Written by
Robert Pinsky |
to Robert Hass and in memory of Elliot Gilbert
Slow dulcimer, gavotte and bow, in autumn,
Bashõ and his friends go out to view the moon;
In summer, gasoline rainbow in the gutter,
The secret courtesy that courses like ichor
Through the old form of the rude, full-scale joke,
Impossible to tell in writing. "Bashõ"
He named himself, "Banana Tree": banana
After the plant some grateful students gave him,
Maybe in appreciation of his guidance
Threading a long night through the rules and channels
Of their collaborative linking-poem
Scored in their teacher's heart: live, rigid, fluid
Like passages etched in a microscopic cicuit.
Elliot had in his memory so many jokes
They seemed to breed like microbes in a culture
Inside his brain, one so much making another
It was impossible to tell them all:
In the court-culture of jokes, a top banana.
Imagine a court of one: the queen a young mother,
Unhappy, alone all day with her firstborn child
And her new baby in a squalid apartment
Of too few rooms, a different race from her neighbors.
She tells the child she's going to kill herself.
She broods, she rages. Hoping to distract her,
The child cuts capers, he sings, he does imitations
Of different people in the building, he jokes,
He feels if he keeps her alive until the father
Gets home from work, they'll be okay till morning.
It's laughter versus the bedroom and the pills.
What is he in his efforts but a courtier?
Impossible to tell his whole delusion.
In the first months when I had moved back East
From California and had to leave a message
On Bob's machine, I used to make a habit
Of telling the tape a joke; and part-way through,
I would pretend that I forgot the punchline,
Or make believe that I was interrupted--
As though he'd be so eager to hear the end
He'd have to call me back. The joke was Elliot's,
More often than not. The doctors made the blunder
That killed him some time later that same year.
One day when I got home I found a message
On my machine from Bob. He had a story
About two rabbis, one of them tall, one short,
One day while walking along the street together
They see the corpse of a Chinese man before them,
And Bob said, sorry, he forgot the rest.
Of course he thought that his joke was a dummy,
Impossible to tell--a dead-end challenge.
But here it is, as Elliot told it to me:
The dead man's widow came to the rabbis weeping,
Begging them, if they could, to resurrect him.
Shocked, the tall rabbi said absolutely not.
But the short rabbi told her to bring the body
Into the study house, and ordered the shutters
Closed so the room was night-dark. Then he prayed
Over the body, chanting a secret blessing
Out of Kabala. "Arise and breathe," he shouted;
But nothing happened. The body lay still. So then
The little rabbi called for hundreds of candles
And danced around the body, chanting and praying
In Hebrew, then Yiddish, then Aramaic. He prayed
In Turkish and Egyptian and Old Galician
For nearly three hours, leaping about the coffin
In the candlelight so that his tiny black shoes
Seemed not to touch the floor. With one last prayer
Sobbed in the Spanish of before the Inquisition
He stopped, exhausted, and looked in the dead man's face.
Panting, he raised both arms in a mystic gesture
And said, "Arise and breathe!" And still the body
Lay as before. Impossible to tell
In words how Elliot's eyebrows flailed and snorted
Like shaggy mammoths as--the Chinese widow
Granting permission--the little rabbi sang
The blessing for performing a circumcision
And removed the dead man's foreskin, chanting blessings
In Finnish and Swahili, and bathed the corpse
From head to foot, and with a final prayer
In Babylonian, gasping with exhaustion,
He seized the dead man's head and kissed the lips
And dropped it again and leaping back commanded,
"Arise and breathe!" The corpse lay still as ever.
