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Written by Kahlil Gibran | Create an image from this poem

A Poets Voice XV

 Part One


The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry.
My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty.
Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark.
I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire.
For I am a poet, and if I cannot give, I shall refuse to receive.
Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God.
Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart.
Substantial things deaden a man without suffering; love awakens him with enlivening pains.
Humans are divided into different clans and tribes, and belong to countries and towns.
But I find myself a stranger to all communities and belong to no settlement.
The universe is my country and the human family is my tribe.
Men are weak, and it is sad that they divide amongst themselves.
The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces.
Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies.
I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge.
" Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun.
Part Two I have a yearning for my beautiful country, and I love its people because of their misery.
But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country.
I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness.
My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction.
" I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God.
Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice.
But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers.
Humanity appeals to its people but they listen not.
Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment.
" Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will.
But the people ridicule such teachings.
The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body.
The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing.
" Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally.
Ridicule cannot triumph over the followers of Deity.
They live and grow forever.
Part Three Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth.
You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth.
You are a human, and, that fact sufficing, I love you as a brother.
You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice.
You may deprive me of whatever I possess, for my greed instigated the amassing of wealth and you are entitled to my lot if it will satisfy you.
You may do unto me whatever you wish, but you shall not be able to touch my Truth.
You may shed my blood and burn my body, but you cannot kill or hurt my spirit.
You may tie my hands with chains and my feet with shackles, and put me in the dark prison, but who shall not enslave my thinking, for it is free, like the breeze in the spacious sky.
You are my brother and I love you.
I love you worshipping in your church, kneeling in your temple, and praying in your mosque.
You and I and all are children of one religion, for the varied paths of religion are but the fingers of the loving hand of the Supreme Being, extended to all, offering completeness of spirit to all, anxious to receive all.
I love you for your Truth, derived from your knowledge; that Truth which I cannot see because of my ignorance.
But I respect it as a divine thing, for it is the deed of the spirit.
Your Truth shall meet my Truth in the coming world and blend together like the fragrance of flowers and becoming one whole and eternal Truth, perpetuating and living in the eternity of Love and Beauty.
I love you because you are weak before the strong oppressor, and poor before the greedy rich.
For these reasons I shed tears and comfort you; and from behind my tears I see you embraced in the arms of Justice, smiling and forgiving your persecutors.
You are my brother and I love you.
Part Four You are my brother, but why are you quarreling with me? Why do you invade my country and try to subjugate me for the sake of pleasing those who are seeking glory and authority? Why do you leave your wife and children and follow Death to the distant land for the sake of those who buy glory with your blood, and high honor with your mother's tears? Is it an honor for a man to kill his brother man? If you deem it an honor, let it be an act of worship, and erect a temple to Cain who slew his brother Abel.
Is self-preservation the first law of Nature? Why, then, does Greed urge you to self-sacrifice in order only to achieve his aim in hurting your brothers? Beware, my brother, of the leader who says, "Love of existence obliges us to deprive the people of their rights!" I say unto you but this: protecting others' rights is the noblest and most beautiful human act; if my existence requires that I kill others, then death is more honorable to me, and if I cannot find someone to kill me for the protection of my honor, I will not hesitate to take my life by my own hands for the sake of Eternity before Eternity comes.
Selfishness, my brother, is the cause of blind superiority, and superiority creates clanship, and clanship creates authority which leads to discord and subjugation.
The soul believes in the power of knowledge and justice over dark ignorance; it denies the authority that supplies the swords to defend and strengthen ignorance and oppression - that authority which destroyed Babylon and shook the foundation of Jerusalem and left Rome in ruins.
It is that which made people call criminals great mean; made writers respect their names; made historians relate the stories of their inhumanity in manner of praise.
The only authority I obey is the knowledge of guarding and acquiescing in the Natural Law of Justice.
What justice does authority display when it kills the killer? When it imprisons the robber? When it descends on a neighborhood country and slays its people? What does justice think of the authority under which a killer punishes the one who kills, and a thief sentences the one who steals? You are my brother, and I love you; and Love is justice with its full intensity and dignity.
If justice did not support my love for you, regardless of your tribe and community, I would be a deceiver concealing the ugliness of selfishness behind the outer garment of pure love.
Conclusion My soul is my friend who consoles me in misery and distress of life.
He who does not befriend his soul is an enemy of humanity, and he who does not find human guidance within himself will perish desperately.
Life emerges from within, and derives not from environs.
I came to say a word and I shall say it now.
But if death prevents its uttering, it will be said tomorrow, for tomorrow never leaves a secret in the book of eternity.
I came to live in the glory of love and the light of beauty, which are the reflections of God.
I am here living, and the people are unable to exile me from the domain of life for they know I will live in death.
If they pluck my eyes I will hearken to the murmers of love and the songs of beauty.
If they close my ears I will enjoy the touch of the breeze mixed with the incebse of love and the fragrance of beauty.
If they place me in a vacuum, I will live together with my soul, the child of love and beauty.
I came here to be for all and with all, and what I do today in my solitude will be echoed by tomorrow to the people.
What I say now with one heart will be said tomorrow by many hearts


