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Best Famous Even Keel Poems

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Written by Ruth Padel | Create an image from this poem

WRITING TO ONEGIN

 (After Pushkin) 
Look at the bare wood hand-waxed floor and long 
White dressing-gown, the good child's writing-desk 
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour.
Is "Tell Him I love him" never a good idea? You can't wish this Unlived - this world on fire, on storm Alert, till the shepherd's song Outside, some hyper-active yellowhammer, bulbul, Wren, amplified in hills and woods, tell her to bestow A spot of notice on the dawn.
* "I'm writing to you.
Well, that's it, that's everything.
You'll laugh, but you'll pity me too.
I'm ashamed of this.
I meant to keep it quiet.
You'd never have known, if - I wish - I could have seen you once a week.
To mull over, day And night, the things you say, or what we say together.
But word is, you're misogynist.
Laddish.
A philanderer Who says what he doesn't mean.
(That's not how you come across To me.
) Who couldn't give a toss for domestic peace - Only for celebrity and showing off - And won't hang round in a provincial zone Like this.
We don't glitter.
Though we do, Warmly, truly, welcome you.
* "Why did you come? I'd never have set eyes On a star like you, or blundered up against This crazed not-sleeping, hour after hour In the dark.
I might have got the better of My clumsy fury with constraint, my fret For things I lack all lexica and phrase-book art To say.
I might have been a faithful wife; a mother.
But that's all done with.
This is Fate.
God.
Sorted.
Here I am - yours, to the last breath.
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate How right it is to love you.
This love is love to death.
* "I knew you anyway.
I loved you, I'm afraid, In my sleep.
Your eyes, that denim-lapis, grey-sea- Grey-green blue, that Chinese fold of skin At the inner corner, that shot look Bleeping "vulnerable" under the screensaver charm, Kept me alive.
Every cell, every last gold atom Of your body, was engraved in me Already.
Don't tell me that was dream! When you came in, Staring round in your stripey coat and brocade Vest, I nearly died! I fainted, I was flame! I recognized The you I'd always listened to alone, when I wrote Or tried to wrestle my scatty soul into calm.
* "Wasn't it you who slipped through the transparent Darkness to my bed and whispered love? Aren't you My guardian angel? Or is this arrant Seeming, hallucination, thrown Up by that fly engineering a novel does So beguilingly, or poems? Is this mad? Are there ways of dreaming I don't know? Too bad.
My soul has made its home In you.
I'm here and bare before you: shy, In tears.
But if I didn't heft my whole self up and hold it there - A crack-free mirror - loving you, or if I couldn't share It, set it out in words, I'd die.
* "I'll wait to hear from you.
I must.
Please let me hope.
Give me one look, from eyes I hardly dare To look back at.
Or scupper my dream By scolding me.
I've given you rope To hang me: tell me I'm mistaken.
You're so much in The world; while I just live here, bent on jam And harvest, songs and books.
That's not complaint.
We live such different lives.
So - this is the end.
It's taken All night.
I'm scared to read it back.
I'm faint With shame and fear.
But this is what I am.
My crumpled bed, My words, my open self.
All I can do is trust The whole damn lot of it to you.
" * She sighs.
The paper trembles as she presses down The pink wax seal.
Outside, a milk mist clears From the shimmering valley.
If I were her guardian Angel, I'd divide myself.
One half would holler Don't! Stay on an even keel! Don't dollop over All you are, to a man who'll go to town On his next little fling.
If he's entranced today By the way you finger your silk throat inside your collar, Tomorrow there'll be Olga, Sally, Jane.
But then I'd whisper Go for it, petal.
Nothing's as real as what you write.
His funeral, if he's not up to it.
What we feel Is mortal, and won't come again.
* So cut, weeks later, to an outside shot: the same girl Taking cover ("Dear God, he's here, he's come!") Under fat red gooseberries, glimmering hairy stars: The old, rude bushes she has hide-and-seeked in all Her life, where mother commands the serfs to sing While picking, so they can't hurl The odd gog into their mouths.
No one could spy Her here, not even the sun in its burn-time.
Her cheeks Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble Before the avid schoolboy plunks his net.
Or imagine * A leveret - like the hare you shot, remember? Which ran round screaming like a baby? Only mine is shivering in papery winter corn, While the hunter (as it might be, you) stomps his Hush Puppies through dead brush.
Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers Under the evening samovar, filling The Chinese teapot, sending coils of Lapsang Suchong Floating to the ceiling in the shadows, tracing O and E In the window's black reflection, one finger Tendrilling her own breath on the glass.
Like putting a shell to your ear to hear the sea * When it's really your own red little sparkle, the echo Of marching blood.
She's asking a phantom World of pearled-up mist for proof That her man exists: that gamelans and tumbrils Won't evade her.
But now, among The kitchen garden's rose-haws, mallow, Pernod- Coloured pears, she unhooks herself thorn by thorn For the exit aria.
For fade-out.
Suddenly there he is In the avenue, the man she's written to - Charon Gazing at her with blazing eyes! Darth Vader From Star Wars.
She's trapped, in a house she didn't realize Was burning.
Her letter was a gate to the inferno.
.
.
.
.
.
.
.
.
(This poem appeared in Pushkin: An Anthology, ed.
E.
Feinstein, Carcanet 1999)


