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Best Famous Doo Poems

Here is a collection of the all-time best famous Doo poems. This is a select list of the best famous Doo poetry. Reading, writing, and enjoying famous Doo poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of doo poems.

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Written by James Joyce | Create an image from this poem

The Ballad of Persse OReilly

 Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
 (Chorus) Of the Magazine Wall,
 Hump, helmet and all?

He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship To the penal jail of Mountjoy (Chorus) To the jail of Mountjoy! Jail him and joy.
He was fafafather of all schemes for to bother us Slow coaches and immaculate contraceptives for the populace, Mare's milk for the sick, seven dry Sundays a week, Openair love and religion's reform, (Chorus) And religious reform, Hideous in form.
Arrah, why, says you, couldn't he manage it? I'll go bail, my fine dairyman darling, Like the bumping bull of the Cassidys All your butter is in your horns.
(Chorus) His butter is in his horns.
Butter his horns! (Repeat) Hurrah there, Hosty, frosty Hosty, change that shirt on ye, Rhyme the rann, the king of all ranns! Balbaccio, balbuccio! We had chaw chaw chops, chairs, chewing gum, the chicken-pox and china chambers Universally provided by this soffsoaping salesman.
Small wonder He'll Cheat E'erawan our local lads nicknamed him.
When Chimpden first took the floor (Chorus) With his bucketshop store Down Bargainweg, Lower.
So snug he was in his hotel premises sumptuous But soon we'll bonfire all his trash, tricks and trumpery And 'tis short till sheriff Clancy'll be winding up his unlimited company With the bailiff's bom at the door, (Chorus) Bimbam at the door.
Then he'll bum no more.
Sweet bad luck on the waves washed to our island The hooker of that hammerfast viking And Gall's curse on the day when Eblana bay Saw his black and tan man-o'-war.
(Chorus) Saw his man-o'-war On the harbour bar.
Where from? roars Poolbeg.
Cookingha'pence, he bawls Donnez-moi scampitle, wick an wipin'fampiny Fingal Mac Oscar Onesine Bargearse Boniface Thok's min gammelhole Norveegickers moniker Og as ay are at gammelhore Norveegickers cod.
(Chorus) A Norwegian camel old cod.
He is, begod.
Lift it, Hosty, lift it, ye devil, ye! up with the rann, the rhyming rann! It was during some fresh water garden pumping Or, according to the Nursing Mirror, while admiring the monkeys That our heavyweight heathen Humpharey Made bold a maid to woo (Chorus) Woohoo, what'll she doo! The general lost her maidenloo! He ought to blush for himself, the old hayheaded philosopher, For to go and shove himself that way on top of her.
Begob, he's the crux of the catalogue Of our antediluvial zoo, (Chorus) Messrs Billing and Coo.
Noah's larks, good as noo.
He was joulting by Wellinton's monument Our rotorious hippopopotamuns When some bugger let down the backtrap of the omnibus And he caught his death of fusiliers, (Chorus) With his rent in his rears.
Give him six years.
'Tis sore pity for his innocent poor children But look out for his missus legitimate! When that frew gets a grip of old Earwicker Won't there be earwigs on the green? (Chorus) Big earwigs on the green, The largest ever you seen.
Suffoclose! Shikespower! Seudodanto! Anonymoses! Then we'll have a free trade Gael's band and mass meeting For to sod him the brave son of Scandiknavery.
And we'll bury him down in Oxmanstown Along with the devil and the Danes, (Chorus) With the deaf and dumb Danes, And all their remains.
And not all the king's men nor his horses Will resurrect his corpus For there's no true spell in Connacht or hell (bis) That's able to raise a Cain.


