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Best Famous False Teeth Poems

Here is a collection of the all-time best famous False Teeth poems. This is a select list of the best famous False Teeth poetry. Reading, writing, and enjoying famous False Teeth poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of false teeth poems.

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Written by Pablo Neruda | Create an image from this poem

Walking Around

 It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
 houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.

The smell of barbershops makes me break into hoarse
 sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.

It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.

Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.

I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.

I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.

That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
 night.

And it pushes me into certain corners, into some moist
 houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.

There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
 cords.

I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
 shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.


Written by Pam Ayres | Create an image from this poem

Oh, I wish I’d looked after me teeth

Oh, I wish I’d looked after me teeth,
And spotted the dangers beneath
All the toffees I chewed,
And the sweet sticky food.
Oh, I wish I’d looked after me teeth.

I wish I’d been that much more willin’
When I had more tooth there than fillin’
To give up gobstoppers,
From respect to me choppers,
And to buy something else with me shillin’.

When I think of the lollies I licked
And the liquorice allsorts I picked,
Sherbet dabs, big and little,
All that hard peanut brittle,
My conscience gets horribly pricked.

My mother, she told me no end,
‘If you got a tooth, you got a friend.’
I was young then, and careless,
My toothbrush was hairless,
I never had much time to spend.

Oh I showed them the toothpaste all right,
I flashed it about late at night,
But up-and-down brushin’
And pokin’ and fussin’
Didn’t seem worth the time – I could bite!

If I’d known I was paving the way
To cavities, caps and decay,
The murder of fillin’s,
Injections and drillin’s,
I’d have thrown all me sherbet away.

So I lie in the old dentist’s chair,
And I gaze up his nose in despair,
And his drill it do whine
In these molars of mine.
‘Two amalgam,’ he’ll say, ‘for in there.’

How I laughed at my mother’s false teeth,
As they foamed in the waters beneath.
But now comes the reckonin’
It’s methey are beckonin’
Oh, I wish I’d looked after me teeth.

Taken from the The Works: The Classic Collection 2008.

© Pam Ayres 2012
Official Website
http://pamayres.com/
Written by Peter Orlovsky | Create an image from this poem

Frist Poem

 A rainbow comes pouring into my window, I am electrified. 
Songs burst from my breast, all my crying stops, mistory fills 
 the air. 
I look for my shues under my bed. 
A fat colored woman becomes my mother. 
I have no false teeth yet. Suddenly ten children sit on my lap. 
I grow a beard in one day. 
I drink a hole bottle of wine with my eyes shut. 
I draw on paper and I feel I am two again. I want everybody to 
 talk to me. 
I empty the garbage on the tabol. 
I invite thousands of bottles into my room, June bugs I call them. 
I use the typewritter as my pillow. 
A spoon becomes a fork before my eyes. 
Bums give all their money to me. 
All I need is a mirror for the rest of my life. 
My frist five years I lived in chicken coups with not enough 
 bacon. 
My mother showed her witch face in the night and told stories of 
 blue beards. 
My dreams lifted me right out of my bed. 
I dreamt I jumped into the nozzle of a gun to fight it out with a 
 bullet. 
I met Kafka and he jumped over a building to get away from me. 
My body turned into sugar, poured into tea I found the meaning 
 of life 
All I needed was ink to be a black boy. 
I walk on the street looking for eyes that will caress my face. 
I sang in the elevators believing I was going to heaven. 
I got off at the 86th floor, walked down the corridor looking for 
 fresh butts. 
My comes turns into a silver dollar on the bed. 
I look out the window and see nobody, I go down to the street, 
 look up at my window and see nobody. 
So I talk to the fire hydrant, asking "Do you have bigger tears 
 then I do?" 
Nobody around, I piss anywhere. 
My Gabriel horns, my Gabriel horns: unfold the cheerfulies, 
 my gay jubilation.

