Written by
Emily Dickinson |
A Clock stopped --
Not the Mantel's --
Geneva's farthest skill
Can't put the puppet bowing --
That just now dangled still --
An awe came on the Trinket!
The Figures hunched, with pain --
Then quivered out of Decimals --
Into Degreeless Noon --
It will not stir for Doctors --
This Pendulum of snow --
This Shopman importunes it --
While cool -- concernless No --
Nods from the Gilded pointers --
Nods from the Seconds slim --
Decades of Arrogance between
The Dial life --
And Him --
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Written by
Marianne Moore |
Strong and slippery,
built for the midnight grass-party
confronted by four cats, he sleeps his time away--
the detached first claw on the foreleg corresponding
to the thumb, retracted to its tip; the small tuft of fronds
or katydid-legs above each eye numbering all units
in each group; the shadbones regularly set about the mouth
to droop or rise in unison like porcupine-quills.
He lets himself be flattened out by gravity,
as seaweed is tamed and weakened by the sun,
compelled when extended, to lie stationary.
Sleep is the result of his delusion that one must do as well
as one can for oneself,
sleep--epitome of what is to him the end of life.
Demonstrate on him how the lady placed a forked stick
on the innocuous neck-sides of the dangerous southern snake.
One need not try to stir him up; his prune-shaped head
and alligator-eyes are not party to the joke.
Lifted and handled, he may be dangled like an eel
or set up on the forearm like a mouse;
his eyes bisected by pupils of a pin's width,
are flickeringly exhibited, then covered up.
May be? I should have said might have been;
when he has been got the better of in a dream--
as in a fight with nature or with cats, we all know it.
Profound sleep is not with him a fixed illusion.
Springing about with froglike accuracy, with jerky cries
when taken in hand, he is himself again;
to sit caged by the rungs of a domestic chair
would be unprofitable--human. What is the good of hypocrisy?
it is permissible to choose one's employment,
to abandon the nail, or roly-poly,
when it shows signs of being no longer a pleasure,
to score the nearby magazine with a double line of strokes.
He can talk but insolently says nothing. What of it?
When one is frank, one's very presence is a compliment.
It is clear that he can see the virtue of naturalness,
that he does not regard the published fact as a surrender.
As for the disposition invariably to affront,
an animal with claws should have an opportunity to use them.
The eel-like extension of trunk into tail is not an accident.
To leap, to lengthen out, divide the air, to purloin, to pursue.
To tell the hen: fly over the fence, go in the wrong way
in your perturbation--this is life;
to do less would be nothing but dishonesty.
|
Written by
A E Housman |
"Here the hangman stops his cart:
Now the best of friends must part.
Fare you well, for ill fare I:
Live, lads, and I will die.
"Oh, at home had I but stayed
'Prenticed to my father's trade,
Had I stuck to plane and adze,
I had not been lost, my lads.
"Then I might have built perhaps
Gallows-trees for other chaps,
Never dangled on my own,
Had I left but ill alone.
"Now, you see, they hang me high,
And the people passing by
Stop to shake their fists and curse;
So 'tis come from ill to worse.
"Here hang I, and right and left
Two poor fellows hang for theft:
All the same's the luck we prove,
Though the midmost hangs for love.
"Comrades all, that stand and gaze,
Walk henceforth in other ways;
See my neck and save your own:
Comrades all, leave ill alone.
"Make some day a decent end,
Shrewder fellows than your friend.
Fare you well, for ill fare I:
Live lads, and I will die."
|
Written by
Theodore Roethke |
Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks!
Roots ripe as old bait,
Pulpy stems, rank, silo-rich,
Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life:
Even the dirt kept breathing a small breath.
|
Written by
Delmore Schwartz |
A poem moves forward,
Like the passages and percussions of trains in progress
A pattern of recurrence, a hammer of repetetiveoccurrence
a slow less and less heard
low thunder under all passengers
Steel sounds tripping and tripled and
Grinding, revolving, gripping, turning, and returning
as the flung carpet of the wide countryside spreads out on
each side in billows
And in isolation, rolled out, white house, red barn, squat silo,
Pasture, hill, meadow and woodland pasture
And the striped poles step fast past the train windows
Second after second takes snapshots, clicking,
Into the dangled boxes of glinting windows
Snapshots and selections, rejections, at angles, of shadows
A small town: a shop's sign - GARAGE, and then white gates
Where waiting cars wait with the unrest of trembling
Breathing hard and idling, until the slow~descent
Of the red cones of sunset: a dead march: a slow tread and heavy
Of the slowed horses of Apollo
- Until the slowed horses of Apollo go over the horizon
And all things are parked, slowly or willingly,
into the customary or at random places.
