Written by
Thomas Hood |
No sun - no moon!
No morn - no noon -
No dawn - no dusk - no proper time of day.
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member -
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds! -
November!
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Written by
Charles Webb |
"Don't overdo it," Dad yelled, watching me
Play shortstop, collect stamps and shells,
Roll on the grass laughing until I peed my pants.
"Screw him," I said, and grabbed every cowry
I could find, hogged all the books I could
From Heights Library, wore out the baseball
Diamond dawn to dusk, and—parents in Duluth—
Gorged on bountiful Candy dusk to dawn.
Not until a Committee wrote of my poems,
"Enthusiasm should be tempered,"
Did I change my song. I write now
The way I live: calm and sober, steering
Toward the Golden Mean. The Committee
Was right to withhold funds. I'd have bought
A hundred box turtles with lemon-speckled shells,
Flyfished for rainbows six months straight,
Flown to the Great Barrier Reef and dived
Non-stop among pink coral and marble cones,
Living on chocolate malts, peaches, and barbecue.
I'd have turned into a ski bum, married
Ten women in ten states, written nothing
Poetry would glance at twice, instead
Of rising at 5:00 as I do now, writing
'Til noon about matters serious and deep,
Teaching 'til 6:00, eating a low-fat meal
High in fiber and cruciferous vegetables,
Then bed by 9:00, alarm clock set
Five minutes late: my one indulgence of the day.
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Written by
Li Po |
Far up river in Szechuan,
waters rise as spring winds roar.
How can I dare to meet her now,
to brave the dangerous gorge?
The grass grows green in the valley below
where silk worms silently spin.
Her hands work threads that never end,
dawn to dusk when the cuckoo sings.
|
Written by
Thomas Hood |
No sun--no moon!
No morn--no noon!
No dawn--no dusk--no proper time of day--
No sky--no earthly view--
No distance looking blue--
No road--no street--no "t'other side this way"--
No end to any Row--
No indications where the Crescents go--
No top to any steeple--
No recognitions of familiar people--
No courtesies for showing 'em--
No knowing 'em!
No traveling at all--no locomotion--
No inkling of the way--no notion--
"No go" by land or ocean--
No mail--no post--
No news from any foreign coast--
No Park, no Ring, no afternoon gentility--
No company--no nobility--
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member--
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds--
November!
|
Written by
John Masefield |
FRIENDS and loves we have none, nor wealth nor blessed abode,
But the hope of the City of God at the other end of the road.
Not for us are content, and quiet, and peace of mind,
For we go seeking a city that we shall never find.
There is no solace on earth for us--for such as we--
Who search for a hidden city that we shall never see.
Only the road and the dawn, the sun, the wind, and the rain,
And the watch fire under stars, and sleep, and the road again.
We seek the City of God, and the haunt where beauty dwells,
And we find the noisy mart and the sound of burial bells.
Never the golden city, where radiant people meet,
But the dolorous town where mourners are going about the street.
We travel the dusty road till the light of the day is dim,
And sunset shows us spires away on the world's rim.
We travel from dawn to dusk, till the day is past and by,
Seeking the Holy City beyond the rim of the sky.
Friends and loves we have none, nor wealth nor blest abode,
But the hope of the City of God at the other end of the road.
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Written by
James Tate |
My felisberto is handsomer than your mergotroid,
although, admittedly, your mergotroid may be the wiser of the two.
Whereas your mergotroid never winces or quails,
my felisberto is a titan of inconsistencies.
For a night of wit and danger and temptation
my felisberto would be the obvious choice.
However, at dawn or dusk when serenity is desired
your mergotroid cannot be ignored.
Merely to sit near it in the garden
and watch the fabrications of the world swirl by,
the deep-sea's bathymetry wash your eyes,
not to mention the little fawns of the forest
and their flip-floppy gymnastics, ah, for this
and so much more your mergotroid is infinitely preferable.
