Written by
William Butler Yeats |
An old man cocked his car upon a bridge;
He and his friend, their faces to the South,
Had trod the uneven road. Their hoots were soiled,
Their Connemara cloth worn out of shape;
They had kept a steady pace as though their beds,
Despite a dwindling and late-risen moon,
Were distant still. An old man cocked his ear.
Aherne. What made that Sound?
Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.
Ahernc. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?
Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.
Aherne. Sing me the changes of the moon once more;
True song, though speech: "mine author sung it me.'
Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!
Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.
Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.
Aherne. All dreams of the soul
End in a beautiful man's or woman's body.
Robartes, Have you not always known it?
Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.
Robartes. The lover's heart knows that.
Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.
Robartes. When the moon's full those creatures of the
full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.
And thereupon with aged, high-pitched voice
Aherne laughed, thinking of the man within,
His sleepless candle and lahorious pen.
Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.
Aherne. Before the full
It sought itself and afterwards the world.
Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.
Aherne. And what of those
That the last servile crescent has set free?
Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.
Aherne. And then?
Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.
Aherne. But the escape; the song's not finished yet.
Robartes. Hunchback and Saint and Fool are the last
crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter -
Out of that raving tide - is drawn betwixt
Deformity of body and of mind.
Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
"Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.
And then he laughed to think that what seemed hard
Should be so simple - a bat rose from the hazels
And circled round him with its squeaky cry,
The light in the tower window was put out.
|
Written by
Thomas Hardy |
South of the Line, inland from far Durban,
A mouldering soldier lies--your countryman.
Awry and doubled up are his gray bones,
And on the breeze his puzzled phantom moans
Nightly to clear Canopus: "I would know
By whom and when the All-Earth-gladdening Law
Of Peace, brought in by that Man Crucified,
Was ruled to be inept, and set aside?
And what of logic or of truth appears
In tacking 'Anno Domini' to the years?
Near twenty-hundred livened thus have hied,
But tarries yet the Cause for which He died."
|
Written by
George (Lord) Byron |
Chill and mirk is the nightly blast,
Where Pindus' mountains rise,
And angry clouds are pouring fast
The vengeance of the skies.
Our guides are gone, our hope is lost,
And lightnings, as they play,
But show where rocks our path have crost,
Or gild the torrent's spray.
Is yon a cot I saw, though low?
When lightning broke the gloom---
How welcome were its shade!---ah, no!
'Tis but a Turkish tomb.
Through sounds of foaming waterfalls,
I hear a voice exclaim---
My way-worn countryman, who calls
On distant England's name.
A shot is fired---by foe or friend?
Another---'tis to tell
The mountain-peasants to descend,
And lead us where they dwell.
Oh! who in such a night will dare
To tempt the wilderness?
And who 'mid thunder-peals can hear
Our signal of distress?
And who that heard our shouts would rise
To try the dubious road?
Nor rather deem from nightly cries
That outlaws were abroad.
Clouds burst, skies flash, oh, dreadful hour!
More fiercely pours the storm!
Yet here one thought has still the power
To keep my bosom warm.
While wandering through each broken path,
O'er brake and craggy brow;
While elements exhaust their wrath,
Sweet Florence, where art thou?
Not on the sea, not on the sea---
Thy bark hath long been gone:
Oh, may the storm that pours on me,
Bow down my head alone!
Full swiftly blew the swift Siroc,
When last I pressed thy lip;
And long ere now, with foaming shock,
Impelled thy gallant ship.
Now thou art safe; nay, long ere now
Hast trod the shore of Spain;
'Twere hard if aught so fair as thou
Should linger on the main.
And since I now remember thee
In darkness and in dread,
As in those hours of revelry
Which Mirth and Music sped;
Do thou, amid the fair white walls,
If Cadiz yet be free,
At times from out her latticed halls
Look o'er the dark blue sea;
Then think upon Calypso's isles,
Endeared by days gone by;
To others give a thousand smiles,
To me a single sigh.
And when the admiring circle mark
The paleness of thy face,
A half-formed tear, a transient spark
Of melancholy grace,
Again thou'lt smile, and blushing shun
Some coxcomb's raillery;
Nor own for once thou thought'st on one,
Who ever thinks on thee.