Written by William Blake | Create an image from this poem

Auguries Of Innocence

 To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage Puts all heaven in a rage.
A dove-house filled with doves and pigeons Shudders hell through all its regions.
A dog starved at his master's gate Predicts the ruin of the state.
A horse misused upon the road Calls to heaven for human blood.
Each outcry of the hunted hare A fibre from the brain does tear.
A skylark wounded in the wing, A cherubim does cease to sing.
The game-cock clipped and armed for fight Does the rising sun affright.
Every wolf's and lion's howl Raises from hell a human soul.
The wild deer wandering here and there Keeps the human soul from care.
The lamb misused breeds public strife, And yet forgives the butcher's knife.
The bat that flits at close of eve Has left the brain that won't believe.
The owl that calls upon the night Speaks the unbeliever's fright.
He who shall hurt the little wren Shall never be beloved by men.
He who the ox to wrath has moved Shall never be by woman loved.
The wanton boy that kills the fly Shall feel the spider's enmity.
He who torments the chafer's sprite Weaves a bower in endless night.
The caterpillar on the leaf Repeats to thee thy mother's grief.
Kill not the moth nor butterfly, For the Last Judgment draweth nigh.
He who shall train the horse to war Shall never pass the polar bar.
The beggar's dog and widow's cat, Feed them, and thou wilt grow fat.
The gnat that sings his summer's song Poison gets from Slander's tongue.
The poison of the snake and newt Is the sweat of Envy's foot.
The poison of the honey-bee Is the artist's jealousy.
The prince's robes and beggar's rags Are toadstools on the miser's bags.
A truth that's told with bad intent Beats all the lies you can invent.
It is right it should be so: Man was made for joy and woe; And when this we rightly know Through the world we safely go.
Joy and woe are woven fine, A clothing for the soul divine.
Under every grief and pine Runs a joy with silken twine.
The babe is more than swaddling bands, Throughout all these human lands; Tools were made and born were hands, Every farmer understands.
Every tear from every eye Becomes a babe in eternity; This is caught by females bright And returned to its own delight.
The bleat, the bark, bellow, and roar Are waves that beat on heaven's shore.
The babe that weeps the rod beneath Writes Revenge! in realms of death.
The beggar's rags fluttering in air Does to rags the heavens tear.
The soldier armed with sword and gun Palsied strikes the summer's sun.
The poor man's farthing is worth more Than all the gold on Afric's shore.
One mite wrung from the labourer's hands Shall buy and sell the miser's lands, Or if protected from on high Does that whole nation sell and buy.
He who mocks the infant's faith Shall be mocked in age and death.
He who shall teach the child to doubt The rotting grave shall ne'er get out.
He who respects the infant's faith Triumphs over hell and death.
The child's toys and the old man's reasons Are the fruits of the two seasons.
The questioner who sits so sly Shall never know how to reply.
He who replies to words of doubt Doth put the light of knowledge out.
The strongest poison ever known Came from Caesar's laurel crown.
Nought can deform the human race Like to the armour's iron brace.
When gold and gems adorn the plough To peaceful arts shall Envy bow.
A riddle or the cricket's cry Is to doubt a fit reply.
The emmet's inch and eagle's mile Make lame philosophy to smile.
He who doubts from what he sees Will ne'er believe, do what you please.
If the sun and moon should doubt, They'd immediately go out.
To be in a passion you good may do, But no good if a passion is in you.
The whore and gambler, by the state Licensed, build that nation's fate.
The harlot's cry from street to street Shall weave old England's winding sheet.
The winner's shout, the loser's curse, Dance before dead England's hearse.
Every night and every morn Some to misery are born.
Every morn and every night Some are born to sweet delight.
Some are born to sweet delight, Some are born to endless night.
We are led to believe a lie When we see not through the eye Which was born in a night to perish in a night, When the soul slept in beams of light.
God appears, and God is light To those poor souls who dwell in night, But does a human form display To those who dwell in realms of day.
Written by Margaret Atwood | Create an image from this poem