But there is a place for darkness and obscurity
without which life can sometimes seem too much,
too frivolous and too profound simultaneously,
and that is when my felisberto is needed,
is longed for and loved, and then the sun can rise again.
The bee and the hummingbird drink of the world,
and your mergotroid elaborates the silent concert
that is always and always about to begin.
|
Written by
Edward Taylor |
My felisberto is handsomer than your mergotroid,
although, admittedly, your mergotroid may be the wiser of the two.
Whereas your mergotroid never winces or quails,
my felisberto is a titan of inconsistencies.
For a night of wit and danger and temptation
my felisberto would be the obvious choice.
However, at dawn or dusk when serenity is desired
your mergotroid cannot be ignored.
Merely to sit near it in the garden
and watch the fabrications of the world swirl by,
the deep-sea's bathymetry wash your eyes,
not to mention the little fawns of the forest
and their flip-floppy gymnastics, ah, for this
and so much more your mergotroid is infinitely preferable.
But there is a place for darkness and obscurity
without which life can sometimes seem too much,
too frivolous and too profound simultaneously,
and that is when my felisberto is needed,
is longed for and loved, and then the sun can rise again.
The bee and the hummingbird drink of the world,
and your mergotroid elaborates the silent concert
that is always and always about to begin.
|
Written by
Rudyard Kipling |
The King has called for priest and cup,
The King has taken spur and blade
To dub True Thomas a belted knight,
And all for the sake o' the songs he made.
They have sought him high, they have sought him low,
They have sought him over down and lea;
They have found him by the milk-white thorn
That guards the gates o' Faerie.
'Twas bent beneath and blue above,
Their eyes were held that they might not see
The kine that grazed beneath the knowes,
Oh, they were the Queens o' Faerie!
"Now cease your song," the King he said,
"Oh, cease your song and get you dight
To vow your vow and watch your arms,
For I will dub you a belted knight.
"For I will give you a horse o' pride,
Wi' blazon and spur and page and squire;
Wi' keep and tail and seizin and law,
And land to hold at your desire."
True Thomas smiled above his harp,
And turned his face to the naked sky,
Where, blown before the wastrel wind,
The thistle-down she floated by.
"I ha' vowed my vow in another place,
And bitter oath it was on me,
I ha' watched my arms the lee-long night,
Where five-score fighting men would flee.
"My lance is tipped o' the hammered flame,
My shield is beat o' the moonlight cold;
And I won my spurs in the Middle World,
A thousand fathom beneath the mould.
"And what should I make wi' a horse o' pride,
And what should I make wi' a sword so brown,
But spill the rings o' the Gentle Folk
And flyte my kin in the Fairy Town?
"And what should I make wi' blazon and belt,
Wi' keep and tail and seizin and fee,
And what should I do wi' page and squire
That am a king in my own countrie?
"For I send east and I send west,
And I send far as my will may flee,
By dawn and dusk and the drinking rain,
And syne my Sendings return to me.
"They come wi' news of the groanin' earth,
They come wi' news o' the roarin' sea,
Wi' word of Spirit and Ghost and Flesh,
And man, that's mazed among the three."
The King he bit his nether lip,
And smote his hand upon his knee:
"By the faith o' my soul, True Thomas," he said,
"Ye waste no wit in courtesie!
"As I desire, unto my pride,
Can I make Earls by three and three,
To run before and ride behind
And serve the sons o' my body."
"And what care I for your row-foot earls,
Or all the sons o' your body?
Before they win to the Pride o' Name,
I trow they all ask leave o' me.
"For I make Honour wi' muckle mouth,
As I make Shame wi' mincin' feet,
To sing wi' the priests at the market-cross,
Or run wi' the dogs in the naked street.
"And some they give me the good red gold,
And some they give me the white money,
And some they give me a clout o' meal,
For they be people o' low degree.
"And the song I sing for the counted gold
The same I sing for the white money,
But best I sing for the clout o' meal
That simple people given me."
