Best Famous Day Of The Week Poems

Here is a collection of the all-time best famous Day Of The Week poems. This is a select list of the best famous Day Of The Week poetry. Reading, writing, and enjoying famous Day Of The Week poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of day of the week poems.

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Written by Robert Graves | Create an image from this poem

Welsh Incident

 'But that was nothing to what things came out
From the sea-caves of Criccieth yonder.'
'What were they? Mermaids? dragons? ghosts?'
'Nothing at all of any things like that.'
'What were they, then?'
 'All sorts of ***** things,
Things never seen or heard or written about,
Very strange, un-Welsh, utterly peculiar
Things. Oh, solid enough they seemed to touch,
Had anyone dared it. Marvellous creation,
All various shapes and sizes, and no sizes,
All new, each perfectly unlike his neighbour,
Though all came moving slowly out together.'
'Describe just one of them.'
 'I am unable.'
'What were their colours?'
 'Mostly nameless colours,
Colours you'd like to see; but one was puce
Or perhaps more like crimson, but not purplish.
Some had no colour.'
 'Tell me, had they legs?'
'Not a leg or foot among them that I saw.'
'But did these things come out in any order?'
What o'clock was it? What was the day of the week?
Who else was present? How was the weather?'
'I was coming to that. It was half-past three
On Easter Tuesday last. The sun was shining.
The Harlech Silver Band played Marchog Jesu
On thrity-seven shimmering instruments
Collecting for Caernarvon's (Fever) Hospital Fund.
The populations of Pwllheli, Criccieth,
Portmadoc, Borth, Tremadoc, Penrhyndeudraeth,
Were all assembled. Criccieth's mayor addressed them
First in good Welsh and then in fluent English,
Twisting his fingers in his chain of office,
Welcoming the things. They came out on the sand,
Not keeping time to the band, moving seaward
Silently at a snail's pace. But at last
The most odd, indescribable thing of all
Which hardly one man there could see for wonder
Did something recognizably a something.'
'Well, what?'
 'It made a noise.'
 'A frightening noise?'
'No, no.'
 'A musical noise? A noise of scuffling?'
'No, but a very loud, respectable noise ---
Like groaning to oneself on Sunday morning
In Chapel, close before the second psalm.'
'What did the mayor do?'
 'I was coming to that.'

Written by William Vaughn Moody | Create an image from this poem

The Daguerreotype

 This, then, is she, 
My mother as she looked at seventeen, 
When she first met my father. Young incredibly, 
Younger than spring, without the faintest trace 
Of disappointment, weariness, or tean 
Upon the childlike earnestness and grace 
Of the waiting face. 
Those close-wound ropes of pearl 
(Or common beads made precious by their use) 
Seem heavy for so slight a throat to wear; 
But the low bodice leaves the shoulders bare 
And half the glad swell of the breast, for news 
That now the woman stirs within the girl. 
And yet, 
Even so, the loops and globes 
Of beaten gold 
And jet 
Hung, in the stately way of old, 
From the ears' drooping lobes 
On festivals and Lord's-day of the week, 
Show all too matron-sober for the cheek, -- 
Which, now I look again, is perfect child, 
Or no -- or no -- 't is girlhood's very self, 
Moulded by some deep, mischief-ridden elf 
So meek, so maiden mild, 
But startling the close gazer with the sense 
Of passions forest-shy and forest-wild, 
And delicate delirious merriments. 

As a moth beats sidewise 
And up and over, and tries 
To skirt the irresistible lure 
Of the flame that has him sure, 
My spirit, that is none too strong to-day, 
Flutters and makes delay, -- 
Pausing to wonder on the perfect lips, 
Lifting to muse upon the low-drawn hair 
And each hid radiance there, 
But powerless to stem the tide-race bright, 
The vehement peace which drifts it toward the light 
Where soon -- ah, now, with cries 
Of grief and giving-up unto its gain 
It shrinks no longer nor denies, 
But dips 
Hurriedly home to the exquisite heart of pain, -- 
And all is well, for I have seen them plain, 
The unforgettable, the unforgotten eyes! 
Across the blinding gush of these good tears 
They shine as in the sweet and heavy years 
When by her bed and chair 
We children gathered jealously to share 
The sunlit aura breathing myrrh and thyme, 
Where the sore-stricken body made a clime 
Gentler than May and pleasanter than rhyme, 
Holier and more mystical than prayer. 