At this, as when Bashõ's disciples wind
Along the curving spine that links the renga
Across the different voices, each one adding
A transformation according to the rules
Of stasis and repetition, all in order
And yet impossible to tell beforehand,
Elliot changes for the punchline: the wee
Rabbi, still panting, like a startled boxer,
Looks at the dead one, then up at all those watching,
A kind of Mel Brooks gesture: "Hoo boy!" he says,
"Now that's what I call really dead." O mortal
Powers and princes of earth, and you immortal
Lords of the underground and afterlife,
Jehovah, Raa, Bol-Morah, Hecate, Pluto,
What has a brilliant, living soul to do with
Your harps and fires and boats, your bric-a-brac
And troughs of smoking blood? Provincial stinkers,
Our languages don't touch you, you're like that mother
Whose small child entertained her to beg her life.
Possibly he grew up to be the tall rabbi,
The one who washed his hands of all those capers
Right at the outset. Or maybe he became
The author of these lines, a one-man renga
The one for whom it seems to be impossible
To tell a story straight. It was a routine
Procedure. When it was finished the physicians
Told Sandra and the kids it had succeeded,
But Elliot wouldn't wake up for maybe an hour,
They should go eat. The two of them loved to bicker
In a way that on his side went back to Yiddish,
On Sandra's to some Sicilian dialect.
He used to scold her endlessly for smoking.
When she got back from dinner with their children
The doctors had to tell them about the mistake.
Oh swirling petals, falling leaves! The movement
Of linking renga coursing from moment to moment
Is meaning, Bob says in his Haiku book.
Oh swirling petals, all living things are contingent,
Falling leaves, and transient, and they suffer.
But the Universal is the goal of jokes,
Especially certain ethnic jokes, which taper
Down through the swirling funnel of tongues and gestures
Toward their preposterous Ithaca. There's one
A journalist told me. He heard it while a hero
Of the South African freedom movement was speaking
To elderly Jews. The speaker's own right arm
Had been blown off by right-wing letter-bombers.
He told his listeners they had to cast their ballots
For the ANC--a group the old Jews feared
As "in with the Arabs." But they started weeping
As the old one-armed fighter told them their country
Needed them to vote for what was right, their vote
Could make a country their children could return to
From London and Chicago. The moved old people
Applauded wildly, and the speaker's friend
Whispered to the journalist, "It's the Belgian Army
Joke come to life." I wish I could tell it
To Elliot. In the Belgian Army, the feud
Between the Flemings and Walloons grew vicious,
So out of hand the army could barely function.
Finally one commander assembled his men
In one great room, to deal with things directly.
They stood before him at attention. "All Flemings,"
He ordered, "to the left wall." Half the men
Clustered to the left. "Now all Walloons," he ordered,
"Move to the right." An equal number crowded
Against the right wall. Only one man remained
At attention in the middle: "What are you, soldier?"
Saluting, the man said, "Sir, I am a Belgian."
"Why, that's astonishing, Corporal--what's your name?"
Saluting again, "Rabinowitz," he answered:
A joke that seems at first to be a story
About the Jews. But as the renga describes
Religious meaning by moving in drifting petals
And brittle leaves that touch and die and suffer
The changing winds that riffle the gutter swirl,
So in the joke, just under the raucous music
Of Fleming, Jew, Walloon, a courtly allegiance
Moves to the dulcimer, gavotte and bow,
Over the banana tree the moon in autumn--
Allegiance to a state impossible to tell.
|
Written by
Ellis Parker Butler |
Captain O’Hare was a mariner brave;
He refused to abandon his ship;
A hero, he sleeps in a watery grave—
And his widow is now Mrs. Bipp,
Haw! Haw!
His widow is now Mrs. Bipp!
Henri Dupont was a fearless young ace;
Five thousand feet up he was hit;
Each year on his grave pretty flowers we place—
And his widow is now Mrs. Schmitt,
Haw! Haw!
His widow is now Mrs. Schmitt!
Corporal Dunn was a volunteer bold;
He plunged in the deadliest fray;
A bayonet thrust laid him out stony cold—
And his widow is now Mrs. Gray,
Haw! Haw!
His widow is now Mrs. Gray!
But Peter McGuck was a cowardly sneak,
Like a hound he remained home in fear;
When fishing one day he fell into the creek—
And his widow is now Mrs. Greer,
Haw! Haw! Haw!
