10 Best Famous Distinctly Poems

Here is a collection of the top 10 all-time best famous Distinctly poems. This is a select list of the best famous Distinctly poetry. Reading, writing, and enjoying famous Distinctly poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of distinctly poems.

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The Raven

by Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

The Bells

by Edgar Allan Poe
 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now- now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells-
Of the bells, bells, bells,bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!

IV

Hear the tolling of the bells-
Iron Bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people- ah, the people-
They that dwell up in the steeple,
All Alone
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells-
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells-
Bells, bells, bells-
To the moaning and the groaning of the bells.

A Nocturnal Reverie

by Anne Kingsmill Finch
In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,
Whence springs the woodbind, and the bramble-rose,
And where the sleepy cowslip sheltered grows;
Whilst now a paler hue the foxglove takes,
Yet checkers still with red the dusky brakes
When scattered glow-worms, but in twilight fine,
Shew trivial beauties watch their hour to shine;
Whilst Salisb'ry stands the test of every light,
In perfect charms, and perfect virtue bright:
When odors, which declined repelling day,
Through temp'rate air uninterrupted stray;
When darkened groves their softest shadows wear,
And falling waters we distinctly hear;
When through the gloom more venerable shows
Some ancient fabric, awful in repose,
While sunburnt hills their swarthy looks conceal,
And swelling haycocks thicken up the vale:
When the loosed horse now, as his pasture leads,
Comes slowly grazing through th' adjoining meads,
Whose stealing pace, and lengthened shade we fear,
Till torn-up forage in his teeth we hear:
When nibbling sheep at large pursue their food,
And unmolested kine rechew the cud;
When curlews cry beneath the village walls,
And to her straggling brood the partridge calls;
Their shortlived jubilee the creatures keep,
Which but endures, whilst tyrant man does sleep;
When a sedate content the spirit feels,
And no fierce light disturbs, whilst it reveals;
But silent musings urge the mind to seek
Something, too high for syllables to speak;
Till the free soul to a composedness charmed,
Finding the elements of rage disarmed,
O'er all below a solemn quiet grown,
Joys in th' inferior world, and thinks it like her own:
In such a night let me abroad remain,
Till morning breaks, and all's confused again;
Our cares, our toils, our clamors are renewed,
Or pleasures, seldom reached, again pursued.

Mary - A Ballad

by Robert Southey
 Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England. I have
adopted the metre of Mr. Lewis's Alonzo and Imogene--a poem deservedly
popular.


I.

Who is she, the poor Maniac, whose wildly-fix'd eyes
Seem a heart overcharged to express?
She weeps not, yet often and deeply she sighs,
She never complains, but her silence implies
The composure of settled distress.


II.

No aid, no compassion the Maniac will seek,
Cold and hunger awake not her care:
Thro' her rags do the winds of the winter blow bleak
On her poor withered bosom half bare, and her cheek
Has the deathy pale hue of despair.


III.

Yet chearful and happy, nor distant the day,
Poor Mary the Maniac has been;
The Traveller remembers who journeyed this way
No damsel so lovely, no damsel so gay
As Mary the Maid of the Inn.


IV.

Her chearful address fill'd the guests with delight
As she welcomed them in with a smile:
Her heart was a stranger to childish affright,
And Mary would walk by the Abbey at night
When the wind whistled down the dark aisle.


V.

She loved, and young Richard had settled the day,
And she hoped to be happy for life;
But Richard was idle and worthless, and they
Who knew him would pity poor Mary and say
That she was too good for his wife.


VI.

'Twas in autumn, and stormy and dark was the night,
And fast were the windows and door;
Two guests sat enjoying the fire that burnt bright,
And smoking in silence with tranquil delight
They listen'd to hear the wind roar.


VII.

"Tis pleasant," cried one, "seated by the fire side
"To hear the wind whistle without."
"A fine night for the Abbey!" his comrade replied,
"Methinks a man's courage would now be well tried
"Who should wander the ruins about.


VIII.

"I myself, like a school-boy, should tremble to hear
"The hoarse ivy shake over my head;
"And could fancy I saw, half persuaded by fear,
"Some ugly old Abbot's white spirit appear,
"For this wind might awaken the dead!"


