
But with the burning, live, unshaken voice
Of those that, it may be, can never age.
He said, 'High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.'
And with glad voice Maeve answered him, 'What king
Of the far-wandering shadows has come to me,
As in the old days when they would come and go
About my threshold to counsel and to help?'
The parted lips replied, 'I seek your help,
For I am Aengus, and I am crossed in love.'
'How may a mortal whose life gutters out
Help them that wander with hand clasping hand,
Their haughty images that cannot wither,
For all their beauty's like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?'
 He replied,
'I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual's hill.
We shadows, while they uproot his earthy housc,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.'
 'I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.'
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.

The Maines' children dropped their spades, and stood
With quaking joints and terror-stricken faces,
Till Maeve called out, 'These are but common men.
The Maines' children have not dropped their spades
Because Earth, crazy for its broken power,
Casts up a Show and the winds answer it
With holy shadows.' Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn-tree stood.

Friend of these many years, you too had stood
With equal courage in that whirling rout;
For you, although you've not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I've heard how they grew old and died,
Or fell into unhappiness, I've said,
'She will grow old and die, and she has wept!'
And when I'd write it out anew, the words,
Half crazy with the thought, She too has wept!
Outrun the measure.
 I'd tell of that great queen
Who stood amid a silence by the thorn
Until two lovers came out of the air
With bodies made out of soft fire. The one,
About whose face birds wagged their fiery wings,
Said, 'Aengus and his sweetheart give their thanks
To Maeve and to Maeve's household, owing all
In owing them the bride-bed that gives peace.'
Then Maeve: 'O Aengus, Master of all lovers,
A thousand years ago you held high ralk
With the first kings of many-pillared Cruachan.
O when will you grow weary?'
 They had vanished,
But our of the dark air over her head there came
A murmur of soft words and meeting lips.
Written by William Butler Yeats | Create an image from this poem

Who Goes With Fergus?

 Who will go drive with Fergus now,
And pierce the deep wood's woven shade,
And dance upon the level shore?
Young man, lift up your russet brow,
And lift your tender eyelids, maid,
And brood on hopes and fear no more.

And no more turn aside and brood
Upon love's bitter mystery;
For Fergus rules the brazen cars,
And rules the shadows of the wood,
And the white breast of the dim sea
And all dishevelled wandering stars.


Written by William Butler Yeats | Create an image from this poem

To The Rose Upon The Rood Of Time

 Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, grey, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, where of stars, grown old
In dancing silver-sandalled on the sea,
Sing in their high and lonely melody.
Come near, that no more blinded hy man's fate,
I find under the boughs of love and hate,
In all poor foolish things that live a day,
Eternal beauty wandering on her way.

Come near, come near, come near - Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more bear common things that crave;
The weak worm hiding down in its small cave,
The field-mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days.

Book: Reflection on the Important Things