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Best Famous Elk Poems

Here is a collection of the all-time best famous Elk poems. This is a select list of the best famous Elk poetry. Reading, writing, and enjoying famous Elk poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of elk poems.

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and negroes, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the negroes at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the negro-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Vladimir Mayakovsky | Create an image from this poem

To All and Everything

 No.
It can’t be.
No! You too, beloved? Why? What for? Darling, look - I came, I brought flowers, but, but.
.
.
I never took silver spoons from your drawer! Ashen-faced, I staggered down five flights of stairs.
The street eddied round me.
Blasts.
Blares.
Tires screeched.
It was gusty.
The wind stung my cheeks.
Horn mounted horn lustfully.
Above the capital’s madness I raised my face, stern as the faces of ancient icons.
Sorrow-rent, on your body as on a death-bed, its days my heart ended.
You did not sully your hands with brute murder.
Instead, you let drop calmly: “He’s in bed.
There’s fruit and wine On the bedstand’s palm.
” Love! You only existed in my inflamed brain.
Enough! Stop this foolish comedy and take notice: I’m ripping off my toy armour, I, the greatest of all Don Quixotes! Remember? Weighed down by the cross, Christ stopped for a moment, weary.
Watching him, the mob yelled, jeering: “Get movin’, you clod!” That’s right! Be spiteful.
Spit upon him who begs for a rest on his day of days, harry and curse him.
To the army of zealots, doomed to do good, man shows no mercy! That does it! I swear by my pagan strength - gimme a girl, young, eye-filling, and I won’t waste my feelings on her.
I'll rape her and spear her heart with a gibe willingly.
An eye for an eye! A thousand times over reap of revenge the crops' Never stop! Petrify, stun, howl into every ear: “The earth is a convict, hear, his head half shaved by the sun!” An eye for an eye! Kill me, bury me - I’ll dig myself out, the knives of my teeth by stone — no wonder!- made sharper, A snarling dog, under the plank-beds of barracks I’ll crawl, sneaking out to bite feet that smell of sweat and of market stalls! You'll leap from bed in the night’s early hours.
“Moo!” I’ll roar.
Over my neck, a yoke-savaged sore, tornados of flies will rise.
I'm a white bull over the earth towering! Into an elk I’ll turn, my horns-branches entangled in wires, my eyes red with blood.
Above the world, a beast brought to bay, I'll stand tirelessly.
Man can’t escape! Filthy and humble, a prayer mumbling, on cold stone he lies.
What I’ll do is paint on the royal gates, over God’s own the face of Razin.
Dry up, rivers, stop him from quenching his thirst! Scorn him! Don’t waste your rays, sun! Glare! Let thousands of my disciples be born to trumpet anathemas on the squares! And when at last there comes, stepping onto the peaks of the ages, chillingly, the last of their days, in the black souls of anarchists and killers I, a gory vision, will blaze! It’s dawning, The sky’s mouth stretches out more and more, it drinks up the night sip by sip, thirstily.
The windows send off a glow.
Through the panes heat pours.
The sun, viscous, streams down onto the sleeping city.
O sacred vengeance! Lead me again above the dust without and up the steps of my poetic lines.
This heart of mine, full to the brim, in a confession I will pour out.
Men of the future! Who are you? I must know.
Please! Here am I, all bruises and aches, pain-scorched.
.
.
To you of my great soul I bequeath the orchard.
Written by A R Ammons | Create an image from this poem