IX.

"I'll wager a dinner," the other one cried,
"That Mary would venture there now."
"Then wager and lose!" with a sneer he replied,
"I'll warrant she'd fancy a ghost by her side,
"And faint if she saw a white cow."


X.

"Will Mary this charge on her courage allow?"
His companion exclaim'd with a smile;
"I shall win, for I know she will venture there now,
"And earn a new bonnet by bringing a bough
"From the elder that grows in the aisle."


XI.

With fearless good humour did Mary comply,
And her way to the Abbey she bent;
The night it was dark, and the wind it was high
And as hollowly howling it swept thro' the sky
She shiver'd with cold as she went.


XII.

O'er the path so well known still proceeded the Maid
Where the Abbey rose dim on the sight,
Thro' the gate-way she entered, she felt not afraid
Yet the ruins were lonely and wild, and their shade
Seem'd to deepen the gloom of the night.


XIII.

All around her was silent, save when the rude blast
Howl'd dismally round the old pile;
Over weed-cover'd fragments still fearless she past,
And arrived in the innermost ruin at last
Where the elder tree grew in the aisle.


XIV.

Well-pleas'd did she reach it, and quickly drew near
And hastily gather'd the bough:
When the sound of a voice seem'd to rise on her ear,
She paus'd, and she listen'd, all eager to hear,
Aud her heart panted fearfully now.


XV.

The wind blew, the hoarse ivy shook over her head,
She listen'd,--nought else could she hear.
The wind ceas'd, her heart sunk in her bosom with dread
For she heard in the ruins distinctly the tread
Of footsteps approaching her near.


XVI.

Behind a wide column half breathless with fear
She crept to conceal herself there:
That instant the moon o'er a dark cloud shone clear,
And she saw in the moon-light two ruffians appear
And between them a corpse did they bear.


XVII.

Then Mary could feel her heart-blood curdle cold!
Again the rough wind hurried by,--
It blew off the hat of the one, and behold
Even close to the feet of poor Mary it roll'd,--
She felt, and expected to die.


XVIII.

"Curse the hat!" he exclaims. "Nay come on and first hide
"The dead body," his comrade replies.
She beheld them in safety pass on by her side,
She seizes the hat, fear her courage supplied,
And fast thro' the Abbey she flies.


XIX.

She ran with wild speed, she rush'd in at the door,
She gazed horribly eager around,
Then her limbs could support their faint burthen no more,
And exhausted and breathless she sunk on the floor
Unable to utter a sound.


XX.

Ere yet her pale lips could the story impart,
For a moment the hat met her view;--
Her eyes from that object convulsively start,
For--oh God what cold horror then thrill'd thro' her heart,
When the name of her Richard she knew!


XXI.

Where the old Abbey stands, on the common hard by
His gibbet is now to be seen.
Not far from the road it engages the eye,
The Traveller beholds it, and thinks with a sigh
Of poor Mary the Maid of the Inn.

Pilates Wifes Dream

by Charlotte Bronte
 I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall­
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream. 

It sunk, and I am wrapt in utter gloom; 
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ? 
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread! 

I'd call my women, but to break their sleep, 
Because my own is broken, were unjust; 

They've wrought all day, and well-earned slumbers steep
Their labours in forgetfulness, I trust; 
Let me my feverish watch with patience bear, 
Thankful that none with me its sufferings share. 

Yet, Oh, for light ! one ray would tranquilise 
My nerves, my pulses, more than effort can; 
I'll draw my curtain and consult the skies: 
These trembling stars at dead of night look wan, 
Wild, restless, strange, yet cannot be more drear 
Than this my couch, shared by a nameless fear. 

All black­one great cloud, drawn from east to west, 
Conceals the heavens, but there are lights below; 
Torches burn in Jerusalem, and cast 
On yonder stony mount a lurid glow. 
I see men stationed there, and gleaming spears; 
A sound, too, from afar, invades my ears. 

Dull, measured, strokes of axe and hammer ring 
From street to street, not loud, but through the night 
Distinctly heard­and some strange spectral thing 
Is now upreared­and, fixed against the light 
Of the pale lamps; defined upon that sky, 
It stands up like a column, straight and high. 