The City Planners

 Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or shatter of glass; nothing more abrupt than the rational whine of a power mower cutting a straight swath in the discouraged grass.
But though the driveways neatly sidestep hysteria by being even, the roofs all display the same slant of avoidance to the hot sky, certain things: the smell of spilled oil a faint sickness lingering in the garages, a splash of paint on brick surprising as a bruise, a plastic hose poised in a vicious coil; even the too-fixed stare of the wide windows give momentary access to the landscape behind or under the future cracks in the plaster when the houses, capsized, will slide obliquely into the clay seas, gradual as glaciers that right now nobody notices.
That is where the City Planners with the insane faces of political conspirators are scattered over unsurveyed territories, concealed from each other, each in his own private blizzard; guessing directions, they sketch transitory lines rigid as wooden borders on a wall in the white vanishing air tracing the panic of suburb order in a bland madness of snows
Written by John Dryden | Create an image from this poem

Mac Flecknoe

 All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace, And blest with issue of a large increase, Worn out with business, did at length debate To settle the succession of the State: And pond'ring which of all his sons was fit To reign, and wage immortal war with wit; Cry'd, 'tis resolv'd; for nature pleads that he Should only rule, who most resembles me: Shadwell alone my perfect image bears, Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence, But Shadwell never deviates into sense.
Some beams of wit on other souls may fall, Strike through and make a lucid interval; But Shadwell's genuine night admits no ray, His rising fogs prevail upon the day: Besides his goodly fabric fills the eye, And seems design'd for thoughtless majesty: Thoughtless as monarch oaks, that shade the plain, And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee, Thou last great prophet of tautology: Even I, a dunce of more renown than they, Was sent before but to prepare thy way; And coarsely clad in Norwich drugget came To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung When to King John of Portugal I sung, Was but the prelude to that glorious day, When thou on silver Thames did'st cut thy way, With well tim'd oars before the royal barge, Swell'd with the pride of thy celestial charge; And big with hymn, commander of an host, The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail, The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore The treble squeaks for fear, the basses roar: Echoes from Pissing-Alley, Shadwell call, And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng, As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band Thou wield'st thy papers in thy threshing hand.
St.
Andre's feet ne'er kept more equal time, Not ev'n the feet of thy own Psyche's rhyme: Though they in number as in sense excel; So just, so like tautology they fell, That, pale with envy, Singleton forswore The lute and sword which he in triumph bore And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade, That for anointed dullness he was made.
Close to the walls which fair Augusta bind, (The fair Augusta much to fears inclin'd) An ancient fabric, rais'd t'inform the sight, There stood of yore, and Barbican it hight: A watch tower once; but now, so fate ordains, Of all the pile an empty name remains.
From its old ruins brothel-houses rise, Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep, And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head, Where queens are form'd, and future heroes bred; Where unfledg'd actors learn to laugh and cry, Where infant punks their tender voices try, And little Maximins the gods defy.
Great Fletcher never treads in buskins here, Nor greater Jonson dares in socks appear; But gentle Simkin just reception finds Amidst this monument of vanish'd minds: Pure clinches, the suburbian muse affords; And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known, Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since, That in this pile should reign a mighty prince, Born for a scourge of wit, and flail of sense: To whom true dullness should some Psyches owe, But worlds of Misers from his pen should flow; Humorists and hypocrites it should produce, Whole Raymond families, and tribes of Bruce.