Shit List; Or Omnium-gatherum Of Diversity Into Unity

 You'll rejoice at how many kinds of **** there are:
gosling **** (which J.
Williams said something was as green as), fish **** (the generality), trout ****, rainbow trout **** (for the nice), mullet ****, sand dab ****, casual sloth ****, elephant **** (awesome as process or payload), wildebeest ****, horse **** (a favorite), caterpillar **** (so many dark kinds, neatly pelleted as mint seed), baby rhinoceros ****, splashy jaybird ****, mockingbird **** (dive-bombed with the aim of song), robin **** that oozes white down lawnchairs or down roots under roosts, chicken **** and chicken mite ****, pelican ****, gannet **** (wholesome guano), fly **** (periodic), cockatoo ****, dog **** (past catalog or assimilation), cricket ****, elk (high plains) ****, and tiny scribbled little shrew ****, whale **** (what a sight, deep assumption), mandril **** (blazing blast off), weasel **** (wiles' waste), gazelle ****, magpie **** (total protein), tiger **** (too acid to contemplate), moral eel and manta ray ****, eerie shark ****, earthworm **** (a soilure), crab ****, wolf **** upon the germicidal ice, snake ****, giraffe **** that accelerates, secretary bird ****, turtle **** suspension invites, remora **** slightly in advance of the shark ****, hornet **** (difficult to assess), camel **** that slaps the ghastly dry siliceous, frog ****, beetle ****, bat **** (the marmoreal), contemptible cat ****, penguin ****, hermit crab ****, prairie hen ****, cougar ****, eagle **** (high totem stuff), buffalo **** (hardly less lofty), otter ****, beaver **** (from the animal of alluvial dreams)—a vast ordure is a broken down cloaca—macaw ****, alligator **** (that floats the Nile along), louse ****, macaque, koala, and coati ****, antelope ****, chuck-will's-widow ****, alpaca **** (very high stuff), gooney bird ****, chigger ****, bull **** (the classic), caribou ****, rasbora, python, and razorbill ****, scorpion ****, man ****, laswing fly larva ****, chipmunk ****, other-worldly wallaby ****, gopher **** (or broke), platypus ****, aardvark ****, spider ****, kangaroo and peccary ****, guanaco ****, dolphin ****, aphid ****, baboon **** (that leopards induce), albatross ****, red-headed woodpecker (nine inches long) ****, tern ****, hedgehog ****, panda ****, seahorse ****, and the **** of the wasteful gallinule.
Written by James Dickey | Create an image from this poem

FOR THE LAST WOLVERINE

 They will soon be down

To one, but he still will be
For a little while still will be stopping

The flakes in the air with a look,
Surrounding himself with the silence
Of whitening snarls.
Let him eat The last red meal of the condemned To extinction, tearing the guts From an elk.
Yet that is not enough For me.
I would have him eat The heart, and, from it, have an idea Stream into his gnawing head That he no longer has a thing To lose, and so can walk Out into the open, in the full Pale of the sub-Arctic sun Where a single spruce tree is dying Higher and higher.
Let him climb it With all his meanness and strength.
Lord, we have come to the end Of this kind of vision of heaven, As the sky breaks open Its fans around him and shimmers And into its northern gates he rises Snarling complete in the joy of a weasel With an elk's horned heart in his stomach Looking straight into the eternal Blue, where he hauls his kind.
I would have it all My way: at the top of that tree I place The New World's last eagle Hunched in mangy feathers giving Up on the theory of flight.
Dear God of the wildness of poetry, let them mate To the death in the rotten branches, Let the tree sway and burst into flame And mingle them, crackling with feathers, In crownfire.
Let something come Of it something gigantic legendary Rise beyond reason over hills Of ice SCREAMING that it cannot die, That it has come back, this time On wings, and will spare no earthly thing: That it will hover, made purely of northern Lights, at dusk and fall On men building roads: will perch On the moose's horn like a falcon Riding into battle into holy war against Screaming railroad crews: will pull Whole traplines like fibers from the snow In the long-jawed night of fur trappers.
But, small, filthy, unwinged, You will soon be crouching Alone, with maybe some dim racial notion Of being the last, but none of how much Your unnoticed going will mean: How much the timid poem needs The mindless explosion of your rage, The glutton's internal fire the elk's Heart in the belly, sprouting wings, The pact of the "blind swallowing Thing," with himself, to eat The world, and not to be driven off it Until it is gone, even if it takes Forever.
I take you as you are And make of you what I will, Skunk-bear, carcajou, bloodthirsty Non-survivor.
Lord, let me die but not die Out.
Copyright © 1966 by James Dickey Online Source - http://www.
theatlantic.
com/unbound/poetry/dickey/wolverine.
htm
Written by James Lee Jobe | Create an image from this poem