I see it all­I know the dusky sign­
A cross on Calvary, which Jews uprear 

While Romans watch; and when the dawn shall shine 
Pilate, to judge the victim will appear, 
Pass sentence­yield him up to crucify; 
And on that cross the spotless Christ must die. 

Dreams, then, are true­for thus my vision ran; 
Surely some oracle has been with me,
The gods have chosen me to reveal their plan, 
To warn an unjust judge of destiny: 
I, slumbering, heard and saw; awake I know, 
Christ's coming death, and Pilate's life of woe. 

I do not weep for Pilate­who could prove 
Regret for him whose cold and crushing sway 
No prayer can soften, no appeal can move;
Who tramples hearts as others trample clay, 
Yet with a faltering, an uncertain tread, 
That might stir up reprisal in the dead. 

Forced to sit by his side and see his deeds; 
Forced to behold that visage, hour by hour, 
In whose gaunt lines, the abhorrent gazer reads 
A triple lust of gold, and blood, and power; 
A soul whom motives, fierce, yet abject, urge 
Rome's servile slave, and Judah's tyrant scourge. 

How can I love, or mourn, or pity him ?
I, who so long my fettered hands have wrung; 

I, who for grief have wept my eye-sight dim; 
Because, while life for me was bright and young, 
He robbed my youth­he quenched my life's fair ray­
He crushed my mind, and did my freedom slay. 


And at this hour­although I be his wife­ 
He has no more of tenderness from me 
Than any other wretch of guilty life; 
Less, for I know his household privacy­ 
I see him as he is­without a screen; 
And, by the gods, my soul abhors his mien ! 

Has he not sought my presence, dyed in blood­ 
Innocent, righteous blood, shed shamelessly ? 
And have I not his red salute withstood ? 
Aye,­when, as erst, he plunged all Galilee 
In dark bereavement­in affliction sore, 
Mingling their very offerings with their gore. 

Then came he­in his eyes a serpent-smile, 
Upon his lips some false, endearing word, 
And, through the streets of Salem, clanged the while,
His slaughtering, hacking, sacrilegious sword­ 
And I, to see a man cause men such woe, 
Trembled with ire­I did not fear to show. 

And now, the envious Jewish priests have brought
Jesus­whom they in mockery call their king­ 

To have, by this grim power, their vengeance wrought; 
By this mean reptile, innocence to sting. 
Oh ! could I but the purposed doom avert, 
And shield the blameless head from cruel hurt! 

Accessible is Pilate's heart to fear, 
Omens will shake his soul, like autumn leaf; 
Could he this night's appalling vision hear, 
This just man's bonds were loosed, his life were safe, 
Unless that bitter priesthood should prevail, 
And make even terror to their malice quail. 

Yet if I tell the dream­but let me pause.
What dream ? Erewhile the characters were clear,
Graved on my brain­at once some unknown cause
Has dimmed and rased the thoughts, which now appear,
Like a vague remnant of some by-past scene;­
Not what will be, but what, long since, has been. 

I suffered many things, I heard foretold 
A dreadful doom for Pilate,­lingering woes, 
In far, barbarian climes, where mountains cold 
Built up a solitude of trackless snows, 
There, he and grisly wolves prowled side by side, 
There he lived famished­there methought he died; 

But not of hunger, nor by malady;
I saw the snow around him, stained with gore; 

I said I had no tears for such as he, 
And, lo ! my cheek is wet­mine eyes run o'er; 
I weep for mortal suffering, mortal guilt, 
I weep the impious deed­the blood self-spilt. 

More I recall not, yet the vision spread 
Into a world remote, an age to come­ 
And still the illumined name of Jesus shed 
A light, a clearness, through the enfolding gloom­ 
And still I saw that sign, which now I see, 
That cross on yonder brow of Calvary. 

What is this Hebrew Christ ? To me unknown, 
His lineage­doctrine­mission­yet how clear, 
Is God-like goodness, in his actions shewn ! 
How straight and stainless is his life's career ! 
The ray of Deity that rests on him, 
In my eyes makes Olympian glory dim. 

