Written by
Walt Whitman |
1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
said;
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future,
Behold! these are vast words to be said.
Were you thinking that those were the words—those upright lines? those curves,
angles,
dots?
No, those are not the words—the substantial words are in the ground and sea,
They are in the air—they are in you.
Were you thinking that those were the words—those delicious sounds out of your
friends’
mouths?
No, the real words are more delicious than they.
Human bodies are words, myriads of words;
In the best poems re-appears the body, man’s or woman’s, well-shaped, natural,
gay,
Every part able, active, receptive, without shame or the need of shame.
2
Air, soil, water, fire—these are words;
I myself am a word with them—my qualities interpenetrate with theirs—my name is
nothing to
them;
Though it were told in the three thousand languages, what would air, soil, water, fire,
know of
my
name?
A healthy presence, a friendly or commanding gesture, are words, sayings, meanings;
The charms that go with the mere looks of some men and women, are sayings and meanings
also.
3
The workmanship of souls is by the inaudible words of the earth;
The great masters know the earth’s words, and use them more than the audible words.
Amelioration is one of the earth’s words;
The earth neither lags nor hastens;
It has all attributes, growths, effects, latent in itself from the jump;
It is not half beautiful only—defects and excrescences show just as much as
perfections
show.
The earth does not withhold, it is generous enough;
The truths of the earth continually wait, they are not so conceal’d either;
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly,
Conveying a sentiment and invitation of the earth—I utter and utter,
I speak not, yet if you hear me not, of what avail am I to you?
To bear—to better—lacking these, of what avail am I?
4
Accouche! Accouchez!
Will you rot your own fruit in yourself there?
Will you squat and stifle there?
The earth does not argue,
Is not pathetic, has no arrangements,
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures,
Closes nothing, refuses nothing, shuts none out,
Of all the powers, objects, states, it notifies, shuts none out.
5
The earth does not exhibit itself, nor refuse to exhibit itself—possesses still
underneath;
Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of
bargainers,
Underneath these, possessing the words that never fail.
To her children, the words of the eloquent dumb great mother never fail;
The true words do not fail, for motion does not fail, and reflection does not fail;
Also the day and night do not fail, and the voyage we pursue does not fail.
6
Of the interminable sisters,
Of the ceaseless cotillions of sisters,
Of the centripetal and centrifugal sisters, the elder and younger sisters,
The beautiful sister we know dances on with the rest.
With her ample back towards every beholder,
With the fascinations of youth, and the equal fascinations of age,
Sits she whom I too love like the rest—sits undisturb’d,
Holding up in her hand what has the character of a mirror, while her eyes glance back from
it,
Glance as she sits, inviting none, denying none,
Holding a mirror day and night tirelessly before her own face.
7
Seen at hand, or seen at a distance,
Duly the twenty-four appear in public every day,
Duly approach and pass with their companions, or a companion,
Looking from no countenances of their own, but from the countenances of those who are with
them,
From the countenances of children or women, or the manly countenance,
From the open countenances of animals, or from inanimate things,
From the landscape or waters, or from the exquisite apparition of the sky,
From our countenances, mine and yours, faithfully returning them,
Every day in public appearing without fail, but never twice with the same companions.
8
Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round
the
sun;
Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of
the
first,
sure and necessary as they.
9
Tumbling on steadily, nothing dreading,
Sunshine, storm, cold, heat, forever withstanding, passing, carrying,
The Soul’s realization and determination still inheriting,
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking,
Swift, glad, content, unbereav’d, nothing losing,
Of all able and ready at any time to give strict account,
The divine ship sails the divine sea.
10
Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you.
Whoever you are! you are he or she for whom the earth is solid and liquid,
You are he or she for whom the sun and moon hang in the sky,
For none more than you are the present and the past,
For none more than you is immortality.
11
Each man to himself, and each woman to herself, such is the word of the past and present,
and
the
word of immortality;
No one can acquire for another—not one!
Not one can grow for another—not one!
The song is to the singer, and comes back most to him;
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him;
The theft is to the thief, and comes back most to him;
The love is to the lover, and comes back most to him;
The gift is to the giver, and comes back most to him—it cannot fail;
The oration is to the orator, the acting is to the actor and actress, not to the audience;
And no man understands any greatness or goodness but his own, or the indication of his
own.