Redbud Trail - Winter

 It??™s two muddy miles from Highway 20,
just past the north fork of Cache Creek,
across the broad meadow, through 
blue oak woodland, up, up to the ridge,
and back down to the creek bank,
the crossing point, me striding with
mud caking my old hiking boots.
For a millennia the Miwok people walked these canyons and ridges.
Pomo, too.
Gathering acorns to trade, the sweetest was said to be from the Coastal Live Oaks.
Or bringing down a mule deer, a Tule elk, meat for everyone, garments or a drumskin from the hide, tools from the bones, a knife, a skewer, thanks given to the beast??™s soul for its gift.
Once up on the ridge, the view takes me, Brushy Sky High Mountain looms above like an overanxious parent, the creek sings old songs for the valley oaks, for the deer grass.
Less muddy, I kick my boots a little cleaner on a rock that is maybe as old as the earth.
I used to come up here and cut sage for burning, a smudge to carry my prayers to Her in smoke.
I grow sage now at my home, but still I come, eating down by the creek, building a medicine wheel from creek stones, in winter spreading a small tarp across the mud to eat and sleep on.
I make prayers for my mother, to fight the cancer inside her, for my children to know peace and plenty, prayers that I might find the right way.
The Pomo, the Miwok, the Patwin were all basket-weavers, makers of intricate designs from White Root, Willow, Oak sticks.
Gathered here, at this crossing, century after century.
Medicine too, from roots, bark, and nut, prayers and songs offered up, thanks given.
Here.
Medicine that healed the hurts the Earth caused, but could not ward off the diseases the Europeans brought.
The people died by the thousands; where are their spirits now? At peace with the creek, I hope, and I send a little prayer to them, too.
I take an apple from my pack, bought at a Davis, California grocery store, where the Patwin village Poo-tah-toi once flourished.
Children ran and played, families grew, all gone now.
There is a little opening at the base of a Valley Oak, I imagine that it is a doorway to the Other World, and leave the apple, a snack for whatever may find it, a raccoon or deer, a lost spirit, or maybe even The Great She.
You can cross the creek here, but in winter I don??™t.
Two more miles through the Wilson Valley links you to the Judge Davis Trail, which snakes up the spine of a long ridge on an old fire road.
Too much mud this day, so I just nap until I get cold, pack up, the friendly weight of my pack on my back, down to Highway 20, down to the other world.
Redbud Trail.
Winter.
Written by Seamus Heaney | Create an image from this poem

Bogland

 for T.
P.
Flanagan We have no prairies To slice a big sun at evening-- Everywhere the eye concedes to Encrouching horizon, Is wooed into the cyclops' eye Of a tarn.
Our unfenced country Is bog that keeps crusting Between the sights of the sun.
They've taken the skeleton Of the Great Irish Elk Out of the peat, set it up An astounding crate full of air.
Butter sunk under More than a hundred years Was recovered salty and white.
The ground itself is kind, black butter Melting and opening underfoot, Missing its last definition By millions of years.
They'll never dig coal here, Only the waterlogged trunks Of great firs, soft as pulp.
Our pioneers keep striking Inwards and downwards, Every layer they strip Seems camped on before.
The bogholes might be Atlantic seepage.
The wet centre is bottomless.
Written by Kahlil Gibran | Create an image from this poem

Laws XIII

 Then a lawyer said, "But what of our Laws, master?" 

And he answered: 

You delight in laying down laws, 

Yet you delight more in breaking them.
Like children playing by the ocean who build sand-towers with constancy and then destroy them with laughter.
But while you build your sand-towers the ocean brings more sand to the shore, And when you destroy them, the ocean laughs with you.
Verily the ocean laughs always with the innocent.
But what of those to whom life is not an ocean, and man-made laws are not sand-towers, But to whom life is a rock, and the law a chisel with which they would carve it in their own likeness? What of the cripple who hates dancers? What of the ox who loves his yoke and deems the elk and deer of the forest stray and vagrant things? What of the old serpent who cannot shed his skin, and calls all others naked and shameless? And of him who comes early to the wedding-feast, and when over-fed and tired goes his way saying that all feasts are violation and all feasters law-breakers? What shall I say of these save that they too stand in the sunlight, but with their backs to the sun? They see only their shadows, and their shadows are their laws.
And what is the sun to them but a caster of shadows? And what is it to acknowledge the laws but to stoop down and trace their shadows upon the earth? But you who walk facing the sun, what images drawn on the earth can hold you? You who travel with the wind, what weathervane shall direct your course? What man's law shall bind you if you break your yoke but upon no man's prison door? What laws shall you fear if you dance but stumble against no man's iron chains? And who is he that shall bring you to judgment if you tear off your garment yet leave it in no man's path? People of Orphalese, you can muffle the drum, and you can loosen the strings of the lyre, but who shall command the skylark not to sing?
Written by Thomas Chatterton | Create an image from this poem

