Written by
Sharon Olds |
I pull the bed slowly open, I
open the lips of the bed, get
the stack of fresh underpants
out of the suitcase—peach, white,
cherry, quince, pussy willow, I
choose a color and put them on,
I travel with the stack for the stack's caress,
dry and soft. I enter the soft
birth-lips of the bed, take off my
glasses, and the cabbage-roses on the curtain
blur to Keats's peonies, the
ochre willow holds a cloud
the way a skeleton holds flesh
and it passes, does not hold it.
The bed fits me like a walnut shell its
meat, my hands touch the upper corners,
the lower, my feet. It is so silent
I hear the choirs of wild silence, the
maenads of the atoms. Is this what it feels like
to have a mother? The sheets are heavy
cream, whipped. Ah, here is my mother,
or rather here she is not, so this is
paradise. But surely that
was paradise, when her Jell-O nipple was the
size of my own fist, in front of my
face—out of its humped runkles those
several springs of milk, so fierce
almost fearsome. What did I think
in that brain gridded for thought, its cups
loaded with languageless rennet? And at night,
when they timed me, four hours of screaming, not a
minute more, four, those quatrains of
icy yell, then the cold tap water
to get me over my shameless hunger,
what was it like to be there when that
hunger was driven into my structure at such
heat it alloyed that iron? Where have I
been while this person is leading my life
with her patience, will and order? In the garden;
on the bee and under the bee; in the
crown gathering cumulus and
flensing it from the boughs, weeping a
rehearsal for the rotting and casting off of our
flesh, the year we slowly throw it
off like clothing by the bed covers of our lover, and dive under.
|
Written by
Thomas Hardy |
I
In days when men had joy of war,
A God of Battles sped each mortal jar;
The peoples pledged him heart and hand,
From Israel's land to isles afar.
II
His crimson form, with clang and chime,
Flashed on each murk and murderous meeting-time,
And kings invoked, for rape and raid,
His fearsome aid in rune and rhyme.
III
On bruise and blood-hole, scar and seam,
On blade and bolt, he flung his fulgid beam:
His haloes rayed the very gore,
And corpses wore his glory-gleam.
IV
Often an early King or Queen,
And storied hero onward, knew his sheen;
'Twas glimpsed by Wolfe, by Ney anon,
And Nelson on his blue demesne.
V
But new light spread. That god's gold nimb
And blazon have waned dimmer and more dim;
Even his flushed form begins to fade,
Till but a shade is left of him.
VI
That modern meditation broke
His spell, that penmen's pleadings dealt a stroke,
Say some; and some that crimes too dire
Did much to mire his crimson cloak.
VII
Yea, seeds of crescive sympathy
Were sown by those more excellent than he,
Long known, though long contemned till then -
The gods of men in amity.
VIII
Souls have grown seers, and thought out-brings
The mournful many-sidedness of things
With foes as friends, enfeebling ires
And fury-fires by gaingivings!
IX
He scarce impassions champions now;
They do and dare, but tensely--pale of brow;
And would they fain uplift the arm
Of that faint form they know not how.
X
Yet wars arise, though zest grows cold;
Wherefore, at whiles, as 'twere in ancient mould
He looms, bepatched with paint and lath;
But never hath he seemed the old!
XI
Let men rejoice, let men deplore.
The lurid Deity of heretofore
Succumbs to one of saner nod;
The Battle-god is god no more.
|
Written by
Andrew Barton Paterson |
It chanced out back at the Christmas time,
When the wheat was ripe and tall,
A stranger rode to the farmer's gate --
A sturdy man and a small.
"Rin doon, rin doon, my little son Jack,
And bid the stranger stay;
And we'll hae a crack for Auld Lang Syne,
For the morn is Christmas Day."
"Nay noo, nay noo," said the dour guidwife,
"But ye should let him be;
He's maybe only a drover chap
Frae the land o' the Darling Pea.
"Wi' a drover's tales, and a drover's thirst
To swiggle the hail nicht through;
Or he's maybe a life assurance carle
To talk ye black and blue,"
"Guidwife, he's never a drover chap,
For their swags are neat and thin;
And he's never a life assurance carle,
Wi' the brick-dust burnt in his skin.
