Written by
Ralph Waldo Emerson |
Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright,
All were foreign in their light.
It was ever the self-same tale,
The old experience will not fail,—
Only two in the garden walked,
And with snake and seraph talked.
But God said;
I will have a purer gift,
There is smoke in the flame;
New flowerets bring, new prayers uplift,
And love without a name.
Fond children, ye desire
To please each other well;
Another round, a higher,
Ye shall climb on the heavenly stair,
And selfish preference forbear;
And in right deserving,
And without a swerving
Each from your proper state,
Weave roses for your mate.
Deep, deep are loving eyes,
Flowed with naphtha fiery sweet,
And the point is Paradise
Where their glances meet:
Their reach shall yet be more profound,
And a vision without bound:
The axis of those eyes sun-clear
Be the axis of the sphere;
Then shall the lights ye pour amain
Go without check or intervals,
Through from the empyrean walls,
Unto the same again.
Close, close to men,
Like undulating layer of air,
Right above their heads,
The potent plain of Dæmons spreads.
Stands to each human soul its own,
For watch, and ward, and furtherance
In the snares of nature's dance;
And the lustre and the grace
Which fascinate each human heart,
Beaming from another part,
Translucent through the mortal covers,
Is the Dæmon's form and face.
To and fro the Genius hies,
A gleam which plays and hovers
Over the maiden's head,
And dips sometimes as low as to her eyes.
Unknown, — albeit lying near, —
To men the path to the Dæmon sphere,
And they that swiftly come and go,
Leave no track on the heavenly snow.
Sometimes the airy synod bends,
And the mighty choir descends,
And the brains of men thenceforth,
In crowded and in still resorts,
Teem with unwonted thoughts.
As when a shower of meteors
Cross the orbit of the earth,
And, lit by fringent air,
Blaze near and far.
Mortals deem the planets bright
Have slipped their sacred bars,
And the lone seaman all the night
Sails astonished amid stars.
Beauty of a richer vein,
Graces of a subtler strain,
Unto men these moon-men lend,
And our shrinking sky extend.
So is man's narrow path
By strength and terror skirted,
Also (from the song the wrath
Of the Genii be averted!
The Muse the truth uncolored speaking),
The Dæmons are self-seeking;
Their fierce and limitary will
Draws men to their likeness still.
The erring painter made Love blind,
Highest Love who shines on all;
Him radiant, sharpest-sighted god
None can bewilder;
Whose eyes pierce
The Universe,
Path-finder, road-builder,
Mediator, royal giver,
Rightly-seeing, rightly-seen,
Of joyful and transparent mien.
'Tis a sparkle passing
From each to each, from me to thee,
Perpetually,
Sharing all, daring all,
Levelling, misplacing
Each obstruction, it unites
Equals remote, and seeming opposites.
And ever and forever Love
Delights to build a road;
Unheeded Danger near him strides,
Love laughs, and on a lion rides.
But Cupid wears another face
Born into Dæmons less divine,
His roses bleach apace,
His nectar smacks of wine.
The Dæmon ever builds a wall,
Himself incloses and includes,
Solitude in solitudes:
In like sort his love doth fall.
He is an oligarch,
He prizes wonder, fame, and mark,
He loveth crowns,
He scorneth drones;
He doth elect
The beautiful and fortunate,
And the sons of intellect,
And the souls of ample fate,
Who the Future's gates unbar,
Minions of the Morning Star.
In his prowess he exults,
And the multitude insults.
His impatient looks devour
Oft the humble and the poor,
And, seeing his eye glare,
They drop their few pale flowers
Gathered with hope to please
Along the mountain towers,
Lose courage, and despair.
He will never be gainsaid,
Pitiless, will not be stayed.
His hot tyranny
Burns up every other tie;
Therefore comes an hour from Jove
Which his ruthless will defies,
And the dogs of Fate unties.
Shiver the palaces of glass,
Shrivel the rainbow-colored walls
Where in bright art each god and sibyl dwelt
Secure as in the Zodiack's belt;
And the galleries and halls
Wherein every Siren sung,
Like a meteor pass.