Mrs. William O’Houlihan Greer!
|
Written by
Sir Henry Newbolt |
It fell in the year of Mutiny,
At darkest of the night,
John Nicholson by Jal?ndhar came,
On his way to Delhi fight.
And as he by Jal?ndhar came,
He thought what he must do,
And he sent to the Rajah fair greeting,
To try if he were true.
"God grant your Highness length of days,
And friends when need shall be;
And I pray you send your Captains hither,
That they may speak with me."
On the morrow through Jal?ndhar town
The Captains rode in state;
They came to the house of John Nicholson,
And stood before the gate.
The chief of them was Mehtab Singh,
He was both proud and sly;
His turban gleamed with rubies red,
He held his chin full high.
He marked his fellows how they put
Their shoes from off their feet;
"Now wherefore make ye such ado
These fallen lords to greet?
"They have ruled us for a hundred years,
In truth I know not how,
But though they be fain of mastery
They dare not claim it now."
Right haughtily before them all
The durbar hall he trod,
With rubies red his turban gleamed,
His feet with pride were shod.
They had not been an hour together,
A scanty hour or so,
When Mehtab Singh rose in his place
And turned about to go.
Then swiftly came John Nicholson
Between the door and him,
With anger smouldering in his eyes,
That made the rubies dim.
"You are over-hasty, Mehtab Singh," --
Oh, but his voice was low!
He held his wrath with a curb of iron
That furrowed cheek and brow.
"You are over-hasty, Mehtab Singh,
When that the rest are gone,
I have a word that may not wait
To speak with you alone."
The Captains passed in silence forth
And stood the door behind;
To go before the game was played
Be sure they had no mind.
But there within John Nicholson
Turned him on Mehtab Singh,
"So long as the soul is in my body
You shall not do this thing.
"Have ye served us for a hundred years
And yet ye know not why?
We brook no doubt of our mastery,
We rule until we die.
"Were I the one last Englishman
Drawing the breath of life,
And you the master-rebel of all
That stir this land to strife --
"Were I," he said, "but a Corporal,
And you a Rajput King,
So long as the soul was in my body
You should not do this thing.
"Take off, take off, those shoes of pride,
Carry them whence they came;
Your Captains saw your insolence,
And they shall see your shame."
When Mehtab Singh came to the door
His shoes they burned his hand,
For there in long and silent lines
He saw the Captains stand.
When Mehtab Singh rode from the gate
His chin was on his breast:
The captains said, "When the strong command
Obedience is best."
|
Written by
Ralph Waldo Emerson |
Himself it was who wrote
His rank, and quartered his own coat.
There is no king nor sovereign state
That can fix a hero's rate;
Each to all is venerable,
Cap-a-pie invulnerable,
Until he write, where all eyes rest,
Slave or master on his breast.
I saw men go up and down
In the country and the town,
With this prayer upon their neck,
"Judgment and a judge we seek."
Not to monarchs they repair,
Nor to learned jurist's chair,
But they hurry to their peers,
To their kinsfolk and their dears,
Louder than with speech they pray,
What am I? companion; say.
And the friend not hesitates
To assign just place and mates,
Answers not in word or letter,
Yet is understood the better;—
Is to his friend a looking-glass,
Reflects his figure that doth pass.
Every wayfarer he meets
What himself declared, repeats;
What himself confessed, records;
Sentences him in his words,
The form is his own corporal form,
And his thought the penal worm.
Yet shine for ever virgin minds,
Loved by stars and purest winds,
Which, o'er passion throned sedate,
Have not hazarded their state,
Disconcert the searching spy,
Rendering to a curious eye
The durance of a granite ledge
To those who gaze from the sea's edge.
It is there for benefit,
It is there for purging light,
There for purifying storms,
And its depths reflect all forms;
It cannot parley with the mean,
Pure by impure is not seen.
