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Best Famous Drowsily Poems

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by Edgar Allan Poe | Create an image from this poem

The Sleeper

 At midnight, in the month of June,
I stand beneath the mystic moon.
An opiate vapor, dewy, dim,
Exhales from out her golden rim,
And, softly dripping, drop by drop,
Upon the quiet mountain top,
Steals drowsily and musically
Into the universal valley.
The rosemary nods upon the grave;
The lily lolls upon the wave;
Wrapping the fog about its breast,
The ruin molders into rest;
Looking like Lethe, see! the lake
A conscious slumber seems to take,
And would not, for the world, awake.
All Beauty sleeps!- and lo! where lies
Irene, with her Destinies!

O, lady bright! can it be right-
This window open to the night?
The wanton airs, from the tree-top,
Laughingly through the lattice drop-
The bodiless airs, a wizard rout,
Flit through thy chamber in and out,
And wave the curtain canopy
So fitfully- so fearfully-
Above the closed and fringed lid
'Neath which thy slumb'ring soul lies hid,
That, o'er the floor and down the wall,
Like ghosts the shadows rise and fall!
Oh, lady dear, hast thou no fear?
Why and what art thou dreaming here?
Sure thou art come O'er far-off seas,
A wonder to these garden trees!
Strange is thy pallor! strange thy dress,
Strange, above all, thy length of tress,
And this all solemn silentness!

The lady sleeps! Oh, may her sleep,
Which is enduring, so be deep!
Heaven have her in its sacred keep!
This chamber changed for one more holy,
This bed for one more melancholy,
I pray to God that she may lie
For ever with unopened eye,
While the pale sheeted ghosts go by!

My love, she sleeps! Oh, may her sleep
As it is lasting, so be deep!
Soft may the worms about her creep!
Far in the forest, dim and old,
For her may some tall vault unfold-
Some vault that oft has flung its black
And winged panels fluttering back,
Triumphant, o'er the crested palls,
Of her grand family funerals-
Some sepulchre, remote, alone,
Against whose portal she hath thrown,
In childhood, many an idle stone-
Some tomb from out whose sounding door
She ne'er shall force an echo more,
Thrilling to think, poor child of sin!
It was the dead who groaned within.
Written by John Keats | Create an image from this poem

Ode on Melancholy

NO no! go not to Lethe neither twist 
Wolf's-bane tight-rooted for its poisonous wine; 
Nor suffer thy pale forehead to be kist 
By nightshade ruby grape of Proserpine; 
Make not your rosary of yew-berries 5 
Nor let the beetle nor the death-moth be 
Your mournful Psyche nor the downy owl 
A partner in your sorrow's mysteries; 
For shade to shade will come too drowsily  
And drown the wakeful anguish of the soul. 10 

But when the melancholy fit shall fall 
Sudden from heaven like a weeping cloud  
That fosters the droop-headed flowers all  
And hides the green hill in an April shroud; 
Then glut thy sorrow on a morning rose 15 
Or on the rainbow of the salt sand-wave  
Or on the wealth of glob¨¨d peonies; 
Or if thy mistress some rich anger shows  
Emprison her soft hand and let her rave  
And feed deep deep upon her peerless eyes. 20 

She dwells with Beauty¡ªBeauty that must die; 
And Joy whose hand is ever at his lips 
Bidding adieu; and aching Pleasure nigh  
Turning to poison while the bee-mouth sips: 
Ay in the very temple of Delight 25 
Veil'd Melancholy has her sovran shrine  
Though seen of none save him whose strenuous tongue 
Can burst Joy's grape against his palate fine; 
His soul shall taste the sadness of her might  
And be among her cloudy trophies hung. 30 
Written by George William Russell | Create an image from this poem

Symbolism

 NOW when the spirit in us wakes and broods,
Filled with home yearnings, drowsily it flings
From its deep heart high dreams and mystic moods,
Mixed with the memory of the loved earth things:
Clothing the vast with a familiar face;
Reaching its right hand forth to greet the starry race.


Wondrously near and clear the great warm fires
Stare from the blue; so shows the cottage light
To the field labourer whose heart desires
The old folk by the nook, the welcome bright
From the house-wife long parted from at dawn—
So the star villages in God’s great depths withdrawn.