Written by Vachel Lindsay | Create an image from this poem

The Congo: A Study of the ***** Race

 I.
THEIR BASIC SAVAGERY Fat black bucks in a wine-barrel room, Barrel-house kings, with feet unstable, Sagged and reeled and pounded on the table, A deep rolling bass.
Pounded on the table, Beat an empty barrel with the handle of a broom, Hard as they were able, Boom, boom, BOOM, With a silk umbrella and the handle of a broom, Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, More deliberate.
Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank A thousand miles Tattooed cannibals danced in files; Then I heard the boom of the blood-lust song And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors, "BLOOD" screamed the skull-faced, lean witch-doctors, "Whirl ye the deadly voo-doo rattle, Harry the uplands, Steal all the cattle, Rattle-rattle, rattle-rattle, Bing.
Boomlay, boomlay, boomlay, BOOM," A roaring, epic, rag-time tune With a philosophic pause.
From the mouth of the Congo To the Mountains of the Moon.
Death is an Elephant, Torch-eyed and horrible, Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies, BOOM, kill the Arabs, BOOM, kill the white men, HOO, HOO, HOO.
Listen to the yell of Leopold's ghost Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell Cutting his hands off, down in Hell.
Listen to the creepy proclamation, Blown through the lairs of the forest-nation, Blown past the white-ants' hill of clay, Blown past the marsh where the butterflies play: -- "Be careful what you do, Or Mumbo-Jumbo, God of the Congo, All the "O" sounds very golden.
Heavy accents very heavy.
Light accents very light.
Last line whispered.
And all of the other Gods of the Congo, Mumbo-Jumbo will hoo-doo you, Mumbo-Jumbo will hoo-doo you, Mumbo-Jumbo will hoo-doo you.
" II.
THEIR IRREPRESSIBLE HIGH SPIRITS Wild crap-shooters with a whoop and a call Rather shrill and high.
Danced the juba in their gambling-hall And laughed fit to kill, and shook the town, And guyed the policemen and laughed them down With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view, Lay emphasis on the delicate ideas.
Keep as light-footed as possible.
A minstrel river Where dreams come true.
The ebony palace soared on high Through the blossoming trees to the evening sky.
The inlaid porches and casements shone With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore At the baboon butler in the agate door, And the well-known tunes of the parrot band That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came With pomposity.
Through the agate doorway in suits of flame, Yea, long-tailed coats with a gold-leaf crust And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: -- "Mumbo-Jumbo will hoo-doo you.
" .
.
.
Just then from the doorway, as fat as shotes, With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats, Canes with a brilliant lacquer shine, And tall silk hats that were red as wine.
And they pranced with their butterfly partners there, With growing speed and sharply marked dance-rhythm Coal-black maidens with pearls in their hair, Knee-skirts trimmed with the jassamine sweet, And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while That made those glowering witch-men smile.
) The cake-walk royalty then began To walk for a cake that was tall as a man To the tune of "Boomlay, boomlay, BOOM," While the witch-men laughed, with a sinister air, With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: -- "Walk with care, walk with care, Or Mumbo-Jumbo, God of the Congo, And all the other Gods of the Congo, Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care, Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, BOOM.
" Oh rare was the revel, and well worth while Slow philosophic calm.
That made those glowering witch-men smile.
III.
THE HOPE OF THEIR RELIGION A good old ***** in the slums of the town Heavy bass.
With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways, His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out Starting the jubilee revival shout.
And some had visions, as they stood on chairs, And sang of Jacob, and the golden stairs, And they all repented, a thousand strong From their stupor and savagery and sin and wrong And slammed with their hymn books till they shook the room With "glory, glory, glory," And "Boom, boom, BOOM.
" THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, Exactly as in the first section.
Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil And showed the Apostles with their coats of mail.
In bright white steel they were seated round And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high Thrilled all the forest with their heavenly cry: -- "Mumbo-Jumbo will die in the jungle; Sung to the tune of "Hark, ten thousand harps and voices.
" Never again will he hoo-doo you, Never again will he hoo-doo you.
" Then along that river, a thousand miles With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way For a Congo paradise, for babes at play, For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed In a rather high key -- as delicately as possible.
A million boats of the angels sailed With oars of silver, and prows of blue And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation And on through the backwoods clearing flew: -- "Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices.
" Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men, And only the vulture dared again By the far, lone mountains of the moon To cry, in the silence, the Congo tune: -- "Mumbo-Jumbo will hoo-doo you, Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo .
.
.
Jumbo .
.
.
will .
.
.
hoo-doo .
.
.
you.
"
Written by Robert William Service | Create an image from this poem