Narva and Mored

 Recite the loves of Narva and Mored 
The priest of Chalma's triple idol said.
High from the ground the youthful warriors sprung, Loud on the concave shell the lances rung: In all the mystic mazes of the dance, The youths of Banny's burning sands advance, Whilst the soft virgin panting looks behind, And rides upon the pinions of the wind; Ascends the mountain's brow, and measures round The steepy cliffs of Chalma's sacred ground, Chalma, the god whose noisy thunders fly Thro' the dark covering of the midnight sky, Whose arm directs the close-embattled host, And sinks the labouring vessels on the coast; Chalma, whose excellence is known from far; From Lupa's rocky hill to Calabar.
The guardian god of Afric and the isles, Where nature in her strongest vigour smiles; Where the blue blossom of the forky thorn, Bends with the nectar of the op'ning morn: Where ginger's aromatic, matted root, Creep through the mead, and up the mountains shoot.
Three times the virgin, swimming on the breeze, Danc'd in the shadow of the mystic trees: When, like a dark cloud spreading to the view, The first-born sons of war and blood pursue; Swift as the elk they pour along the plain; Swift as the flying clouds distilling rain.
Swift as the boundings of the youthful row, They course around, and lengthen as they go.
Like the long chain of rocks, whose summits rise, Far in the sacred regions of the skies; Upon whose top the black'ning tempest lours, Whilst down its side the gushing torrent pours, Like the long cliffy mountains which extend From Lorbar's cave, to where the nations end, Which sink in darkness, thick'ning and obscure, Impenetrable, mystic, and impure; The flying terrors of the war advance, And round the sacred oak, repeat the dance.
Furious they twist around the gloomy trees, Like leaves in autumn, twirling with the breeze.
So when the splendor of the dying day Darts the red lustre of the watery way; Sudden beneath Toddida's whistling brink, The circling billows in wild eddies sink, Whirl furious round, and the loud bursting wave Sinks down to Chalma's sacerdotal cave, Explores the palaces on Zira's coast, Where howls the war-song of the chieftain's ghost; Where the artificer in realms below, Gilds the rich lance, or beautifies the bow; From the young palm tree spins the useful twine, Or makes the teeth of elephants divine.
Where the pale children of the feeble sun, In search of gold, thro' every climate run: From burning heat to freezing torments go, And live in all vicissitudes of woe.
Like the loud eddies of Toddida's sea, The warriors circle the mysterious tree: 'Till spent with exercise they spread around Upon the op'ning blossoms of the ground.
The priestess rising, sings the sacred tale, And the loud chorus echoes thro' the dale.
Priestess Far from the burning sands of Calabar; Far from the lustre of the morning star; Far from the pleasure of the holy morn; Far from the blessedness of Chalma's horn: Now rests the souls of Narva and Mored, Laid in the dust, and number'd with the dead.
Dear are their memories to us, and long, Long shall their attributes be known in song.
Their lives were transient as the meadow flow'r.
Ripen'd in ages, wither'd in an hour.
Chalma, reward them in his gloomy cave, And open all the prisons of the grave.
Bred to the service of the godhead's throne, And living but to serve his God alone, Narva was beauteous as the opening day When on the spangling waves the sunbeams play, When the mackaw, ascending to the sky, Views the bright splendour with a steady eye.
Tall, as the house of Chalma's dark retreat; Compact and firm, as Rhadal Ynca's fleet, Completely beauteous as a summer's sun, Was Narva, by his excellence undone.
Where the soft Togla creeps along the meads, Thro' scented Calamus and fragrant reeds; Where the sweet Zinsa spreads its matted bed Liv'd the still sweeter flower, the young Mored; Black was her face, as Togla's hidden cell; Soft as the moss where hissing adders dwell.
As to the sacred court she brought a fawn, The sportive tenant of the spicy lawn, She saw and loved! and Narva too forgot His sacred vestment and his mystic lot.
Long had the mutual sigh, the mutual tear, Burst from the breast and scorn'd confinement there.
Existence was a torment! O my breast! Can I find accents to unfold the rest! Lock'd in each others arms, from Hyga's cave, They plung'd relentless to a wat'ry grave; And falling murmured to the powers above, "Gods! take our lives, unless we live to love.
"
Written by Vachel Lindsay | Create an image from this poem

