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Best Famous Daffodil Poems

Here is a collection of the all-time best famous Daffodil poems. This is a select list of the best famous Daffodil poetry. Reading, writing, and enjoying famous Daffodil poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of daffodil poems.

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Written by Oscar Wilde | Create an image from this poem

Panthea

 Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know, And wisdom is a childless heritage, One pulse of passion - youth's first fiery glow, - Are worth the hoarded proverbs of the sage: Vex not thy soul with dead philosophy, Have we not lips to kiss with, hearts to love and eyes to see! Dost thou not hear the murmuring nightingale, Like water bubbling from a silver jar, So soft she sings the envious moon is pale, That high in heaven she is hung so far She cannot hear that love-enraptured tune, - Mark how she wreathes each horn with mist, yon late and labouring moon.
White lilies, in whose cups the gold bees dream, The fallen snow of petals where the breeze Scatters the chestnut blossom, or the gleam Of boyish limbs in water, - are not these Enough for thee, dost thou desire more? Alas! the Gods will give nought else from their eternal store.
For our high Gods have sick and wearied grown Of all our endless sins, our vain endeavour For wasted days of youth to make atone By pain or prayer or priest, and never, never, Hearken they now to either good or ill, But send their rain upon the just and the unjust at will.
They sit at ease, our Gods they sit at ease, Strewing with leaves of rose their scented wine, They sleep, they sleep, beneath the rocking trees Where asphodel and yellow lotus twine, Mourning the old glad days before they knew What evil things the heart of man could dream, and dreaming do.
And far beneath the brazen floor they see Like swarming flies the crowd of little men, The bustle of small lives, then wearily Back to their lotus-haunts they turn again Kissing each others' mouths, and mix more deep The poppy-seeded draught which brings soft purple-lidded sleep.
There all day long the golden-vestured sun, Their torch-bearer, stands with his torch ablaze, And, when the gaudy web of noon is spun By its twelve maidens, through the crimson haze Fresh from Endymion's arms comes forth the moon, And the immortal Gods in toils of mortal passions swoon.
There walks Queen Juno through some dewy mead, Her grand white feet flecked with the saffron dust Of wind-stirred lilies, while young Ganymede Leaps in the hot and amber-foaming must, His curls all tossed, as when the eagle bare The frightened boy from Ida through the blue Ionian air.
There in the green heart of some garden close Queen Venus with the shepherd at her side, Her warm soft body like the briar rose Which would be white yet blushes at its pride, Laughs low for love, till jealous Salmacis Peers through the myrtle-leaves and sighs for pain of lonely bliss.
There never does that dreary north-wind blow Which leaves our English forests bleak and bare, Nor ever falls the swift white-feathered snow, Nor ever doth the red-toothed lightning dare To wake them in the silver-fretted night When we lie weeping for some sweet sad sin, some dead delight.
Alas! they know the far Lethaean spring, The violet-hidden waters well they know, Where one whose feet with tired wandering Are faint and broken may take heart and go, And from those dark depths cool and crystalline Drink, and draw balm, and sleep for sleepless souls, and anodyne.
But we oppress our natures, God or Fate Is our enemy, we starve and feed On vain repentance - O we are born too late! What balm for us in bruised poppy seed Who crowd into one finite pulse of time The joy of infinite love and the fierce pain of infinite crime.
O we are wearied of this sense of guilt, Wearied of pleasure's paramour despair, Wearied of every temple we have built, Wearied of every right, unanswered prayer, For man is weak; God sleeps: and heaven is high: One fiery-coloured moment: one great love; and lo! we die.
Ah! but no ferry-man with labouring pole Nears his black shallop to the flowerless strand, No little coin of bronze can bring the soul Over Death's river to the sunless land, Victim and wine and vow are all in vain, The tomb is sealed; the soldiers watch; the dead rise not again.