For there's no sequestered grot,
Lone mountain tam, or isle forgot,
But justice journeying in the sphere
Daily stoops to harbor there.
|
Written by
Philip Levine |
from an officer's diary during the last war
I
The sour daylight cracks through my sleep-caked lids.
"Stephan! Stephan!" The rattling orderly
Comes on a trot, the cold tray in his hands:
Toast whitening with oleo, brown tea,
Yesterday's napkins, and an opened letter.
"Your asthma's bad, old man." He doesn't answer,
And turns to the grey windows and the weather.
"Don't worry, Stephan, the lungs will go to cancer."
II
I speak, "the enemy's exhausted, victory
Is almost ours..." These twenty new recruits,
Conscripted for the battles lost already,
Were once the young, exchanging bitter winks,
And shuffling when I rose to eloquence,
Determined not to die and not to show
The fear that held them in their careless stance,
And yet they died, how many wars ago?
Or came back cream puffs, 45, and fat.
I know that I am touched for my eyes brim
With tears I had forgotten. Death is not
For these car salesmen whose only dream
Is of a small percentage of the take.
Oh my eternal smilers, weep for death
Whose harvest withers with your aged aches
And cannot make the grave for lack of breath.
III
Did you wet? Oh no, he had not wet.
How could he say it, it was hard to say
Because he did not understand it yet.
It had to do, maybe, with being away,
With being here where nothing seemed to matter.
It will be better, you will see tomorrow,
I told him, in a while it will be better,
And all the while staring from the mirror
I saw those eyes, my eyes devouring me.
I cannot fire my rifle, I'm aftaid
Even to aim at what I cannot see.
This was his voice, or was it mine I heard?
How do I know that in this foul latrine
I calmed a soldier, infantile, manic?
Could he be real with such eyes pinched between
The immense floating shoulders of his tunic?
IV
Around the table where the map is spread
The officers gather. Now the colonel leans
Into the blinkered light from overhead
And with a penknife improvises plans
For our departure. Plans delivered by
An old staff courier on his bicycle.
One looks at him and wonders does he say,
I lean out and I let my shadow fall
Shouldering the picture that we call the world
And there is darkness? Does he say such things?
Or is there merely silence in his head?
Or other voices which the silence rings?
Such a fine skull and forehead, broad and flat,
The eyes opaque and slightly animal.
I can come closer to a starving cat,
I can read hunger in its eyes and feel
In the irregular motions of its tail
A need that I could feel. He slips his knife
Into the terminal where we entrain
And something seems to issue from my life.
V
In the mice-sawed potato fields dusk waits.
My dull ones march by fours on the playground,
Kicking up dust; The column hesitates
As though in answer to the rising wind,
To darkness and the coldness it must enter.
Listen, my heroes, my half frozen men,
The corporal calls us to that distant winter
Where we will merge the nothingness within.
And they salute as one and stand at peace.
Keeping an arm's distance from everything,
I answer them, knowing they see no face
Between my helmet and my helmet thong.
VI
But three more days and we'll be moving out.
The cupboard of the state is bare, no one,
Not God himself, can raise another recruit.
Drinking my hot tea, listening to the rain,
I sit while Stephan packs, grumbling a bit.
He breaks the china that my mother sent,
Her own first china, as a wedding gift.
"Now that your wife is dead, Captain, why can't
The two of us really make love together?"
I cannot answer. When I lift a plate
It seems I almost hear my long-dead mother
Saying, Watch out, the glass is underfoot.
Stephan is touching me. "Captain, why not?
Three days from now and this will all be gone.
It no longer is!" Son, you don't shout,
In the long run it doesn't help the pain.
I gather the brittle bits and cut my finger
On the chipped rim of my wife's favorite glass,
And cannot make the simple bleeding linger.
"Captain, Captain, there's no one watching us."
|
Written by
Mary Darby Robinson |
By the side of the brook, where the willow is waving
Why sits the wan Youth, in his wedding-suit gay!