The world advances, Greek, or Roman rite
Suffices not the inquiring mind to stay;
The searching soul demands a purer light 
To guide it on its upward, onward way;
Ashamed of sculptured gods­Religion turns 
To where the unseen Jehovah's altar burns. 

Our faith is rotten­all our rites defiled,
Our temples sullied, and methinks, this man,
With his new ordinance, so wise and mild,
Is come, even as he says, the chaff to fan 

And sever from the wheat; but will his faith 
Survive the terrors of to-morrow's death ? 

* * * * * 

I feel a firmer trust­a higher hope 
Rise in my soul­it dawns with dawning day; 
Lo ! on the Temple's roof­on Moriah's slope 
Appears at length that clear, and crimson ray, 
Which I so wished for when shut in by night; 
Oh, opening skies, I hail, I bless your light ! 

Part, clouds and shadows ! glorious Sun appear ! 
Part, mental gloom ! Come insight from on high ! 
Dusk dawn in heaven still strives with daylight clear, 
The longing soul, doth still uncertain sigh. 
Oh ! to behold the truth­that sun divine, 
How doth my bosom pant, my spirit pine ! 

This day, time travails with a mighty birth, 
This day, Truth stoops from heaven and visits earth, 
Ere night descends, I shall more surely know 
What guide to follow, in what path to go; 
I wait in hope­I wait in solemn fear, 
The oracle of God­the sole­true God­to hear.

from imperfect Eden

by Rg Gregory
 (1)
and off to scott's (the dockers' restaurant)
burly men packed in round solid tables
but what the helle (drowned in hellespont)
this place for me was rich in its own fables
i'll be the lover sunk if that enables
an awesome sense of just how deep the spells
that put scotts for me beyond the dardanelles

lace-curtained windows (or memory plays me false)
no capped odysseus could turn such sirens down
or was it a circean slip that shocked the pulse
all men are pigs when hunger rips the gown
and these men were not there to grace the town
service bustling (no time to take caps off)
hot steaming food and noses in the trough

i loved it deeply squashed in there with you
rough offensive banter bantered back
the smells of sweat and cargoes mixed with stew
and dumplings lamb chops roast beef - what the ****
these toughened men could outdo friar tuck
so ravenous their faith blown off the sea
that god lived in the stomach raucously

perhaps cramped into scotts i felt it most
that you belonged in a living sea of men
who shared the one blood-vision of a coast
tides washed you to but washed you off again
too much history made the struggle plain
but all the time there was this rough-hewn glimmer
that truth wore dirty clothes and ate its dinner

at midday - scotts was a parliament of sorts
where what was said had not the solid weight
of what was felt (or what was eaten) courts
bewigged and stuffed with pomp of state
were brushed aside in favour of the plate
but those who entered hungry came out wise
unspoken resolutions mulled like pies


(2)
and then the tram ride home (if we were lucky -
and nothing during the day had caused despair)
trams had a gift about them that was snaky
wriggling their straitened ways from lair to lair
they hissed upon their wires and flashed the air
they swallowed people whole and spewed them out
and most engorged in them became devout

you either believed in trams or thought them heathen
savage contraptions that shook you to your roots
on busy jaunts there was no room for breathing
damn dignity - rapt flesh was in cahoots
all sexes fused from head-scarves to their boots
and somewhere in the melee children pressed
shoulders to crotches noses to the rest

and in light-headed periods trams debunked
the classier lissome ways of shifting freight
emptied of pomp their anarchy instinct
they'd rattle down their tracks at such a rate
they'd writhe their upper structures like an eight
being drawn by revelling legless topers
strict rails (they claimed) gave sanction for such capers

trams had this kind of catholic conviction
the end ordained their waywardness was blessed
if tramways claimed per se this benediction
who cared if errant trams at times seemed pissed
religions prosper from the hedonist
who shags the world by day and prays at night
those drunken trams still brim me with delight

to climb the twisted stairs and seek a seat
as tram got under way through sozzled rotors
and find olympia vacant at my feet
(the gods too razzled by the rasping motors
- the sharps of life too much for absolutors)
would send me skeltering along the aisle
king of the upper world for one short while

and all the shaking rolling raucous gait
of this metallic serpent sizzling through
the maze of shoppy streets (o dizzy state)
sprinkled my heart-strings with ambrosial dew
(well tell a lie but such a wish will do)
and i'd be gloried as if leviathan
said hop on nip and sped me to japan

so back to earth - the tram that netley day
would be quite sober bumbling through the town
the rush-hour gone and night still on its way
mum lil and baby (babies) would stay down
and we'd be up the top - too tired to clown
our bodies glowed (a warm contentment brewed)
burnt backs nor aching legs could pop that mood