Written by Robert William Service | Create an image from this poem

The Battle Of The Bulge

 This year an ocean trip I took, and as I am a Scot
And like to get my money's worth I never missed a meal.
In spite of Neptune's nastiness I ate an awful lot, Yet felt as fit as if we sailed upon an even keel.
But now that I am home again I'm stricken with disgust; How many pounds of fat I've gained I'd rather not divulge: Well, anyway I mean to take this tummy down or bust, So here I'm suet-strafing in the Battle of the Bulge.
No more will sausage, bacon, eggs provide my breakfast fare; On lobster I will never lunch, with mounds of mayonnaise.
At tea I'll Spartanly eschew the chocolate éclair; Roast duckling and péche melba shall not consummate my days.
No more nocturnal ice-box raids, midnight spaghetti feeds; On slabs of pâté de foie gras I vow I won't indulge: Let bran and cottage cheese suffice my gastronomic needs, And lettuce be my ally in the Battle of the Bulge.
To hell with you, ignoble paunch, abhorrent in my sight! I gaze at your rotundity, and savage is my frown.
I'll rub you and I'll scrub you and I'll drub you day and night, But by the gods of symmetry I swear I'll get you down.
Your smooth and smug convexity, by heck! I will subdue, And when you tucker in again with joy will I refulge; No longer of my toes will you obstruct my downward view .
.
.
With might and main I'll fight to gain the Battle of the Bulge.
Written by Rg Gregory | Create an image from this poem

(i) the inkman

 whirligig twister
dancer prancer
st vitus’s quester
chancer romancer

the inkman cometh
from that nether world
where dream and coincidence
are darkly furled
accident rubbed him
into puzzling light
he is what he isn’t
(he’s the geist of zeit)

whirligig twister
dancer prancer
st vitus’s quester
chancer romancer

he cannot move
but he never stops
particle-wave
(ask the science-cops)
all creation swirls
from his restless frame
he isn’t what he is
that’s the inkman’s game

whirligig twister
dancer prancer
st vitus’s quester
chancer romancer


(ii) ninkam poop

so this the inkman’s alter ego
the fool who shadows us
wherever we go
he can’t get right a thing in the light
desperately wants to be our amigo
but he knows us 
knows us

knows us from the inside out
each beat of the heart
(he’s in with a shout)
sets him dancing (call it prancing)
 he’s what the dreamt world’s all about
and we’re just à la carte 
à la carte

to him his à la carte (his me 
and you) his raison d’etre
such a fool – we can’t be-
lieve he’s a manifest of our mutual quest
to live to the full fate’s strange decree
etcetera 
etcetera

etcetera – wow – this idiot
poop the inkman bringeth
(proof he’s what he’s not)
is the sum already of our going steady
(on even keel – patiently - why not)
and why not he singeth 
danceth

danceth our lot (our ninkam poop)
our nobility of folly
(our life’s amazing scoop)
the making of joy from almost lost alloy
an astonishing loop the loop
by two half off their trolley
how jolly

Book: Shattered Sighs