A Pot Of Tea

 You make it in your mess-tin by the brazier's rosy gleam;
 You watch it cloud, then settle amber clear;
You lift it with your bay'nit, and you sniff the fragrant steam;
 The very breath of it is ripe with cheer.
You're awful cold and dirty, and a-cursin' of your lot; You scoff the blushin' 'alf of it, so rich and rippin' 'ot; It bucks you up like anythink, just seems to touch the spot: God bless the man that first discovered Tea! Since I came out to fight in France, which ain't the other day, I think I've drunk enough to float a barge; All kinds of fancy foreign dope, from caffy and doo lay, To rum they serves you out before a charge.
In back rooms of estaminays I've gurgled pints of cham; I've swilled down mugs of cider till I've felt a bloomin' dam; But 'struth! they all ain't in it with the vintage of Assam: God bless the man that first invented Tea! I think them lazy lumps o' gods wot kips on asphodel Swigs nectar that's a flavour of Oolong; I only wish them sons o' guns a-grillin' down in 'ell Could 'ave their daily ration of Suchong.
Hurrah! I'm off to battle, which is 'ell and 'eaven too; And if I don't give some poor bloke a sexton's job to do, To-night, by Fritz's campfire, won't I 'ave a gorgeous brew (For fightin' mustn't interfere with Tea).
To-night we'll all be tellin' of the Boches that we slew, As we drink the giddy victory in Tea.
Written by Edmund Spenser | Create an image from this poem

From Daphnaïda

An Elegy


SHE fell away in her first ages spring, 
Whil'st yet her leafe was greene, and fresh her rinde, 
And whil'st her braunch faire blossomes foorth did bring, 
She fell away against all course of kinde.
For age to dye is right, but youth is wrong; 5 She fel away like fruit blowne downe with winde.
Weepe, Shepheard! weepe, to make my undersong.
Yet fell she not as one enforst to dye, Ne dyde with dread and grudging discontent, But as one toyld with travaile downe doth lye, 10 So lay she downe, as if to sleepe she went, And closde her eyes with carelesse quietnesse; The whiles soft death away her spirit hent, And soule assoyld from sinfull fleshlinesse.
How happie was I when I saw her leade 15 The Shepheards daughters dauncing in a rownd! How trimly would she trace and softly tread The tender grasse, with rosie garland crownd! And when she list advance her heavenly voyce, Both Nymphes and Muses nigh she made astownd, 20 And flocks and shepheards caus¨¨d to rejoyce.
But now, ye Shepheard lasses! who shall lead Your wandring troupes, or sing your virelayes? Or who shall dight your bowres, sith she is dead That was the Lady of your holy-dayes? 25 Let now your blisse be turn¨¨d into bale, And into plaints convert your joyous playes, And with the same fill every hill and dale.
For I will walke this wandring pilgrimage, Throughout the world from one to other end, 30 And in affliction wast my better age: My bread shall be the anguish of my mind, My drink the teares which fro mine eyed do raine, My bed the ground that hardest I may finde; So will I wilfully increase my paine.
35 Ne sleepe (the harbenger of wearie wights) Shall ever lodge upon mine ey-lids more; Ne shall with rest refresh my fainting sprights, Nor failing force to former strength restore: But I will wake and sorrow all the night 40 With Philumene, my fortune to deplore; With Philumene, the partner of my plight.
And ever as I see the starres to fall, And under ground to goe to give them light Which dwell in darknes, I to minde will call 45 How my fair Starre (that shinde on me so bright) Fell sodainly and faded under ground; Since whose departure, day is turnd to night, And night without a Venus starre is found.
And she, my love that was, my Saint that is, 50 When she beholds from her celestiall throne (In which shee joyeth in eternall blis) My bitter penance, will my case bemone, And pitie me that living thus doo die; For heavenly spirits have compassion 55 On mortall men, and rue their miserie.
So when I have with sorowe satisfide Th' importune fates, which vengeance on me seeke, And th' heavens with long languor pacifide, She, for pure pitie of my sufferance meeke, 60 Will send for me; for which I daylie long: And will till then my painful penance eeke.
Weep, Shepheard! weep, to make my undersong!
Written by Mother Goose | Create an image from this poem