Now sighing so deeply, now frantickly raving
Beneath the pale light of the moon's sickly ray.
Now he starts, all aghast, and with horror's wild gesture,
Cries, "AGNES is coming, I know her white vesture!
"See! see! how she beckons me on to the willow,
"Where, on the cold turf, she has made our rude pillow.
"Sweet girl ! yes I know thee; thy cheek's living roses
"Are chang'd and grown pale, with the touch of despair:
"And thy bosom no longer the lily discloses--
"For thorns, my poor AGNES, are now planted there!
"Thy blue, starry Eyes! are all dimm'd by dark sorrow;
"No more from thy lip, can the flow'r fragrance borrow;
"For cold does it seem, like the pale light of morning,
"And thou smil'st, as in sadness, thy fond lover, scorning!
"From the red scene of slaughter thy Edmund returning,
"Has dress'd himself gayly, with May-blooming flow'rs;
"His bosom, dear AGNES! still faithfully burning,
"While, madly impatient, his eyes beam in show'rs!
"O ! many a time have I thought of thy beauty--
"When cannons, loud roaring, taught Valour its duty;
"And many a time, have I sigh'd to behold thee--
"When the sulphur of War, in its cloudy mist roll'd me!
"At the still hour of morn, when the Camp was reposing,
"I wander'd alone on the wide dewy plain:
"And when the gold curtains of Ev'ning were closing,
"I watch'd the long shadows steal over the Main!
"Across the wild Ocean, half frantic they bore me,
"Unheeding my groans, from Thee, AGNES, they tore me;
"But, though my poor heart might have bled in the battle,
"Thy name should have echoed, amidst the loud rattle!
"When I gaz'd on the field of the dead and the dying--
"O AGNES! my fancy still wander'd to Thee!
"When around, my brave Comrades in anguish were lying,
"I long'd on the death-bed of Valour to be.
"For, sever'd from THEE, my SWEET GIRL, the loud thunder
"Which tore the soft fetters of fondness asunder--
"Had only one kindness, in mercy to shew me,
"To bid me die bravely , that thou, Love, may'st know me!
His arms now are folded, he bows as in sorrow,
His tears trickle fast, down his wedding-suit gay;
"My AGNES will bless me," he murmurs, "to-morrow,
"As fresh as the breezes that welcome the day !"
Poor Youth! know thy AGNES, so lovely and blooming,
Stern Death has embrac'd, all her beauties entombing!
And, pale as her shroud in the grave she reposes,
Her bosom of snow, all besprinkled with Roses!
Her Cottage is now in the dark dell decaying,
And shatter'd the casements, and clos'd is the door,
And the nettle now waves, where the wild KID is playing,
And the neat little garden with weeds is grown o'er!
The Owl builds its nest in the thatch, and there, shrieking,
(A place all deserted and lonely bespeaking)
Salutes the night traveller, wandering near it,
And makes his faint heart, sicken sadly to hear it.
Then Youth, for thy habit, henceforth, thou should'st borrow
The Raven's dark colour, and mourn for thy dear:
Thy AGNES for thee, would have cherish'd her Sorrow,
And drest her pale cheek with a lingering tear:
For, soon as thy steps to the Battle departed,
She droop'd, and poor Maiden ! she died, broken hearted
And the turf that is bound with fresh garlands of roses,
Is now the cold bed, where her sorrow reposes!
The gay and the giddy may revel in pleasure,--
May think themselves happy, their short summer-day;
May gaze, with fond transport, on fortune's rich treasure,
And, carelessly sporting,--drive sorrow away:
But the bosom, where feeling and truth are united--
From folly's bright tinsel will turn, undelighted--
And find, at the grave where thy AGNES is sleeping,
That the proudest of hours, is the lone hour of weeping!
The Youth now approach'd the long branch of the willow,
And stripping its leaves, on the turf threw them round.
"Here, here, my sweet AGNES! I make my last pillow,
"My bed of long slumber, shall be the cold ground!
