Written by
Rupert Brooke |
Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man's hand, as thine,
Has, on the world's most noblest chord of song,
Struck certain magic strains.
Ears satiate
With the clamorous, timorous whisperings of to-day,
Thrilled to perceive once more the spacious voice
And serene unterrance of old.
We heard
-- With rapturous breath half-held, as a dreamer dreams
Who dares not know it dreaming, lest he wake --
The odorous, amorous style of poetry,
The melancholy knocking of those lines,
The long, low soughing of pentameters,
-- Or the sharp of rhyme as a bird's cry --
And the innumerable truant polysyllables
Multitudinously twittering like a bee.
Fulfilled our hearts were with the music then,
And all the evenings sighed it to the dawn,
And all the lovers heard it from all the trees.
All of the accents upon the all the norms!
-- And ah! the stress of the penultimate!
We never knew blank verse could have such feet.
Where is it now? Oh, more than ever, now
I sometimes think no poetry is read
Save where some sepultured C?sura bled,
Royally incarnadining all the line.
Is the imperial iamb laid to rest,
And the young trochee, having done enough?
Ah! turn again! Sing so to us, who are sick
Of seeming-simple rhymes, bizarre emotions,
Decked in the simple verses of the day,
Infinite meaning in a little gloom,
Irregular thoughts in stanzas regular,
Modern despair in antique metres, myths
Incomprehensible at evening,
And symbols that mean nothing in the dawn.
The slow lines swell.
The new style sighs.
The Celt
Moans round with many voices.
God! to see
Gaunt anap?sts stand up out of the verse,
Combative accents, stress where no stress should be,
Spondee on spondee, iamb on choriamb,
The thrill of all the tribrachs in the world,
And all the vowels rising to the E!
To hear the blessed mutter of those verbs,
Conjunctions passionate toward each other's arms,
And epithets like amaranthine lovers
Stretching luxuriously to the stars,
All prouder pronouns than the dawn, and all
The thunder of the trumpets of the noun!
|
Written by
Edgar Bowers |
Long days, short nights, this Southern summer
Fixes the mind within its timeless place.
Athwart pale limbs the brazen hummer
Hangs and is gone, warm sound its quickened space.
Butterfly weed and cardinal flower,
Orange and red, with indigo the band,
Perfect themselves unto the hour.
And blood suffused within the sunlit hand,
Within the glistening eye the dew,
Are slow with their slow moving.
Watch their passing,
As lightly the shade covers you:
All colors and all shapes enrich its massing.
Once I endured such gentle season.
Blood-root, trillium, sweet flag, and swamp aster—
In their mild urgency, the reason
Knew each and kept each chosen from disaster.
Now even dusk destroys; the bright
Leucotho? dissolves before the eyes
And poised upon the reach of light
Leaves only what no reasoning dare surmise.
Dim isolation holds the sense
Of being, intimate as breathing; around,
Voices, unmeasured and intense,
Throb with the heart below the edge of sound.
|
Written by
Vachel Lindsay |
Let not our town be large, remembering
That little Athens was the Muses' home,
That Oxford rules the heart of London still,
That Florence gave the Renaissance to Rome.
Record it for the grandson of your son —
A city is not builded in a day:
Our little town cannot complete her soul
Till countless generations pass away.
Now let each child be joined as to a church
To her perpetual hopes, each man ordained:
Let every street be made a reverent aisle
Where Music grows and Beauty is unchained.
Let Science and Machinery and Trade
Be slaves of her, and make her all in all,
Building against our blatant, restless time
An unseen, skilful, medieval wall.
Let every citizen be rich toward God.
Let Christ the beggar, teach divinity.
Let no man rule who holds his money dear.
Let this, our city, be our luxury.
We should build parks that students from afar
Would choose to starve in, rather than go home,
Fair little squares, with Phidian ornament,
Food for the spirit, milk and honeycomb.
Songs shall be sung by us in that good day,
Songs we have written, blood within the rhyme
Beating, as when Old England still was glad, —
The purple, rich Elizabethan time.
Say, is my prophecy too fair and far?
I only know, unless her faith be high,
The soul of this, our Nineveh, is doomed,
Our little Babylon will surely die.
Some city on the breast of Illinois
No wiser and no better at the start
By faith shall rise redeemed, by faith shall rise
Bearing the western glory in her heart.
The genius of the Maple, Elm and Oak,
The secret hidden in each grain of corn,
The glory that the prairie angels sing
At night when sons of Life and Love are born,
Born but to struggle, squalid and alone,
Broken and wandering in their early years.
When will they make our dusty streets their goal,
Within our attics hide their sacred tears?
When will they start our vulgar blood athrill
With living language, words that set us free?
When will they make a path of beauty clear
Between our riches and our liberty?
We must have many Lincoln-hearted men.
A city is not builded in a day.
And they must do their work, and come and go
While countless generations pass away.
|