Now Empress Fame had publisht the renown, Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet, From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way, But scatter'd limbs of mangled poets lay: From dusty shops neglected authors come, Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay, But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd, And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd, High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace, And lambent dullness play'd around his face.
As Hannibal did to the altars come, Sworn by his sire a mortal foe to Rome; So Shadwell swore, nor should his vow be vain, That he till death true dullness would maintain; And in his father's right, and realm's defence, Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made, As king by office, and as priest by trade: In his sinister hand, instead of ball, He plac'd a mighty mug of potent ale; Love's kingdom to his right he did convey, At once his sceptre and his rule of sway; Whose righteous lore the prince had practis'd young, And from whose loins recorded Psyche sprung, His temples last with poppies were o'er spread, That nodding seem'd to consecrate his head: Just at that point of time, if fame not lie, On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook, Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make, And omens of his future empire take.
The sire then shook the honours of his head, And from his brows damps of oblivion shed Full on the filial dullness: long he stood, Repelling from his breast the raging god; At length burst out in this prophetic mood: Heavens bless my son, from Ireland let him reign To far Barbadoes on the Western main; Of his dominion may no end be known, And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen; He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance Still in new impudence, new ignorance.
Success let other teach, learn thou from me Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ; Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage, Make Dorimant betray, and Loveit rage; Let Cully, Cockwood, Fopling, charm the pit, And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence, And justify their author's want of sense.
Let 'em be all by thy own model made Of dullness, and desire no foreign aid: That they to future ages may be known, Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same, All full of thee, and differing but in name; But let no alien Sedley interpose To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull, Trust Nature, do not labour to be dull; But write thy best, and top; and in each line, Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill, And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame, By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise, And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part; What share have we in Nature or in Art? Where did his wit on learning fix a brand, And rail at arts he did not understand? Where made he love in Prince Nicander's vein, Or swept the dust in Psyche's humble strain? Where sold he bargains, whip-stitch, kiss my ****, Promis'd a play and dwindled to a farce? When did his muse from Fletcher scenes purloin, As thou whole Eth'ridge dost transfuse to thine? But so transfus'd as oil on waters flow, His always floats above, thine sinks below.
This is thy province, this thy wondrous way, New humours to invent for each new play: This is that boasted bias of thy mind, By which one way, to dullness, 'tis inclin'd, Which makes thy writings lean on one side still, And in all changes that way bends thy will.
Nor let thy mountain belly make pretence Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ, But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep, Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write, Thy inoffensive satires never bite.
In thy felonious heart, though venom lies, It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame In keen iambics, but mild anagram: Leave writing plays, and choose for thy command Some peaceful province in acrostic land.
There thou may'st wings display and altars raise, And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit, Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard, For Bruce and Longvil had a trap prepar'd, And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind, Born upwards by a subterranean wind.
The mantle fell to the young prophet's part, With double portion of his father's art.
Written by Henry Van Dyke | Create an image from this poem