(3)
i lay in bed one day my joints subsiding
lost in a day-dream rhythmed by my heart
medicine-time (a pleasure not abiding)
i did my best to play the sleeping part
then at my back a nurse's rustling skirt
a bending breeze (all breathing held in check)
and then she blew sweet eddies down my neck

the nurse (of all) whose presence turned the winter
to summer's morning (cool before the sun)
who touched the quick with such exquisite splinter
the wince was there but no great hurt was done
she moved like silk the finest loom had spun
the ward went dark when she was gone or late
and i was seven longing to be eight

that whispering down my spine by scented lips
threw wants and hopes my way that stewed my mind
a draught drunk down in paradisal sips
stirred passages in me not then defined
at three i'd touched the grail with fingers blind
to heart-ache - this nurse though first described the gates
to elysium where grown-up love pupates

but soon a cloud knocked pristine sex aback
(i had to learn the hard way nothing's easy)
i went my own route off the sanctioned track
and came distraught - in fact distinctly queasy
without permission (both nonchalant and breezy)
i sailed from bed to have a pee (or worse)
and got locked in - and drew that nurse's curse

not only hers but all the fussing staff's
for daring such a voyage in my state
whose heart just then was not a bag of laughs
did i not understand the fist of fate
that waited naughty boys who could not wait
thunderous gods glared through the quaking panes
a corporate wrath set back my growing pains

forget the scented lips the creeping bliss
of such a nurse's presence on my flesh
locked in i'd been an hour or more amiss
they thought i'd done a bunk or slipped the leash
when found i'd gone all blue like frozen fish
those scented lips discharged their angry bile
and cupid's dart fell short a scornful mile

come christmas day the christmas tree was bright
its mothering arms held glittering gifts for all
and i was seven longing to be eight
and i was given a large pink fluffy ball
my spirit shrank into the nearest wall
true love reduced to this insulting gimcrack
my pumped-up heart was punctured by a tintack

A March in the Ranks Hard-prest

by Walt Whitman
 A MARCH in the ranks hard-prest, and the road unknown; 
A route through a heavy wood, with muffled steps in the darkness; 
Our army foil’d with loss severe, and the sullen remnant retreating; 
Till after midnight glimmer upon us, the lights of a dim-lighted building; 
We come to an open space in the woods, and halt by the dim-lighted building;
’Tis a large old church at the crossing roads—’tis now an impromptu
 hospital; 
—Entering but for a minute, I see a sight beyond all the pictures and poems ever
 made: 
Shadows of deepest, deepest black, just lit by moving candles and lamps, 
And by one great pitchy torch, stationary, with wild red flame, and clouds of smoke; 
By these, crowds, groups of forms, vaguely I see, on the floor, some in the pews laid
 down;
At my feet more distinctly, a soldier, a mere lad, in danger of bleeding to death, (he is
 shot
 in
 the abdomen;) 
I staunch the blood temporarily, (the youngster’s face is white as a lily;) 
Then before I depart I sweep my eyes o’er the scene, fain to absorb it all; 
Faces, varieties, postures beyond description, most in obscurity, some of them dead; 
Surgeons operating, attendants holding lights, the smell of ether, the odor of blood;
The crowd, O the crowd of the bloody forms of soldiers—the yard outside also
 fill’d; 
Some on the bare ground, some on planks or stretchers, some in the death-spasm sweating; 
An occasional scream or cry, the doctor’s shouted orders or calls; 
The glisten of the little steel instruments catching the glint of the torches; 
These I resume as I chant—I see again the forms, I smell the odor;
Then hear outside the orders given, Fall in, my men, Fall in; 
But first I bend to the dying lad—his eyes open—a half-smile gives he me; 
Then the eyes close, calmly close, and I speed forth to the darkness, 
Resuming, marching, ever in darkness marching, on in the ranks, 
The unknown road still marching.