We are resolved into the supreme air, We are made one with what we touch and see, With our heart's blood each crimson sun is fair, With our young lives each spring-impassioned tree Flames into green, the wildest beasts that range The moor our kinsmen are, all life is one, and all is change.
With beat of systole and of diastole One grand great life throbs through earth's giant heart, And mighty waves of single Being roll From nerveless germ to man, for we are part Of every rock and bird and beast and hill, One with the things that prey on us, and one with what we kill.
From lower cells of waking life we pass To full perfection; thus the world grows old: We who are godlike now were once a mass Of quivering purple flecked with bars of gold, Unsentient or of joy or misery, And tossed in terrible tangles of some wild and wind-swept sea.
This hot hard flame with which our bodies burn Will make some meadow blaze with daffodil, Ay! and those argent breasts of thine will turn To water-lilies; the brown fields men till Will be more fruitful for our love to-night, Nothing is lost in nature, all things live in Death's despite.
The boy's first kiss, the hyacinth's first bell, The man's last passion, and the last red spear That from the lily leaps, the asphodel Which will not let its blossoms blow for fear Of too much beauty, and the timid shame Of the young bridegroom at his lover's eyes, - these with the same One sacrament are consecrate, the earth Not we alone hath passions hymeneal, The yellow buttercups that shake for mirth At daybreak know a pleasure not less real Than we do, when in some fresh-blossoming wood, We draw the spring into our hearts, and feel that life is good.
So when men bury us beneath the yew Thy crimson-stained mouth a rose will be, And thy soft eyes lush bluebells dimmed with dew, And when the white narcissus wantonly Kisses the wind its playmate some faint joy Will thrill our dust, and we will be again fond maid and boy.
And thus without life's conscious torturing pain In some sweet flower we will feel the sun, And from the linnet's throat will sing again, And as two gorgeous-mailed snakes will run Over our graves, or as two tigers creep Through the hot jungle where the yellow-eyed huge lions sleep And give them battle! How my heart leaps up To think of that grand living after death In beast and bird and flower, when this cup, Being filled too full of spirit, bursts for breath, And with the pale leaves of some autumn day The soul earth's earliest conqueror becomes earth's last great prey.
O think of it! We shall inform ourselves Into all sensuous life, the goat-foot Faun, The Centaur, or the merry bright-eyed Elves That leave their dancing rings to spite the dawn Upon the meadows, shall not be more near Than you and I to nature's mysteries, for we shall hear The thrush's heart beat, and the daisies grow, And the wan snowdrop sighing for the sun On sunless days in winter, we shall know By whom the silver gossamer is spun, Who paints the diapered fritillaries, On what wide wings from shivering pine to pine the eagle flies.
Ay! had we never loved at all, who knows If yonder daffodil had lured the bee Into its gilded womb, or any rose Had hung with crimson lamps its little tree! Methinks no leaf would ever bud in spring, But for the lovers' lips that kiss, the poets' lips that sing.
Is the light vanished from our golden sun, Or is this daedal-fashioned earth less fair, That we are nature's heritors, and one With every pulse of life that beats the air? Rather new suns across the sky shall pass, New splendour come unto the flower, new glory to the grass.
And we two lovers shall not sit afar, Critics of nature, but the joyous sea Shall be our raiment, and the bearded star Shoot arrows at our pleasure! We shall be Part of the mighty universal whole, And through all aeons mix and mingle with the Kosmic Soul! We shall be notes in that great Symphony Whose cadence circles through the rhythmic spheres, And all the live World's throbbing heart shall be One with our heart; the stealthy creeping years Have lost their terrors now, we shall not die, The Universe itself shall be our Immortality.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Whispers of Immortality