Nearer to Thee, not by delusion led,
Though there no house fires burn nor bright eyes gaze:
We rise, but by the symbol charioted,
Through loved things rising up to Love’s own ways:
By these the soul unto the vast has wings
And sets the seal celestial on all mortal things.
Written by John Keats | Create an image from this poem

Hymn To Apollo

 God of the golden bow,
 And of the golden lyre,
And of the golden hair,
 And of the golden fire,
 Charioteer
 Of the patient year,
 Where---where slept thine ire,
When like a blank idiot I put on thy wreath,
 Thy laurel, thy glory,
 The light of thy story,
Or was I a worm---too low crawling for death?
 O Delphic Apollo!

The Thunderer grasp'd and grasp'd,
 The Thunderer frown'd and frown'd;
The eagle's feathery mane
 For wrath became stiffen'd---the sound
 Of breeding thunder
 Went drowsily under,
 Muttering to be unbound.
O why didst thou pity, and beg for a worm?
 Why touch thy soft lute
 Till the thunder was mute,
Why was I not crush'd---such a pitiful germ?
 O Delphic Apollo!

The Pleiades were up,
 Watching the silent air;
The seeds and roots in Earth
 Were swelling for summer fare;
 The Ocean, its neighbour,
 Was at his old labour,
 When, who---who did dare
To tie for a moment, thy plant round his brow,
 And grin and look proudly,
 And blaspheme so loudly,
And live for that honour, to stoop to thee now?
 O Delphic Apollo!


Written by Robert Browning | Create an image from this poem

Pan and Luna

 Si credere dignum est.--Virgil, Georgics, III, 390


Oh, worthy of belief I hold it was, 
Virgil, your legend in those strange three lines! 
No question, that adventure came to pass 
One black night in Arcadia: yes, the pines, 
Mountains and valleys mingling made one mass 
Of black with void black heaven: the earth's confines, 
The sky's embrace,--below, above, around, 
All hardened into black without a bound. 

Fill up a swart stone chalice to the brim 
With fresh-squeezed yet fast-thickening poppy-juice: 
See how the sluggish jelly, late a-swim, 
Turns marble to the touch of who would loose 
The solid smooth, grown jet from rim to rim, 
By turning round the bowl! So night can fuse 
Earth with her all-comprising sky. No less, 
Light, the least spark, shows air and emptiness. 

And thus it proved when--diving into space, 
Stript of all vapor, from each web of mist, 
Utterly film-free--entered on her race 
The naked Moon, full-orbed antagonist 
Of night and dark, night's dowry: peak to base, 
Upstarted mountains, and each valley, kissed 
To sudden life, lay silver-bright: in air 
Flew she revealed, Maid-Moon with limbs all bare. 

Still as she fled, each depth,--where refuge seemed-- 
Opening a lone pale chamber, left distinct 
Those limbs: mid still-retreating blue, she teemed 
Herself with whiteness,--virginal, uncinct 
By any halo save what finely gleamed 
To outline not disguise her: heavenwas linked 
In one accord with earth to quaff the joy, 
Drain beauty to the dregs without alloy. 

Whereof she grew aware. What help? When, lo, 
A succorable cloud with sleep lay dense: 
Some pinetree-top had caught it sailing slow, 
And tethered for a prize: in evidence 
Captive lay fleece on fleece of piled-up snow 
Drowsily patient: flake-heaped how or whence, 
The structure of that succorable cloud, 
What matter? Shamed she plunged into its shroud. 

Orbed--so the woman-figure poets call 
Because of rounds on rounds--that apple-shaped 
Head which its hair binds close into a ball 
Each side the curving ears--that pure undraped 
Pout of the sister paps--that . . . once for all, 
Say--her consummate circle thus escaped 
With its innumerous circlets, sank absorbed, 
Safe in the cloud--O naked Moon full-orbed! 

But what means this? The downy swathes combine, 
Conglobe, the smothery coy-caressing stuff 
Curdles about her! Vain each twist and twine 
Those lithe limbs try, encroached on by a fluff 
Fitting as close as fits the dented spine 
Its flexible ivory outside-flesh: enough! 
The plumy drifts contract, condense, constringe, 
Till she is swallowed by the feathery springe. 