"The Sun, when it rises above thy low dwelling,
"Shall gild the tall Spire, where my death-toll is knelling.
"And when the next twilight its soft tears is shedding,
"At thy Grave shall the Villagers--witness our WEDDING!
Now over the Hills he beheld a group coming,
Their arms glitter'd bright, as the Sun slowly rose;
He heard them their purposes, far distant, humming,
And welcom'd the moment, that ended his woes!--
And now the fierce Comrade, unfeeling, espies him,
He darts thro' the thicket, in hopes to surprize him;
But EDMUND, of Valour the dauntless defender,
Now smiles , while his CORPORAL bids him--"SURRENDER!"
Soon, prov'd a DESERTER, Stern Justice prevailing,
HE DIED! and his Spirit to AGNES is fled:--
The breeze, on the mountain's tall summit now sailing
Fans lightly the dew-drops, that spangle their bed!
The Villagers, thronging around, scatter roses,
The grey wing of Evening the western sky closes,--
And Night's sable pall, o'er the landscape extending,
Is the mourning of Nature! the SOLEMN SCENE ENDING.
|
Written by
Robert Graves |
Back from the line one night in June,
I gave a dinner at Bethune—
Seven courses, the most gorgeous meal
Money could buy or batman steal.
Five hungry lads welcomed the fish
With shouts that nearly cracked the dish;
Asparagus came with tender tops,
Strawberries in cream, and mutton chops.
Said Jenkins, as my hand he shook,
“They’ll put this in the history book.”
We bawled Church anthems in choro
Of Bethlehem and Hermon snow,
With drinking songs, a jolly sound
To help the good red Pommard round.
Stories and laughter interspersed,
We drowned a long La Bass?e thirst—
Trenches in June make throats damned dry.
Then through the window suddenly,
Badge, stripes and medals all complete,
We saw him swagger up the street,
Just like a live man—Corporal Stare!
Stare! Killed last May at Festubert.
Caught on patrol near the Boche wire,
Torn horribly by machine-gun fire!
He paused, saluted smartly, grinned,
Then passed away like a puff of wind,
Leaving us blank astonishment.
The song broke, up we started, leant
Out of the window—nothing there,
Not the least shadow of Corporal Stare,
Only a quiver of smoke that showed
A ***-end dropped on the silent road.
|
Written by
Thomas Hardy |
I
The thick lids of Night closed upon me
Alone at the Bill
Of the Isle by the Race {1} -
Many-caverned, bald, wrinkled of face -
And with darkness and silence the spirit was on me
To brood and be still.
II
No wind fanned the flats of the ocean,
Or promontory sides,
Or the ooze by the strand,
Or the bent-bearded slope of the land,
Whose base took its rest amid everlong motion
Of criss-crossing tides.
III
Soon from out of the Southward seemed nearing
A whirr, as of wings
Waved by mighty-vanned flies,
Or by night-moths of measureless size,
And in softness and smoothness well-nigh beyond hearing
Of corporal things.
IV
And they bore to the bluff, and alighted -
A dim-discerned train
Of sprites without mould,
Frameless souls none might touch or might hold -
On the ledge by the turreted lantern, farsighted
By men of the main.
V
And I heard them say "Home!" and I knew them
For souls of the felled
On the earth's nether bord
Under Capricorn, whither they'd warred,
And I neared in my awe, and gave heedfulness to them
With breathings inheld.
VI
Then, it seemed, there approached from the northward
A senior soul-flame
Of the like filmy hue:
And he met them and spake: "Is it you,
O my men?" Said they, "Aye! We bear homeward and hearthward
To list to our fame!"
VII
"I've flown there before you," he said then:
"Your households are well;
But--your kin linger less
On your glory arid war-mightiness
Than on dearer things."--"Dearer?" cried these from the dead then,
"Of what do they tell?"