 WEBSTER was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.
Daffodil bulbs instead of balls Stared from the sockets of the eyes! He knew that thought clings round dead limbs Tightening its lusts and luxuries.
Donne, I suppose, was such another Who found no substitute for sense, To seize and clutch and penetrate; Expert beyond experience, He knew the anguish of the marrow The ague of the skeleton; No contact possible to flesh Allayed the fever of the bone.
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Grishkin is nice: her Russian eye Is underlined for emphasis; Uncorseted, her friendly bust Gives promise of pneumatic bliss.
The couched Brazilian jaguar Compels the scampering marmoset With subtle effluence of cat; Grishkin has a maisonette; The sleek Brazilian jaguar Does not in its arboreal gloom Distil so rank a feline smell As Grishkin in a drawing-room.
And even the Abstract Entities Circumambulate her charm; But our lot crawls between dry ribs To keep our metaphysics warm.
Written by Lascelles Abercrombie | Create an image from this poem

The Dream (Ryton Firs)

All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out — let them make uproar loud as drums —
'Tis secrets still, shouted instead of whisper'd.
There must have been a warning given once: No tree, on pain of withering and sawfly, To reach the slimmest of his snaky toes Into this mounded sward and rumple it; All trees stand back: taboo is on this soil.
— The trees have always scrupulously obeyed.
The grass, that elsewhere grows as best it may Under the larches, countable long nesh blades, Here in clear sky pads the ground thick and close As wool upon a Southdown wether's back; And as in Southdown wool, your hand must sink Up to the wrist before it find the roots.
A bed for summer afternoons, this grass; But in the Spring, not too softly entangling For lively feet to dance on, when the green Flashes with daffodils.
From Marcle way, From Dymock, Kempley, Newent, Bromesberrow, Redmarley, all the meadowland daffodils seem Running in golden tides to Ryton Firs, To make the knot of steep little wooded hills Their brightest show: O bella età de l'oro! Now I breathe you again, my woods of Ryton: Not only golden with your daffodil-fires Lying in pools on the loose dusky ground Beneath the larches, tumbling in broad rivers Down sloping grass under the cherry trees And birches: but among your branches clinging A mist of that Ferrara-gold I first Loved in the easy hours then green with you; And as I stroll about you now, I have Accompanying me — like troops of lads and lasses Chattering and dancing in a shining fortune — Those mornings when your alleys of long light And your brown rosin-scented shadows were Enchanted with the laughter of my boys.
Written by William Carlos (WCW) Williams | Create an image from this poem

The Ivy Crown

 The whole process is a lie,
 unless,
 crowned by excess,
It break forcefully,
 one way or another,
 from its confinement—
or find a deeper well.
Antony and Cleopatra were right; they have shown the way.
I love you or I do not live at all.
Daffodil time is past.
This is summer, summer! the heart says, and not even the full of it.
No doubts are permitted— though they will come and may before our time overwhelm us.
We are only mortal but being mortal can defy our fate.
We may by an outside chance even win! We do not look to see jonquils and violets come again but there are, still, the roses! Romance has no part in it.
The business of love is cruelty which, by our wills, we transform to live together.
It has its seasons, for and against, whatever the heart fumbles in the dark to assert toward the end of May.
Just as the nature of briars is to tear flesh, I have proceeded through them.
Keep the briars out, they say.
You cannot live and keep free of briars.
Children pick flowers.
Let them.
Though having them in hand they have no further use for them but leave them crumpled at the curb's edge.
At our age the imagination across the sorry facts lifts us to make roses stand before thorns.
Sure love is cruel and selfish and totally obtuse— at least, blinded by the light, young love is.
But we are older, I to love and you to be loved, we have, no matter how, by our wills survived to keep the jeweled prize always at our finger tips.
We will it so and so it is past all accident.
Written by Alfred Lord Tennyson | Create an image from this poem

Come Into The Garden Maud

 Come into the garden, Maud, 
 For the black bat, Night, has flown, 
Come into the garden, Maud, 
 I am here at the gate alone; 
And the woodbine spices are wafted abroad, 
 And the musk of the roses blown.
For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die.
All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune: Till a silence fell with the waking bird, And a hush with the setting moon.
I said to the lily, "There is but one With whom she has heart to be gay.
When will the dancers leave her alone? She is weary of dance and play.
" Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away.
I said to the rose, "The brief night goes In babble and revel and wine.
O young lordlover, what sighs are those For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine.
" And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewelprint of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise.
The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls, To the flowers, and be their sun.
There has fallen a splendid tear From the passion-flower at the gate.
She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait.
" She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.