For this fortune wanted root
In the core of God's abysm,
Was a weed of self and schism:
And ever the Dæmonic Love
Is the ancestor of wars,
And the parent of remorse.
|
Written by
Etheridge Knight |
Shiny record albums scattered over
the living room floor, reflecting light
from the lamp, sharp reflections that hurt
my eyes as I watch you, squatting among the platters,
the beer foam making mustaches on your lips.
And, too,
the shadows on your cheeks from your long lashes
fascinate me--almost as much as the dimples
in your cheeks, your arms and your legs.
You
hum along with Mathis--how you love Mathis!
with his burnished hair and quicksilver voice that dances
among the stars and whirls through canyons
like windblown snow, sometimes I think that Mathis
could take you from me if you could be complete
without me.
I glance at my watch.
It is now time.
You rise,
silently, and to the bedroom and the paint;
on the lips red, on the eyes black,
and I lean in the doorway and smoke, and see you
grow old before my eyes, and smoke, why do you
chatter while you dress? and smile when you grab
your large leather purse? don't you know that when you leave me
I walk to the window and watch you? and light
a reefer as I watch you? and I die as I watch you
disappear in the dark streets
to whistle and smile at the johns
|
Written by
Mary Darby Robinson |
SORC'RESS of the Cave profound!
Hence, with thy pale, and meagre train,
Nor dare my roseate bow'r profane,
Where light-heel'd mirth despotic reigns,
Slightly bound in feath'ry chains,
And scatt'ring blisses round.
Hence, to thy native Chaoswhere
Nurs'd by thy haggard Dam, DESPAIR,
Shackled by thy numbing spell,
Mis'ry's pallid children dwell;
Where, brooding o'er thy fatal charms,
FRENZY rolls the vacant eye;
Where hopeless LOVE, with folded arms,
Drops the tear, and heaves the sigh;
Till cherish'd Passion's tyrant sway
Chills the warm pulse of Youth, with premature decay.
O, fly Thee, to some Church-yard's gloom,
Where beside the mould'ring tomb,
Restless Spectres glide away,
Fading in the glimpse of Day;
Or, where the Virgin ORB of Night,
Silvers o'er the Forest wide,
Or across the silent tide,
Flings her soft, and quiv'ring light:
Where, beneath some aged Tree,
Sounds of mournful Melody
Caught from the NIGHTINGALE's enamour'd Tale,
Steal on faint Echo's ear, and float upon the gale.
DREAD POW'R! whose touch magnetic leads
O'er enchanted spangled meads,
Where by the glow-worm's twinkling ray,
Aëry Spirits lightly play;
Where around some Haunted Tow'r,
Boding Ravens wing their flight,
Viewless, in the gloom of Night,
Warning oft the luckless hour;
Or, beside the Murd'rer's bed,
From thy dark, and morbid wing,
O'er his fev'rish, burning head,
Drops of conscious auguish fling;
While freezing HORROR's direful scream,
Rouses his guilty soul from kind oblivion's dream.
Oft, beneath the witching Yew,
The trembling MAID, steals forth unseen;
With true-love wreaths, of deathless green,
Her Lover's grave to strew;
Her downcast Eye, no joy illumes,
Nor on her Cheek, the soft Rose blooms;
Her mourning Heart, the victim of thy pow'r,
Shrinks from the glare of Mirth, and hails the MURKY HOUR.
O, say what FIEND first gave thee birth,
In what fell Desart, wert thou born;
Why does thy hollow voice, forlorn,
So fascinate the Sons of Earth;
That once encircled in thy icy arms,
They court thy torpid touch, and doat upon thy Charms?
HATED IMP,I brave thy Spell,
REASON shuns thy barb'rous sway;
Life, with mirth should glide away,
Despondency, with guilt should dwell;
For conscious TRUTH's unruffled mien,
Displays the dauntless Eye, and patient smile serene.
|
Written by
Philip Larkin |
Once I believed in you,
And then you came,
Unquestionably new, as fame
Had said you were.
But that was long ago.
You launched no argument,
Yet I obeyed,
Straightaway, the instrument you played
Distant Down sidestreets, keeping different time,
And never questioned what
You fascinate
In me; if good or not, the state
You pressed towards.
There was no need to know.
Grave pristine absolutes
Walked in my mind:
So that I was not mute, or blind,
As years before or since.