The Vain King

 In robes of Tyrian blue the King was drest,
A jewelled collar shone upon his breast,
A giant ruby glittered in his crown -----
Lord of rich lands and many a splendid town.
In him the glories of an ancient line Of sober kings, who ruled by right divine, Were centred; and to him with loyal awe The people looked for leadership and law.
Ten thousand knights, the safeguard of the land, Lay like a single sword within his hand; A hundred courts, with power of life and death, Proclaimed decrees justice by his breath; And all the sacred growths that men had known Of order and of rule upheld his throne.
Proud was the King: yet not with such a heart As fits a man to play a royal part.
Not his the pride that honours as a trust The right to rule, the duty to be just: Not his the dignity that bends to bear The monarch's yoke, the master's load of care, And labours like the peasant at his gate, To serve the people and protect the State.
Another pride was his, and other joys: To him the crown and sceptre were but toys, With which he played at glory's idle game, To please himself and win the wreaths of fame.
The throne his fathers held from age to age Built for King Martin to diplay at will, His mighty strength and universal skill.
No conscious child, that, spoiled with praising, tries At every step to win admiring eyes, ---- No favourite mountebank, whose acting draws From gaping crowds loud thunder of applause, Was vainer than the King: his only thirst Was to be hailed, in every race, the first.
When tournament was held, in knightly guise The King would ride the lists and win the prize; When music charmed the court, with golden lyre The King would take the stage and lead the choir; In hunting, his the lance to slay the boar; In hawking, see his falcon highest soar; In painting, he would wield the master's brush; In high debate, -----"the King is speaking! Hush!" Thus, with a restless heart, in every field He sought renown, and found his subjects yield As if he were a demi-god revealed.
But while he played the petty games of life His kingdom fell a prey to inward strife; Corruption through the court unheeded crept, And on the seat of honour justice slept.
The strong trod down the weak; the helpless poor Groaned under burdens grievous to endure.
The nation's wealth was spent in vain display, And weakness wore the nation's heart away.
Yet think not Earth is blind to human woes --- Man has more friends and helpers than he knows; And when a patient people are oppressed, The land that bore them feels it in her breast.
Spirits of field and flood, of heath and hill, Are grieved and angry at the spreading ill; The trees complain together in the night, Voices of wrath are heard along the height, And secret vows are sworn, by stream and strand, To bring the tyrant low and liberate the land.
But little recked the pampered King of these; He heard no voice but such as praise and please.
Flattered and fooled, victor in every sport, One day he wandered idly with his court Beside the river, seeking to devise New ways to show his skill to wondering eyes.
There in the stream a patient fisher stood, And cast his line across the rippling flood.
His silver spoil lay near him on the green: "Such fish," the courtiers cried, "were never seen!" "Three salmon larger than a cloth-yard shaft--- "This man must be the master of his craft!" "An easy art!" the jealous King replied: "Myself could learn it better, if I tried, "And catch a hundred larger fish a week--- "Wilt thou accept the challenge, fellow? Speak!" The fisher turned, came near, and bent his knee: "'Tis not for kings to strive with such as me; "Yet if the King commands it, I obey.
"But one condition of the strife I pray: "The fisherman who brings the least to land "Shall do whate'er the other may command.
" Loud laughed the King: "A foolish fisher thou! "For I shall win and rule thee then as now.
" So to Prince John, a sober soul, sedate And slow, King Martin left the helm of state, While to the novel game with eager zest He all his time and all his powers addrest.
Sure such a sight was never seen before! For robed and crowned the monarch trod the shore; His golden hooks were decked with feathers fine, His jewelled reel ran out a silken line.
With kingly strokes he flogged the crystal stream, Far-off the salmon saw his tackle gleam; Careless of kings, they eyed with calm disdain The gaudy lure, and Martin fished in vain.
On Friday, when the week was almost spent, He scanned his empty creel with discontent, Called for a net, and cast it far and wide, And drew --- a thousand minnows from the tide! Then came the fisher to conclude the match, And at the monarch's feet spread out his catch --- A hundred salmon, greater than before --- "I win!" he cried: "the King must pay the score.
" Then Martin, angry, threw his tackle down: "Rather than lose this game I'd lose me crown!" "Nay, thou has lost them both," the fisher said; And as he spoke a wondrous light was shed Around his form; he dropped his garments mean, And in his place the River-god was seen.
"Thy vanity hast brought thee in my power, "And thou shalt pay the forfeit at this hour: "For thou hast shown thyself a royal fool, "Too proud to angle, and too vain to rule.
"Eager to win in every trivial strife, --- "Go! Thou shalt fish for minnows all thy life!" Wrathful, the King the scornful sentence heard; He strove to answer, but he only chirr-r-ed: His Tyrian robe was changed to wings of blue, His crown became a crest, --- away he flew! And still, along the reaches of the stream, The vain King-fisher flits, an azure gleam, --- You see his ruby crest, you hear his jealous scream.


