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Best Famous Coping Poems

Here is a collection of the all-time best famous Coping poems. This is a select list of the best famous Coping poetry. Reading, writing, and enjoying famous Coping poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of coping poems.

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Written by Jean Ingelow | Create an image from this poem

REQUIESCAT IN PACE!

My heart is sick awishing and awaiting:
  The lad took up his knapsack, he went, he went his way;
And I looked on for his coming, as a prisoner through the grating
  Looks and longs and longs and wishes for its opening day.
On the wild purple mountains, all alone with no other,
  The strong terrible mountains he longed, he longed to be;
And he stooped to kiss his father, and he stooped to kiss his mother,
  And till I said, "Adieu, sweet Sir," he quite forgot me.
He wrote of their white raiment, the ghostly capes that screen them,
  Of the storm winds that beat them, their thunder-rents and scars,
And the paradise of purple, and the golden slopes atween them,
  And fields, where grow God's gentian bells, and His crocus stars.
He wrote of frail gauzy clouds, that drop on them like fleeces,
  And make green their fir forests, and feed their mosses hoar;
Or come sailing up the valleys, and get wrecked and go to pieces,
  Like sloops against their cruel strength: then he wrote no more.
O the silence that came next, the patience and long aching!
  They never said so much as "He was a dear loved son;"
Not the father to the mother moaned, that dreary stillness breaking:
  "Ah! wherefore did he leave us so—this, our only one."
They sat within, as waiting, until the neighbors prayed them,
  At Cromer, by the sea-coast, 'twere peace and change to be;
And to Cromer, in their patience, or that urgency affrayed them,
  Or because the tidings tarried, they came, and took me.
It was three months and over since the dear lad had started:
  On the green downs at Cromer I sat to see the view;
On an open space of herbage, where the ling and fern had parted,
  Betwixt the tall white lighthouse towers, the old and the new.
Below me lay the wide sea, the scarlet sun was stooping,
  And he dyed the waste water, as with a scarlet dye;
And he dyed the lighthouse towers; every bird with white wing swooping
  Took his colors, and the cliffs did, and the yawning sky.
Over grass came that strange flush, and over ling and heather,
  Over flocks of sheep and lambs, and over Cromer town;
And each filmy cloudlet crossing drifted like a scarlet feather
  Torn from the folded wings of clouds, while he settled down.
When I looked, I dared not sigh:—In the light of God's splendor,
  With His daily blue and gold, who am I? what am I?
But that passion and outpouring seemed an awful sign and tender,
  Like the blood of the Redeemer, shown on earth and sky.
O for comfort, O the waste of a long doubt and trouble!
  On that sultry August eve trouble had made me meek;
I was tired of my sorrow—O so faint, for it was double
  In the weight of its oppression, that I could not speak!
And a little comfort grew, while the dimmed eyes were feeding,
  And the dull ears with murmur of water satisfied;
But a dream came slowly nigh me, all my thoughts and fancy leading
  Across the bounds of waking life to the other side.
And I dreamt that I looked out, to the waste waters turning,
  And saw the flakes of scarlet from wave to wave tossed on;
And the scarlet mix with azure, where a heap of gold lay burning
  On the clear remote sea reaches; for the sun was gone.
Then I thought a far-off shout dropped across the still water—
  A question as I took it, for soon an answer came
From the tall white ruined lighthouse: "If it be the old man's daughter
  That we wot of," ran the answer, "what then—who's to blame?"
I looked up at the lighthouse all roofless and storm-broken:
  A great white bird sat on it, with neck stretched out to sea;
Unto somewhat which was sailing in a skiff the bird had spoken,
  And a trembling seized my spirit, for they talked of me.
I was the old man's daughter, the bird went on to name him;
  "He loved to count the starlings as he sat in the sun;
Long ago he served with Nelson, and his story did not shame him:
  Ay, the old man was a good man—and his work was done."
The skiff was like a crescent, ghost of some moon departed,
  Frail, white, she rocked and curtseyed as the red wave she crossed,
And the thing within sat paddling, and the crescent dipped and darted,
  Flying on, again was shouting, but the words were lost.
I said, "That thing is hooded; I could hear but that floweth
  The great hood below its mouth:" then the bird made reply.
"If they know not, more's the pity, for the little shrew-mouse knoweth,
  And the kite knows, and the eagle, and the glead and pye."
And he stooped to whet his beak on the stones of the coping;
  And when once more the shout came, in querulous tones he spake,
"What I said was 'more's the pity;' if the heart be long past hoping,
  Let it say of death, 'I know it,' or doubt on and break.
"Men must die—one dies by day, and near him moans his mother,
  They dig his grave, tread it down, and go from it full loth:
And one dies about the midnight, and the wind moans, and no other,
  And the snows give him a burial—and God loves them both.
"The first hath no advantage—it shall not soothe his slumber
  That a lock of his brown hair his father aye shall keep;
For the last, he nothing grudgeth, it shall nought his quiet cumber,
  That in a golden mesh of HIS callow eaglets sleep.
"Men must die when all is said, e'en the kite and glead know it,
  And the lad's father knew it, and the lad, the lad too;
It was never kept a secret, waters bring it and winds blow it,
  And he met it on the mountain—why then make ado?"
With that he spread his white wings, and swept across the water,
  Lit upon the hooded head, and it and all went down;
And they laughed as they went under, and I woke, "the old man's daughter."
  And looked across the slope of grass, and at Cromer town.
And I said, "Is that the sky, all gray and silver-suited?"
  And I thought, "Is that the sea that lies so white and wan?
I have dreamed as I remember: give me time—I was reputed
  Once to have a steady courage—O, I fear 'tis gone!"
And I said, "Is this my heart? if it be, low 'tis beating
  So he lies on the mountain, hard by the eagles' brood;
I have had a dream this evening, while the white and gold were fleeting,
  But I need not, need not tell it—where would be the good?
"Where would be the good to them, his father and his mother?
  For the ghost of their dead hope appeareth to them still.
While a lonely watch-fire smoulders, who its dying red would smother,
  That gives what little light there is to a darksome hill?"
I rose up, I made no moan, I did not cry nor falter,
  But slowly in the twilight I came to Cromer town.
What can wringing of the hands do that which is ordained to alter?
  He had climbed, had climbed the mountain, he would ne'er come down.
But, O my first, O my best, I could not choose but love thee:
  O, to be a wild white bird, and seek thy rocky bed!
From my breast I'd give thee burial, pluck the down and spread above thee;
  I would sit and sing thy requiem on the mountain head.
Fare thee well, my love of loves! would I had died before thee!
  O, to be at least a cloud, that near thee I might flow,
Solemnly approach the mountain, weep away my being o'er thee,
  And veil thy breast with icicles, and thy brow with snow!