Though smile and sigh alike are vain,
When severed hearts repine
My spirit flies o'er Mount and Main
And mourns in search of thine.
|
Written by
John Wilmot |
You ladies of merry England
Who have been to kiss the Duchess's hand,
Pray, did you not lately observe in the show
A noble Italian called Signior *****?
This signior was one of the Duchess's train
And helped to conduct her over the main;
But now she cries out, 'To the Duke I will go,
I have no more need for Signior *****.'
At the Sign of the Cross in St James's Street,
When next you go thither to make yourselves sweet
By buying of powder, gloves, essence, or so,
You may chance to get a sight of Signior *****.
You would take him at first for no person of note,
Because he appears in a plain leather coat,
But when you his virtuous abilities know,
You'll fall down and worship Signior *****.
My Lady Southesk, heaven prosper her for't,
First clothed him in satin, then brought him to court;
But his head in the circle he scarcely durst show,
So modest a youth was Signior *****.
The good Lady Suffolk, thinking no harm,
Had got this poor stranger hid under her arm.
Lady Betty by chance came the secret to know
And from her own mother stole Signior *****.
The Countess of Falmouth, of whom people tell
Her footmen wear shirts of a guinea an ell,
Might save that expense, if she did but know
How lusty a swinger is Signior *****.
By the help of this gallant the Countess of Rafe
Against the fierce Harris preserved herself safe;
She stifled him almost beneath her pillow,
So closely she embraced Signior *****.
The pattern of virtue, Her Grace of Cleveland,
Has swallowed more pricks than the ocean has sand;
But by rubbing and scrubbing so wide does it grow,
It is fit for just nothing but Signior *****.
Our dainty fine duchesses have got a trick
To dote on a fool for the sake of his prick,
The fops were undone did their graces but know
The discretion and vigour of Signior *****.
The Duchess of Modena, though she looks so high,
With such a gallant is content to lie,
And for fear that the English her secrets should know,
For her gentleman usher took Signior *****.
The Countess o'th'Cockpit (who knows not her name?
She's famous in story for a killing dame),
When all her old lovers forsake her, I trow,
She'll then be contented with Signior *****.
Red Howard, red Sheldon, and Temple so tall
Complain of his absence so long from Whitehall.
Signior Barnard has promised a journey to go
And bring back his countryman, Signior *****.
Doll Howard no longer with His Highness must range,
And therefore is proferred this civil exchange:
Her teeth being rotten, she smells best below,
And needs must be fitted for Signior *****.
St Albans with wrinkles and smiles in his face,
Whose kindness to strangers becomes his high place,
In his coach and six horses is gone to Bergo
To take the fresh air with Signior *****.
Were this signior but known to the citizen fops,
He'd keep their fine wives from the foremen o'their shops;
But the rascals deserve their horns should still grow
For burning the Pope and his nephew, *****.
Tom Killigrew's wife, that Holland fine flower,
At the sight of this signior did fart and belch sour,
And her Dutch breeding the further to show,
Says, 'Welcome to England, Mynheer Van *****.'
He civilly came to the Cockpit one night,
And proferred his service to fair Madam Knight.
Quoth she, 'I intrigue with Captain Cazzo;
Your nose in mine ****, good Signior *****.'
This signior is sound, safe, ready, and dumb
As ever was candle, carrot, or thumb;
Then away with these nasty devices, and show
How you rate the just merit of Signior *****.
Count Cazzo, who carries his nose very high,
In passion he swore his rival should die;
Then shut himself up to let the world know
Flesh and blood could not bear it from Signior *****.
A rabble of pricks who were welcome before,
Now finding the porter denied them the door,
Maliciously waited his coming below
And inhumanly fell on Signior *****.
Nigh wearied out, the poor stranger did fly,
And along the Pall Mall they followed full cry;
The women concerned from every window
Cried, 'For heaven's sake, save Signior *****.'
The good Lady Sandys burst into a laughter
To see how the ballocks came wobbling after,
And had not their weight retarded the foe,
Indeed't had gone hard with Signior *****.
|
Written by
Emily Dickinson |
How fits his Umber Coat
The Tailor of the Nut?
Combined without a seam
Like Raiment of a Dream --
Who spun the Auburn Cloth?
Computed how the girth?
The Chestnut aged grows
In those primeval Clothes --
We know that we are wise --
Accomplished in Surprise --
Yet by this Countryman --
This nature -- how undone!
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