VIII
"Some mothers muse sadly, and murmur
Your doings as boys -
Recall the quaint ways
Of your babyhood's innocent days.
Some pray that, ere dying, your faith had grown firmer,
And higher your joys.
IX
"A father broods: 'Would I had set him
To some humble trade,
And so slacked his high fire,
And his passionate martial desire;
Had told him no stories to woo him and whet him
To this due crusade!"
X
"And, General, how hold out our sweethearts,
Sworn loyal as doves?"
--"Many mourn; many think
It is not unattractive to prink
Them in sables for heroes. Some fickle and fleet hearts
Have found them new loves."
XI
"And our wives?" quoth another resignedly,
"Dwell they on our deeds?"
--"Deeds of home; that live yet
Fresh as new--deeds of fondness or fret;
Ancient words that were kindly expressed or unkindly,
These, these have their heeds."
XII
--"Alas! then it seems that our glory
Weighs less in their thought
Than our old homely acts,
And the long-ago commonplace facts
Of our lives--held by us as scarce part of our story,
And rated as nought!"
XIII
Then bitterly some: "Was it wise now
To raise the tomb-door
For such knowledge? Away!"
But the rest: "Fame we prized till to-day;
Yet that hearts keep us green for old kindness we prize now
A thousand times more!"
XIV
Thus speaking, the trooped apparitions
Began to disband
And resolve them in two:
Those whose record was lovely and true
Bore to northward for home: those of bitter traditions
Again left the land,
XV
And, towering to seaward in legions,
They paused at a spot
Overbending the Race -
That engulphing, ghast, sinister place -
Whither headlong they plunged, to the fathomless regions
Of myriads forgot.
XVI
And the spirits of those who were homing
Passed on, rushingly,
Like the Pentecost Wind;
And the whirr of their wayfaring thinned
And surceased on the sky, and but left in the gloaming
Sea-mutterings and me.
|
Written by
Ben Jonson |
HIGH-SPIRITED friend
I send nor balms nor cor'sives to your wound:
Your fate hath found
A gentler and more agile hand to tend
The cure of that which is but corporal; 5
And doubtful days which were named critical
Have made their fairest flight
And now are out of sight.
Yet doth some wholesome physic for the mind
Wrapp'd in this paper lie 10
Which in the taking if you misapply
You are unkind.
Your covetous hand
Happy in that fair honour it hath gain'd
Must now be rein'd. 15
True valour doth her own renown command
In one full action; nor have you now more
To do than be a husband of that store.
Think but how dear you bought
This fame which you have caught: 20
Such thoughts will make you more in love with truth.
'Tis wisdom and that high
For men to use their fortune reverently
Even in youth.
|
Written by
Andrew Barton Paterson |
Now ye gallant Sydney boys, who have left your household joys
To march across the sea in search of glory,
I am very much afraid that you do not love parade,
But the rum parade is quite another story.
For the influenza came and to spoil its little game,
They ordered us to drink a curious mixture;
Though at first it frightened some, when we found it mostly rum,
Parade became a very pleasant fixture.
Chorus
So it's forward the Brigade, if they'll hold a rum parade
At Pretoria there's nothing to alarm ye;
And it's easy to be seen if they leave the quinine,
Ye'll be there before the blessed British Army.
Then a corporal he come and he said I drank the rum,
But the quinine never reached its destination;
For begob he up and swored that I threw it overboard,
Sure my heart was filled with grief and indignation.
For I'm different to some, I prefer quinine to rum,
And I only take the rum just as a favour,
And it's easy to be seen I'm so fond of the quinine,
That I keep it lest the rum should spoil its flavour.
When we get to Africay we'll be landed straight away,
And quartered with the troops of Queen Victoria;
And we hope they'll understand that the moment that we land
We are ready for a march upon Pretoria.
And we'll pay off all the scores on old Kruger and his Boers,
And just to prove our manners aren't a failure,
And to show we are not mean, shure we'll give them the quinine,
And drink the rum in honour of Australia.
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