The King cast down a silver groat,
A silver groat o' Scots money,
"If I come wi' a poor man's dole," he said,
"True Thomas, will ye harp to me?"
"Whenas I harp to the children small,
They press me close on either hand.
And who are you," True Thomas said,
"That you should ride while they must stand?
"Light down, light down from your horse o' pride,
I trow ye talk too loud and hie,
And I will make you a triple word,
And syne, if ye dare, ye shall 'noble me."
He has lighted down from his horse o' pride,
And set his back against the stone.
"Now guard you well," True Thomas said,
"Ere I rax your heart from your breast-bone!"
True Thomas played upon his harp,
The fairy harp that couldna lee,
And the first least word the proud King heard,
It harpit the salt tear out o' his ee.
"Oh, I see the love that I lost long syne,
I touch the hope that I may not see,
And all that I did o' hidden shame,
Like little snakes they hiss at me.
"The sun is lost at noon -- at noon!
The dread o' doom has grippit me.
True Thomas, hide me under your cloak,
God wot, I'm little fit to dee!"
'Twas bent beneath and blue above --
'Twas open field and running flood --
Where, hot on heath and dike and wall,
The high sun warmed the adder's brood.
"Lie down, lie down," True Thomas said.
"The God shall judge when all is done.
But I will bring you a better word
And lift the cloud that I laid on."
True Thomas played upon his harp,
That birled and brattled to his hand,
And the next least word True Thomas made,
It garred the King take horse and brand.
"Oh, I hear the tread o' the fighting men,
I see the sun on splent and spear.
I mark the arrow outen the fern
That flies so low and sings so clear!
"Advance my standards to that war,
And bid my good knights prick and ride;
The gled shall watch as fierce a fight
As e'er was fought on the Border side!"
'Twas bent beneath and blue above,
'Twas nodding grass and naked sky,
Where, ringing up the wastrel wind,
The eyas stooped upon the pie.
True Thomas sighed above his harp,
And turned the song on the midmost string;
And the last least word True Thomas made,
He harpit his dead youth back to the King.
"Now I am prince, and I do well
To love my love withouten fear;
To walk wi' man in fellowship,
And breathe my horse behind the deer.
"My hounds they bay unto the death,
The buck has couched beyond the burn,
My love she waits at her window
To wash my hands when I return.
"For that I live am I content
(Oh! I have seen my true love's eyes)
To stand wi' Adam in Eden-glade,
And run in the woods o' Paradise!"
'Twas naked sky and nodding grass,
'Twas running flood and wastrel wind,
Where, checked against the open pass,
The red deer belled to call the hind.
True Thomas laid his harp away,
And louted low at the saddle-side;
He has taken stirrup and hauden rein,
And set the King on his horse o' pride.
"Sleep ye or wake," True Thomas said,
"That sit so still, that muse so long;
Sleep ye or wake? -- till the latter sleep
I trow ye'll not forget my song.
"I ha' harpit a shadow out o' the sun
To stand before your face and cry;
I ha' armed the earth beneath your heel,
And over your head I ha' dusked the sky.
"I ha' harpit ye up to the throne o' God,
I ha' harpit your midmost soul in three;
I ha' harpit ye down to the Hinges o' Hell,
And -- ye -- would -- make -- a Knight o' me!"
|
Written by
Alan Seeger |
My spirit only lived to look on Beauty's face,
As only when they clasp the arms seem served aright;
As in their flesh inheres the impulse to embrace,
To gaze on Loveliness was my soul's appetite.
I have roamed far in search; white road and plunging bow
Were keys in the blue doors where my desire was set;
Obedient to their lure, my lips and laughing brow
The hill-showers and the spray of many seas have wet.
Hot are enamored hands, the fragrant zone unbound,
To leave no dear delight unfelt, unfondled o'er,
The will possessed my heart to girdle Earth around
With their insatiate need to wonder and adore.
The flowers in the fields, the surf upon the sands,
The sunset and the clouds it turned to blood and wine,
Were shreds of the thin veil behind whose beaded strands
A radiant visage rose, serene, august, divine.
A noise of summer wind astir in starlit trees,
A song where sensual love's delirium rose and fell,
Were rites that moved my soul more than the devotee's
When from the blazing choir rings out the altar bell.
I woke amid the pomp of a proud palace; writ
In tinted arabesque on walls that gems o'erlay,
The names of caliphs were who once held court in it,
Their baths and bowers were mine to dwell in for a day.
Their robes and rings were mine to draw from shimmering trays---
Brocades and broidered silks, topaz and tourmaline--
Their turban-cloths to wind in proud capricious ways,
And fasten plumes and pearls and pendent sapphires in.
I rose; far music drew my steps in fond pursuit
Down tessellated floors and towering peristyles:
Through groves of colonnades fair lamps were blushing fruit,
On seas of green mosaic soft rugs were flowery isles.
And there were verdurous courts that scalloped arches wreathed,
Where fountains plashed in bowls of lapis lazuli.
Through enigmatic doors voluptuous accents breathed,
And having Youth I had their Open Sesame.
I paused where shadowy walls were hung with cloths of gold,
And tinted twilight streamed through storied panes above.
In lamplit alcoves deep as flowers when they unfold
Soft cushions called to rest and fragrant fumes to love.
I hungered; at my hand delicious dainties teemed---
Fair pyramids of fruit; pastry in sugared piles.
I thirsted; in cool cups inviting vintage beamed---
Sweet syrups from the South; brown muscat from the isles.
I yearned for passionate Love; faint gauzes fell away.
Pillowed in rosy light I found my heart's desire.
Over the silks and down her florid beauty lay,
As over orient clouds the sunset's coral fire.
Joys that had smiled afar, a visionary form,
Behind the ranges hid, remote and rainbow-dyed,
Drew near unto my heart, a wonder soft and warm,
To touch, to stroke, to clasp, to sleep and wake beside.
Joy, that where summer seas and hot horizons shone
Had been the outspread arms I gave my youth to seek,
Drew near; awhile its pulse strove sweetly with my own,
Awhile I felt its breath astir upon my cheek.
I was so happy there; so fleeting was my stay,
What wonder if, assailed with vistas so divine,
I only lived to search and sample them the day
When between dawn and dusk the sultan's courts were mine !
Speak not of other worlds of happiness to be,
As though in any fond imaginary sphere
Lay more to tempt man's soul to immortality
Than ripens for his bliss abundant now and here!
Flowerlike I hope to die as flowerlike was my birth.
Rooted in Nature's just benignant law like them,
I want no better joys than those that from green Earth
My spirit's blossom drew through the sweet body's stem.
I see no dread in death, no horror to abhor.
I never thought it else than but to cease to dwell
Spectator, and resolve most naturally once more
Into the dearly loved eternal spectacle.
Unto the fields and flowers this flesh I found so fair
I yield; do you, dear friend, over your rose-crowned wine,
Murmur my name some day as though my lips were there,
And frame your mouth as though its blushing kiss were mine.
Yea, where the banquet-hall is brilliant with young men,
You whose bright youth it might have thrilled my breast to know,
Drink . . . and perhaps my lips, insatiate even then
Of lips to hang upon, may find their loved ones so.
Unto the flush of dawn and evening I commend
This immaterial self and flamelike part of me,---
Unto the azure haze that hangs at the world's end,
The sunshine on the hills, the starlight on the sea,---
Unto angelic Earth, whereof the lives of those
Who love and dream great dreams and deeply feel may be
The elemental cells and nervules that compose
Its divine consciousness and joy and harmony.
|
Written by
William Butler Yeats |
Poets with whom I learned my trade.
Companions of the Cheshire Cheese,
Here's an old story I've remade,
Imagining 'twould better please
Your cars than stories now in fashion,
Though you may think I waste my breath
Pretending that there can be passion
That has more life in it than death,
And though at bottling of your wine
Old wholesome Goban had no say;
The moral's yours because it's mine.