The Lost Shoe


Doodle doodle doo,
The Princess lost her shoe:
  Her Highness hopped,--
  The fiddler stopped,
Not knowing what to do.


Written by Edmund Spenser | Create an image from this poem

From Daphnaida

 SHE fell away in her first ages spring, 
Whil'st yet her leafe was greene, and fresh her rinde, 
And whil'st her braunch faire blossomes foorth did bring, 
She fell away against all course of kinde.
For age to dye is right, but youth is wrong; She fel away like fruit blowne downe with winde.
Weepe, Shepheard! weepe, to make my undersong.
Yet fell she not as one enforst to dye, Ne dyde with dread and grudging discontent, But as one toyld with travaile downe doth lye, So lay she downe, as if to sleepe she went, And closde her eyes with carelesse quietnesse; The whiles soft death away her spirit hent, And soule assoyld from sinfull fleshlinesse.
How happie was I when I saw her leade The Shepheards daughters dauncing in a rownd! How trimly would she trace and softly tread The tender grasse, with rosie garland crownd! And when she list advance her heavenly voyce, Both Nymphes and Muses nigh she made astownd, And flocks and shepheards caused to rejoyce.
But now, ye Shepheard lasses! who shall lead Your wandring troupes, or sing your virelayes? Or who shall dight your bowres, sith she is dead That was the Lady of your holy-dayes? Let now your blisse be turned into bale, And into plaints convert your joyous playes, And with the same fill every hill and dale.
For I will walke this wandring pilgrimage, Throughout the world from one to other end, And in affliction wast my better age: My bread shall be the anguish of my mind, My drink the teares which fro mine eyed do raine, My bed the ground that hardest I may finde; So will I wilfully increase my paine.
Ne sleepe (the harbenger of wearie wights) Shall ever lodge upon mine ey-lids more; Ne shall with rest refresh my fainting sprights, Nor failing force to former strength restore: But I will wake and sorrow all the night With Philumene, my fortune to deplore; With Philumene, the partner of my plight.
And ever as I see the starres to fall, And under ground to goe to give them light Which dwell in darknes, I to minde will call How my fair Starre (that shinde on me so bright) Fell sodainly and faded under ground; Since whose departure, day is turnd to night, And night without a Venus starre is found.
And she, my love that was, my Saint that is, When she beholds from her celestiall throne (In which shee joyeth in eternall blis) My bitter penance, will my case bemone, And pitie me that living thus doo die; For heavenly spirits have compassion On mortall men, and rue their miserie.
So when I have with sorowe satisfide Th' importune fates, which vengeance on me seeke, And th' heavens with long languor pacifide, She, for pure pitie of my sufferance meeke, Will send for me; for which I daylie long: And will till then my painful penance eeke.
Weep, Shepheard! weep, to make my undersong!
Written by William Soutar | Create an image from this poem

Day is Düne

Lully, lully, my ain wee dearie:
Lully, lully, my ain wee doo:
Sae far awa and peerieweerie
Is the hurlie o' the world noo.
And a' the noddin pows are weary; And a' the fitterin feet come in: Lully, lully, my ain wee dearie, The darg is owre and the day is düne.
Written by Edmund Spenser | Create an image from this poem