The Ghosts of the Buffaloes

 Last night at black midnight I woke with a cry,
The windows were shaking, there was thunder on high,
The floor was a-tremble, the door was a-jar,
White fires, crimson fires, shone from afar.
I rushed to the door yard.
The city was gone.
My home was a hut without orchard or lawn.
It was mud-smear and logs near a whispering stream, Nothing else built by man could I see in my dream.
.
.
Then.
.
.
Ghost-kings came headlong, row upon row, Gods of the Indians, torches aglow.
They mounted the bear and the elk and the deer, And eagles gigantic, aged and sere, They rode long-horn cattle, they cried "A-la-la.
" They lifted the knife, the bow, and the spear, They lifted ghost-torches from dead fires below, The midnight made grand with the cry "A-la-la.
" The midnight made grand with a red-god charge, A red-god show, A red-god show, "A-la-la, a-la-la, a-la-la, a-la-la.
" With bodies like bronze, and terrible eyes Came the rank and the file, with catamount cries, Gibbering, yipping, with hollow-skull clacks, Riding white bronchos with skeleton backs, Scalp-hunters, beaded and spangled and bad, Naked and lustful and foaming and mad, Flashing primeval demoniac scorn, Blood-thirst and pomp amid darkness reborn, Power and glory that sleep in the grass While the winds and the snows and the great rains pass.
They crossed the gray river, thousands abreast, They rode in infinite lines to the west, Tide upon tide of strange fury and foam, Spirits and wraiths, the blue was their home, The sky was their goal where the star-flags are furled, And on past those far golden splendors they whirled.
They burned to dim meteors, lost in the deep.
And I turned in dazed wonder, thinking of sleep.
And the wind crept by Alone, unkempt, unsatisfied, The wind cried and cried — Muttered of massacres long past, Buffaloes in shambles vast.
.
.
An owl said: "Hark, what is a-wing?" I heard a cricket carolling, I heard a cricket carolling, I heard a cricket carolling.
Then.
.
.
Snuffing the lightning that crashed from on high Rose royal old buffaloes, row upon row.
The lords of the prairie came galloping by.
And I cried in my heart "A-la-la, a-la-la, A red-god show, A red-god show, A-la-la, a-la-la, a-la-la, a-la-la.
" Buffaloes, buffaloes, thousands abreast, A scourge and amazement, they swept to the west.
With black bobbing noses, with red rolling tongues, Coughing forth steam from their leather-wrapped lungs, Cows with their calves, bulls big and vain, Goring the laggards, shaking the mane, Stamping flint feet, flashing moon eyes, Pompous and owlish, shaggy and wise.
Like sea-cliffs and caves resounded their ranks With shoulders like waves, and undulant flanks.
Tide upon tide of strange fury and foam, Spirits and wraiths, the blue was their home, The sky was their goal where the star-flags are furled, And on past those far golden splendors they whirled.
They burned to dim meteors, lost in the deep, And I turned in dazed wonder, thinking of sleep.
I heard a cricket's cymbals play, A scarecrow lightly flapped his rags, And a pan that hung by his shoulder rang, Rattled and thumped in a listless way, And now the wind in the chimney sang, The wind in the chimney, The wind in the chimney, The wind in the chimney, Seemed to say: — "Dream, boy, dream, If you anywise can.
To dream is the work Of beast or man.
Life is the west-going dream-storm's breath, Life is a dream, the sigh of the skies, The breath of the stars, that nod on their pillows With their golden hair mussed over their eyes.
" The locust played on his musical wing, Sang to his mate of love's delight.
I heard the whippoorwill's soft fret.
I heard a cricket carolling, I heard a cricket carolling, I heard a cricket say: "Good-night, good-night, Good-night, good-night,.
.
.
good-night.
"