As when a pearl slips lost in the thin foam 
Churned on a sea-shore, and, o'er-frothed, conceits 
Herself safe-housed in Amphitrite's dome,-- 
If, through the bladdery wave-worked yeast, she meets 
What most she loathes and leaps from,--elf from gnome 
No gladlier,--finds that safest of retreats 
Bubble about a treacherous hand wide ope 
To grasp her--(divers who pick pearls so grope)-- 

So lay this Maid-Moon clasped around and caught 
By rough red Pan, the god of all that tract: 
He it was schemed the snare thus subtly wrought 
With simulated earth-breath,--wool-tufts packed 
Into a billowy wrappage. Sheep far-sought 
For spotless shearings yield such: take the fact 
As learned Virgil gives it,--how the breed 
Whitens itself forever: yes, indeed! 

If one forefather ram, though pure as chalk 
From tinge on fleece, should still display a tongue 
Black 'neath the beast's moist palate, prompt men balk 
The propagating plague: he gets no young: 
They rather slay him,--sell his hide to calk 
Ships with, first steeped with pitch,--nor hands are wrung 
In sorrow for his fate: protected thus, 
The purity we loved is gained for us. So did girl-Moon, by just her attribute 
Of unmatched modesty betrayed, lie trapped, 
Bruised to the breast of Pan, half god half brute, 
Raked by his bristly boar-sward while he lapped 
--Never say, kissed her! that were to pollute 
Love's language--which moreover proves unapt 
To tell how she recoiled--as who finds thorns 
Where she sought flowers--when, feeling, she touched--horns! 

Then--does the legend say?--first moon-eclipse 
Happened, first swooning-fit which puzzled sore 
The early sages? Is that why she dips 
Into the dark, a minute and no more, 
Only so long as serves her while she rips 
The cloud's womb through and, faultless as before, 
Pursues her way? No lesson for a maid 
Left she, a maid herself thus trapped, betrayed? 

Ha, Virgil? Tell the rest, you! "To the deep 
Of his domain the wildwood, Pan forthwith 
Called her, and so she followed"--in her sleep, 
Surely?--"by no means spurning him." The myth 
Explain who may! Let all else go, I keep 
--As of a ruin just a monolith-- 
Thus much, one verse of five words, each a boon: 
Arcadia, night, a cloud, Pan, and the moon.
Written by Lucy Maud Montgomery | Create an image from this poem

The Gulls

 I 

Soft is the sky in the mist-kirtled east,
Light is abroad on the sea,
All of the heaven with silver is fleeced, 
Holding the sunrise in fee.
Lo! with a flash and uplifting of wings
Down where the long ripples break,
Cometh a bevy of glad-hearted things, 
'Tis morn, for the gulls are awake. 


II 

Slumberous calm on the ocean and shore 
Comes with the turn of the tide;
Never a strong-sweeping pinion may soar, 
Where the tame fishing-boats ride!
Far and beyond in blue deserts of sea
Where the wild winds are at play,
There may the spirits of sea-birds be free­
'Tis noon, for the gulls are away. 


III 

Over the rim of the sunset is blown 
Sea-dusk of purple and gold,
Speed now the wanderers back to their own, 
Wings the most tireless must fold.
Homeward together at twilight they flock, 
Sated with joys of the deep
Drowsily huddled on headland and rock­
'Tis night, for the gulls are asleep.
Written by Robert William Service | Create an image from this poem

The Ballad Of The Brand

 'Twas up in a land long famed for gold, where women were far and rare,
Tellus, the smith, had taken to wife a maiden amazingly fair;
Tellus, the brawny worker in iron, hairy and heavy of hand,
Saw her and loved her and bore her away from the tribe of a Southern land;
Deeming her worthy to queen his home and mother him little ones,
That the name of Tellus, the master smith, might live in his stalwart sons.

Now there was little of law in the land, and evil doings were rife,
And every man who joyed in his home guarded the fame of his wife;
For there were those of the silver tongue and the honeyed art to beguile,
Who would cozen the heart from a woman's breast and damn her soul with a smile.
And there were women too quick to heed a look or a whispered word,
And once in a while a man was slain, and the ire of the King was stirred;
So far and wide he proclaimed his wrath, and this was the law he willed:
"That whosoever killeth a man, even shall he be killed."