My only crime
Was holding you too dear.
Was that the cause
You daily came less near—a pause
Longer than life, if you decide it so?
|
Written by
Conrad Aiken |
What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little.
.
.
.
Outside, the night goes by.
I walk alone in a forest of ghostly trees .
.
.
Your pale hands rest palm downwards on your knees.
'These lines—converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink .
.
.
'One feels so petty!—One feels such—emptiness!—'
You mimic horror, let fall your lifted hand,
And smile at me; with brooding tenderness .
.
.
Alone on darkened waters I fall and rise;
Slow waves above me break, faint waves of cries.
'And then these colors .
.
.
but who would dare describe them?
This faint rose-coral pink .
.
this green—pistachio?—
So insubstantial! Like the dim ghostly things
Two lovers find in love's still-twilight chambers .
.
.
Old peacock-fans, and fragrant silks, and rings .
.
.
'Rings, let us say, drawn from the hapless fingers
Of some great lady, many centuries nameless,—
Or is that too sepulchral?—dulled with dust;
And necklaces that crumble if you touch them;
And gold brocades that, breathed on, fall to rust.
'No—I am wrong .
.
.
it is not these I sought for—!
Why did they come to mind? You understand me—
You know these strange vagaries of the brain!—'
—I walk alone in a forest of ghostly trees;
Your pale hands rest palm downwards on your knees;
These strange vagaries of yours are all too plain.
'But why perplex ourselves with tedious problems
Of art or .
.
.
such things? .
.
.
while we sit here, living,
With all that's in our secret hearts to say!—'
Hearts?—Your pale hand softly strokes the satin.
You play deep music—know well what you play.
You stroke the satin with thrilling of finger-tips,
You smile, with faintly perfumed lips,
You loose your thoughts like birds,
Brushing our dreams with soft and shadowy words .
.
We know your words are foolish, yet sit here bound
In tremulous webs of sound.
'How beautiful is intimate talk like this!—
It is as if we dissolved grey walls between us,
Stepped through the solid portals, become but shadows,
To hear a hidden music .
.
.
Our own vast shadows
Lean to a giant size on the windy walls,
Or dwindle away; we hear our soft footfalls
Echo forever behind us, ghostly clear,
Music sings far off, flows suddenly near,
And dies away like rain .
.
.
We walk through subterranean caves again,—
Vaguely above us feeling
A shadowy weight of frescos on the ceiling,
Strange half-lit things,
Soundless grotesques with writhing claws and wings .
.
.
And here a beautiful face looks down upon us;
And someone hurries before, unseen, and sings .
.
.
Have we seen all, I wonder, in these chambers—
Or is there yet some gorgeous vault, arched low,
Where sleeps an amazing beauty we do not know? .
.
'
The question falls: we walk in silence together,
Thinking of that deep vault and of its secret .
.
.
This lamp, these books, this fire
Are suddenly blown away in a whistling darkness.
Deep walls crash down in the whirlwind of desire.
|
Written by
Victor Hugo |
("L'église est vaste et haute.")
{IV., June 29, 1839.}
The Church{1} is vast; its towering pride, its steeples loom on high;
The bristling stones with leaf and flower are sculptured wondrously;
The portal glows resplendent with its "rose,"
And 'neath the vault immense at evening swarm
Figures of angel, saint, or demon's form,
As oft a fearful world our dreams disclose.
But not the huge Cathedral's height, nor yet its vault sublime,
Nor porch, nor glass, nor streaks of light, nor shadows deep with time;
Nor massy towers, that fascinate mine eyes;
No, 'tis that spot—the mind's tranquillity—
Chamber wherefrom the song mounts cheerily,
Placed like a joyful nest well nigh the skies.
Yea! glorious is the Church, I ween, but Meekness dwelleth here;
Less do I love the lofty oak than mossy nest it bear;
More dear is meadow breath than stormy wind:
And when my mind for meditation's meant,
The seaweed is preferred to the shore's extent,—
The swallow to the main it leaves behind.
Author of "Critical Essays."
{Footnote 1: The Cathedral Nôtre Dame of Paris, which is the scene of the
author's romance, "Nôtre Dame."}
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