Written by
Edgar Allan Poe |
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
This it is and nothing more.”
Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
’Tis the wind and nothing more!”
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven “Nevermore.”
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
Then the bird said “Nevermore.”
Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore’.”
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven “Nevermore.”
“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore.”
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!
|
Written by
John Dryden |
Farewell, ungrateful traitor!
Farewell, my perjur'd swain!
Let never injur'd woman
Believe a man again.
The pleasure of possessing
Surpasses all expressing,
But 'tis too short a blessing,
And love too long a pain.
'Tis easy to deceive us
In pity of your pain,
But when we love, you leave us
To rail at you in vain.
Before we have descried it,
There is no joy beside it,
But she that once has tried it
Will never love again.
The passion you pretended
Was only to obtain,
But once the charm is ended,
The charmer you disdain.
Your love by ours we measure
Till we have lost our treasure,
But dying is a pleasure
When living is a pain.
|
Written by
William Carlos (WCW) Williams |
The pure products of America
go crazy—
mountain folk from Kentucky
or the ribbed north end of
Jersey
with its isolate lakes and
valleys, its deaf-mutes, thieves
old names
and promiscuity between
devil-may-care men who have taken
to railroading
out of sheer lust of adventure—
and young slatterns, bathed
in filth
from Monday to Saturday
to be tricked out that night
with gauds
from imaginations which have no
peasant traditions to give them
character
but flutter and flaunt
sheer rags-succumbing without
emotion
save numbed terror
under some hedge of choke-cherry
or viburnum-
which they cannot express—
Unless it be that marriage
perhaps
with a dash of Indian blood
will throw up a girl so desolate
so hemmed round
with disease or murder
that she'll be rescued by an
agent—
reared by the state and
sent out at fifteen to work in
some hard-pressed
house in the suburbs—
some doctor's family, some Elsie—
voluptuous water
expressing with broken
brain the truth about us—
her great
ungainly hips and flopping breasts
addressed to cheap
jewelry
and rich young men with fine eyes
as if the earth under our feet
were
an excrement of some sky
and we degraded prisoners
destined
to hunger until we eat filth
while the imagination strains
after deer
going by fields of goldenrod in
the stifling heat of September
Somehow
it seems to destroy us
It is only in isolate flecks that
something
is given off
No one
to witness
and adjust, no one to drive the car
|
Written by
William Shakespeare |
Let not my love be called idolatry,
Nor my belovèd as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Kind is my love today, tomorrow kind,
Still constant in a wondrous excellence;
Therefore my verse to constancy confined,
One thing expressing, leaves out difference.
"Fair, kind, and true" is all my argument,
"Fair, kind, and true" varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.
Fair, kind, and true, have often lived alone.
Which three till now never kept seat in one.
|
Written by
Johann Wolfgang von Goethe |
[Goethe quotes the beginning of this song in
his Autobiography, as expressing the manner in which his poetical
effusions used to pour out from him.]
THROUGH field and wood to stray,
And pipe my tuneful lay,--
'Tis thus my days are pass'd;
And all keep tune with me,
And move in harmony,
And so on, to the last.
To wait I scarce have power
The garden's earliest flower,
The tree's first bloom in Spring;
They hail my joyous strain,--
When Winter comes again,
Of that sweet dream I sing.
My song sounds far and near,
O'er ice it echoes clear,
Then Winter blossoms bright;
And when his blossoms fly,
Fresh raptures meet mine eye,
Upon the well-till'd height.
When 'neath the linden tree,
Young folks I chance to see,
I set them moving soon;
His nose the dull lad curls,
The formal maiden whirls,
Obedient to my tune.
Wings to the feet ye lend,
O'er hill and vale ye send
The lover far from home;
When shall I, on your breast,.
Ye kindly muses, rest,
And cease at length to roam?
1800.*
|
Written by
Mihai Eminescu |
On the pond bright sparks are falling,
Wavelets in the sunlight glisten ;
Gazing on the woods with rapture ,
Do I let my spirit capture
Drowsiness, and lie and listen...
Quails are calling.
All the silent water sleeping
Of the streams and of the rivers ;
Only where the sun is shining
Thousand circles there designing
As with fright its surface shivers,
Swiftly leaping.
Pipe the birds midst woods concealing,
Which of us their language guessing ?
Birds of endless kinds and races
Chirp amidst its leafy places
And what wisdom they expressing
And what feeling.
Asks the cuckoo: "Who has seen
Our beloved summer idol ,
Beautiful beyond all praising
Through her languid lashes gazing,
Pur most lovely, tender, bridal,
Forest queen ?"
Bends the lime with gentle care
Her sweet body to embower ;
In the breeze his branches singing
Lift her in their arms upswinging,
While a hundred blossoms shower
On her hair.
Asks the brooklet as it flows :
" Where has gone my lovely lady ?
She, who evening hour beguiling,
In my silver surface smiling,
Broke its mirror deep and shady
With her toes ?"
I replied:" O forest, she
Comes no more, no more returning !
Only you, great oaks, still dreaming
Violet eyes, like flowers gleaming,
That the summer through were yearning
Just for me."
Happy then, alone we twain,
Through the forest brush-wood striding !
Sweet enchanted tale of wonder
That the darkness broke asunder...
Dear, wherever you'd be hiding,
Come again !
English version by Corneliu M. Popescu
Transcribed by Monica Dima
School No. 10, Focsani, Romania
|
Written by
John Dryden |
After the pangs of a desperate lover,
When day and night I have sighed all in vain,
Ah, what a pleasure it is to discover
In her eyes pity, who causes my pain!
When with unkindness our love at a stand is,
And both have punished ourselves with the pain,
Ah, what a pleasure the touch of her hand is!
Ah, what a pleasure to touch it again!
When the denial comes fainter and fainter,
And her eyes give what her tongue does deny,
Ah, what a trembling I feel when I venture!
Ah, what a trembling does usher my joy!
When, with a sigh, she accords me the blessing,
And her eyes twinkle 'twixt pleasure and pain,
Ah, what a joy 'tis beyond all expressing!
Ah, what a joy to hear 'Shall we again!'
|
Written by
Algernon Charles Swinburne |
Blest in death and life beyond man's guessing
Little children live and die, possest
Still of grace that keeps them past expressing
Blest.
Each least chirp that rings from every nest,
Each least touch of flower-soft fingers pressing
Aught that yearns and trembles to be prest,
Each least glance, gives gifts of grace, redressing
Grief's worst wrongs: each mother's nurturing breast
Feeds a flower of bliss, beyond all blessing
Blest.
|
Written by
Barry Tebb |
In sleep I dream the gratitude I know I cannot say
Now you are in a latitude where palm trees hold the sway
There are always things between us that keep getting in the way
And stop me from expressing the things I mean to say
In a night of wind and weathers love will not go away.
|
Written by
William Shakespeare |
Let not my love be call'd idolatry,
Nor my beloved as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Kind is my love to-day, to-morrow kind,
Still constant in a wondrous excellence;
Therefore my verse to constancy confined,
One thing expressing, leaves out difference.
'Fair, kind and true' is all my argument,
'Fair, kind, and true' varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.
'Fair, kind, and true,' have often lived alone,
Which three till now never kept seat in one.
|