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Best Famous Effete Poems

Here is a collection of the all-time best famous Effete poems. This is a select list of the best famous Effete poetry. Reading, writing, and enjoying famous Effete poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of effete poems.

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Written by Eugene Field | Create an image from this poem

Ballad of women i love

 Prudence Mears hath an old blue plate
Hid away in an oaken chest,
And a Franklin platter of ancient date
Beareth Amandy Baker's crest;
What times soever I've been their guest,
Says I to myself in an undertone:
"Of womenfolk, it must be confessed,
These do I love, and these alone."

Well, again, in the Nutmeg State,
Dorothy Pratt is richly blest
With a relic of art and a land effete--
A pitcher of glass that's cut, not pressed.
And a Washington teapot is possessed
Down in Pelham by Marthy Stone--
Think ye now that I say in jest
"These do I love, and these alone?"

Were Hepsy Higgins inclined to mate,
Or Dorcas Eastman prone to invest
In Cupid's bonds, they could find their fate
In the bootless bard of Crockery Quest.
For they've heaps of trumpery--so have the rest
Of those spinsters whose ware I'd like to own;
You can see why I say with such certain zest,
"These do I love, and these alone."


Written by Marianne Moore | Create an image from this poem

The Past is the Present

 If external action is effete
and rhyme is outmoded,
I shall revert to you,
Habakkuk, as when in a Bible class
the teacher was speaking of unrhymed verse.
He said - and I think I repeat his exact words - 
"Hebrew poetry is prose
with a sort of heightened consciousness." Ecstasy affords
the occasion and expediency determines the form.
Written by Charles Sorley | Create an image from this poem

Such Such Is Death

 Such, such is Death: no triumph: no defeat:
Only an empty pail, a slate rubbed clean,
A merciful putting away of what has been.

And this we know: Death is not Life, effete,
Life crushed, the broken pail. We who have seen
So marvellous things know well the end not yet.

Victor and vanquished are a-one in death:
Coward and brave: friend, foe. Ghosts do not say,
"Come, what was your record when you drew breath?"
But a big blot has hid each yesterday
So poor, so manifestly incomplete.
And your bright Promise, withered long and sped,
Is touched, stirs, rises, opens and grows sweet
And blossoms and is you, when you are dead.
Written by Emile Verhaeren | Create an image from this poem

The Rope-maker

In his village grey
At foot of the dykes, that encompass him
With weary weaving of curves and lines
Toward the sea outstretching dim,
The rope-maker, visionary white.
Stepping backwards along the way,
Prudently 'twixt his hands combines
The distant threads, in their twisting play.
That come to him from the infinite.


When day is gone.
Through ardent, weary evenings, yon
The whirr of a wheel can yet be heard;
Something by unseen hands is stirred.
And parallel o'er the rakes, that trace
An even space
From point to point along all the way,
The flaxen hemp still plaits its chain
Ceaseless, for days and weeks amain.
With his poor, tired fingers, nimble still.
Fearing to break for want of skill
The fragments of gold that the gliding light
Threads through his toil so scantily—
Passing the walls and the houses by
The rope-maker, visionary white,
From depths of the evening's whirlpool dim,
Draws the horizons in to him.


Horizons that stretch back afar.
Where strife, regrets, hates, furies are:
Tears of the silence, and the tears
That find a voice: serenest years,
Or years convulsed with pang and throe:
Horizons of the long ago,
These gestures of the Past they shew.


Of old—as one in sleep, life, errant, strayed
Its wondrous morns and fabled evenings through;
When God's right hand toward far Canaan's blue
Traced golden paths, deep in the twilight shade.


Of old, 'twas life exasperate, huge and tense,
Swung savage at some stallion's mane—life, fleet.
With mighty lightnings flashing 'neath her feet,
Upreared immensely over space immense.


Of old, 'twas life evoking ardent will;
And hell's red cross and Heaven's cross of white
Each marched, with gleam of steely armours' light.
Through streams of blood, to heavens of victory still.


Of old—life, livid, foaming, came and went
'Mid strokes of tocsin and assassin's knife;
Proscribers, murderers, each with each at strife,
While, mad and splendid. Death above them bent.


'Twixt fields of flax and of osiers red.
On the road where nothing doth move or tread,
By houses and walls to left and right
The rope-maker, visionary white,
From depths of evening's treasury dim
Draws the horizons in to him.


Horizons that stretch yonder far.
Where work, strifes, ardours, science are;
Horizons that change—they pass and glide,
And on their way
They shew in mirrors of eventide
The mourning image of dark To-day.


Here—writhing fires that never rest nor end.
Where, in one giant effort all employed,
Sages cast down the Gods, to change the void
Whither the flights of human science tend.