Now Tellus, the smith, he trusted his wife; his heart was empty of fear.
High on the hill was the gleam of their hearth, a beacon of love and cheer.
High on the hill they builded their bower, where the broom and the bracken meet;
Under a grave of oaks it was, hushed and drowsily sweet.
Here he enshrined her, his dearest saint, his idol, the light of his eye;
Her kisses rested upon his lips as brushes a butterfly.
The weight of her arms around his neck was light as the thistle down;
And sweetly she studied to win his smile, and gently she mocked his frown.
And when at the close of the dusty day his clangorous toil was done,
She hastened to meet him down the way all lit by the amber sun.

Their dove-cot gleamed in the golden light, a temple of stainless love;
Like the hanging cup of a big blue flower was the topaz sky above.
The roses and lilies yearned to her, as swift through their throng she pressed;
A little white, fragile, fluttering thing that lay like a child on his breast.
Then the heart of Tellus, the smith, was proud, and sang for the joy of life,
And there in the bronzing summertide he thanked the gods for his wife.

Now there was one called Philo, a scribe, a man of exquisite grace,
Carved like the god Apollo in limb, fair as Adonis in face;
Eager and winning in manner, full of such radiant charm,
Womenkind fought for his favor and loved to their uttermost harm.
Such was his craft and his knowledge, such was his skill at the game,
Never was woman could flout him, so be he plotted her shame.
And so he drank deep of pleasure, and then it fell on a day
He gazed on the wife of Tellus and marked her out for his prey.

Tellus, the smith, was merry, and the time of the year it was June,
So he said to his stalwart helpers: "Shut down the forge at noon.
Go ye and joy in the sunshine, rest in the coolth of the grove,
Drift on the dreamy river, every man with his love."
Then to himself: "Oh, Beloved, sweet will be your surprise;
To-day will we sport like children, laugh in each other's eyes;
Weave gay garlands of poppies, crown each other with flowers,
Pull plump carp from the lilies, rifle the ferny bowers.
To-day with feasting and gladness the wine of Cyprus will flow;
To-day is the day we were wedded only a twelvemonth ago."

The larks trilled high in the heavens; his heart was lyric with joy;
He plucked a posy of lilies; he sped like a love-sick boy.
He stole up the velvety pathway--his cottage was sunsteeped and still;
Vines honeysuckled the window; softly he peeped o'er the sill.
The lilies dropped from his fingers; devils were choking his breath;
Rigid with horror, he stiffened; ghastly his face was as death.
Like a nun whose faith in the Virgin is met with a prurient jibe,
He shrank--'twas the wife of his bosom in the arms of Philo, the scribe.

Tellus went back to his smithy; he reeled like a drunken man;
His heart was riven with anguish; his brain was brooding a plan.
Straight to his anvil he hurried; started his furnace aglow;
Heated his iron and shaped it with savage and masterful blow.
Sparks showered over and round him; swiftly under his hand
There at last it was finished--a hideous and infamous Brand.

That night the wife of his bosom, the light of joy in her eyes,
Kissed him with words of rapture; but he knew that her words were lies.
Never was she so beguiling, never so merry of speech
(For passion ripens a woman as the sunshine ripens a peach).
He clenched his teeth into silence; he yielded up to her lure,
Though he knew that her breasts were heaving from the fire of her paramour.
"To-morrow," he said, "to-morrow"--he wove her hair in a strand,
Twisted it round his fingers and smiled as he thought of the Brand.

The morrow was come, and Tellus swiftly stole up the hill.
Butterflies drowsed in the noon-heat; coverts were sunsteeped and still.
Softly he padded the pathway unto the porch, and within
Heard he the low laugh of dalliance, heard he the rapture of sin.
Knew he her eyes were mystic with light that no man should see,
No man kindle and joy in, no man on earth save he.
And never for him would it kindle. The bloodlust surged in his brain;
Through the senseless stone could he see them, wanton and warily fain.
Horrible! Heaven he sought for, gained it and gloried and fell--
Oh, it was sudden--headlong into the nethermost hell. . . .