Verses on Sir Joshua Reynolds Painted Window at New College Oxford

by Thomas Warton
 Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.

But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!

Such was a pensive bard's mistaken strain.--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.

Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.

Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.

Two Dogs HaveI

by Ogden Nash
 For years we've had a little dog,
Last year we acquired a big dog;
He wasn't big when we got him,
He was littler than the dog we had.
We thought our little dog would love him,
Would help him to become a trig dog,
But the new little dog got bigger,
And the old little dog got mad.

Now the big dog loves the little dog,
But the little dog hates the big dog,
The little dog is eleven years old,
And the big dog only one;
The little dog calls him Schweinhund,
The little dog calls him Pig-dog,
She grumbles broken curses
As she dreams in the August sun.

The big dog's teeth are terrible,
But he wouldn't bite the little dog;
The little dog wants to grind his bones,
But the little dog has no teeth;
The big dog is acrobatic,
The little dog is a brittle dog;
She leaps to grip his jugular,
And passes underneath.

The big dog clings to the little dog
Like glue and cement and mortar;
The little dog is his own true love;
But the big dog is to her
Like a scarlet rag to a Longhorn,
Or a suitcase to a porter;
The day he sat on the hornet
I distinctly heard her purr.

Well, how can you blame the little dog,
Who was once the household darling?
He romps like a young Adonis,
She droops like an old mustache;
No wonder she steals his corner,
No wonder she comes out snarling,
No wonder she calls him Cochon
And even Espèce de vache.

Yet once I wanted a sandwich,
Either caviar or cucumber,
When the sun had not yet risen
And the moon had not yet sank;
As I tiptoed through the hallway
The big dog lay in slumber,
And the little dog slept by the big dog,
And her head was on his flank.

Judgment Day

by Ellis Parker Butler
 Saint Peter stood, at Heaven's gate,
All souls claims to adjudicate
Saying to some souls, "Enter in!"
"Go to Hell," to others, "you are steeped in sin."
When up from earth, with a great hubbub,
Came all the members of the Tuscarora Club.
The angel Gabriel, peering out,
Said, "What, the devil, is this noise about?"
"Gabe," said Peter, "There's always lots of noise,
At any get-together of the Tuscarora boys --
Those are anglers and they all tell lies
About the trout that got away, their fierceness and their size --
They want to enter Heaven, for our brooks are full of trout,
But I won't have any liars, and I'll keep the whole gang out;
No liars enter Heaven, and I'll most distinctly tell
The whole danged Tuscarora Club, it has to go to Hell."
Then, at a little distance from the precious pearly gate,
The Tuscarora fellows paused to talk and cogitate;
One Barr said this, one Barr said that, McAlpin had his say,
But foxy Charley Roberts said, "This is the only way --
"You'd best leave this to me," he said. "Just let me handle Pete
and in a trice we'll be inside upon the golden street;
I'll show him that he's one of us, because he used to be,
Himself, a brother fisher, in the Sea of Gallilee--
And I move you, Mr. President, we make the poor old dub
An honorary member of the Tuscarora Club."
"Agreed! Agreed!" the members cried, but Manny Barr said, "Wait!
Amend it thus 'PROVIDED -- That he didn't fish with bait.'"
Saint Peter saw them coming but his face was hard and stern,
He had formed his resolution from which he would not turn,
Not even Roberts' palaver would ever change him so
He'd send the Tuscarorans anywhere, but down below.
But now upon his countenance there came a look of pain,
He stepped from foot to foot, and then from foot to foot again:
He hailed a new-come resident, who near the portal stood,
A goodly Christian gentleman, whose name was Hubert Wood.
He said to him, "Come here, my friend, and tend awhile this gate--
Just take my place for half an hour -- I've got to urinate."
With that Saint Peter hustled off. The gate-keeper pro tem
Observed the Tuscarorans and he waved his hand at them.
"Come in! come in!" he shouted, for he was an angler, too,
And he knew that anglers, as a whole, were earth's most harmless crew.
So all the Tuscarorans got to heaven, thanks to Wood,
And the Secretary's last report says, "Fishing there is good."
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace