10 Best Famous Eyebeams Poems

Here is a collection of the top 10 all-time best famous Eyebeams poems. This is a select list of the best famous Eyebeams poetry. Reading, writing, and enjoying famous Eyebeams poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of eyebeams poems.

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Written by Lawrence Ferlinghetti | Create an image from this poem

Constantly Risking Absurdity

 Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of the day
performing entrachats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth
before the taking of each stance or step
in his supposed advance
toward that still higher perch
where Beauty stands and waits
with gravity
to start her death-defying leap
And he
a little charleychaplin man
who may or may not catch
her fair eternal form
spreadeagled in the empty air
of existence

Written by Emma Lazarus | Create an image from this poem

Chopin

 I

A dream of interlinking hands, of feet 
Tireless to spin the unseen, fairy woof 
Of the entangling waltz. Bright eyebeams meet, 
Gay laughter echoes from the vaulted roof. 
Warm perfumes rise; the soft unflickering glow 
Of branching lights sets off the changeful charms 
Of glancing gems, rich stuffs, the dazzling snow 
Of necks unkerchieft, and bare, clinging arms. 
Hark to the music! How beneath the strain 
Of reckless revelry, vibrates and sobs 
One fundamental chord of constant pain, 
The pulse-beat of the poet's heart that throbs. 
So yearns, though all the dancing waves rejoice, 
The troubled sea's disconsolate, deep voice. 


II

Who shall proclaim the golden fable false 
Of Orpheus' miracles? This subtle strain 
Above our prose-world's sordid loss and gain 
Lightly uplifts us. With the rhythmic waltz, 
The lyric prelude, the nocturnal song 
Of love and languor, varied visions rise, 
That melt and blend to our enchanted eyes. 
The Polish poet who sleeps silenced long, 
The seraph-souled musician, breathes again 
Eternal eloquence, immortal pain. 
Revived the exalted face we know so well, 
The illuminated eyes, the fragile frame, 
Slowly consuming with its inward flame, 
We stir not, speak not, lest we break the spell. 


III

A voice was needed, sweet and true and fine 
As the sad spirit of the evening breeze, 
Throbbing with human passion, yet devine 
As the wild bird's untutored melodies. 
A voice for him 'neath twilight heavens dim, 
Who mourneth for his dead, while round him fall 
The wan and noiseless leaves. A voice for him 
Who sees the first green sprout, who hears the call 
Of the first robin on the first spring day. 
A voice for all whom Fate hath set apart, 
Who, still misprized, must perish by the way, 
Longing with love, for that they lack the art 
Of their own soul's expression. For all these 
Sing the unspoken hope, the vague, sad reveries. 


IV

Then Nature shaped a poet's heart--a lyre 
From out whose chords the lightest breeze that blows 
Drew trembling music, wakening sweet desire. 
How shall she cherish him? Behold! she throws 
This precious, fragile treasure in the whirl 
Of seething passions; he is scourged and stung, 
Must dive in storm-vext seas, if but one pearl 
Of art or beauty therefrom may be wrung. 
No pure-browed pensive nymph his Muse shall be, 
An amazon of thought with sovereign eyes, 
Whose kiss was poison, man-brained, worldy-wise, 
Inspired that elfin, delicate harmony. 
Rich gain for us! But with him is it well? 
The poet who must sound earth, heaven, and hell!
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