Written by Anne Sexton | Create an image from this poem

The Ballad Of The Lonely Masturbator

 The end of the affair is always death.
She's my workshop.
Slippery eye, out of the tribe of myself my breath finds you gone.
I horrify those who stand by.
I am fed.
At night, alone, I marry the bed.
Finger to finger, now she's mine.
She's not too far.
She's my encounter.
I beat her like a bell.
I recline in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.
Take for instance this night, my love, that every single couple puts together with a joint overturning, beneath, above, the abundant two on sponge and feather, kneeling and pushing, head to head.
At night, alone, I marry the bed.
I break out of my body this way, an annoying miracle.
Could I put the dream market on display? I am spread out.
I crucify.
My little plum is what you said.
At night, alone, I marry the bed.
Then my black-eyed rival came.
The lady of water, rising on the beach, a piano at her fingertips, shame on her lips and a flute's speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.
She took you the way a women takes a bargain dress off the rack and I broke the way a stone breaks.
I give back your books and fishing tack.
Today's paper says that you are wed.
At night, alone, I marry the bed.
The boys and girls are one tonight.
They unbutton blouses.
They unzip flies.
They take off shoes.
They turn off the light.
The glimmering creatures are full of lies.
They are eating each other.
They are overfed.
At night, alone, I marry the bed.
Written by Phillis Wheatley | Create an image from this poem

An Hymn to the Morning

Attend my lays, ye ever honour'd nine,
Assist my labours, and my strains refine;
In smoothest numbers pour the notes along,
For bright Aurora now demands my song.
Aurora hail, and all the thousand dies, Which deck thy progress through the vaulted skies: The morn awakes, and wide extends her rays, On ev'ry leaf the gentle zephyr plays; Harmonious lays the feather'd race resume, Dart the bright eye, and shake the painted plume.
Ye shady groves, your verdant gloom display To shield your poet from the burning day: Calliope awake the sacred lyre, While thy fair sisters fan the pleasing fire: The bow'rs, the gales, the variegated skies In all their pleasures in my bosom rise.
See in the east th' illustrious king of day! His rising radiance drives the shades away-- But Oh! I feel his fervid beams too strong, And scarce begun, concludes th' abortive song.
Written by Anne Bronte | Create an image from this poem

A Prisoner in a Dungeon Deep

 A prisoner in a dungeon deep
Sat musing silently;
His head was rested on his hand,
His elbow on his knee.
Turned he his thoughts to future times Or are they backward cast? For freedom is he pining now Or mourning for the past? No, he has lived so long enthralled Alone in dungeon gloom That he has lost regret and hope, Has ceased to mourn his doom.
He pines not for the light of day Nor sighs for freedom now; Such weary thoughts have ceased at length To rack his burning brow.
Lost in a maze of wandering thoughts He sits unmoving there; That posture and that look proclaim The stupor of despair.
Yet not for ever did that mood Of sullen calm prevail; There was a something in his eye That told another tale.
It did not speak of reason gone, It was not madness quite; It was a fitful flickering fire, A strange uncertain light.
And sooth to say, these latter years Strange fancies now and then Had filled his cell with scenes of life And forms of living men.
A mind that cannot cease to think Why needs he cherish there? Torpor may bring relief to pain And madness to despair.
Such wildering scenes, such flitting shapes As feverish dreams display: What if those fancies still increase And reason quite decay? But hark, what sounds have struck his ear; Voices of men they seem; And two have entered now his cell; Can this too be a dream? 'Orlando, hear our joyful news: Revenge and liberty! Your foes are dead, and we are come At last to set you free.
' So spoke the elder of the two, And in the captive's eyes He looked for gleaming ecstasy But only found surprise.
'My foes are dead! It must be then That all mankind are gone.
For they were all my deadly foes And friends I had not one.
'
Written by Mark Doty | Create an image from this poem

A Display Of Mackeral

 They lie in parallel rows,
on ice, head to tail, 
each a foot of luminosity 
barred with black bands,
which divide the scales'
radiant sections 

like seams of lead
in a Tiffany window.
Iridescent, watery prismatics: think abalone, the wildly rainbowed mirror of a soap-bubble sphere, think sun on gasoline.
Splendor, and splendor, and not a one in any way distinguished from the other --nothing about them of individuality.
Instead they're all exact expressions of the one soul, each a perfect fulfillment of heaven's template, mackerel essence.
As if, after a lifetime arriving at this enameling, the jeweler's made uncountable examples each as intricate in its oily fabulation as the one before; a cosmos of champleve.
Suppose we could iridesce, like these, and lose ourselves entirely in the universe of shimmer--would you want to be yourself only, unduplicatable, doomed to be lost? They'd prefer, plainly, to be flashing participants, multitudinous.
Even on ice they seem to be bolting forward, heedless of stasis.
They don't care they're dead and nearly frozen, just as, presumably, they didn't care that they were living: all, all for all, the rainbowed school and its acres of brilliant classrooms, in which no verb is singular, or every one is.
How happy they seem, even on ice, to be together, selfless, which is the price of gleaming.
Written by Robert Burns | Create an image from this poem

83. The Cotter's Saturday Night

 MY lov’d, my honour’d, much respected friend!
 No mercenary bard his homage pays;
With honest pride, I scorn each selfish end,
 My dearest meed, a friend’s esteem and praise:
 To you I sing, in simple Scottish lays,
The lowly train in life’s sequester’d scene,
 The native feelings strong, the guileless ways,
What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there I ween!