12
I swear the earth shall surely be complete to him or her who shall be complete!
I swear the earth remains jagged and broken only to him or her who remains jagged and
broken!
I swear there is no greatness or power that does not emulate those of the earth!
I swear there can be no theory of any account, unless it corroborate the theory of the
earth!
No politics, art, religion, behavior, or what not, is of account, unless it compare with
the
amplitude of the earth,
Unless it face the exactness, vitality, impartiality, rectitude of the earth.
13
I swear I begin to see love with sweeter spasms than that which responds love!
It is that which contains itself—which never invites, and never refuses.
I swear I begin to see little or nothing in audible words!
I swear I think all merges toward the presentation of the unspoken meanings of the earth!
Toward him who sings the songs of the Body, and of the truths of the earth;
Toward him who makes the dictionaries of words that print cannot touch.
14
I swear I see what is better than to tell the best;
It is always to leave the best untold.
When I undertake to tell the best, I find I cannot,
My tongue is ineffectual on its pivots,
My breath will not be obedient to its organs,
I become a dumb man.
The best of the earth cannot be told anyhow—all or any is best;
It is not what you anticipated—it is cheaper, easier, nearer;
Things are not dismiss’d from the places they held before;
The earth is just as positive and direct as it was before;
Facts, religions, improvements, politics, trades, are as real as before;
But the Soul is also real,—it too is positive and direct;
No reasoning, no proof has establish’d it,
Undeniable growth has establish’d it.
15
This is a poem—a carol of words—these are hints of meanings,
These are to echo the tones of Souls, and the phrases of Souls;
If they did not echo the phrases of Souls, what were they then?
If they had not reference to you in especial, what were they then?
I swear I will never henceforth have to do with the faith that tells the best!
I will have to do only with that faith that leaves the best untold.
16
Say on, sayers!
Delve! mould! pile the words of the earth!
Work on—(it is materials you must bring, not breaths;)
Work on, age after age! nothing is to be lost;
It may have to wait long, but it will certainly come in use;
When the materials are all prepared, the architects shall appear.
I swear to you the architects shall appear without fail! I announce them and lead them;
I swear to you they will understand you, and justify you;
I swear to you the greatest among them shall be he who best knows you, and encloses all,
and is
faithful to all;
I swear to you, he and the rest shall not forget you—they shall perceive that you are
not
an
iota less than they;
I swear to you, you shall be glorified in them.
|
Written by
Algernon Charles Swinburne |
From the depths of the green garden-closes
Where the summer in darkness dozes
Till autumn pluck from his hand
An hour-glass that holds not a sand;
From the maze that a flower-belt encloses
To the stones and sea-grass on the strand
How red was the reign of the roses
Over the rose-crowned land!
The year of the rose is brief;
From the first blade blown to the sheaf,
From the thin green leaf to the gold,
It has time to be sweet and grow old,
To triumph and leave not a leaf
For witness in winter's sight
How lovers once in the light
Would mix their breath with its breath,
And its spirit was quenched not of night,
As love is subdued not of death.
In the red-rose land not a mile
Of the meadows from stile to stile,
Of the valleys from stream to stream,
But the air was a long sweet dream
And the earth was a sweet wide smile
Red-mouthed of a goddess, returned
From the sea which had borne her and burned,
That with one swift smile of her mouth
Looked full on the north as it yearned,
And the north was more than the south.
For the north, when winter was long,
In his heart had made him a song,
And clothed it with wings of desire,
And shod it with shoon as of fire,
To carry the tale of his wrong
To the south-west wind by the sea,
That none might bear it but he
To the ear of the goddess unknown
Who waits till her time shall be
To take the world for a throne.
In the earth beneath, and above
In the heaven where her name is love,
She warms with light from her eyes
The seasons of life as they rise,
And her eyes are as eyes of a dove,
But the wings that lift her and bear
As an eagle's, and all her hair
As fire by the wind's breath curled,
And her passage is song through the air,
And her presence is spring through the world.
So turned she northward and came,
And the white-thorn land was aflame
With the fires that were shed from her feet,
That the north, by her love made sweet,
Should be called by a rose-red name;
And a murmur was heard as of doves,
And a music beginning of loves
In the light that the roses made,
Such light as the music loves,
The music of man with maid.