Written by Robinson Jeffers | Create an image from this poem

Birth-Dues

 Joy is a trick in the air; pleasure is merely 
 contemptible, the dangled
Carrot the ass follows to market or precipice;
But limitary pain -- the rock under the tower 
 and the hewn coping
That takes thunder at the head of the turret-
Terrible and real.
Therefore a mindless dervish carving himself With knives will seem to have conquered the world.
The world's God is treacherous and full of unreason; a torturer, but also The only foundation and the only fountain.
Who fights him eats his own flesh and perishes of hunger; who hides in the grave To escape him is dead; who enters the Indian Recession to escape him is dead; who falls in love with the God is washed clean Of death desired and of death dreaded.
He has joy, but Joy is a trick in the air; and pleasure, but pleasure is contemptible; And peace; and is based on solider than pain.
He has broken boundaries a little and that will estrange him; he is monstrous, but not To the measure of the God.
.
.
.
But I having told you-- However I suppose that few in the world have energy to hear effectively- Have paid my birth-dues; am quits with the people.
Written by Emile Verhaeren | Create an image from this poem

And now that the lofty leaves have fallen

And now that the lofty leaves have fallen, that kept our garden sheltered beneath their shade, through the bare branches can be seen beyond them the roofs of the old villages climbing towards the horizon.
So long as summer poured out its gladness, none of us saw them grouped so near our door; but now that the flowers and the leaves are withered, we often brood on them with gentle thoughts.
Other people live there between stone walls, behind a worn threshold protected by a coping, having as sole friends but the wind and the rain and the lamp shining with its friendly light.
In the darkness at the fall of evening, when the fire awakens and the clock in which time swings is hushed, doubtless, as much as we, they love the silence, to feel themselves thinking through their eyes.
Nothing disturbs for them or for us those hours of deep and quiet and tender intimacy wherein the moment that was is blessed for having been, and of which the coming hour is always the best.
Indeed, how they also clench the old happiness, made up of pain and joy, within their trembling hands; they know each other's bodies that have grown old together, and each other's looks worn out by the same sorrows.
The roses of their life, they love them faded, with their dead glory and their last perfume and the heavy memory of their dead brightness falling away, leaf by leaf, in the garden of the years.
Against black winter, like hermits, they stay crouching within their human fervour, and nothing disheartens them and nothing leads them to complain of the days they no longer possess.
Oh! the quiet people in the depths of old villages! Indeed, do we not feel them neighbours of our heart! And do we not find in their eyes our tears and in their courage our strength and ardour!
They are there beneath their roof, seated around fires, or lingering sometimes at their window-sill; and on this evening of spacious, floating wind, perhaps they have thought of us what we think of them.

Book: Shattered Sighs