November chill blaws loud wi’ angry sugh;
 The short’ning winter-day is near a close;
The miry beasts retreating frae the pleugh;
 The black’ning trains o’ craws to their repose:
 The toil-worn Cotter frae his labour goes,—
This night his weekly moil is at an end,
 Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.
At length his lonely cot appears in view, Beneath the shelter of an aged tree; Th’ expectant wee-things, toddlin, stacher through To meet their dead, wi’ flichterin noise and glee.
His wee bit ingle, blinkin bonilie, His clean hearth-stane, his thrifty wifie’s smile, The lisping infant, prattling on his knee, Does a’ his weary kiaugh and care beguile, And makes him quite forget his labour and his toil.
Belyve, the elder bairns come drapping in, At service out, amang the farmers roun’; Some ca’ the pleugh, some herd, some tentie rin A cannie errand to a neibor town: Their eldest hope, their Jenny, woman-grown, In youthfu’ bloom-love sparkling in her e’e— Comes hame, perhaps to shew a braw new gown, Or deposite her sair-won penny-fee, To help her parents dear, if they in hardship be.
With joy unfeign’d, brothers and sisters meet, And each for other’s weelfare kindly speirs: The social hours, swift-wing’d, unnotic’d fleet: Each tells the uncos that he sees or hears.
The parents, partial, eye their hopeful years; Anticipation forward points the view; The mother, wi’ her needle and her shears, Gars auld claes look amaist as weel’s the new; The father mixes a’ wi’ admonition due.
Their master’s and their mistress’ command, The younkers a’ are warned to obey; And mind their labours wi’ an eydent hand, And ne’er, tho’ out o’ sight, to jauk or play; “And O! be sure to fear the Lord alway, And mind your duty, duly, morn and night; Lest in temptation’s path ye gang astray, Implore His counsel and assisting might: They never sought in vain that sought the Lord aright.
” But hark! a rap comes gently to the door; Jenny, wha kens the meaning o’ the same, Tells how a neibor lad came o’er the moor, To do some errands, and convoy her hame.
The wily mother sees the conscious flame Sparkle in Jenny’s e’e, and flush her cheek; With heart-struck anxious care, enquires his name, While Jenny hafflins is afraid to speak; Weel-pleased the mother hears, it’s nae wild, worthless rake.
Wi’ kindly welcome, Jenny brings him ben; A strappin youth, he takes the mother’s eye; Blythe Jenny sees the visit’s no ill ta’en; The father cracks of horses, pleughs, and kye.
The youngster’s artless heart o’erflows wi’ joy, But blate an’ laithfu’, scarce can weel behave; The mother, wi’ a woman’s wiles, can spy What makes the youth sae bashfu’ and sae grave, Weel-pleas’d to think her bairn’s respected like the lave.
O happy love! where love like this is found: O heart-felt raptures! bliss beyond compare! I’ve paced much this weary, mortal round, And sage experience bids me this declare,— “If Heaven a draught of heavenly pleasure spare— One cordial in this melancholy vale, ’Tis when a youthful, loving, modest pair In other’sarms, breathe out the tender tale, Beneath the milk-white thorn that scents the evening gale.
” Is there, in human form, that bears a heart, A wretch! a villain! lost to love and truth! That can, with studied, sly, ensnaring art, Betray sweet Jenny’s unsuspecting youth? Curse on his perjur’d arts! dissembling smooth! Are honour, virtue, conscience, all exil’d? Is there no pity, no relenting ruth, Points to the parents fondling o’er their child? Then paints the ruin’d maid, and their distraction wild? But now the supper crowns their simple board, The halesome parritch, chief of Scotia’s food; The sowp their only hawkie does afford, That, ’yont the hallan snugly chows her cood: The dame brings forth, in complimental mood, To grace the lad, her weel-hain’d kebbuck, fell; And aft he’s prest, and aft he ca’s it guid: The frugal wifie, garrulous, will tell How t’was a towmond auld, sin’ lint was i’ the bell.