Written by Oscar Wilde | Create an image from this poem

ENDYMION (For music)

 The apple trees are hung with gold,
And birds are loud in Arcady,
The sheep lie bleating in the fold,
The wild goat runs across the wold,
But yesterday his love he told,
I know he will come back to me.
O rising moon! O Lady moon! Be you my lover's sentinel, You cannot choose but know him well, For he is shod with purple shoon, You cannot choose but know my love, For he a shepherd's crook doth bear, And he is soft as any dove, And brown and curly is his hair.
The turtle now has ceased to call Upon her crimson-footed groom, The grey wolf prowls about the stall, The lily's singing seneschal Sleeps in the lily-bell, and all The violet hills are lost in gloom.
O risen moon! O holy moon! Stand on the top of Helice, And if my own true love you see, Ah! if you see the purple shoon, The hazel crook, the lad's brown hair, The goat-skin wrapped about his arm, Tell him that I am waiting where The rushlight glimmers in the Farm.
The falling dew is cold and chill, And no bird sings in Arcady, The little fauns have left the hill, Even the tired daffodil Has closed its gilded doors, and still My lover comes not back to me.
False moon! False moon! O waning moon! Where is my own true lover gone, Where are the lips vermilion, The shepherd's crook, the purple shoon? Why spread that silver pavilion, Why wear that veil of drifting mist? Ah! thou hast young Endymion Thou hast the lips that should be kissed!
Written by Lascelles Abercrombie | Create an image from this poem

The Voices in the Dream (Ryton Firs)

Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand What a heavenly way we pass Treading the green and golden land, Daffodillies and grass.
I had a song, too, on my road, But mine was in my eyes; For Malvern Hills were with me all the way, Singing loveliest visible melodies Blue as a south-sea bay; And ruddy as wine of France Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance To dwell in my delight; No need to sing when all in song my sight Moved over hills so musically made And with such colour played.
— And only yesterday it was I saw Veil'd in streamers of grey wavering smoke My shapely Malvern Hills.
That was the last hail-storm to trouble spring: He came in gloomy haste, Pusht in front of the white clouds quietly basking, In such a hurry he tript against the hills And stumbling forward spilt over his shoulders All his black baggage held, Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee And the high white clouds laught down his dusky ghost.
For all that's left of winter Is moisture in the ground.
When I came down the valley last, the sun Just thawed the grass and made me gentle turf, But still the frost was bony underneath.
Now moles take burrowing jaunts abroad, and ply Their shovelling hands in earth As nimbly as the strokes Of a swimmer in a long dive under water.
The meadows in the sun are twice as green For all the scatter of fresh red mounded earth, The mischief of the moles: No dullish red, Glostershire earth new-delved In April! And I think shows fairest where These rummaging small rogues have been at work.
If you will look the way the sunlight slants Making the grass one great green gem of light, Bright earth, crimson and even Scarlet, everywhere tracks The rambling underground affairs of moles: Though 'tis but kestrel-bay Looking against the sun.
But here's the happiest light can lie on ground, Grass sloping under trees Alive with yellow shine of daffodils! If quicksilver were gold, And troubled pools of it shaking in the sun It were not such a fancy of bickering gleam As Ryton daffodils when the air but stirs.
And all the miles and miles of meadowland The spring makes golden ways, Lead here, for here the gold Grows brightest for our eyes, And for our hearts lovelier even than love.
So here, each spring, our daffodil festival.
How smooth and quick the year Spins me the seasons round! How many days have slid across my mind Since we had snow pitying the frozen ground! Then winter sunshine cheered The bitter skies; the snow, Reluctantly obeying lofty winds, Drew off in shining clouds, Wishing it still might love With its white mercy the cold earth beneath.
But when the beautiful ground Lights upward all the air, Noon thaws the frozen eaves, And makes the rime on post and paling steam Silvery blue smoke in the golden day.
And soon from loaded trees in noiseless woods The snows slip thudding down, Scattering in their trail Bright icy sparkles through the glittering air; And the fir-branches, patiently bent so long, Sigh as they lift themselves to rights again.
Then warm moist hours steal in, Such as can draw the year's First fragrance from the sap of cherry wood Or from the leaves of budless violets; And travellers in lanes Catch the hot tawny smell Reynard's damp fur left as he sneakt marauding Across from gap to gap: And in the larch woods on the highest boughs The long-eared owls like grey cats sitting still Peer down to quiz the passengers below.
Light has killed the winter and all dark dreams.
Now winds live all in light, Light has come down to earth and blossoms here, And we have golden minds.
From out the long shade of a road high-bankt, I came on shelving fields; And from my feet cascading, Streaming down the land, Flickering lavish of daffodils flowed and fell; Like sunlight on a water thrill'd with haste, Such clear pale quivering flame, But a flame even more marvellously yellow.
And all the way to Ryton here I walkt Ankle-deep in light.
It was as if the world had just begun; And in a mind new-made Of shadowless delight My spirit drank my flashing senses in, And gloried to be made Of young mortality.
No darker joy than this Golden amazement now Shall dare intrude into our dazzling lives: Stain were it now to know Mists of sweet warmth and deep delicious colour, Those lovable accomplices that come Befriending languid hours.
Written by John Greenleaf Whittier | Create an image from this poem