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Written by
Walt Whitman |
ALL you are doing and saying is to America dangled mirages,
You have not learn’d of Nature—of the politics of Nature, you have not
learn’d
the
great amplitude, rectitude, impartiality;
You have not seen that only such as they are for These States,
And that what is less than they, must sooner or later lift off from These States.
|
Written by
Robinson Jeffers |
Joy is a trick in the air; pleasure is merely
contemptible, the dangled
Carrot the ass follows to market or precipice;
But limitary pain -- the rock under the tower
and the hewn coping
That takes thunder at the head of the turret-
Terrible and real. Therefore a mindless dervish
carving himself
With knives will seem to have conquered the world.
The world's God is treacherous and full of
unreason; a torturer, but also
The only foundation and the only fountain.
Who fights him eats his own flesh and perishes
of hunger; who hides in the grave
To escape him is dead; who enters the Indian
Recession to escape him is dead; who falls in
love with the God is washed clean
Of death desired and of death dreaded.
He has joy, but Joy is a trick in the air; and
pleasure, but pleasure is contemptible;
And peace; and is based on solider than pain.
He has broken boundaries a little and that will
estrange him; he is monstrous, but not
To the measure of the God.... But I having told
you--
However I suppose that few in the world have
energy to hear effectively-
Have paid my birth-dues; am quits with the
people.
|
Written by
Gerard Manley Hopkins |
Teevo cheevo cheevio chee:
O where, what can th?at be?
Weedio-weedio: there again!
So tiny a trickle of s?ng-strain;
And all round not to be found
For brier, bough, furrow, or gr?en ground
Before or behind or far or at hand
Either left either right
Anywhere in the s?nlight.
Well, after all! Ah but hark—
‘I am the little w?odlark.
. . . . . . . .
To-day the sky is two and two
With white strokes and strains of the blue
. . . . . . . .
Round a ring, around a ring
And while I sail (must listen) I sing
. . . . . . . .
The skylark is my cousin and he
Is known to men more than me
. . . . . . . .
…when the cry within
Says Go on then I go on
Till the longing is less and the good gone
But down drop, if it says Stop,
To the all-a-leaf of the tr?etop
And after that off the bough
. . . . . . . .
I ?m so v?ry, O so? very glad
That I d? th?nk there is not to be had…
. . . . . . . .
The blue wheat-acre is underneath
And the braided ear breaks out of the sheath,
The ear in milk, lush the sash,
And crush-silk poppies aflash,
The blood-gush blade-gash
Flame-rash rudred
Bud shelling or broad-shed
Tatter-tassel-tangled and dingle-a-dangled
Dandy-hung dainty head.
. . . . . . . .
And down … the furrow dry
Sunspurge and oxeye
And laced-leaved lovely
Foam-tuft fumitory
. . . . . . . .
Through the velvety wind V-winged
To the nest’s nook I balance and buoy
With a sweet joy of a sweet joy,
Sweet, of a sweet, of a sweet joy
Of a sweet—a sweet—sweet—joy.’
|
Written by
Delmore Schwartz |
(After Rilke)
The city floats no longer like a bait
To hook the nimble darting summer days.
The glazed and brittle palaces pulsate and radiate
And glitter. Summer's garden sways,
A heap of marionettes hanging down and dangled,
Leaves tired, torn, turned upside down and strangled:
Until from forest depths, from bony leafless trees
A will wakens: the admiral, lolling long at ease,
Has been commanded, overnight -- suddenly --:
In the first dawn, all galleys put to sea!
Waking then in autumn chill, amid the harbor medley,
The fragrance of pitch, pennants aloft, the butt
Of oars, all sails unfurled, the fleet
Awaits the great wind, radiant and deadly.
|
Written by
Robert William Service |
Three men I saw beside a bar,
Regarding o'er their bottle,
A frog who smoked a rank cigar
They'd jammed within its throttle.
A Pasha frog it must have been
So big it as and bloated;
And from its lips the nicotine
In graceful festoon floated.
And while the trio jeered and joked,
As if it quite enjoyed it,
Impassively it smoked and smoked,
(It could now well avoid it).
A ring of fire its lips were nigh
Yet it seemed all unwitting;
It could not spit, like you and I,
Who've learned the art of spitting.
It did not wink, it did not shrink,
As there serene it squatted'
Its eyes were clear, it did not fear
The fate the Gods allotted.
It squatted there with calm sublime,
Amid their cruel guying;
Grave as a god, and all the time
It knew that it was dying.
And somehow then it seemed to me
These men expectorating,
Were infinitely less than he,
The dumb thing they were baiting.
It seemed to say, despite their jokes:
"This is my hour of glory.
It isn't every frog that smokes:
My name will live in story."
Before its nose the smoke arose;
The flame grew nigher, nigher;
And then I saw its bright eyes close
Beside that ring of fire.
They turned it on its warty back,
From off its bloated belly;
It legs jerked out, then dangled slack;
It quivered like a jelly.
And then the fellows went away,
Contented with their joking;
But even as in death it lay,
The frog continued smoking.
Life's like a lighted ***, thought I;
We smoke it stale; then after
Death turns our belly to the sky:
The Gods must have their laughter.
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