"Guidwife, guidwife, be nae sae dour,
For the wheat stands ripe and tall,
And we shore a seven-pound fleece this year,
Ewes and weaners and all.
"There is grass tae spare, and the stock are fat.
Where they whiles are gaunt and thin,
And we owe a tithe to the travelling poor,
So we maun ask him in.
"Ye can set him a chair tae the table side,
And gi' him a bite tae eat;
An omelette made of a new-laid egg,
Or a tasty bit of meat."
"But the native cats have taen the fowls,
They havena left a leg;
And he'll get nae omelette at a'
Till the emu lays an egg!"
"Rin doon, rin doon, my little son Jack,
To whaur the emus bide,
Ye shall find the auld hen on the nest,
While the auld cock sits beside.
"But speak them fair, and speak them saft,
Lest they kick ye a fearsome jolt.
Ye can gi' them a feed of thae half-inch nails
Or a rusty carriage bolt."
So little son Jack ran blithely down
With the rusty nails in hand,
Till he came where the emus fluffed and scratched
By their nest in the open sand.
And there he has gathered the new-laid egg --
'Twould feed three men or four --
And the emus came for the half-inch nails
Right up to the settler's door.
"A waste o' food," said the dour guidwife,
As she took the egg, with a frown,
"But he gets nae meat, unless ye rin
A paddy-melon down."
"Gang oot, gang oot, my little son Jack,
Wi' your twa-three doggies sma';
Gin ye come nae back wi' a paddy-melon,
Then come nae back at a'."
So little son Jack he raced and he ran,
And he was bare o' the feet,
And soon he captured a paddy-melon,
Was gorged with the stolen wheat.
"Sit doon, sit doon, my bonny wee man,
To the best that the hoose can do --
An omelette made of the emu egg
And a paddy-melon stew."
"'Tis well, 'tis well," said the bonny wee man;
"I have eaten the wide world's meat,
And the food that is given with right good-will
Is the sweetest food to eat.
"But the night draws on to the Christmas Day
And I must rise and go,
For I have a mighty way to ride
To the land of the Esquimaux.
"And it's there I must load my sledges up,
With the reindeers four-in-hand,
That go to the North, South, East, and West,
To every Christian land."
"Tae the Esquimaux," said the dour guidwife,
"Ye suit my husband well!"
For when he gets up on his journey horse
He's a bit of a liar himsel'."
Then out with a laugh went the bonny wee man
To his old horse grazing nigh,
And away like a meteor flash they went
Far off to the Northern sky.
When the children woke on the Christmas morn
They chattered with might and main --
For a sword and gun had little son Jack,
And a braw new doll had Jane,
And a packet o' screws had the twa emus;
But the dour guidwife gat nane.
|
Written by
Henry Lawson |
Light on the towns and cities, and peace for evermore!
The Big Five met in the world's light as many had met before,
And the future of man is settled and there shall be no more war.
The lamb shall lie down with the lion, and trust with treachery;
The brave man go with the coward, and the chained mind shackle the free,
And the truthful sit with the liar ever by land and sea.
And there shall be no more passion and no more love nor hate;
No more contempt for the paltry, no more respect for the great;
And the people shall breed like rabbits and mate as animals mate.
For lo! the Big Five have said it, each with a fearsome frown;
Each for his chosen country, State, and city and town;
Each for his lawn and table and the bed where he lies him down.
Cobbler and crank and chandler, magpie and ape disguised;
Each bound to his grocery corner – these are the Five we prized;
Bleating the teaching of others whom they ever despised.
But three shall meet in a cellar, companions of mildew and rats;
And three shall meet in a garret, pungent with stench of the cats,
And three in a cave in the forest where the torchlight maddens the bats –
Bats as blind as the people, streaming into the glare –
And the Nine shall turn the nations back to the plain things there;
Tracing in chalk and charcoal treaties that none can tear:
Truth that goes higher than airships and deeper than submarines,
And a message swifter than wireless – and none shall know what it means –
Till an army is rushed together and ready behind the scenes.
The Big Five sit together in the light of the World and day,
Each tied to his grocery corner though he travel the world for aye,
Each bleating the dreams of dreamers whom he has despised alway.
And intellect shall be tortured, and art destroyed for a span –
The brute shall defile the pictures as he did when the age began;
He shall hawk and spit in the palace to prove that he is a man.
Cobbler and crank and chandler, magpie and ape disguised;
Each bound to his grocery corner – these are the Five we prized;
Bleating the teaching of others whom they ever despised.
Let the nations scatter their armies and level their arsenals well,
Let them blow their airships to Heaven and sink their warships to Hell,
Let them maim the feet of the runner and silence the drum and the bell;
But shapes shall glide from the cellar who never had dared to "strike",
And shapes shall drop from the garret (ghastly and so alike)
To drag from the cave in the forest powder and cannon and pike.
As of old, we are sending a message to Garcia still –
Smoke from the peak by sunlight, beacon by night from the hill;
And the drum shall throb in the distance – the drum that never was still.
|
Written by
Lewis Carroll |
The ladye she stood at her lattice high,
Wi' her doggie at her feet;
Thorough the lattice she can spy
The passers in the street,
"There's one that standeth at the door,
And tirleth at the pin:
Now speak and say, my popinjay,
If I sall let him in."
Then up and spake the popinjay
That flew abune her head:
"Gae let him in that tirls the pin:
He cometh thee to wed."
O when he cam' the parlour in,
A woeful man was he!
"And dinna ye ken your lover agen,
Sae well that loveth thee?"
"And how wad I ken ye loved me, Sir,
That have been sae lang away?
And how wad I ken ye loved me, Sir?
Ye never telled me sae."
Said - "Ladye dear," and the salt, salt tear
Cam' rinnin' doon his cheek,
"I have sent the tokens of my love
This many and many a week.
"O didna ye get the rings, Ladye,
The rings o' the gowd sae fine?
I wot that I have sent to thee
Four score, four score and nine."
"They cam' to me," said that fair ladye.
"Wow, they were flimsie things!"
Said - "that chain o' gowd, my doggie to howd,
It is made o' thae self-same rings."
"And didna ye get the locks, the locks,
The locks o' my ain black hair,
Whilk I sent by post, whilk I sent by box,
Whilk I sent by the carrier?"
"They cam' to me," said that fair ladye;
"And I prithee send nae mair!"
Said - "that cushion sae red, for my doggie's head,
It is stuffed wi' thae locks o' hair."
"And didna ye get the letter, Ladye,
Tied wi' a silken string,
Whilk I sent to thee frae the far countrie,
A message of love to bring?"
"It cam' to me frae the far countrie
Wi' its silken string and a';
But it wasna prepaid," said that high-born maid,
"Sae I gar'd them tak' it awa'."
"O ever alack that ye sent it back,
It was written sae clerkly and well!
Now the message it brought, and the boon that it sought,
I must even say it mysel'."
Then up and spake the popinjay,
Sae wisely counselled he.
"Now say it in the proper way:
Gae doon upon thy knee!"
The lover he turned baith red and pale,
Went doon upon his knee:
"O Ladye, hear the waesome tale
That must be told to thee!
"For five lang years, and five lang years,
I coorted thee by looks;
By nods and winks, by smiles and tears,
As I had read in books.
"For ten lang years, O weary hours!
I coorted thee by signs;
By sending game, by sending flowers,
By sending Valentines.
"For five lang years, and five lang years,
I have dwelt in the far countrie,
Till that thy mind should be inclined
Mair tenderly to me.
"Now thirty years are gane and past,
I am come frae a foreign land:
I am come to tell thee my love at last -
O Ladye, gie me thy hand!"
The ladye she turned not pale nor red,
But she smiled a pitiful smile:
"Sic' a coortin' as yours, my man," she said
"Takes a lang and a weary while!"
And out and laughed the popinjay,
A laugh of bitter scorn:
"A coortin' done in sic' a way,
It ought not to be borne!"
Wi' that the doggie barked aloud,
And up and doon he ran,
And tugged and strained his chain o' gowd,
All for to bite the man.
"O hush thee, gentle popinjay!
O hush thee, doggie dear!
There is a word I fain wad say,
It needeth he should hear!"