Telling the Bees

 Here is the place; right over the hill 
Runs the path I took; 
You can see the gap in the old wall still, 
And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred, And the poplars tall; And the barn's brown length, and the cattle-yard, And the white horns tossing above the wall.
There are the beehives ranged in the sun; And down by the brink Of the brook are her poor flowers, weed-o'errun, Pansy and daffodil, rose and pink.
A year has gone, as the tortoise goes, Heavy and slow; And the same rose blows, and the same sun glows, And the same brook sings of a year ago.
There 's the same sweet clover-smell in the breeze; And the June sun warm Tangles his wings of fire in the trees, Setting, as then, over Fernside farm.
I mind me how with a lover's care From my Sunday coat I brushed off the burrs, and smoothed my hair, And cooled at the brookside my brow and throat.
Since we parted, a month had passed, -- To love, a year; Down through the beeches I looked at last On the little red gate and the well-sweep near.
I can see it all now, -- the slantwise rain Of light through the leaves, The sundown's blaze on her window-pane, The bloom of her roses under the eaves.
Just the same as a month before, -- The house and the trees, The barn's brown gable, the vine by the door, -- Nothing changed but the hives of bees.
Before them, under the garden wall, Forward and back, Went drearily singing the chore-girl small, Draping each hive with a shred of black.
Trembling, I listened: the summer sun Had the chill of snow; For I knew she was telling the bees of one Gone on the journey we all must go! Then I said to myself, "My Mary weeps For the dead to-day: Haply her blind old grandsire sleeps The fret and the pain of his age away.
" But her dog whined low; on the doorway sill, With his cane to his chin, The old man sat; and the chore-girl still Sung to the bees stealing out and in.
And the song she was singing ever since In my ear sounds on: -- "Stay at home, pretty bees, fly not hence! Mistress Mary is dead and gone!"
Written by Oscar Wilde | Create an image from this poem

Magdalen Walks

 The little white clouds are racing over the sky,
And the fields are strewn with the gold of the flower of March,
The daffodil breaks under foot, and the tasselled larch
Sways and swings as the thrush goes hurrying by.
A delicate odour is borne on the wings of the morning breeze, The odour of deep wet grass, and of brown new-furrowed earth, The birds are singing for joy of the Spring's glad birth, Hopping from branch to branch on the rocking trees.
And all the woods are alive with the murmur and sound of Spring, And the rose-bud breaks into pink on the climbing briar, And the crocus-bed is a quivering moon of fire Girdled round with the belt of an amethyst ring.
And the plane to the pine-tree is whispering some tale of love Till it rustles with laughter and tosses its mantle of green, And the gloom of the wych-elm's hollow is lit with the iris sheen Of the burnished rainbow throat and the silver breast of a dove.
See! the lark starts up from his bed in the meadow there, Breaking the gossamer threads and the nets of dew, And flashing adown the river, a flame of blue! The kingfisher flies like an arrow, and wounds the air.
Written by Emily Dickinson | Create an image from this poem

Absent Place -- an April Day --

 Absent Place -- an April Day --
Daffodils a-blow
Homesick curiosity
To the Souls that snow --

Drift may block within it
Deeper than without --
Daffodil delight but
Him it duplicate --

Book: Reflection on the Important Things