Nov. 24th, 1957, Paris
Written by Sylvia Plath | Create an image from this poem

The Applicant

 First, are you our sort of a person?
Do you wear
A glass eye, false teeth or a crutch,
A brace or a hook,
Rubber breasts or a rubber crotch,

Stitches to show something's missing? No, no? Then
How can we give you a thing?
Stop crying.
Open your hand.
Empty? Empty. Here is a hand

To fill it and willing
To bring teacups and roll away headaches
And do whatever you tell it.
Will you marry it?
It is guaranteed

To thumb shut your eyes at the end
And dissolve of sorrow.
We make new stock from the salt.
I notice you are stark naked.
How about this suit----

Black and stiff, but not a bad fit.
Will you marry it?
It is waterproof, shatterproof, proof
Against fire and bombs through the roof.
Believe me, they'll bury you in it.

Now your head, excuse me, is empty.
I have the ticket for that.
Come here, sweetie, out of the closet.
Well, what do you think of that ?
Naked as paper to start

But in twenty-five years she'll be silver,
In fifty, gold.
A living doll, everywhere you look.
It can sew, it can cook,
It can talk, talk , talk.

It works, there is nothing wrong with it.
You have a hole, it's a poultice.
You have an eye, it's an image.
My boy, it's your last resort.
Will you marry it, marry it, marry it.
Written by Marriott Edgar | Create an image from this poem

Sams Racehorse

 When Sam Small retired from the Army 
He'd a pension of ninepence a day,
And seven pounds fourteen and twopence 
He'd saved from his rations and pay.

He knew this 'ere wasn't a fortune, 
But reckoned with prudence and care
He'd find some investment to save him 
From hard work and things like that there.

He thought he'd invest in a race orse, 
As apart from excitement and fun
He'd be able to sit down in comfort
And live on the money he won.

He knew buying 'orses was tricky, 
But that didn't daunt him at all;
He said "They must rise early 't mornin 
As wants to play tricks on Sam Small!"

When he called on the local 'Orse-dealer 
Surprise rooted him to the spot,
For he found 'twere his old Comp'ny Sergeant, 
Whose kindness he'd never forgot.

'Twere a happy reunion on both sides, 
Their pleasure at meeting was great,
For each hoped to diddle the other 
And wipe a few grudges off slate.

The Sergeant brought out his race 'orses, 
For which he asked various sums;
They hadn't a tooth left between them,
But Sam knew their age by their gums.

Sam studied their lines and deportment 
As Sergeant were trotting them round, 
And told him he reckoned their value 
Were fourpence, per race 'orse, per pound. 

Now the Sarg. had a filly called Buster 
As he hadn't said nothing about, 
But when Sam turned his nose up at t'others 
He thought as he'd best trot her out. 

Sam were struck with her youthful appearance,
Though there wasn't much light in the place,
For her teeth were all pearly and even 
And there wasn't a line on her face.

The Sergeant asked Sam twenty guineas, 
But Sam, who were up to his tricks,
Pretended he thought he'd said shillings 
And offered him eighteen and six.

In the end he paid eight guineas for her, 
And when he'd got home with the goods
He reckoned he'd not done so badly, 
For three of the guineas was duds.

But later, when he thought it over, 
A doubt through his mind seemed to creep,
If Buster were all she were painted, 
Why the Sergeant had sold her so cheap.

He very soon found out the answer 
When he looked at her close in her stall,
She'd the marks where her face had been lifted 
And a mouth full of false teeth an' all.

The little walk home had fatigued her 
And the cold air had started her cough;
Sam reckoned he'd best see the Sergeant 
And tell him the bargain was off.

The place were locked up when he got there,
And he realized Sergeant had bunked,
So back he went home in a dudgeon 
And found Buster lying-defunct.

Sam knew if he wanted to sell her 
He mustn't let on she were dead,
So he raffled her down at the Darts Club- 
Forty members at five bob a head.

The raffle were highly successful, 
They all came in every man jack 
And so's winner'd have no cause to grumble
Sam gave him his five shillings back.



Book: Reflection on the Important Things