Aye louder screamed that ladye fair
To drown her doggie's bark:
Ever the lover shouted mair
To make that ladye hark:
Shrill and more shrill the popinjay
Upraised his angry squall:
I trow the doggie's voice that day
Was louder than them all!
The serving-men and serving-maids
Sat by the kitchen fire:
They heard sic' a din the parlour within
As made them much admire.
Out spake the boy in buttons
(I ween he wasna thin),
"Now wha will tae the parlour gae,
And stay this deadlie din?"
And they have taen a kerchief,
Casted their kevils in,
For wha will tae the parlour gae,
And stay that deadlie din.
When on that boy the kevil fell
To stay the fearsome noise,
"Gae in," they cried, "whate'er betide,
Thou prince of button-boys!"
Syne, he has taen a supple cane
To swinge that dog sae fat:
The doggie yowled, the doggie howled
The louder aye for that.
Syne, he has taen a mutton-bane -
The doggie ceased his noise,
And followed doon the kitchen stair
That prince of button-boys!
Then sadly spake that ladye fair,
Wi' a frown upon her brow:
"O dearer to me is my sma' doggie
Than a dozen sic' as thou!
"Nae use, nae use for sighs and tears:
Nae use at all to fret:
Sin' ye've bided sae well for thirty years,
Ye may bide a wee langer yet!"
Sadly, sadly he crossed the floor
And tirled at the pin:
Sadly went he through the door
Where sadly he cam' in.
"O gin I had a popinjay
To fly abune my head,
To tell me what I ought to say,
I had by this been wed.
"O gin I find anither ladye,"
He said wi' sighs and tears,
"I wot my coortin' sall not be
Anither thirty years
"For gin I find a ladye gay,
Exactly to my taste,
I'll pop the question, aye or nay,
In twenty years at maist."
|
Written by
Paul Laurence Dunbar |
She wrapped her soul in a lace of lies,
With a prime deceit to pin it;
And I thought I was gaining a fearsome prize,
So I staked my soul to win it.
We wed and parted on her complaint,
And both were a bit of barter,
Tho' I'll confess that I'm no saint,
I'll swear that she's no martyr.
|
Written by
Robert William Service |
Could Fate ordain a lot for me
Beyond all human ills,
I think that I would choose to be
A shephard of the hills;
With shaggy cloak and cape where skies
Eternally are blue
How I would stare with quiet eyes
At passing you!
And you would stare at static me,
Beside my patient flock;
And I would watch you silently,
A one with time and rock.
Then foreign farings you would chart,
And fly with fearsome wings,
While I would bide to be a part
Of elemental things.
Yet strangely I would have it so,
Since I am kin to these,--
To heather heath and bloom ablow,
And peaks and piney trees.
As diamond star at evenfall,
And pearly morning mist
Sing in my veins, myself I call
An Elementalist.
So as in city dirt and din
I push a grubby pen,
And toil, my bed and board to win,
I hate the haunts of men.
Beyond brick wall I seem to see
Fern dells and rocky rills . . .
O crazy dream! O God, to be
A shephard of the hills!
|
Written by
Siegfried Sassoon |
Not much to me is yonder lane
Where I go every day;
But when there’s been a shower of rain
And hedge-birds whistle gay,
I know my lad that’s out in France
With fearsome things to see
Would give his eyes for just one glance
At our white hawthorn tree.
. . . .
Not much to me is yonder lane
Where he so longs to tread:
But when there’s been a shower of rain
I think I’ll never weep again
Until I’ve heard he’s dead.
|
Written by
Edwin Arlington Robinson |
And there we were together again—
Together again, we three:
Morgan, Fingal, fiddle, and all,
They had come for the night with me.
The spirit of joy was in Morgan’s wrist,
There were songs in Fingal’s throat;
And secure outside, for the spray to drench,
Was a tossed and empty boat.
And there were the pipes, and there was the punch,
And somewhere were twelve years;
So it came, in the manner of things unsought,
That a quick knock vexed our ears.
The night wind hovered and shrieked and snarled,
And I heard Fingal swear;
Then I opened the door—but I found no more
Than a chalk-skinned woman there.
I looked, and at last, “What is it?” I said—
“What is it that we can do?”
But never a word could I get from her
But “You—you three—it is you!”