The cheerfu’ supper done, wi’ serious face, They, round the ingle, form a circle wide; The sire turns o’er, with patriarchal grace, The big ha’bible, ance his father’s pride: His bonnet rev’rently is laid aside, His lyart haffets wearing thin and bare; Those strains that once did sweet in Zion glide, He wales a portion with judicious care; And “Let us worship God!” he says with solemn air.
They chant their artless notes in simple guise, They tune their hearts, by far the noblest aim; Perhaps Dundee’s wild-warbling measures rise; Or plaintive Martyrs, worthy of the name; Or noble Elgin beets the heaven-ward flame; The sweetest far of Scotia’s holy lays: Compar’d with these, Italian trills are tame; The tickl’d ears no heart-felt raptures raise; Nae unison hae they with our Creator’s praise.
The priest-like father reads the sacred page, How Abram was the friend of God on high; Or Moses bade eternal warfare wage With Amalek’s ungracious progeny; Or how the royal bard did groaning lie Beneath the stroke of Heaven’s avenging ire; Or Job’s pathetic plaint, and wailing cry; Or rapt Isaiah’s wild, seraphic fire; Or other holy seers that tune the sacred lyre.
Perhaps the Christian volume is the theme, How guiltless blood for guilty man was shed; How He, who bore in Heaven the second name, Had not on earth whereon to lay His head: How His first followers and servants sped; The precepts sage they wrote to many a land: How he, who lone in Patmos banished, Saw in the sun a mighty angel stand, And heard great Bab’lon’s doom pronounc’d by Heaven’s command.
Then, kneeling down to Heaven’s Eternal King, The saint, the father, and the husband prays: Hope “springs exulting on triumphant wing,” 1 That thus they all shall meet in future days, There, ever bask in uncreated rays, No more to sigh, or shed the bitter tear, Together hymning their Creator’s praise, In such society, yet still more dear; While circling Time moves round in an eternal sphere Compar’d with this, how poor Religion’s pride, In all the pomp of method, and of art; When men display to congregations wide Devotion’s ev’ry grace, except the heart! The Power, incens’d, the pageant will desert, The pompous strain, the sacerdotal stole; But haply, in some cottage far apart, May hear, well-pleas’d, the language of the soul; And in His Book of Life the inmates poor enroll.
Then homeward all take off their sev’ral way; The youngling cottagers retire to rest: The parent-pair their secret homage pay, And proffer up to Heaven the warm request, That he who stills the raven’s clam’rous nest, And decks the lily fair in flow’ry pride, Would, in the way His wisdom sees the best, For them and for their little ones provide; But chiefly, in their hearts with grace divine preside.
From scenes like these, old Scotia’s grandeur springs, That makes her lov’d at home, rever’d abroad: Princes and lords are but the breath of kings, “An honest man’s the noblest work of God;” And certes, in fair virtue’s heavenly road, The cottage leaves the palace far behind; What is a lordling’s pomp? a cumbrous load, Disguising oft the wretch of human kind, Studied in arts of hell, in wickedness refin’d! O Scotia! my dear, my native soil! For whom my warmest wish to Heaven is sent, Long may thy hardy sons of rustic toil Be blest with health, and peace, and sweet content! And O! may Heaven their simple lives prevent From luxury’s contagion, weak and vile! Then howe’er crowns and coronets be rent, A virtuous populace may rise the while, And stand a wall of fire around their much-lov’d isle.
O Thou! who pour’d the patriotic tide, That stream’d thro’ Wallace’s undaunted heart, Who dar’d to nobly stem tyrannic pride, Or nobly die, the second glorious part: (The patriot’s God peculiarly thou art, His friend, inspirer, guardian, and reward!) O never, never Scotia’s realm desert; But still the patriot, and the patriot-bard In bright succession raise, her ornament and guard! Note 1.
Pope’s “Windsor Forest.
”—R.
B.
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Book: Reflection on the Important Things