But the days drop one upon one,
And a chill soft wind is begun
In the heart of the rose-red maze
That weeps for the roseleaf days
And the reign of the rose undone
That ruled so long in the light,
And by spirit, and not by sight,
Through the darkness thrilled with its breath,
Still ruled in the viewless night,
As love might rule over death.
The time of lovers is brief;
From the fair first joy to the grief
That tells when love is grown old,
From the warm wild kiss to the cold,
From the red to the white-rose leaf,
They have but a season to seem
As rose-leaves lost on a stream
That part not and pass not apart
As a spirit from dream to dream,
As a sorrow from heart to heart.
From the bloom and the gloom that encloses
The death-bed of Love where he dozes
Till a relic be left not of sand
To the hour-glass that breaks in his hand;
From the change in the grey garden-closes
To the last stray grass of the strand,
A rain and ruin of roses
Over the red-rose land.
|
Written by
Algernon Charles Swinburne |
IN a coign of the cliff between lowland and highland,
At the sea-down's edge between windward and lee,
Walled round with rocks as an inland island,
The ghost of a garden fronts the sea.
A girdle of brushwood and thorn encloses
The steep square slope of the blossomless bed
Where the weeds that grew green from the graves of its roses
Now lie dead.
The fields fall southward, abrupt and broken,
To the low last edge of the long lone land.
If a step should sound or a word be spoken,
Would a ghost not rise at the strange guest's hand?
So long have the grey bare walks lain guestless,
Through branches and briars if a man make way,
He shall find no life but the sea-wind's, restless
Night and day.
The dense hard passage is blind and stifled
That crawls by a track none turn to climb
To the strait waste place that the years have rifled
Of all but the thorns that are touched not of time.
The thorns he spares when the rose is taken;
The rocks are left when he wastes the plain.
The wind that wanders, the weeds wind-shaken,
These remain.
Not a flower to be pressed of the foot that falls not;
As the heart of a dead man the seed-plots are dry;
From the thicket of thorns whence the nightingale calls not,
Could she call, there were never a rose to reply.
Over the meadows that blossom and wither
Rings but the note of a sea-bird's song;
Only the sun and the rain come hither
All year long.
The sun burns sere and the rain dishevels
One gaunt bleak blossom of scentless breath.
Only the wind here hovers and revels
In a round where life seems barren as death.
Here there was laughing of old, there was weeping,
Haply, of lovers none ever will know,
Whose eyes went seaward a hundred sleeping
Years ago.
Heart handfast in heart as they stood, "Look thither,"
Did he whisper? "look forth from the flowers to the sea;
For the foam-flowers endure when the rose-blossoms wither,
And men that love lightly may die---but we?"
And the same wind sang and the same waves whitened,
And or ever the garden's last petals were shed,
In the lips that had whispered, the eyes that had lightened,
Love was dead.
Or they loved their life through, and then went whither?
And were one to the endÑbut what end who knows?
Love deep as the sea as a rose must wither,
As the rose-red seaweed that mocks the rose.
Shall the dead take thought for the dead to love them ?
What love was ever as deep as a grave ?
They are loveless now as the grass above them
Or the wave.
All are at one now, roses and lovers,
Not known of the cliffs and the fields and the sea.
Not a breath of the time that has been hovers
In the air now soft with a summer to be.
Not a breath shall there sweeten the seasons hereafter
Of the flowers or the lovers that laugh now or weep,
When as they that are free now of weeping and laughter
We shall sleep.
Here death may deal not again for ever;
Here change may come not till all change end.
From the graves they have made they shall rise up never,
Who have left nought living to ravage and rend.
Earth, stones, and thorns of the wild ground growing,
While the sun and the rain live, these shall be;
Till a last wind's breath upon all these blowing
Roll the sea.
Till the slow sea rise and the sheer cliff crumble,
Till terrace and meadow the deep gulfs drink,
Till the strength of the waves of the high tides humble
The fields that lessen, the rocks that shrink,
Here now in his triumph where all things falter,
Stretched out on the spoils that his own hand spread,
As a god self-slain on his own strange altar,
Death lies dead.
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