Now the sense of a crazy speech like that
Was more than a man could make;
So I said, “But we—we are what, we three?”
And I saw the creature shake.
“Be quick!” she cried, “for I left her dead—
And I was afraid to come;
But you, you three—God made it be—
Will ferry the dead girl home.
“Be quick! be quick!—but listen to that
Who is that makes it?—hark!”
But I heard no more than a knocking splash
And a wind that shook the dark.
“It is only the wind that blows,” I said,
“And the boat that rocks outside.”
And I watched her there, and I pitied her there—
“Be quick! be quick!” she cried.
She cried so loud that her voice went in
To find where my two friends were;
So Morgan came, and Fingal came,
And out we went with her.
’T was a lonely way for a man to take
And a fearsome way for three;
And over the water, and all day long,
They had come for the night with me.
But the girl was dead, as the woman had said,
And the best we could see to do
Was to lay her aboard. The north wind roared,
And into the night we flew.
Four of us living and one for a ghost,
Furrowing crest and swell,
Through the surge and the dark, for that faint far spark,
We ploughed with Azrael.
Three of us ruffled and one gone mad,
Crashing to south we went;
And three of us there were too spattered to care
What this late sailing meant.
So down we steered and along we tore
Through the flash of the midnight foam:
Silent enough to be ghosts on guard.
We ferried the dead girl home.
We ferried her down to the voiceless wharf,
And we carried her up to the light;
And we left the two to the father there,
Who counted the coals that night.
Then back we steered through the foam again,
But our thoughts were fast and few;
And all we did was to crowd the surge
And to measure the life we knew;—
Till at last we came where a dancing gleam
Skipped out to us, we three,—
And the dark wet mooring pointed home
Like a finger from the sea.
Then out we pushed the teetering skiff
And in we drew to the stairs;
And up we went, each man content
With a life that fed no cares.
Fingers were cold and feet were cold,
And the tide was cold and rough;
But the light was warm, and the room was warm,
And the world was good enough.
And there were the pipes, and there was the punch,
More shrewd than Satan’s tears:
Fingal had fashioned it, all by himself,
With a craft that comes of years.
And there we were together again—
Together again, we three:
Morgan, Fingal, fiddle, and all,
They were there for the night with me.
|
Written by
Paul Laurence Dunbar |
Mother 's gone a-visitin' to spend a month er two,
An', oh, the house is lonesome ez a nest whose birds has flew
To other trees to build ag'in; the rooms seem jest so bare
That the echoes run like sperrits from the kitchen to the stair.
The shetters flap more lazy-like 'n what they used to do,
Sence mother 's gone a-visitin' to spend a month er two.
We 've killed the fattest chicken an' we've cooked her to a turn;
We 've made the richest gravy, but I jest don't give a durn
Fur nothin' 'at I drink er eat, er nothin' 'at I see.
The food ain't got the pleasant taste it used to have to me.
They 's somep'n' stickin' in my throat ez tight ez hardened glue,
Sence mother's gone a-visitin' to spend a month er two.
The hollyhocks air jest ez pink, they 're double ones at that,
An' I wuz prouder of 'em than a baby of a cat.
But now I don't go near 'em, though they nod an' blush at me,
Fur they 's somep'n' seems to gall me in their keerless sort o' glee
An' all their fren'ly noddin' an' their blushin' seems to say:
"You 're purty lonesome, John, old boy, sence mother 's gone away."[Pg 80]
The neighbors ain't so fren'ly ez it seems they 'd ort to be;
They seem to be a-lookin' kinder sideways like at me,
A-kinder feared they 'd tech me off ez ef I wuz a match,
An' all because 'at mother 's gone an' I 'm a-keepin' batch!
I 'm shore I don't do nothin' worse 'n what I used to do
'Fore mother went a-visitin' to spend a month er two.
The sparrers ac's more fearsome like an' won't hop quite so near,
The cricket's chirp is sadder, an' the sky ain't ha'f so clear;
When ev'nin' comes, I set an' smoke tell my eyes begin to swim,
An' things aroun' commence to look all blurred an' faint an' dim.
Well, I guess I 'll have to own up 'at I 'm feelin' purty blue
Sence mother's gone a-visitin' to spend a month er two.
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