When cups went round at close of day --
Is not that how good stories run? --
The gods were sitting at the board
In their great house at Slievenamon.
They sang a drowsy song, Or snored,
For all were full of wine and meat.
The smoky torches made a glare
On metal Goban 'd hammered at,
On old deep silver rolling there
Or on somc still unemptied cup
That he, when frenzy stirred his thews,
Had hammered out on mountain top
To hold the sacred stuff he brews
That only gods may buy of him.
Now from that juice that made them wise
All those had lifted up the dim
Imaginations of their eyes,
For one that was like woman made
Before their sleepy eyelids ran
And trembling with her passion said,
'Come out and dig for a dead man,
Who's burrowing Somewhere in the ground
And mock him to his face and then
Hollo him on with horse and hound,
For he is the worst of all dead men.'
We should be dazed and terror-struck,
If we but saw in dreams that room,
Those wine-drenched eyes, and curse our luck
That empticd all our days to come.
I knew a woman none could please,
Because she dreamed when but a child
Of men and women made like these;
And after, when her blood ran wild,
Had ravelled her own story out,
And said, 'In two or in three years
I needs must marry some poor lout,'
And having said it, burst in tears.
Since, tavern comrades, you have died,
Maybe your images have stood,
Mere bone and muscle thrown aside,
Before that roomful or as good.
You had to face your ends when young -
'Twas wine or women, or some curse -
But never made a poorer song
That you might have a heavier purse,
Nor gave loud service to a cause
That you might have a troop of friends,
You kept the Muses' sterner laws,
And unrepenting faced your ends,
And therefore earned the right - and yet
Dowson and Johnson most I praise -
To troop with those the world's forgot,
And copy their proud steady gaze.
'The Danish troop was driven out
Between the dawn and dusk,' she said;
'Although the event was long in doubt.
Although the King of Ireland's dead
And half the kings, before sundown
All was accomplished.
'When this day
Murrough, the King of Ireland's son,
Foot after foot was giving way,
He and his best troops back to back
Had perished there, but the Danes ran,
Stricken with panic from the attack,
The shouting of an unseen man;
And being thankful Murrough found,
Led by a footsole dipped in blood
That had made prints upon the ground,
Where by old thorn-trees that man stood;
And though when he gazed here and there,
He had but gazed on thorn-trees, spoke,
"Who is the friend that seems but air
And yet could give so fine a stroke?"
Thereon a young man met his eye,
Who said, "Because she held me in
Her love, and would not have me die,
Rock-nurtured Aoife took a pin,
And pushing it into my shirt,
Promised that for a pin's sake
No man should see to do me hurt;
But there it's gone; I will not take
The fortune that had been my shame
Seeing, King's son, what wounds you have."
'Twas roundly spoke, but when night came
He had betrayed me to his grave,
For he and the King's son were dead.
I'd promised him two hundred years,
And when for all I'd done or said --
And these immortal eyes shed tears --
He claimed his country's need was most,
I'd saved his life, yet for the sake
Of a new friend he has turned a ghost.
What does he cate if my heart break?
I call for spade and horse and hound
That we may harry him.' Thereon
She cast herself upon the ground
And rent her clothes and made her moan:
'Why are they faithless when their might
Is from the holy shades that rove
The grey rock and the windy light?
Why should the faithfullest heart most love
The bitter sweetness of false faces?
Why must the lasting love what passes,
Why are the gods by men betrayed?'
But thereon every god stood up
With a slow smile and without sound,
And Stretching forth his arm and cup
To where she moaned upon the ground,
Suddenly drenched her to the skin;
And she with Goban's wine adrip,
No more remembering what had been.
Stared at the gods with laughing lip.
I have kept my faith, though faith was tried,
To that rock-born, rock-wandering foot,
And thc world's altered since you died,
And I am in no good repute
With the loud host before the sea,
That think sword-strokes were better meant
Than lover's music -- let that be,
So that the wandering foot's content.
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