Here—'tis a room where thought, assertive, saith
That there are weights exact to gauge her by,
That inane ether, only, rounds the sky.
And that in phials of glass men breed up death.


Here—'tis a workship, where, all fiery bright,
Matter intense vibrates with fierce turmoil
In vaults where wonders new, 'mid stress and toil,
Are forged, that can absorb space, time and night.


—A palace—of an architecture grown
Effete, and weary 'neath its hundred years.
Whence voices vast invoke, instinct with fears,
The thunder in its flights toward the Unknown.


On the silent, even road—his eyes
Still fixed towards the waning light
That skirts the houses and walls as it dies—
The rope-maker, visionary white,
From depths of the evening's halo dim
Draws the horizons in to him.


Horizons that are there afar
Where light, hope, wakenings, strivings are;
Horizons that he sees defined
As hope for some future, far and kind.
Beyond those distant shores and faint
That evening on the clouds doth paint.


Yon—'mid that distance calm and musical
Twin stairs of gold suspend their steps of blue,
The sage doth climb them, and the seer too,
Starting from sides opposed toward one goal.


Yon—contradiction's lightning-shocks lose power.
Doubt's sullen hand unclenches to the light,
The eye sees in their essence laws unite
Rays scattered once 'mid doctrines of an hour.


Yon—keenest spirits pierce beyond the land
Of seeming and of death. The heart hath ease,
And one would say that Mildness held the keys
Of the colossal silence in her hand.


Up yon—the God each soul is, once again
Creates, expands, gives, finds himself in all;
And rises higher, the lowlier he doth fall
Before meek tenderness and sacred pain.


And there is ardent, living peace—its urns
Of even bliss ranged 'mid these twilights, where
—Embers of hope upon the ashen air—
Each great nocturnal planet steadfast burns.


In his village at foot of the dykes, that bend,
Sinuous, weary, about him and wend
Toward that distance of eddying light,
The rope-maker, visionary white.
Along by each house and each garden wall.
Absorbs in himself the horizons all.
Written by Eugene Field | Create an image from this poem

Twin idols

 There are two phrases, you must know,
So potent (yet so small)
That wheresoe'er a man may go
He needs none else at all;
No servile guide to lead the way
Nor lackey at his heel,
If he be learned enough to say
"Comme bien" and "Wie viel."

The sleek, pomaded Parleyvoo
Will air his sweetest airs
And quote the highest rates when you
"Comme bien" for his wares;
And, though the German stolid be,
His so-called heart of steel
Becomes as soft as wax when he
Detects the words "Wie viel."

Go, search the boulevards and rues
From Havre to Marseilles--
You'll find all eloquence you use
Except "Comme bien" fails;
Or in the country auf der Rhine
Essay a business deal
And all your art is good fuhr nein
Beyond the point--"Wie viel."

It matters not what game or prey
Attracts your greedy eyes--
You must pursue the good old way
If you would win the prize;
It is to get a titled mate
All run down at the heel,
If you inquire of stock effete,
"Comme bien" or "Wie viel."

So he is wise who envieth not
A wealth of foreign speech,
Since with two phrases may be got
Whatever's in his reach;
For Europe is a soulless shrine
In which all classes kneel
Before twin idols, deemed divine--
"Comme bien" and "Wie viel."


Written by Charles Sorley | Create an image from this poem

Two Sonnets

 I

SAINTS have adored the lofty soul of you. 
Poets have whitened at your high renown. 
We stand among the many millions who 
Do hourly wait to pass your pathway down. 

You, so familiar, once were strange: we tried 
To live as of your presence unaware. 
But now in every road on every side 
We see your straight and steadfast signpost there. 

I think it like that signpost in my land 
Hoary and tall, which pointed me to go 
Upward, into the hills, on the right hand, 
Where the mists swim and the winds shriek and blow, 
A homeless land and friendless, but a land 
I did not know and that I wished to know. 

II

Such, such is Death: no triumph: no defeat: 
Only an empty pail, a slate rubbed clean, 
A merciful putting away of what has been. 

And this we know: Death is not Life effete, 
Life crushed, the broken pail. We who have seen 
So marvellous things know well the end not yet. 

Victor and vanquished are a-one in death: 
Coward and brave: friend, foe. Ghosts do not say, 
"Come, what was your record when you drew breath?" 
But a big blot has hid each yesterday 
So poor, so manifestly incomplete. 
And your bright Promise, withered long and sped, 
Is touched; stirs, rises, opens and grows sweet 
And blossoms and is you, when you are dead.

Book: Radiant Verses: A Journey Through Inspiring Poetry