Poem 14

 NOw al is done; bring home the bride againe,
bring home the triumph of our victory,
Bring home with you the glory of her gaine,
With ioyance bring her and with iollity.
Neuer had man more ioyfull day then this, Whom heauen would heape with blis.
Make feast therefore now all this liue long day, This day for euer to me holy is, Poure out the wine without restraint or stay, Poure not by cups, but by the belly full, Poure out to all that wull, And sprinkle all the postes and wals with wine, That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall, And Hymen also crowne with wreathes of vine, And let the Graces daunce vnto the rest; For they can doo it best: The whiles the maydens doe theyr carroll sing, To which the woods shal answer & theyr eccho ring.
Written by Sir Philip Sidney | Create an image from this poem

You Gote-heard Gods

 Strephon.
You Gote-heard Gods, that loue the grassie mountaines, You Nimphes that haunt the springs in pleasant vallies, You Satyrs ioyde with free and quiet forests, Vouchsafe your silent eares to playning musique, Which to my woes giues still an early morning; And drawes the dolor on till wery euening.
Klaius.
O Mercurie, foregoer to the euening, O heauenlie huntresse of the sauage mountaines, O louelie starre, entitled of the morning, While that my voice doth fill these wofull vallies, Vouchsafe your silent eares to plaining musique, Which oft hath Echo tir'd in secrete forrests.
Strephon.
I that was once free-burges of the forrests, Where shade from Sunne, and sports I sought at euening, I that was once esteem'd for pleasant musique, Am banisht now among the monstrous mountaines Of huge despaire, and foule afflictions vallies, Am growne a shrich-owle to my selfe each morning.
Klaius.
I that was once delighted euery morning, Hunting the wilde inhabiters of forrests, I that was once the musique of these vallies, So darkened am, that all my day is euening, Hart-broken so, that molehilles seeme high mountaines, And fill the vales with cries in steed of musique.
Strephon.
Long since alas, my deadly Swannish musique Hath made it selfe a crier of the morning, And hath with wailing strength clim'd highest mountaines: Long since my thoughts more desert be then forrests: Long since I see my ioyes come to their euening, And state throwen downe to ouer-troden vallies.
Klaius.
Long since the happie dwellers of these vallies, Haue praide me leaue my strange exclaiming musique, Which troubles their dayes worke, and ioyes of euening: Long since I hate the night, more hate the morning: Long since my thoughts chase me like beasts in forrests, And make me wish my selfe layd vnder mountaines.
Strephon.
Me seemes I see the high and stately mountaines, Transforme themselues to lowe deiected vallies: Me seemes I heare in these ill changed forrests, The Nightingales doo learne of Owles their musique: Me seemes I feele the comfort of the morning Turnde to the mortall serene of an euening.
Klaius.
Me seemes I see a filthie clowdie euening, As soon as Sunne begins to clime the mountaines: Me seemes I feele a noysome sent, the morning When I doo smell the flowers of these vallies: Me seemes I heare, when I doo heare sweete musique, The dreadfull cries of murdred men in forrests.
Strephon.
I wish to fire the trees of all these forrests; I giue the Sunne a last farewell each euening; I curse the fidling finders out of Musicke: With enuie I doo hate the loftie mountaines; And with despite despise the humble vallies: I doo detest night, euening, day, and morning.
Klaius.
Curse to my selfe my prayer is, the morning: My fire is more, then can be made with forrests; My state more base, then are the basest vallies: I wish no euenings more to see, each euening; Shamed I hate my selfe in sight of mountaines, And stoppe mine eares, lest I growe mad with Musicke.
Strephon.
For she, whose parts maintainde a perfect musique, Whose beautie shin'de more then the blushing morning, Who much did passe in state the stately mountaines, In straightnes past the Cedars of the forrests, Hath cast me wretch into eternall euening, By taking her two Sunnes from these darke vallies.
Klaius.
For she, to whom compar'd, the Alpes are vallies, She, whose lest word brings from the spheares their musique, At whose approach the Sunne rose in the euening, Who, where she went, bare in her forhead morning, Is gone, is gone from these our spoyled forrests, Turning to desarts our best pastur'de mountaines.
Strephon.
Klaius.
These mountaines witnesse shall, so shall these vallies, These forrests eke, made wretched by our musique, Our morning hymne is this, and song at euening.
Written by Robert William Service | Create an image from this poem