God, how thy ways are strange! 
That this should be, even this, 
The patient head 
Which suffered years ago the dreary change! 
That these so dewy lips should be the same 
As those I stooped to kiss 
And heard my harrowing half-spoken name, 
A little ere the one who bowed above her, 
Our father and her very constant lover, 
Rose stoical, and we knew that she was dead. 
Then I, who could not understand or share 
His antique nobleness, 
Being unapt to bear 
The insults which time flings us for our proof, 
Fled from the horrible roof 
Into the alien sunshine merciless, 
The shrill satiric fields ghastly with day, 
Raging to front God in his pride of sway 
And hurl across the lifted swords of fate 
That ringed Him where He sat 
My puny gage of scorn and desolate hate 
Which somehow should undo Him, after all! 
That this girl face, expectant, virginal, 
Which gazes out at me 
Boon as a sweetheart, as if nothing loth 
(Save for the eyes, with other presage stored) 
To pledge me troth, 
And in the kingdom where the heart is lord 
Take sail on the terrible gladness of the deep 
Whose winds the gray Norns keep, -- 
That this should be indeed 
The flesh which caught my soul, a flying seed, 
Out of the to and fro 
Of scattering hands where the seedsman Mage, 
Stooping from star to star and age to age 
Sings as he sows! 
That underneath this breast 
Nine moons I fed 
Deep of divine unrest, 
While over and over in the dark she said, 
"Blessed! but not as happier children blessed" -- 
That this should be 
Even she . . . 
God, how with time and change 
Thou makest thy footsteps strange! 
Ah, now I know 
They play upon me, and it is not so. 
Why, 't is a girl I never saw before, 
A little thing to flatter and make weep, 
To tease until her heart is sore, 
Then kiss and clear the score; 
A gypsy run-the-fields, 
A little liberal daughter of the earth, 
Good for what hour of truancy and mirth 
The careless season yields 
Hither-side the flood of the year and yonder of the neap; 
Then thank you, thanks again, and twenty light good-byes. -- 
O shrined above the skies, 
Frown not, clear brow, 
Darken not, holy eyes! 
Thou knowest well I know that it is thou 
Only to save me from such memories 
As would unman me quite, 
Here in this web of strangeness caught 
And prey to troubled thought 
Do I devise 
These foolish shifts and slight; 
Only to shield me from the afflicting sense 
Of some waste influence 
Which from this morning face and lustrous hair 
Breathes on me sudden ruin and despair. 
In any other guise, 
With any but this girlish depth of gaze, 
Your coming had not so unsealed and poured 
The dusty amphoras where I had stored 
The drippings of the winepress of my days. 
I think these eyes foresee, 
Now in their unawakened virgin time, 
Their mother's pride in me, 
And dream even now, unconsciously, 
Upon each soaring peak and sky-hung lea 
You pictured I should climb. 
Broken premonitions come, 
Shapes, gestures visionary, 
Not as once to maiden Mary 
The manifest angel with fresh lilies came 
Intelligibly calling her by name; 
But vanishingly, dumb, 
Thwarted and bright and wild, 
As heralding a sin-defiled, 
Earth-encumbered, blood-begotten, passionate man-child, 
Who yet should be a trump of mighty call 
Blown in the gates of evil kings 
To make them fall; 
Who yet should be a sword of flame before 
The soul's inviolate door 
To beat away the clang of hellish wings; 
Who yet should be a lyre 
Of high unquenchable desire 
In the day of little things. -- 
Look, where the amphoras, 
The yield of many days, 
Trod by my hot soul from the pulp of self, 
And set upon the shelf 
In sullen pride 
The Vineyard-master's tasting to abide -- 
O mother mine! 
Are these the bringings-in, the doings fine, 
Of him you used to praise? 
Emptied and overthrown 
The jars lie strown. 
These, for their flavor duly nursed, 
Drip from the stopples vinegar accursed; 
These, I thought honied to the very seal, 
Dry, dry, -- a little acid meal, 
A pinch of mouldy dust, 
Sole leavings of the amber-mantling must; 
These, rude to look upon, 
But flasking up the liquor dearest won, 
Through sacred hours and hard, 
With watching and with wrestlings and with grief, 
Even of these, of these in chief, 
The stale breath sickens reeking from the shard. 
Nothing is left. Aye, how much less than naught! 
What shall be said or thought 
Of the slack hours and waste imaginings, 
The cynic rending of the wings, 
Known to that froward, that unreckoning heart 
Whereof this brewage was the precious part, 
Treasured and set away with furtive boast? 
O dear and cruel ghost, 
Be merciful, be just! 
See, I was yours and I am in the dust. 
Then look not so, as if all things were well! 
Take your eyes from me, leave me to my shame, 
Or else, if gaze they must, 
Steel them with judgment, darken them with blame; 
But by the ways of light ineffable 
You bade me go and I have faltered from, 
By the low waters moaning out of hell 
Whereto my feet have come, 
Lay not on me these intolerable 
Looks of rejoicing love, of pride, of happy trust! 

Nothing dismayed? 
By all I say and all I hint not made 
Afraid? 
O then, stay by me! Let 
These eyes afflict me, cleanse me, keep me yet, 
Brave eyes and true! 
See how the shrivelled heart, that long has lain 
Dead to delight and pain, 
Stirs, and begins again 
To utter pleasant life, as if it knew 
The wintry days were through; 
As if in its awakening boughs it heard 
The quick, sweet-spoken bird. 
Strong eyes and brave, 
Inexorable to save!
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