Was this he, Tellus, this marble? Tellus . . . not dreaming a dream?
Ah! sharp-edged as a javelin, was that a woman's scream?
Was it a door that shattered, shell-like, under his blow?
Was it his saint, that strumpet, dishevelled and cowering low?
Was it her lover, that wild thing, that twisted and gouged and tore?
Was it a man he was crushing, whose head he beat on the floor?
Laughing the while at its weakness, till sudden he stayed his hand--
Through the red ring of his madness flamed the thought of the Brand.

Then bound he the naked Philo with thongs that cut in the flesh,
And the wife of his bosom, fear-frantic, he gagged with a silken mesh,
Choking her screams into silence; bound her down by the hair;
Dragged her lover unto her under her frenzied stare.
In the heat of the hearth-fire embers he heated the hideous Brand;
Twisting her fingers open, he forced its haft in her hand.
He pressed it downward and downward; she felt the living flesh sear;
She saw the throe of her lover; she heard the scream of his fear.
Once, twice and thrice he forced her, heedless of prayer and shriek--
Once on the forehead of Philo, twice in the soft of his cheek.
Then (for the thing was finished) he said to the woman: "See
How you have branded your lover! Now will I let him go free."
He severed the thongs that bound him, laughing: "Revenge is sweet",
And Philo, sobbing in anguish, feebly rose to his feet.
The man who was fair as Apollo, god-like in woman's sight,
Hideous now as a satyr, fled to the pity of night.

Then came they before the Judgment Seat, and thus spoke the Lord of the Land:
"He who seeketh his neighbor's wife shall suffer the doom of the Brand.
Brutish and bold on his brow be it stamped, deep in his cheek let it sear,
That every man may look on his shame, and shudder and sicken and fear.
He shall hear their mock in the market-place, their fleering jibe at the feast;
He shall seek the caves and the shroud of night, and the fellowship of the beast.
Outcast forever from homes of men, far and far shall he roam.
Such be the doom, sadder than death, of him who shameth a home."
Written by Edward Thomas | Create an image from this poem

The Manor Farm

 THE rock-like mud unfroze a little, and rills 
Ran and sparkled down each side of the road 
Under the catkins wagging in the hedge. 
But earth would have her sleep out, spite of the sun; 
Nor did I value that thin gliding beam 
More than a pretty February thing 
Till I came down to the old manor farm, 
And church and yew-tree opposite, in age 
Its equals and in size. The church and yew 
And farmhouse slept in a Sunday silentness. 
The air raised not a straw. The steep farm roof, 
With tiles duskily glowing, entertained 
The mid-day sun; and up and down the roof 
White pigeons nestled. There was no sound but one. 
Three cart horses were looking over a gate 
Drowsily through their forelocks, swishing their tails 
Against a fly, a solitary fly. 
The winter's cheek flushed as if he had drained 
Spring, summer, and autumn at a draught 
And smiled quietly. But 'twas not winter-- 
Rather a season of bliss unchangeable, 
Awakened from farm and church where it had lain 
Safe under tile and latch for ages since 
This England, Old already, was called Merry.
Written by Richard Crashaw | Create an image from this poem

Prayer

 LET us leave our island woods grown dim and blue;
O’er the waters creeping the pearl dust of the eve
Hides the silver of the long wave rippling through:
 The chill for the warm room let us leave.


Turn the lamp down low and draw the curtain wide,
So the greyness of the starlight bathes the room;
Let us see the giant face of night outside,
 Though vague as a moth’s wing is the gloom.


Rumour of the fierce-pulsed city far away
Breaks upon the peace that aureoles our rest,
Steeped in stillness as if some primeval day
 Hung drowsily o’er the water’s breast.


Shut the eyes that flame and hush the heart that burns:
In quiet we may hear the old primeval cry:
God gives wisdom to the spirit that upturns:
 Let us adore now, you and I.


Age on age is heaped about us as we hear:
Cycles hurry to and fro with giant tread
From the deep unto the deep: but do not fear,
 For the soul unhearing them is dead.

Book: Radiant Verses: A Journey Through Inspiring Poetry