The Twa Jocks

 Says Bauldy MacGreegor frae Gleska tae Hecky MacCrimmon frae Skye:
"That's whit I hate maist aboot fechtin' -- it makes ye sae deevilish dry;
Noo jist hae a keek at yon ferm-hoose them Gairmans are poundin' sae fine,
Weel, think o' it, doon in the dunnie there's bottles and bottles o' wine.
A' hell's fairly belchin' oot yonner, but oh, lad, I'm ettlin' tae try.
.
.
.
" "If it's poose she'll be with ye whateffer," says Hecky MacCrimmon frae Skye.
~ Says Bauldy MacGreegor frae Gleska: "Whit price fur a funeral wreath? We're dodgin' a' kinds o' destruction, an' jist by the skin o' oor teeth.
Here, spread yersel oot on yer belly, and slither along in the glaur; Confoond ye, ye big Hielan' deevil! Ye don't realize there's a war.
Ye think that ye're back in Dunvegan, and herdin' the wee bits o' kye.
" "She'll neffer trink wine in Dunfegan," says Hecky MacCrimmon frae Skye.
~ Says Bauldy MacGreegor frae Gleska: "Thank goodness! the ferm-hoose at last; There's no muckle left but the cellar, an' even that's vanishin' fast.
Look oot, there's the corpse o' a wumman, sair mangelt and deid by her lane.
Quick! Strike a match.
.
.
.
Whit did I tell ye! A hale bonny box o' shampane; Jist knock the heid aff o' a bottle.
.
.
.
Haud on, mon, I'm hearing a cry.
.
.
.
" "She'll think it's a wean that wass greetin'," says Hecky MacCrimmon frae Skye.
~ Says Bauldy MacGreegor frae Gleska: quot;Ma conscience! I'm hanged but yer richt.
It's yin o' thae waifs of the war-field, a' sobbin' and shakin' wi' fricht.
Wheesht noo, dear, we're no gaun tae hurt ye.
We're takin' ye hame, my wee doo! We've got tae get back wi' her, Hecky.
Whit mercy we didna get fou! We'll no touch a drap o' that likker -- that's hard, man, ye canna deny.
.
.
.
" "It's the last thing she'll think o' denyin'," says Hecky MacCrimmon frae Skye.
Says Bauldy MacGreegor frae Gleska: "If I should get struck frae the rear, Ye'll tak' and ye'll shield the wee lassie, and rin for the lines like a deer.
God! Wis that the breenge o' a bullet? I'm thinkin' it's cracket ma spine.
I'm doon on ma knees in the glabber; I'm fearin', auld man, I've got mine.
Here, quick! Pit yer erms roon the lassie.
Noo, rin, lad! good luck and good-by.
.
.
.
"Hoots, mon! it's ye baith she'll be takin'," says Hecky MacCrimmon frae Skye.
~ Says Corporal Muckle frae Rannoch: "Is that no' a picture tae frame? Twa sair woundit Jocks wi' a lassie jist like ma wee Jeannie at hame.
We're prood o' ye baith, ma brave heroes.
We'll gie ye a medal, I think.
" Says Bauldy MacGreegor frae Gleska: "I'd raither ye gied me a drink.
I'll no speak for Private MacCrimmon, but oh, mon, I'm perishin' dry.
.
.
.
" "She'll wush that Loch Lefen wass whuskey," says Hecky MacCrimmon frae Skye.
~

Book: Reflection on the Important Things